Activision has at last revealed the cover for Deadpool, the upcoming video game developed by High Moon Studios and written by Daniel Way.
Arriving June 25 for or PlayStation 3, Xbox 360 and PC, Deadpool is a third-person shooter in which the character — like his comic-book counterpart — breaks the fourth wall to interact with players, in between combat focusing on guns, twin swords and an expanded arsenal that includes lasers and giant hammers.
Paolo Rivera and David Petersen received gold and silver honors, respectively, in the comics category of the 20th Spectrum Fantastic Art Awards, presented Saturday during Spectrum Live in Kansas City. The awards recognize the best in fantasy, science fiction and horror art.
Rivera won for this cover for Daredevil #10, while Petersen won for Mouse Guard: The Black Axe #4, Page 19.
Tor.com has the complete list of winners, which includes a number of names familiar to comics readers: Dan Dos Santos, Charles Vess, Sam Weber and Brom.
DC Collectibles has unveiled four convention-exclusive products that will be offered only to those attending Comic-Con International, held July 18-21 in San Diego.
Fans of Cartoon Network’s DC Nation programming block may want to grab the three-pack of Super Best Friends Forever action figures (above), designed by Lauren Faust and sculpted by Irene Matar. Supergirl, Batgirl and Wonder Girl each stand 6.5 inches, 5.45 inches and 6.8 inches, respectively. The three-pack is priced at $49.95. Or, there’s the Aardman: Superman action figure, designed by Rich Webber and sculpted by Phil Ramirez. Standing at about 6.5 inches, it’s prices at $24.95.
Patton Oswalt’s hilarious eight-minute Star Wars filibuster for Parks and Recreation is already legendary, earning the adoration of nerds everywhere, and even spawning a movie poster. But if you have trouble comprehending his his frenetic vision for a Star Wars/Marvel Universe crossover, don’t worry: animator Isaac Moore has you covered.
Using Oswalt’s own words, and Amy Poehler’s occasional interruptions, Moore brings the pitch to life in appropriately quirky fashion, with a blend of movie stills, comic art, stock photography and lord only knows what else.
Welcome to “Cheat Sheet,” ROBOT 6′s guide to the week ahead. While some of you will be taking full advantage of the three-day Memorial Day Weekend by enjoying a summer blockbuster, a barbecue or the first dip of the year in the outdoor pool, others will be heading to the Phoenix Convention Center for the 13th annual Phoenix Comicon.
But while everyone else is packing their bags, and stocking up on sunscreen, ROBOT 6′s contributors are busy spotlighting some of the best books going on sale Wednesday.
Sometimes, artists who make the jump from comics to galleries have been out of the drawing-funny-books business for so long, it’s hard to tell what their current feelings are toward the medium that gave them their first push forward.
For example, it’s been a while since I heard an interview with David Choe, but when I did, they all focused on what his Facebook stock options were worth, rather than if he had any plans to bring Slow Jams back into print. We’ll give Choe the benefit of the doubt, though: He may have chanced of becoming the fourth- or fifth-richest living artist (depending on whose estimate you believe), but he still seems to be living the same productive bohemian life he’s always led. Just this week, two new projects of his have reached the internet: some street art he collaborated on in LA, and the release of a screen-print based on a mural painted on the former home of Pablo Escobar in Medellín. The print is called “Stockholm Syndrome,” presumably a comment on the madness that overtook Columbia during Escobar’s reign.
Warren Ellis has a new ebook debuting June 15 called Dead Pig Collector, and Sunday, via his Machine Vision email list, he revealed the book’s cover, by his Fell collaborator Ben Templesmith.
Dead Pig Collector, Ellis says, is “a love story. It is also about killing people and effectively disposing of their bodies.” Check out the complete cover after the jump.
Despite recent reports to the contrary, longtime Batman voice actor Kevin Conroy has confirmed he will return for the upcoming prequel video game Batman: Arkham Origins.
Batman News reports that while appearing over the weekend at Dallas Comic-Con, Conroy revealed he has been working on the game for the past nine or 10 months but has been prevented by a non-disclosure agreement from talking about the project.
“It’s an unbelievable game,” he told the crowd. “I still can’t say anything about it [...] but it’s amazing. It’s a huge, huge cast, and a big story, and it took almost a year to write and put together. They’ve been working on it for a long time.”
Update (8:21 a.m.): A Warner Bros. spokesman tells IGN.com that “Roger Craig Smith is confirmed as the voice of Batman and Troy Baker is confirmed as the voice of The Joker in Batman: Arkham Origins,” which could mean, as the site suggests, that Conroy is lending his voice for a framing sequence, playing another character entirely, or working on another Arkham game.
