Marvel Studios, Feige No Longer Under Perlmutter's Purview
Comic Books, Film
This isn’t comics per se, but rather a collection of portraits Hornschemeier did of various notable figures as a late-night drawing exercise of sorts. One of the things I like is that Hornschemeier tries to change his style to suit the subject matter, or at least keep things from getting similar, so that Edward Gorey might be portrayed in a traditional stipple/cross-hatch method, J.D. Salinger and John Steinbeck are all made up of severe, angular, slashing lines, while P.G. Wodehouse seems to consist of a collection of basic geometric shapes that threaten to break off into pure abstraction. My favorites are probably the “blind continuous line” drawings, where Hornschemeier attempted to capture a person’s likeness without looking at the drawing or lifting his pen form the paper. These images have a lovely chaos to them that nevertheless manage to coalesce into an identifiable face.
On the downside, Hornschemeier has a tendency to elongate people’s faces, which can result in some rather odd-looking figures (Charles Schulz in particular seems rather off-model). He’s also obviously working off of photos, and part of me wished he took even more of a chance in attempting to draw his figures in different poses or expressions — especially with someone like Tesla, where the original image is so well know. On the upside, I also appreciated Hornschemeir’s notes in the back on each individual. Every so often he comes up with a delightful turn of phrase that captures an artist’s essence, as when he describes Richard Scarry art as, “The aesthetic equivalent of a towel fresh from the dryer.” All in all, it’s a nice little gift book that holiday present-shoppers can give to fans of Mother, Come Home or those who simply share the same sort of admiration Hornschemeier clearly does for these creative people.