It’s not easy being Stan Lee, particularly when it feels as if people only like you for your body of work.
“I’m glad people care about Spider-Man and Iron Man and the X-Men and the Hulk and Doctor Strange and all the others,” the legendary creator says in the latest installment of “Stan’s Rants.” “But this burns me up: I’ll meet somebody. ‘Hello, how are you? My name is Stan.’ ‘I’m Joe, that’s fine … Hey, Stan, tell me about Spider-Man.’ Or, ‘Hey, Stan, how come in the latest Iron Man story you did … Stan, how come this happened?’ Nobody ever says to me, ‘Tell me about yourself.’ All they want to know is my characters. How about me? What makes me happy? Did I have a good day, did I have a bad day? What are my hopes, my dreams, my aspirations? Nobody cares!”
Over the past few years, Mike Maihack’s adorable Batgirl/Supergirl comic strips have become a holiday tradition. Today, the creator of Cow & Buffalo and Cleopatra in Space is back with a new Christmas edition, in which the eternally cheerful Maid of Might wants to go caroling in Gotham. Which is apparently a lot like trick-or-treating …
“I feel like every Batgirl/Supergirl comic I’ve drawn so far has led up to this one right here,” the cartoonist writes. “Anyhow, Merry Christmas, everyone! I hope everyone is okay if this is the last of these for a while. 2015 is going be a busy, busy year for me.”
In the past year, both Loki and Superman have dropped by Sesame Street to teach the beloved characters valuable (and not at all sinister) lessons, and this week it’s Magneto’s turn. Or is that Gandalf’s?
Appearing alongside Sir Cookie Monster, Ian McKellen is tasked with telling young viewers what the word resist means. But considering that Cookie Monster doesn’t even know, it’s up to the actor to explain, using a couple of vaguely familiar examples.
“Say there was something you really loved, and it pulled you towards it like some sort of powerful magnet,” says the Master of Magnetism. “If you were able to control yourself and not go near it, you would resist it.”
There have been quite a few excellent depictions — both official and unofficial — of dancing baby Groot from Marvel’s Guardians of the Galaxy, and it was only a matter of time before Hot Toys decided to try its hand at one. The toy company, known for its incredibly detailed and accurate action figures from Marvel Studios films, has announced a Little Groot collectible is in the works, featuring three interchangeable head sculpts, special paint application, and movable arms and body to help replicate his dancing skills from the end of the blockbuster.
The shortlist has been announced for the 2015 Stan Lee Excelsior Award and the new Stan Lee Excelsior Award Junior, whose winners are selected by students at secondary and primary schools, respectively, across the United Kingdom.
Established in 2011 by Paul Register, a school librarian in Sheffield, the Stan Lee Excelsior Award is designed to promote comics and to encourage children and teenagers to read. The Stan Lee Excelsior Award Junior is being introduced this year.
The winners — first, second and third place — will be announced in July. The nominees are:
Stan Lee Excelsior Award
- All-New Ghost Rider: Engines of Vengeance, by Felipe Smith and Tradd Moore (Marvel)
- Barakamon, by Satsuki Yoshino (Yen Press)
- Rocket Girl, Vol. 1, by by Brandon Montclare and Amy Reeder (Image Comics)
- Red Baron: The Machine Gunners’ Ball, by Pierre Veys and Carlos Puerta (Cinebook)
- Superman/Wonder Woman: Power Couple, by by Charles Soule and Tony S. Daniel (DC Comics)
- Moonhead and the Music Machine, by Andrew Rae (Nobrow)
- Alone: The Vanishing, by Bruno Gazzotti and Fabien Vehlmann (Cinebook)
- Ms. Marvel: No Normal, by G. Willow Wilson and Adrian Alphona (Marvel)
Following up on last week’s announcement, the artist reveals the issue likely will be listed in Image Comics’ solicitations for May, a little more than four years after the critically acclaimed debut of Nonplayer #1.
In an FAQ posted on his website, beneath the headline “Halley’s Comic Returns,” the artist also elaborates on the factors that led to the lengthy delay between issues (in addition to the previously mentioned shoulder injury, new child and day job, Simpson reveals he also helped to care for his mother, who passed away last year).
“… I ended up having to throw out the original first six pages of #2,” he writes. “They felt like they had been drawn by somebody whose eye was not on the ball, which they were. When I finally shook off the brain-fog and gave the first pages an honest read, it was clear they’d have to be redone. Super bummer. On top of all that, I had contrived to switch from Photoshop to IllustStudio to streamline my pipeline. Not only did it take me a while to get comfortable with the new interface, the work I did with the program felt lifeless because of the way the linework was automatically stabilized. I finally found the right settings to replicate the feel of the first issue, but that took time. And then time ran out.”