Conventions | More than 30,000 people descended upon the 24th annual Motor City Comic Con over the weekend, with attendees reportedly waiting for up to two hours just to get into the parking lot, and then another one to four hours to get in the doors of Novi, Michigan’s Suburban Collection Showplace. Comics legend Stan Lee and The Walking Dead star Norman Reedus apparently contributed to the long lines, but the site was also hosting two other events and undergoing construction of a hotel, leading to a parking shortage. According to The Oakland Press, some fans parked as much as a mile away; traffic was backed up for miles. For the first time, the convention offered advance tickets, allowing attendees to pay extra in exchange for not having to wait in line. However, because of a mess-up, even those who pre-ordered had to wait in line. Related: Lee talks to USA Today during the convention. [The Oakland Press]
Hello and welcome to What Are You Reading?, our weekly look at the comics, books and whatever else we’ve been checking out lately. Today our guest is Shaun Manning, a former staffer at CBR, occasional convention reporter and comics writer. His current project is a comic called Hell, Nebraska (with artist Anna Wieszczyk), and he’s currently running a Kickstarter to raise funds to publish it. So go check it out.
To see what Shaun and the Robot 6 crew have been reading, click below.
Hello and welcome to Shelf Porn! Today’s shelves come from Chris Makro, a comic artist in Greece, who shows us his collection of both Greek and American comics, statues, artwork and more.
If you’d like to submit your own collection for all the world to see, check out the details and send it our way.
And now here’s Chris …
Daredevil #28 is about “one man young Daredevil feared, and now Matt Murdock is representing him in court.” The cover sports a young bully wearing a T-shirt that claims, “I beat Daredevil,” and now thanks to the folks at WeLoveFine.com, you too can claim you got the best of Matt Murdock with a similar T-shirt.
The “I Beat Daredevil” is one of several new ones on the site; they’ve also got the “Fake Geek Girl” shirt Kevin linked to on Friday, as well as several Hawkeye-related shirts that were curated by Matt Fraction — including one that simply says “Bro.”
Check out the I Beat Daredevil shirt, as well as the Chris Samnee cover that inspired it, after the jump.
People have been saying for years that TCAF is the best comics event of the year, and although this was my first TCAF, I have to say that they weren’t exaggerating.
The reason is simple: TCAF focuses on the comics, nothing else. It is unmarred by superhero-themed cars, screeching videogame sound effects, or giant banners promoting this summer’s movies. What’s more, it’s not at all corporate. The big publishers are entirely absent, because this show is about creator-owned indie comics. Everyone is doing their own thing, not working for The Man (or The Licensor, as the case may be). It’s a show for enthusiasts.
That’s not to say there aren’t big names. In fact, the guest list reads like a Who’s Who of independent comics creators. A quick sample: Art Spiegelman, Seth, Gilbert and Jaime Hernandez, Taiyo Matsumoto, Ruto Modan, Bryan Lee O’Malley, Hope Larson, Faith Erin Hicks, and Michel Rabagliati, whom I had the pleasure of interviewing for a panel and who won the Doug Wright Award on Saturday evening for his Song of Roland.
Thirty-six questions. Six answers. One random number generator. Welcome to Robot Roulette, where creators roll the virtual dice and answer our questions about their lives, careers, interests and more.
Now let’s get to it …
This time I think I’m going to be less biased. That’s not to say I wasn’t fair to the first J.J. Abrams Star Trek movie; in fact, I thought it was a pretty ingenious way to honor the past while divorcing it from your present. There’s something to be said for discovering that balance between old and new, continuity and change, that’s so hard to find when adapting something as well-chronicled as Star Trek. We’re looking at years of television history, hours of movies, and shelves and shelves of novels to work into the mix, and 2009′s Star Trek managed to juggle all of that to an extent I wouldn’t have expected to work. Of course, it wasn’t perfect, but it tried, and it got the heart of this new universe centered into its own final frontier.
Also, I was in that movie, so like I said, this time I’m going to be less biased.
I have seen Star Trek Into Darkness (no colons needed!) in the finest format I could think of: true IMAX and in real 3D. It was vivid and full of life; as the closing credits rolled and I watched the names of countless CGI artists and editing staff go by, I was once again thinking of that balance between the old and the new. The 2009 Trek brought in boatloads of new fans, a whole new generation to enjoy the adventures of the Starship Enterprise. Die-hard Trekkies and Trekkers had a breath of fresh air and something of their favorite television show back in the public eye, giving us new life and new civilizations to explore. While I’m sure there are plenty of opinionated people on the Internet that prefer one or the other, there’s been a resurgence in the Star Trek community that has benefited from Abrams’ new vision. And as I can wax rhapsodical about what the new movie means and how it will effects fans and the stories to come, it’s really important to take a moment and talk about Star Trek Into Darkness for what it is right here and now. Is this a good movie? Regardless of impact on science fiction or as a litmus test for what the Star Wars franchise is in for now that Abrams is tapped to work in a galaxy far, far away, join me as I look at what we see on screen and if it works just as well the second time around.
WARNING: SPOILERS for Star Trek Into Darkness ahead! Lots and lots of SPOILERS!! We’re talking plot, major scenes and character arcs, so for those who haven’t gotten to see the movie yet, please be warned. Everyone else? Let’s boldly go …