Robot 6

Whither Pandora? (Other than in ‘Trinity of Sin: Pandora’)

first appearance

In summer 2011, the Geoff Johns/Andy Kubert event series Flashpoint was reaching its climax, and the fifth issue was devoted to The Flash trying to unscramble the mixed-up, dystopian timeline in a typically Flash way — by running around really fast.

Near the end, there was a strange, two-page spread of an interlude that seemed almost grafted on: The Flash catches a glimpse of a mysterious, hooded woman with glowing eyes and lines all over her face, who says portentously, “Because the history of heroes was shattered into three long ago. Splintered to weaken your world for their impending arrival. You must all stand together. The timelines must become one again.”

The timelines were those of the DC Universe, the WildStorm Universe and a handful of DCU characters who had mainly been appearing in books published by DC’s Vertigo imprint. The result? The New 52, the biggest and most dramatic reboot the oft-rebooted, retconned and otherwise tinkered-with DC Universe had ever experienced in the history of forever; they even relaunched Action Comics and Detective Comics!

So big a deal was the mysterious lady that she appeared in the first issue of every single one of the 52 new titles. She starred in the publisher’s first Free Comic Book Day offering after the reboot. She played a role in the three-book “Trinity War” crossover story, which one might reasonably have assumed to have something to do with the three timelines she merged in order to combat a threat of some kind (Although it didn’t). When she finally got her own series, Trinity of Sin: Pandora, the cover of the  first issue was filled with pretty much every character in the updated catalog.

This lady was obviously important, and her story would be central to the understanding the new status quo of the DC Universe, right?

Unfortunately, DC has yet to follow up on the mysterious, in-story reasoning for the biggest change to its fictional setting and superhero line since Crisis on Infinite Earths (if not longer), and nothing underscores and emphasizes the publisher’s rather perplexing decision to build up the character and her conflicts and then ignore them like a reading of Trinity of Sin: Pandora #1: The Curse, the new trade collection of the first five issues of the series, plus the aforementioned FCBD title.

pandora vol. 1The lady in the hood gradually grew more defined, with the lines on her face eventually becoming Rachel Grey-like tattoos, only more lightning-bolt in shape. The hood became more red than purple, and part of a rather smart suit. And, of course, she got a name: Pandora, from the figure in Greek mythology who released all of the misery and evil into the world.

The trade opens with material from the FCBD special and Justice League; that passage is written by Geoff Johns and drawn by five different artists. In it, we see The Phantom Stranger arguing with Pandora about the whole merging of the timelines thing. “You rewrote reality,” he says. “I realigned it. I strengthened it,” she says. “You think you did. You’re dangerous,” he says.

We then learn their origins. Along with a third person who would turn out to be The Question, Pandora and The Stranger were summoned to The Rock of Eternity, where a council of magical people from different cultures, but all wearing some article of clothing decorated with a Captain Marvel logo-like lightning bolt, sit in judgment of them.

“You three are the greatest transgressors mankind has ever known,” one of them says, “You three are THE TRINITY OF SIN.” Pandora, The Stranger and The Question were then sentenced to immortality and various other curses, released to walk the world for an eternity contemplating what they’ve done wrong.

But Pandora’s main interest isn’t in … whatever’s up with all these magic people. She merely wants to recover Pandora’s Box— in the DCU, a shiny golden, three-eyed skull — and put the things that escaped from it back in (here, the Seven Deadly Sins … the same ones that the Wizard Shazam kept imprisoned as statues on the Rock of Eternity in the old DCU).

And then we get to the first issue of Pandora proper, where the series’ regular writer Ray Fawkes takes over, joined by primary artist Francis Portela (with meet-the-deadline contributions by Daniel Samper).

Story continues below

Fawkes splits his time for the first three issues revealing Pandora’s origins and the centuries she spent learning how to combat and one day kill the Seven Deadly Sins (meanwhile, flashing back to scenes readers of the trade will have seen mere pages ago), and focusing on her involvement in the Justice League/Justice League of America/Justice League Dark crossover story “Trinity War,” which is essentially a bunch of different players trying to get their hands on Pandora’s Box.