Publishing | The British independent publisher Great Beast, which has released the work of Dan Berry, Marc Ellerby and Isabel Greenberg, among others, will close on Jan. 7. Founded in 2012 by Ellerby and Adam Cadwell, the publisher was something of a victim of its own success, as Cadwell explains: “As the group got bigger, as the books became more successful and as we widened the range of shops we sold to there became more of a need for the management and promotion to come from one or two people and Marc Ellerby and I (Adam Cadwell) happily took up that role. However, as time went on we found that the time spent working for the benefit of the group was getting in the way of us actually making our own comics, which is why we started the group in the first place… We looked at many ways of monetising the group so we could pay someone to run things whilst still giving the creators the bulk of the profits but we just couldn’t find a fair way to make it work.” [Great Beast Blog]
In this past summer’s Teenage Mutant Ninja Turtles film, the latest live-action iteration of Kevin Eastman and Peter Laird enduring multimedia franchise, Splinter tests the foursome’s mettle by attempting to break their concentration with a 99-cheese pizza dubbed “Novantanove Formaggio” — which for those counting at home is a full 95 cheeses more than a comparatively pedestrian four-cheese pie.
With the film out on DVD and Blu-ray today, Paramount actually attempted to create the mythical concoction — first crafted by an Australian chef — and sent it out to media outlets, including Comic Book Resources. A publicity stunt? Yes, but when a publicity stunt involves dozens of melty cheeses sent to our door, you can bet that we’re going to mark the occasion accordingly.
Author and cartoonist Norman Bridwell, best known for his celebrated Clifford the Big Red Dog books, passed away Dec. 12 in Martha’s Vineyard, the Martha’s Vineyard Times reports. He was 86.
Born in 1928 in Kokomo, Indiana, Bridwell attended art school in Indianapolis and New York City before going to work as a commercial artist. By 1962, with a wife and infant daughter to support, he set out to supplement his income by securing work as a children’s book illustrator; among his portfolio pieces was a painting of what would eventually become Clifford.
“I did about 10 paintings. One was of a little girl standing under the chin of a big red dog and holding out her hand to see if it was still raining,” Bridwell recalled last year to the School Library Journal. “I was rejected everywhere I went. One editor, Susan Hirschman, said that my work was too plain. She said, ‘You may have to write a story, and then if they buy the story, you could do the art. She pointed to the sample of the girl and the dog and said, ‘Maybe that’s a story.’”
I’m sad to say I was unfamiliar with cartoonist James Chapman’s Soundimals before he tweeted this helpful primer to sounding like a dog in 14 languages. I plan to remedy that.
Available on his Etsy page, Soundimals: An Illustrated Guide to Animal Sounds in Other Languages is just what the title suggests: 32 pages of Chapman’s too-cute animals demonstrating what sounds they make around the world. In Romanian, the bear says “MOR,” and in Japanese, the elephant says “PAO,” and so on. You can see a selection of the pages on Chapman’s blog.
No one is likely to mistake this for a hole in the ground, but Hobbit devotees looking to continue the experience beyond the trilogy-ending Battle of the Five Armies may want to consider a stay at the Hobbit House in Thailand.
Just two hours from Bangkok, the rental cottage is entirely above ground, but otherwise bears a fairly decent likeness to Bag End, right down to the round green door and earthen roof. Luckily, however, this version has air conditioning and wireless Internet, still unavailable in the Shire, despite Saruman’s efforts to modernize.
Patton Oswalt and Ivan Brunetti have a bit of a history, with the comedian writing the foreword to the 2007 collection Ho! The Morally Questionable Cartoons of Ivan Brunetti, and the cartoonist illustrating the cover of his 2009 album My Weakness Is Strong. So for Oswalt’s upcoming show at New York City’s historic Carnegie Hall, he again turned to Brunetti, who created a poster featuring a lineup of comedy legends.
Yeti Press is selling a limited number of those 12-inch by 18-inch posters on its website for $15. Given the popularity of both the comedian and the cartoonist, they probably won’t last long.
If you were to make a list of the greatest gadgets dreamed up by Jack Kirby, the Mother Box would undoubtedly rank somewhere near the top. It’s the Ginsu knife of (sentient) comic book tech: it can open and close boom tubes, absorb and project energy blasts, communicate telepathically, control non-sentient machines … It probably even slices and dices.
And soon, you can get one of your very own. All right, DC Collectibles’ Mother Box Prop Replica won’t open any boom tubes, but all the noise and lights will make you think it can. Just check out the video promoting its July release, below.
If you’re still searching for a gift for a Marvel fan on your shopping list, you might keep this in mind: The publisher is offering a two-month subscription to its massive digital archive for the price of one.
Through Jan. 4, new and returning subscribers can purchase two months of Marvel Unlimited for $9.99, gaining access to more than 15,000 classic and newer comics, dating from the Golden Age to about six months ago. In October, the publisher added some of its Season One graphic novels to the lineup.
Marvel Unlimited can be accessed on the web and through the Marvel Unlimited app on iPhone, iPad and select Android devices.
For full details, visit the Marvel Unlimited website; to take advantage of the limited offer, use the promo code “Unwrap.”
Initially teased in June with the familiar phrase “The crime is life, the sentence is death,” the figure now has a price and a preorder date — $60, beginning Jan. 14 — along with the promise, “Death Isssss Coming!”