Robot 6

Butcher Billy inserts some four-color magic back into superhero movies

We’ve featured the Brazilian artist Butcher Billy a couple of times in Art Barrage; he’s an illustrator whose work demonstrates a keen eye for modern culture and a wicked sense of humor. His latest portfolio of work, posted at the creative network Behance, is “The Superhero Media Crossover Project,” a collection of images inserting comic art into stills taken from their movie adaptations. It’s very effective, and strangely moving, for this fan of classic comic art, anyway. These images demonstrate what, to me, is missing in just about every comics-to-film adaptation  — a little pop-art brightness and fizz (Edgar Wright’s Scott Pilgrim vs. The World being the only one in recent times to get a pass on this matter — am I really the only one who wants to see sound effects rather than just hearing them?). In Billy’s own words:

It’s easy to forget how much the comic stylings of the 60’s and 70’s have inspired modern films and just how timeless those two-dimensional, spandex-clad superheroes can be. This series replaces live action with the lines they were born from, interlacing cinematography with storyboard.

A true homage to Kirby, Ditko, Romita Sr. and all the other artists that kept inspiring and being a reference to the modern media. And all of us.










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Comments

4 Comments

The one when Hulk catches Iron Man is my favorite. Great job.

Hey, Mark! Thanks for the kind words once again.

Totally agree – from all of the posts I am getting from that project, you are the one to GET exactly what I wanted to express with it. Nolan is great and all, but his vision lacks a bit of color, and the “reality base” actually makes it lose loads of cool things that could perfectly be there. Ed Wright gets it with Scott Pilgrim – which is the best adaptation of a 16-bit videogame that never was.

These are awesome.

These rock! Where can I get wallpaper sized ones for my desktop? :)

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