Albert Ching, Author at Robot 6 @ Comic Book Resources
The void left by Mike Marts moving from DC Comics back to Marvel has been filled, with long-running Vertigo editor Mark Doyle announcing Tuesday on Twitter that he’s taking over as Batman group editor. He’ll still be working on Vertigo titles as well, specifically mentioning American Vampire and The Wake — two titles written by Batman scribe Scott Snyder.
Snyder quickly expressed his enthusiasm for the move, writing on Twitter that “‘Thrilled’ doesn’t do justice to how thrilled I really am in welcoming [Doyle] to Gotham as Batman group editor. Mark is not only responsible for bringing me to DC via American Vampire (of which he’s the editor), but he’s edited the Wake, and some of my favorite books of past few years, from Sweet Tooth and Trillium on.”
Crediting Marts for bringing “Gotham to new heights,” Snyder said he was already showing Doyle his Batman and Superman work, and “there’s no one I trust more when it comes to story.”
Beyond those mentioned by Snyder, Doyle’s editing credits during his years at Vertigo also include American Splendor, Scalped and DMZ.
How do you get from the cheerful Batman of the 1960s to Christopher Nolan’s brooding Dark Knight? Based on new fan film Batman Evolution, it involves Black Mask, some gunky chemicals and dubstep.
Turns out, real-life superheroes have the same problems as their fictional inspirations. First there was Phoenix Jones and his Spider-Man-esque contentious relationship with Seattle police, and now a group of costumed crimefighters in East Jordan, Michigan. are embroiled in their own Civil War.
The Detroit News has shared the story of Petoskey Batman (Mark Williams, pictured above with his girlfriend Brittany Scott in a Batgirl costume) and Bee Sting (Adam Besso), former friends and partners turned enemies, in a feud sparked over leadership of their superhero squad, the Michigan Protectors. At this point, it’s probably smart to reiterate that this was an article that appeared in a local newspaper, about actual people.
Whether you’re looking to read Amazing Spider-Man in Korean or Avengers in Hindi, it just got a whole lot easier to purchase translated versions of Marvel Comics: The publisher released the “Marvel Global Comics” app on Thursday, a partnership (described as a “multi-year agreement”) with iVerse offering digital versions of some of their most popular stories in 12 different languages: Chinese (Simplified), Chinese (Traditional), French, German, Hebrew, Hindi, Italian, Japanese, Korean, Portuguese, Russian and Spanish. Given the popularity of Marvel’s characters worldwide — last year’s Iron Man 3 made $806.4 million in foreign box office, The Avengers even more — it’s not surprising to see the company try to increase their international appeal on the publishing front.
“Marvel has incredible fans all around the world, and we’re excited to bring digital comics to their mobile devices in their native languages,” Marvel’s Kristin Vincent, vice president of digital products, said in a statement. “This partnership with iVerse allows us to introduce Marvel’s rich history of action-packed stories to new audiences worldwide who want to know more about the Avengers, Spider-Man, Wolverine and the rest of the vast Marvel Universe.”
The deal further raises iVerse’s profile in the digital comics arena; the digital distributor has previously partnered with publishers including Top Cow, Viz, Archie Comics and Lion Forge. “We are lifelong fans of Marvel — their characters and their content,” iVerse CEO Michael Murphey said in Marvel’s press release. “It’s truly an honor to be able to partner with them to bring this spectacular content to the world on as many platforms as possible.”
Among the initial series available on the app are major events like Civil War, House of M, Infinity Gauntlet and Fear Itself; plus issues of ongoing series like New Avengers and Invincible Iron Man. The app is currently only available on Apple iOS devices, but Marvel’s says additional platforms are “tentatively scheduled” for later this year. The app is free and available now.
In 2012, Marvel gave Carol Danvers a promotion from “Ms. Marvel” to “Captain Marvel,” along with a new uniform and her own ongoing series. That move swiftly won over a very passionate, dedicated fanbase, and the “Carol Corps” are gathering to celebrate in Seattle on the eve of this year’s Emerald City Comicon. The venue is high-profile, and fitting given Danvers’ background as an Air Force pilot: The Museum of Flight, the world’s largest private air and space museum.
The event, dubbed “Carol Corps Celebration,” will include appearances from Kelly Sue DeConnick (writer of both the original Danvers-as-Captain Marvel solo series and the subsequent relaunch debuting in March), Ms. Marvel writer G. Willow Wilson and Christopher Sebela, who’s co-written several Captain Marvel issues with DeConnick. Tickets are $20, and will include “the opportunity to meet awesome featured guests, mingle with them and each other, socialize and enjoy the main exhibits in the Museum of Flight,” plus light snacks and beverages. (ECCC admission is not included.) All proceeds will be donated to the Girls Leadership Institute, an Oakland-based nonprofit.
