Happy Easter and welcome once again to What Are You Reading?, where we review the stuff we’ve been checking out lately. Today we are joined by Miranda Mercury and Voltron writer Brandon Thomas, whose collection of original art and other stuff we featured in Shelf Porn yesterday.
To see what Brandon and the Robot 6 crew have been reading, click below.
It doesn’t look like there were as many comic-related announcements on Saturday at WonderCon as there were on Friday, but the second day of the con certainly brought some gems.
• IDW and DC announced that Mark Waid (Daredevil, Insufferable) and Paul Smith (Uncanny X-Men, Leave it to Chance) are teaming up for The Rocketeer/Spirit: Pulp Friction. “Not many writers have been lucky enough to write The Rocketeer or The Spirit,” Waid said in a press release, “so I feel like I’ve won the lottery. This is one of the most exciting-and scariest-assignments I’ve ever undertaken. Luckily, I’ve got Paul Smith to make me look good!” The first issue of the miniseries arrives in July.
Nominees for the 2013 Hugo Awards have been released, with five comics competing in the “Best Graphic Story” category. In addition, Chicks Dig Comics: A Celebration of Comic Books by the Women Who Love Them was nominated in the “Best Related Work” category, while The Avengers film was nominated in the “Best Dramatic Presentation, Long Form” category.
Nominees for the “Best Graphic Story” category include:
• Grandville Bête Noire, written and illustrated by Bryan Talbot (Dark Horse Comics, Jonathan Cape)
• Locke & Key Volume 5: Clockworks, written by Joe Hill, illustrated by Gabriel Rodriguez (IDW)
• Saga, Volume One, written by Brian K. Vaughn, illustrated by Fiona Staples (Image Comics)
• Schlock Mercenary: Random Access Memorabilia, written and illustrated by Howard Tayler, colors by Travis Walton (Hypernode Media)
• Saucer Country, Volume 1: Run, written by Paul Cornell, illustrated by Ryan Kelly, Jimmy Broxton and Goran Sudžuka (Vertigo)
The awards will be presented at LoneStarCon 3, in San Antonio, Texas, Aug. 29-Sept. 2, where Cornell will serve as the toastmaster. You can find the complete list of nominees on the Hugo Awards site.
The animated cartoon My Little Pony: Friendship is Magic is already a hit in Japan (where the title is My Little Pony ~Tomodachi wa Mahō~), and now it’s coming to the pages of the children’s manga magazine Pucchigumi as well. The news was revealed at the Tokyo International Anime Fair, where, according to Anime News Network, a flyer was passed out with the news. A representative from the Japanese company Bushiroad told ANN that the artist for the manga will be named sometime this spring.
Pucchigumi sounds like the sort of magazine that kids love and parents loathe; it runs a lot of licensed series based on properties such as Barbie, Tamagotchi, and Jewelpet. A glance at the cover of the current issue reveals a crowded layout, an excess of pink, and lots of big-eyed, super-cute characters, so Pinkie Pie, Applejack, and Twilight Sparkle should fit right in.
Pucchigumi is published by Shogakukan, one of the parent companies of Viz, so if the manga were ever to be licensed in the U.S., that’s who would probably publish it—and indeed, it would be a logical addition to their VizKids line. Of course, IDW already has a serialized My Little Pony: Friendship is Magic comic, so the relationship could be complicated.
WonderCon Anaheim 2013 kicked off yesterday at the Anaheim Convention Center, with badges for Friday selling out at some point during the day. Saturday and three-day badges already sold out, so it looks like just Sunday is left if you were hoping to attend but didn’t purchase your badge in advance.
There weren’t a lot of announcements coming out of the show yesterday, and in fact I’m not completely sure what could be considered “WonderCon news” and what was just, um, news, but here’s a round-up of stuff you may have missed from Friday:
• 2014 will bring a crossover between DC’s two Earths, according to Earth 2 writer James Robinson. “If I’m talking about a big event that’s happening in 2014, it’s all these characters meeting each other,” said Robinson, citing Crisis on Infinite Earths and the Justice Society during his spotlight panel in Anaheim. Robinson also said his goal was to make sure the writers involved in the event were invested in the story, and described himself as “the point guy” when it comes to the event, saying that Scott Snyder, Geoff Johns and Dan DiDio are also very involved. Earth 2 is also getting its own Batman, and the book will also feature the introductions of Starman (Ted Knight), Red Arrow (Earth 2′s version of Green Arrow), Hourman, Wildcat, Mister Miracle and Big Barda in the future.
Hello and welcome to Shelf Porn, our weekly look into the home of a fan. Today’s shelves belong to Brandon Thomas, writer of Voltron and The Many Adventures of Miranda Mercury. Brandon shares his collection of original art, statues, trade paperback and much more.
If you’d like to submit your own collection for all the world to see, check out the details and send it our way.
And now here is Brandon …
Thirty-six questions. Six answers. One random number generator. Welcome to Robot Roulette, where creators roll the virtual dice and answer our questions about their lives, careers, interests and more.
Today Greg Pak, writer of Batman/Superman, Vision Machine, Red Skull, Incredible Hercules, X-Treme X-Men and many other comics, steps up to the wheel.
Now let’s get to it …
IDW Publishing announced today it will turn its lasers on the literary masterpieces this summer in Mars Attacks: Classics Obliterated!, a 48-page one-shot in which the alien invaders target the likes of Moby Dick, The Strange Case of Dr. Jekyll & Mr. Hyde and Robinson Crusoe.
The publisher asks, “What would it be like if frothing invaders had been holding Melville, Stevenson, and Defoe at gunpoint, forcing them to reimagine their renowned works through the bloodshot eyes of a crazed, skull-faced Martian?” We’ll find out with the help of Phil Hester, Beau Smith and Neil Kleid, and artists John McCrea, Kelley Jones and Carlos Valenzuela.