Turns out it is actually just a Mother Box to Earth-3, a parallel universe where the Crime Syndicate, the evil opposite Justice League, hails from. The Sins aren’t the cause of sin on Earth, just interdimensional parasites who fed on the preexisting sin of Earth-New 52. Everything Pandora thought she knew – for, like, three issues — turns out to be wrong! (And, incidentally, the “Trinity” in “Trinity War” had nothing to do with the heroic Trinity of Superman, Batman and Wonder Woman, or the “Trinity of Sin,” or the three timelines that Pandora somehow — it’s yet to be explained how or why — used to forge The New 52 continuity.)

After three issues of “Trinity War” tie-ins,  and their dismantling of the presumed premise of the series, the Pandora monthly is then surrendered to Forever Evil tie-ins … and that’s where the trade ends.

This week Trinity of Sin: Pandora #9 also shipped, but you’ll find that the latest issue still has Pandora involved in Forever Evil tie-ins (specifically, a storyline titled “Blight” that’s running through a bunch of the DC books featuring magical characters that seems mainly designed to explain what John Constantine and The Phantom Stranger are doing instead of saving the world from the Crime Syndicate). There has yet to be an issue of Pandora’s monthly that hasn’t had the logo for either “Trinity War” or Forever Evil on the cover.

It makes for a very weird read, given the build-up the character received. The one story that pretty much anyone who was reading DC comics before and after the New 52 reboot wants to have told is being consistently, aggressively ignored … despite the now-monthly adventures of the character who is at the center of that story.

There’s still one more issue to go in the Forever Evil series, of course, but it seems highly unlikely that the threat Pandora merged the timelines together to face was the Crime Syndicate (For one thing, no one from the WildStorm Universe seems to be dealing with the Syndicate on any level in any arena; for the most part, it’s just the Justice Leaguers and a handful of villains who have appeared in Forever Evil proper).

The Crime Syndicate, as anyone reading Forever Evil will know, is only on this Earth because their home one was destroyed by a vague, unnamed threat they fear is on the verge of following them here. Could that be the threat promised in Flashpoint #5? Maybe, but unlikely, for the same reason — so far, the DCU timeline seems like it will be sufficient to the task of taking on all comers without any help from Swamp Thing or the WildCATS.

If DC is going to get around to telling the story of the New 52’s formation, it will likely happen in the next big storyline. The publisher hasn’t announced a follow-up to Forever Evil yet, but there’s so much to get done in the one remaining issue that it seems quite likely the series will simply prove the second act of a bigger story, much like “Trinity War” ended up merely serving as a prelude to Forever Evil rather than its own story.

All of which makes the decision to launch an ongoing monthly starring the character who created The New 52 without actually telling or even teasing that story so perplexing. Based on this volume, it seems like the publisher has so far changed its minds at least twice about who Pandora is and what her deal is, and that her book is one devoted to treading water.



This all seems like a decision the Pointy-Haired Boss from Dilbert would make. Typical.

Great article.

I have enjoyed Johns work quite a bit in the past (particularly his JSA, Wally West Flash, and Superboy runs), but he should NOT be in charge of line-wide plotting. The result has consistently been what we see here: teases that go nowhere, or, more accurately, go nowhere that makes any logical sense within the structure of the story. See Infinite Crisis, Blackest Night, and Brightest Day for more detail. Then again, don’t. I know Johns isn’t fully responsible for this mess, but he has a hand in it.

P.S. Does anyone else see the perfect meta-commentary in the fact that the in-story creator of the New 52 universe (Pandora) is told that she is mistaken in thinking that she has strengthened the universe? Either Johns is secretly crying for help, or he didn’t think that through fully. Either way, love it.

