Universal Options "The Wicked + The Divine" for TV Adaptation
Although we’ve seen many new titles in DC Comics’ New 52, there really haven’t been new characters. Sure, we’ve been introduced to new versions of old favorites or new additions to larger, historic franchises, when you’re talking about wholly new concepts, with no years of built-up awareness, then the New 52’s titles are rather … old. That is, until September’s Talon series.
Talon spirals out of Scott Snyder and Greg Capullo’s Batman story arc “Night of the Owls,” in which Bruce Wayne discovers a centuries-old secret society named the Court of the Owls has been operating under his nose. The new series follows Calvin Rose, a member who goes rogue and tries to stay one step ahead of the organization. This isn’t a new character carrying the legacy prefix of Bat-something, Super-something or continuing the legacy of an entrenched hero like Green Lantern; Talon is a new character, cut from a new cloth. And that’s important.
DC and Marvel have been chided (and rightfully so) by fans and pundits for their inability to create new characters with new titles to join established stalwarts like Spider-Man and Batman. But just as Hollywood studios find it easier to produce sequels and retreads, the superhero universes of DC and Marvel create new feature characters largely by riding on the coattails of established ones. What would Daken or X-23 if they weren’t the children of Wolverine? Would Batwoman have as much impact if she didn’t share the Bat-emblem? And just look at the recent switch-up of Thunderbolts to Dark Avengers, to better align itself with the more recognized “Avengers” mantle.
And while Talon isn’t completely new, as he springs out of an organization introduced in recent Batman comics, he’s by far the closest thing to new DC or Marvel’s superhero universes have seen in some time. Let’s see how it works.