The Carol Corps Celebration happens 7 p.m. to 10 p.m. on Thursday, March 27; Emerald City Comicon takes place March 28-March 30 at the Washington State Convention Center in Seattle.
A new entry in the field of nostalgia-based art comes in the form of Monster Edition, a zine featuring more than 40 artists giving their take on books from beloved children’s horror series Goosebumps.
This year’s installment of the annual LA Zine Fest has named its keynote speaker: alt-comics legend Jaime Hernandez, co-creator of Love and Rockets and a Southern California local.
Hernandez will be in conversation with Charles Hatfield, a CSU, Northridge professor and the author of Hand of Fire: The Comics Art of Jack Kirby and Alternative Comics: An Emerging Literature. The festival — a growing show in its third year, dedicated to celebrating independent publishing — is scheduled for Sunday, Feb. 16 at Helms Bakery in Culver City, with the list of exhibitors announced Tuesday.
Hernandez’s next release is The Love Bunglers, scheduled for April 2014 from Fantagraphics and starring his long-running Love and Rockets protagonist Maggie. The publisher officially describes the hardcover thusly: “In taking us through lives, deaths, and near-fatalities, The Love Bunglers encapsulates Maggie’s emotional history as it moves from resignation to memories of loss, to sudden violence (a theme in this story), and eventually to love and contentment.”
Yes, Amazing Spider-Man will return with a new #1 in April, as first leaked online a week ago and then confirmed by Marvel this past Sunday. One of comics’ most famous series making a semi-long-awaited comeback certainly seems like an opportune time for one of Alex Ross’s 12 75th anniversary variants scheduled for release from Marvel this year, and it looks like the publisher agrees. Ross’s Amazing Spider-Man #1 variant cover is also the cover of this month’s Previews, as revealed Monday on Twitter.
The first cover in Ross’s anniversary series is for Avengers #25, on sale next week. Ross also illustrated a variant for March’s Daredevil #1, another relaunched volume of a Marvel series birthed in the Silver Age.
While Ross’s Amazing Spider-Man cover pays tribute to the past, don’t expect the interior of the comic to be retro: “If we woke up in a world where J. Jonah Jameson was in the Bugle, and Peter Parker was taking pictures for a living, and Aunt May was in the hospital, I would shoot myself,” series writer Dan Slott told CBR in an interview on the new series. “It’s the ongoing story of Peter Parker, Spider-Man. His life moves forward.”
Update: A look at the cover sans text, courtesy of Marvel, below.
If the past few days of Shia LaBeouf-related news weren’t puzzling enough, here’s more: Following the revelation that his short film HowardCantour.com was nearly wholly lifted without credit or permission from Daniel Clowes’ comic Justin M. Damiano, the subsequent discovery that his multiple apologies were copied from sources ranging from Yahoo! Answers to Kanye West, it appears the text of the “About” page of LaBeouf’s Campaign Book website was directly ripped from the description of Dan Nadel’s soon-to-close PictureBox — something noted by Nadel himself on The Comics Journal.
The Campaign Book:
The connection between actor Shia LaBeouf and the comics world predates Monday’s revelation that he appropriated — without credit, permission or the legal rights to do so — much of Daniel Clowes’ Justin M. Damiano for his short film HowardCantour.com. In 2012, he self-published a few comic books, which received mostly perplexed reviews.
It also appears that, at least at one point, LaBeouf planned to bring a release from his Campaign Book imprint to BOOM! Studios.
On Dec. 4, 2012, LaBeouf announced on his @thecampaignbook Twitter account that a book titled Hotah had picked up a “publishing partner,” BOOM! Studios. Accompanying the tweet was a piece of art (above) with the BOOM! Town logo — it’s the imprint that released Shannon Wheeler’s Eisner-winning collection I Thought You Would Be Funnier — with a version of the same image, logo intact, used as LaBeouf’s Twitter background.
Following the discovery that Shia LaBeouf’s 2012 short film HowardCantour.com is a nearly exact adaptation of Daniel Clowes’ 2007 comic Justin M. Damiano — minus the credit or permission from the actor — the Transformers actor took to Twitter Monday night to offer an apology and respond to rapidly growing accusations of plagiarism.