It’s been frustrating. I really looked forward to Pandora’s story because I thought it would be her going about the historical and/or magical characters and places in the DCU. But her title seems to only serve as an extra (and mostly worthless) to other stories. I don’t want her being a tag-a-long to Constantine. I liked it when she would go up against Savage and hoped it would have been more about things like that.
Deep down I worry that DC will just go, “eh..nobody really cares now and Pandora isn’t selling alot and neither is any of the Wildstorm brand..just forget the whole thing”.

Although there have been some bright spots in the New 52, the whole initiative seems like it was a last minute decision to try and shake things up.
From just plain uninspired cosmetic changes for change’s sake (Clark Kent is a blogger, now), to underwhelming creative teams on some of the relaunches to ideas that never really quite jelled to contradictions in various books about how to write characters and what is still part of DC’s “history.”
I think that, very slowly, DC is getting its “sea legs” back so to speak, in part because at some point just the passage of time will “shake out the kinks” of the reboot, just as there were a few years of problems following the original Crisis. Eventually things settle down and the writers just get back to telling stories and, perhaps, even re-adopting some of the history that was tossed out in the first place. Look at the solicitation for the new Geoff Johns’-penned Superman about Clark returning to the Daily Planet, for example.
But “Pandora” appears to be a perfect example of a last minute decision to launch the reboot with this new character, but then it’s abandoned after those plans fall to the wayside in favor of other editorial decisions.

So, my dad and I have a running bet and one day I will see Geoff Johns or Dan Dido and be able to ask them to settle it. I don’t think this was supposed to be a reboot of the DCU. I think it was supposed to a retooling – allowing them to get rid of concepts that didn’t work and to try new ones that did. The biggest change to the DCU was Superman’s relationship with Lois Lane and that didn’t change because of Flashpoint, but because of the events of Grant Morrison’s run (which fall very much in line with the Superman 2000 pitch from a few years ago). I think the three timelines were supposed to form a new DCU and allow them to bring in some Wildstorm and Milestone ideas. Unfortunately, last minute changes, editorial mandate, and (I’ll bet) corporate pressure saw the retooling turn into a reboot too quickly. The plotlines they have left over from the old DCU are now just being shoved aside. It’s sad because I would have liked to see them resolved, but I don’t think we’re ever going to. At least not until a new generation of writers and publishers take over.

I’ve always loved the DCU. I don’t the the NuDC, but sloppy inconsistent storytelling, that’s obviously not well thought out, has me reading less DC, and more indies, than ever.

This article just reiterates my frustration at not knowing more about Pandora and the back story to Flashpoint. Do they really expect anyone to buy all these titles, with so little cohesive material ?

@Paul Alln
Everything Johns has written post-reboot reads like a meta-commentary on the slow decay of DC comics. The Guardians try to destroy Green Lanterns and create a new army of mindless soldiers from scratch, like editors forcing their vision on veteran creators; Aquaman just wants to be on Earth, wants to shun his throne, but is forced to be the King, almost like how Johns is now only allowed to write two comics and focus more on his Executive duties; All the Justice Fight amongst themselves leading to, A group of Evil dopplegangers invade Earth, destroying all heroes, causing the villains to rise and ending in Lex Luthor taking over the Justice League, corporate restructuring and Dan Didio becoming publisher.

All of them except

All of them except the first arc of Justice League, which I sincerely doubt he actually wrote. The only other book with such ineptitude is Superman Unchained. In fact, it feels like they were written by the same person. *wink wink*

Your optimism in this matter is just adorable.

I’m glad that people are realizing that the New 52 was a “jump the shark” for DC Comics.

Good article. I’ve haven’t read any Pandora comics, but the name and design of the character seem uninspired and unappealing. I am somewhat intrigued by the explanation for the merging of the timelines and all that, but in a car-crash sort of way.


That’s brilliant! It almost makes me want to read some of the newer Johns stories I’ve skipped, just to add to the theory. I have Shazam on my shelf already; I’ll start there.

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