Vaughan & Chiang's "Paper Girls" Builds a Familiar Yet Disconcerting World
“It’s been my education in color comics. Prior to Godland I knew NOTHING about the comics business. Now I know SOMETHING. I used Godland as a laboratory where I could experiment. It’s not for me to say how successful any of these experiments were, but I came out of the experience the indestructible cockroach of a cartoonist I am today.
Had Godland been more successful, I would have happily worked on it until my dying day. Its difficulty finding traction in the market forced me to innovate and get out of my comfort zone. I mourn the loss of the Godland-that-might-have-been, but a successful Godland would’ve meant no American Barbarian, no Final Frontier, no Satan’s Soldier, no Mystery Object. I love Godland and I hate it. I was in my 20′s when it started, now I’m not. I can’t help feeling it stole those years away from me.
‘Life is at best bittersweet.’ Darkseid, Mister Miracle #18.”
— Tom Scioli, artist of Godland. The epic “prog rock comic” by Scioli and writer Joe Casey kicked off eight years ago and ends in November.