Robot 6

The Middle Ground #111 | Talking your way out of your own boxes

I’m both amused by, and entirely supportive of, Tom Spurgeon’s promotion of the 30th Anniversary of Love & Rockets as the news story to come from Comic-Con International. Amused because the cynic in me laughs at the idea that Love & Rockets‘ long-running success will manage to make itself heard over the inevitable sturm-und-drang of Marvel NOW! and whatever the new DC promotion is these days (is it still the New 52, even a year later?), and supportive because, really? It should be a massive news story: Three decades of creators continually at the top of their game, when their game is already pretty much better than everyone else’s even at their worst? That’s definitely something people should be talking about, especially when compared with “X-Men franchise gets relaunched 13 months after the last time it got relaunched.”

All of that said, I find it really hard to write about Love & Rockets.

Part of it is that I don’t really have a history with the series; I’ve already admitted, shamefully, that I only really came to it in the last few years, and that definitely plays into my anxiety about writing about it to say anything more than “It’s really very good, and sometimes jaw-droppingly excellent; if you’re not already doing so, you should read it” over and over again. There are countless other people, smarter and with more of a history with the series who can tell you about Jaime, Gilbert and Mario Hernandez’ work in ways far more worthy of your time, and all I’d be adding is noise instead of signal.

Plus, there’s the fact that I’m not a pure L&R fan; I ruin whatever credibility I have when I say that so much of Gilbert’s work leaves me somewhat cold, especially in comparison with Jaime’s. Part of that is definitely that my introduction to Gilbert came through more recent projects, where it feels to me as if he’s as interested in indulging his fetishes for exploitation genre writing and giant boobs as he is for creating easily relatable narratives, sure. But there’s also a sense of, well, almost anyone’s work pales when put next to Jaime Hernandez. There have literally been books written about Jaime’s beautiful work as an artist, with influences from Dan DeCarlo and Toth and a spareness of line that embraces the unreality and history of comics even as it demonstrates an understanding of how real people move that puts ‘most every other comic artist working today to shame. It’s something that’s mirrored in his writing, which veers from the fantastic surreality of the out-tomorrow God and Science: The Return of the Ti-Girls to the so-real-your-heart-will-break The Love Bunglers, all the while filled with the good humor and awkward silences of real life conversation. In an industry filled with people doing outstanding work, Jaime is still in a league of his own, setting standards for others to aspire to.

There’s another reason why I find it hard to write about Love & Rockets; Jaime Hernandez makes me feel like a smitten teenager, all tongue-tied and unable to talk about why it’s so great without ending up rambling on, embarrassingly.

And then there’s the fact that Love & Rockets contains (at least) two story cycles that, if someone were to sit down and write up a list of The Comics You Should Read To Understand What Comics Are Capable Of, would be up there in the top ten (Locas and Palomar, of course; even if you’re somewhat immune to much of Gilbert’s work like me, Palomar is still just undeniable). How can you not be daunted by a library like that, looming down on you?

(It’s struck me, more than once since actually sitting down to read Love & Rockets, that the book’s legacy as this highpoint of the medium can be as much of a detriment as a bonus; you get people afraid of what they’ll be stepping into, as if they’ll be “expected” to love it, and you get those contrarians who’ll stay away because they just “know” that it’s overrated. I find myself wanting to talk them down from their mental ledges, to say to them, you’re not, and it’s not. It’s just a comic, just like any other except this one is exceptionally good.)

So, yeah. Love & Rockets. It’s scary to write about, so I invent conceits to get around my own fear of doing so. What else can I say? It’s really very good, and sometimes jaw-droppingly excellent. If you’re not already doing so, you should read it.



This is on my list of things I ought to have read and will get around too once financially able too

Jake Earlewine

July 10, 2012 at 8:04 pm

I had the good fortune to read the entire original Love and Rockets run (50 magazines) when they first came out. However, I recently bought (and re-read) the two hardcover books containing all of Jaime Hernandez’s work (Locas and Locas II). Stunning! Jaw-dropping! Breathtaking! This is what comics can be!

Compared to this great body of work by Jaime Hernandez, the entire sum of Marvel and DC’s output for the last 25 years is a steaming pile of monkey poop. The only comics work during this period that is in this class is Terry Moore’s “Strangers in Paradise” and Alan Moore’s “The Watchmen.”

Gilbert Hernandez’s work is often amazing, too, but it can only pale next to his brother’s work. For those who are ready to be blown away by a master of comic art and storytelling, I lovingly recommend purchasing Locas and Locas II in hardcover. Of course, it may make you want to urinate on all your Jim Lee and Rob Liefield comics…

I picked up the very first issue 30 years ago and didn’t really “get it,” so I didn’t try it again for another couple of years. Since then, though, I’ve been a regular reader and can attest to the power of the artistry and story-telling skills that Los Bros Hernandez bring to the medium. It really is a joy to read, has had a powerful impact on my life, and I’m grateful L&R is still around.

In the last few years, Fantagraphics has made it all too easy to get into the series. Those handsomely packaged volumes collecting the first series are a must own for any comic fan. Since having bought and read the whole series it’s turned out to be the series I talk about and lend to friends. I can’t recommend it enough.

The annualy volumes of “New Stories” have also been exceptionnally high in quality of storytelling.

John Dominguez

July 11, 2012 at 7:40 am

I’m in the minority, in that I like Gilberto’s work better than Jaimie’s. The PALOMAR book just blew me away more than any of the original L&R books ever did.

I definitely have to say that I am much more looking forward to this year’s upcoming edition of Love and Rockets: New Stories, as well as whatever other projects the Hernandez Brothers have in the works, than I am 95% of the material that DC and Marvel are planning to put out.


July 11, 2012 at 8:17 am

Does it have Batman or the Avengers in it?

I find the recent backlash against Gilbert interesting/odd/amusing given that in the 80s he was considered the more “literary” and therefore better of the two, while Xaime was the more genre-driven and less significant storyteller. For my money, I think they’re both in the pantheon of Best Cartoonists Ever. I think Poison River alone puts Beto in that category, never mind all the other excellent work he’s done.

Mautner speaks the truth. I also remember that period when the roles were reversed. And I still remember the day I first read Chelo’s Burden and how mind-blowing that was for me; the artistry and craft in that otherwise simple, short story promised a world of narrative possibilities that I hadn’t considered before. Poison River is truly Beto’s masterpiece and just as good as any of Jaime’s best work.

Comics is ridiculously lucky to have two such master cartoonists still going strong.

Regarding the Jaime vs. Gilbert debate, I’ve often thought of it in tems of Kirby vs. Ditko. Both are extremely talented artists, but each of them has a very different sensibility to their work.

In a better world, Didio begins the DC panel by saying “Nothing Ive ever published or ever will publish will be as utterly brilliant as The Love Bunglers so I’m resigning in defeat. Save yourselves: Go home and burn your Geoff Johns comics and read The Love Bunglers. Thank you, that is all.” And then drops the mic and walks off the stage.

I am also a Jaime guy, but why should we have to choose? Love and Rockets is back-to-front awesome.

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