In a series of tweets, LaBeouf wrote (slightly edited for format), “Copying isn’t particularly creative work. Being inspired by someone else’s idea to produce something new and different IS creative work. In my excitement and naiveté as an amateur filmmaker, I got lost in the creative process and neglected to follow proper accreditation. I’m embarrassed that I failed to credit @danielclowes for his original graphic novella Justin M. Damiano, which served as my inspiration. I was truly moved by his piece of work & I knew that it would make a poignant & relevant short. I apologize to all who assumed I wrote it. I deeply regret the manner in which these events have unfolded and want @danielclowes to know that I have a great respect for his work.”
About an hour later, the actor wrote succinctly, “I fucked up.”
While no further details about the imprint have been revealed, there are plenty of high-profile games on the roster of Take-Two, the parent company of both Rockstar Games (Grand Theft Auto, Max Payne) and 2K Games (BioShock, Borderlands). Ruwan Jayatilleke, Marvel’s former associate publisher, joined Take-Two earlier this year.
It wouldn’t be the first time Take-Two properties have gotten the comic book treatment: Marvel Custom Solutions published a Max Payne 3 comic in 2012, and IDW Publishing released Borderlands: Origins that same year.
Jemas was president of consumer products, publishing and new media for Marvel from 2000 to 2003, a time of notable change that saw the publisher drop the Comics Code Authority seal, launch its Ultimate and MAX imprints, introduce acclaimed runs like Grant Morrison and Frank Quitely’s New X-Men and receive national attention for books like the Rawhide Kid miniseries, which depicted the long-running Western hero as gay.
Something of a controversial figure at the time, Jemas also wrote the Marville series, part of the “U-Decide” competition. His era as Marvel president corresponded with the start of Joe Quesada’s long tenure of editor-in-chief, with their newsworthy moves documented in the 2002 Marvel publication Bill & Joe’s Marvelous Adventure.
Joe Casey, comic book veteran and one-quarter of the Man of Action animation-writing team, joins some impressive company in this month’s Playboy, an issue celebrating the 60th anniversary of the long-running men’s magazine. Casey’s one of several notable names, both living and dead, advertised on the magazine’s cover, along with Truman Capote, Ben Affleck, Erica Jong, Hunter S. Thompson, William S. Burroughs, Patton Oswalt and David Mamet.
Casey’s contribution to the issue is a Playboy-exclusive comic about a 1950s romance comic character in the 2013 dating world; it’s written by Casey, illustrated by his Haunt collaborator Nathan Fox, colored by Brad Simpson and lettered by Rus Wooton. Casey was featured in Playboy earlier this year, discussing his thematically appropriate Image Comics series Sex in the magazine’s March issue.
It’s been a busy couple of weeks for the writer — last week saw the release of the first Sex collection plus the Gødland Finale, wrapping up the Casey-written series that started in 2005. The 60th-anniversary Playboy, headlined by supermodel Kate Moss, is on sale digitally now, with a print edition available Friday.
As noticed by CBR Senior Editor Stephen Gerding, the first cover to the freshly announced new Ms. Marvel series, illustrated by Sara Pichelli, appears to be an homage to Gary Frank’s cover to debut issue of another comic starring a teenage girl hero, 1996′s Supergirl #1 — from the angle to the blank background to the juxtaposition of casual wear with superhero iconography.
That volume of Supergirl lasted 80 issues, so it could be a good portent for the Ms. Marvel book, which features a Muslim teenager named Kamala Khan stepping into the title role, in a series written by G. Willow Wilson and illustrated by Adrian Alphona.
Thursday’s installment of CBR’s long-running (and infamously blunt) review column “The Buy Pile” attracted more controversy than usual when writer Hannibal Tabu described the retailer at his local comic book store — Comics Ink in Culver City, just outside LA city limits — tearing up a copy of Image’s Pretty Deadly #1 in front of customers. Tabu made it know that he also had a negative take on the issue, calling it “remarkable in its rough hewn, unfinished looking art, drifting narrative and tedium.”
The incident as reported quickly took a life of its own, with sites like Bleeding Cool and Multiversity Comics weighing in on the situation, and industry professionals discussing and debating the topic; including Secret Avengers and Zero writer Ales Kot asking if the destruction was prompted by “anger about the product, or also by misogyny” given that three of the four main creative forces on the book — writer Kelly Sue DeConnick, penciler and inker Emma Rios and colorist Jordie Bellaire — are female (letter Claytown Cowles is male).
DeConnick remained silent on the issue until Friday, in a Tumblr post titled, “The Only Statement I Will Make On The Matter.” In it, the writer says she first found humor in getting a negative review in The Buy Pile, viewing it as something of a rite of passage: “I literally laughed out loud. Hey! I got jumped in!”