Axel-In-Charge: Navigating the "Civil War II" Landscape, Bringing DMC to Marvel
The best way I’ve come up with to explain it is that looping animation (and sound, for that matter) still communicate a static span of time. If panel 2 clearly comes after panel 1 and before panel 3, it still feels like comics, even if panel 2 is a short loop of some sort.
It’s a good point, and in this case, the motion gets more and then less pronounced as the comic goes along, so there is a progression to it. Scott says,
The point isn’t whether or not we want to give it a particular label or not, but whether a given comic works as storytelling. Does it feel whole? Can we lose ourselves in the reality of the strip? And in this case, I’d say yes.
I agree that the animation fits the story, but looking a the comic as a whole is a bit like trying to read a comic printed on a bowl of Jell-O.