Robot 6

Comics A.M. | 30 years of Diamond; Angoulême memories

Diamond Comic Distributors

Publishing | John Jackson Miller profiles Diamond Comic Distributors to mark its 30th anniversary, offering a timeline of major events in the company’s history. [Comichron]

Conventions | Usagi Yojimbo creator Stan Sakai and AdHouse Publisher Chris Pitzer both report on their experiences at the Angoulême International Comics Festival. [Angoulême]

Retailing | Dark Horse Publisher Mike Richardson will give the keynote address at this week’s ComicsPRO Annual Membership Meeting. [NewsOK]

Retailing | Hypno Comics will open Saturday in Ventura, California. [Ventura County Star]

Wolverine: The Best There Is #3

Comics | David Brothers explains why Wolverine: The Best There Is is indeed the best Wolverine story of 2011: “Rather than being a story where Wolverine is the absolute best there is at what he does, and what he does is tear through anyone and everyone with ease, we get a story where Wolverine is forced to slow down, change his tactics, and think things through before really getting loose (because we have expectations for Wolverine stories, of course).” [4thletter!]

Commentary | Kristy Valenti looks at Habibi and Paying for It, two brown-covered graphic novels about male sexual obsession, a genre she dubs “dick lit.” [comiXology]

Creators | Zippy creator Bill Griffith is the guest on the video interview show Mr. Media Radio. [Mr. Media Radio Interviews]

Suicide Squad #6

Creators | Writer Adam Glass talks about the new story arc in DC Comics’ Suicide Squad that focuses on Harley Quinn. [USA Today]

Analysis | Nicolas Labarre looks at a particularly interesting six-panel sequence from Garth Ennis and Steve Dillon’s Preacher. [Comics and the U.S. South]

Digital | The Vietnamese Communist Party may think they can censor provocative comics like Killer With a Festering Head, but tech-savvy teens know better. [The Washington Post]

Comics | John Parker looks at Spawn through the lens of history: “For those read the comic during its initial publication, the Spawn Compendium is a virtual time machine, whooshing us back to the joy and confusion of our teens. For entirely new readers it must be like studying artifacts. Spawn is the quintessential ’90s comic, inseparable from the trends and events that lead to its creation, and its subsequent impact on the industry.” [ComicsAlliance]

Comics | William Cardini discusses his work on Rub the Blood, the ’90s Image tribute project edited by Ian Harker and Pat Aulisio. [The Daily Texan]

Comics | KC Carlson talks about the long-in-development The Judas Coin by Walt Simonson, which he got a sneak preview of when trapped at the Simonson house during an ice storm. [Comics Worth Reading]

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Comments

One Comment

Dick Lit, huh? That has to be one of the stupidest genres you could ever lump Habibi into. Thank you Robot 6 for saving me a click through.

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