Mars Attacks: Classics Obliterated!, which sports a variant cover by Earl Norem, arrives in stores June 5.
One of the most symbolic moments of Superman is when he changes from his guise as Clark Kent to become the Man of Steel. The idea that the wearing of a costume imbues some kind of unquantifiable power is a key part of what makes superhero comics work; otherwise, they’d just be adventurers and action heroes.
But speaking of change, changes in superhero costumes have become as much a part of the comics as the heroes themselves. From Superman’s early days with his golden emblem to the modern “S” today and on through to other years (including Batman’s countless wardrobe changes), the design of a superhero isn’t static and a redesign has proved, many times, to be just the thing to make a character work.
In this week’s “Six by 6,” I pinpoint six of the most dynamic and powerful redesigns in superhero comics. Redesigns that saved a character from obscurity, put them in a new light or simply simplified what was already there.
DC Comics’ digital-first series Batman Beyond and Justice League Beyond will get new creative teams this summer, which will also see the official debut of the Batgirl of the future.
IGN.com reports Nightwing writer Kyle Higgins and Venom artist Thony Silas will take the reins of Batman Beyond, with Sean Murphy and Jordie Bellaire providing covers, while Avengers Academy writer Christos Gage and Superboy artist Iban Coello will take over Justice League Beyond. JT Krul and Howard Porter will remain on Superman Beyond.
However, before Higgins and Silas make their debut, writer Scott Peterson and artist Annie Wu will introduce the future Batgirl, who’s said to have a good working relationship with Commissioner Barbara Gordon, in her own story arc in July.
Chris Bachalo is one of the preeminent superhero artists working in comics today, but that’s not what he originally wanted to do. Despite quietly becoming the most prolific X-Men artist of all time, Bachalo got his start in a far different place: Vertigo. As a child and teenager, he actively avoided X-Men comics, and his passions lay instead with more experimental artists like Bill Sienkiewicz and Dave McKean. But now as a 23-year veteran of comics he’s one of Marvel’s top artists.
But that doesn’t mean he isn’t prone to experiment.
Hard at work on the eighth issue of Uncanny X-Men, is redefining the franchise’s flagship title with writer Brian Michael Bendis while also planning a themed art book called Giant Robot Destroyer that collects drawings he’s over the years. And yes, he’s also thinking about Steampunk.
I’ve been writing about the Judge Minty short film since 2010, when after seeing the first teaser trailer I made the observation “these days Judge Dredd would be totally do-able on a BBC budget.” I still haven’t managed to see the bloomin’ thing yet, despite it becoming a U.K. comic convention staple since it premiered at the Leeds Film Festival last November.
Well, the wait is nearly over, as the production team has announced that it’ll soon be free to view on YouTube and Vimeo, without giving us an actual date yet (“in April/May” they vaguely state, the teasing sods). They’ve released a new extended trailer for the project to whet our appetites.
One thing this trailer adds is some great music. I’m no soundtrack expert, so for all I know it might be borrowed from elsewhere, but I do know that it reminds me of Jerry Goldsmith’s avant garde score for the original Planet of the Apes. And I still think that with a little ambition and imagination, Judge Dredd could work better on TV than in films.
Comics sales | The bookstore chain Books-A-Million had an up year, and CEO Terrance G. Finley credited that in part to strong graphic novel sales, including The Walking Dead and kids’ graphic novels. [ICv2]
Digital comics | Wired runs down a handful of digital comics apps, noting both the pluses and the minuses of each one. [Wired]
Creators | Yehudi Mercado talks about his kid-friendly comic Pantalones, TX, which is filled with Saturday morning cartoon-style action, authority-questioning, and risky business: “I did purposefully envision Pantalones, TX as the anti-safety pad cartoon. I see my nieces and nephews growing up in a sheltered and sanitized environment, they don’t play outdoors at all. When I was a kid we shot fireworks at each other while playing in a bayou. I’m not saying that’s the right thing to do, but there should be a balance.” [Wired]
Image Comics has provided ROBOT 6 with an exclusive first look at Dave Johnson’s variant cover for the debut issue of Jupiter’s Legacy, the Wagnerian superhero saga from Mark Millar and Frank Quitely.
Announced in January 2012 as Jupiter’s Children, the 12-issue miniseries centers on the offspring of superheroes who have essentially squandered their inheritance, failing to live of to the example set by their parents, who gained their powers in the 1920s after discovering a mysterious island.
You may remember the story of an antisocial teen working his way into Bruce Wayne’s life, and even becoming part of his family, before dying in a Robin costume.
You might also remember this story being called “Punish Not My Evil Son,”* as told by writer Bob Haney, penciler Neal Adams, and inker Dick Giordano (note: GCD credits Adams), in The Brave and the Bold vol. 1 #83 (April-May 1969).
Like much of the Haney oeuvre, “Punish” depends on unique circumstances that otherwise might not fit well within Batman’s shared universe. Young Lance Bruner, who’s around the same age as teenager Dick Grayson, is the son of one Prof. Bruner, Thomas Wayne’s “closest friend.” When we first meet him he’s horsing around with a couple of Wayne valuables and smarting off to Alfred, so already he’s off to a bad start. However, he shows Bruce an agreement signed by both Prof. Bruner and Dr. Wayne, which provides that “if anything ever happen[s] to the professor[,] the Wayne family promises to adopt and raise Lance.” Indeed, Bruce remembers seeing baby Lance in his dad’s arms, and recalls further that the professor was “the finest man I’ve ever known … besides my own dad!” Lance has already tearfully played the orphan card, so Bruce reminds a skeptical Dick how a certain other kid came to live at Wayne Manor — and away we go.