Axel-In-Charge: Extending "Secret Wars," Excitement for a "Totally Awesome Hulk"
Retailing | Bankrupt bookseller Borders Group said in court papers filed Friday that it will name a stalking-horse bidder by July 1, with an eye toward completing the sale of all of its assets by the end of July. The Detroit News spotlights the two private-equity firms that have placed bids to buy at least a majority of the book chain’s 416 remaining stores: Phoenix-based Najafi Cos., which owns the Book of the Month Club, Columbia House and BMG; and Los Angeles-based Gores Group — the likely stalking-horse bidder — whose investments include Alliance Entertainment and Westwood One. [Reuters, The Detroit News]
Legal | Peanutweeter, a blog that combined frames from Charles Schulz’s Peanuts strips with real, out-of-context tweets, has been taken down by Tumblr as the result of a Digital Millennium Copyright Act complaint from Iconix Brand Group, which acquired a majority stake in the Peanuts assets last year. One blogger, however, argues the blog should be considered fair use. [RIPeanutweeter, Boing Boing]
Retailing | David Ranii looks at how some North Carolina comic stores are weathering the recession. [The Charlotte Observer]
Creators | The Detroit Free Press profiles native son Geoff Johns. [Detroit Free Press]
Creators | Heath McCoy profiles artist, and Calgary native, Fiona Staples ahead of her Joe Shuster Awards win: “So many (artists) get disappointed, because they really wanted to work at Marvel or draw Batman or that sort of thing, and that only happens for a fraction of them. It’s not the most practical goal … You sort of get tunnel vision fixating on these things … My goals are just set in terms of the level I want my art to be at.” [Calgary Herald]
Broadway | Julie Taymor, who was fired in March as director of Spider-Man: Turn Off the Dark, is alarmed that the producers consulted focus groups for their overhaul of the $70-million musical: “Shakespeare would have been appalled. Forget about it. It would be impossible to have these works come out because there’s always something that people don’t like.” [The New York Times]