Brigid Alverson, Author at Robot 6 @ Comic Book Resources
Conventions | The organizers of the Supanova pop culture festival in Melbourne, Australia, triggered a social-media firestorm after removing a comic by artist Scarlette Baccini from her table because of explicit sexual content. The festival has a strict ban on pornography, and other adult material must be kept sealed and away from children. One of the organizers stopped by Baccini’s table, flipped through her Jesus Reloadeth’d, and saw a drawing of two men having sex, so he removed the comic. Baccini posted about the incident on Facebook, triggering accusations of homophobia against the event organizers. However, they responded that the issue was the explicitness of the image, not that it depicted two men. [SameSame]
Manga | The 13th volume of Hajime Isayama’s hit dystopian fantasy Attack on Titan sold 1.4 million copies in Japan during its first week of release: 1.13 million copies of the regular edition, and 270,000 of a special edition that includes the original video animation. Kodansha ordered a 2.75 million-copy initial print run, a record not only for the series but for the publisher as well. The 66th volume of One Piece holds the record in Japan for highest sales in the first week with nearly 2.3 million copies. [Crunchyroll]
Publishing | Darren Davis of Bluewater Productions, talks about the evolution of his company and the origin story of its Female Force bio-comics line: “[W]e saw a comic book done of Barack Obama and John McCain during the 2008 elections, and my partner joked and said, ‘Why don’t we do Hillary?’ And I thought, oh my God, that’s a brilliant idea.So I thought, let’s do this, but let’s do it differently. Let’s not do it like everyone else, with a boring biography. We did it with a female empowerment angle. We released Hillary Clinton and Sarah Palin at the same time, and whether you like Sarah Palin or hate Hillary Clinton, you have to respect both of them for where they came from and who they are.” [The Beaverton Leader]
Auctions | A rare copy of The Beano #1 from July 1938 — only about 25 copies are believed to exist — is being auctioned on eBay by Seaford, England, dealer Phil Shrimpton. With just four days remaining, the opening bid of £3,499 (about $5,875 U.S.) has yet to be met. As you can see on the website, the copy certainly isn’t in the best shape. The issue, which sold a reported 442,963 copies when it was released, introduced such characters as original cover star Big Eggo the ostrich, Lord Snooty, Wee Peem and Ping the Elastic Man (the racist caricature in the magazine’s logo is Little Peanut, who stuck around on the cover until 1947, when he was replaced by Big Eggo). “Every year or so another one seems to emerge – often found in someone’s attic,” Shrimpton says. “People didn’t really look at comics as collector’s items until the sixties and seventies, so lots of them got destroyed. Also a lot of the comics were destroyed during the war as people were more conscious about recycling the old issues.” [The Argus]
Digital comics | In today’s Amazon-acquires-comiXology article, Rachel Edidin deflates much of the hype, and the panic, surrounding the deal, pointing out that comics distribution is already a monopoly, large corporations already run the comics market, and comics have been available on Kindle all along: “Is the concern [...] a distribution monopoly? If so, the direct market is in no position to criticize: over the last 15 years, Diamond Comics Distributors has consumed almost all independent print distribution in comics, and dictates practices and policy to retailers and publishers alike. The idea that print comics are somehow more independent than their digital cousins — or a scrappy underdog fighting the good fight against evil corporate profiteers — is frankly ridiculous.” [Wired]
Awards | Michael Cavna talks with Kevin Siers of the Charlotte Observer about winning the Pulitzer Prize in cartooning. [Comic Riffs]
Danica Novgorodoff’s The Undertaking of Lily Chen is a road story, a love story, and something completely different as well. Set in modern-day China, it follows the quest of Deshi, a young man whose parents blame him for his brother’s death, on a quest to find a ghost bride for his brother, the corpse of a young woman who will be buried with him and keep him company in the afterlife.
Deshi’s attempts to find a fresh corpse are a washout, and he ends up instead with the very much alive Lily Chen, who is only too happy to escape her hardscrabble existence — and has no idea what Deshi has in store for her.
Novgorodoff deftly mixes elements of traditional and modern-day China in her story, and she illustrates it with beautifully rendered watercolors. I had a chance to talk to her about it last weekend at MoCCA Arts Fest.
Brigid Alverson: How did the story evolve?
Danica Novgorodoff: I started writing it based on these two characters I had I my head, Deshi and Mr. Song, so it took me a while to find the right character for Lily. I knew there would be a girl. I had originally conceived of it as a kidnapping story, and it really didn’t work out the way I had written it because in that situation she was not a powerful character, and I didn’t like that. So I kind of rewrote the plot based on her character, based around who I wanted it to be. I also thought of it as a Western — in a classic Western, there’s a big shootout and everybody dies in the end. That’s how I first wrote it, with everyone dying in the end. It just wasn’t the story I wanted it to be. I don’t need a happy ending, I don’t necessarily need that, but I eventually realized that at the core of this story was a love story, not a death story. I didn’t think of it as a western, but I still felt the relationship between the two characters really came through. I rewrote the ending several times until I found the ending I thought worked out.
Digital comics | Jeff Gomez examines the implications of Amazon’s planned acquisition of comiXology, opining that it will give comics a wider reach but also force publishers of superhero fare to broaden their appeal beyond the core demographic: “The books will now be exposed to millions of newcomers, so it will behoove major publishers to make their stories more female-friendly, streamlined, and accessible. With comiXology’s new aim to make ‘every person on the planet a comics fan,’ publishers will need to consider new genres, greater variety, and more varied age groups.” [Business Insider]
Digital comics | ComiXology will continue to offer its Digital Storefronts for retailers, and it will not allow Amazon to target users of its Pull List service with its own offers, according to spokesman Chip Mosher. Also, no changes are planned to comiXology’s other retailer tools. [ICv2]
The winners of the LA Times Book Prizes were announced Friday night, and not one but two graphic novels took top honors.
Ulli Lust won the Graphic Novels/Comics prize for Today Is the Last Day of the Rest of Your Life, which also picked up an Ignatz Award and won an award at Angouleme in 2011 for the original edition. The other finalists were David B.’s Incidents in the Night: Vol. 1, Ben Katchor’s Hand-Drying in America: And Other Stories, Anders Nilsen’s The End, and Joe Sacco’s The Great War: July 1, 1916: The First Day of the Battle of the Somme, so it was a tough field.
In the Young Adult category, Boxers & Saints was up against four prose books: Elizabeth Knox’s Mortal Fire, Rainbow Rowell’s Fangirl, Joyce Sidman’s What the Heart Knows: Chants, Charms and Blessings, and Jonathan Stroud’s Lockwood & Co: The Screaming Staircase. Yang’s earlier book, American Born Chinese, was nominated for a National Book Award and won a Printz Award; both honors usually go to prose books.
Passings | Eisner Hall of Fame nominee Fred Kida has died at the age of 93. Kida was an active comics artist for almost 50 years; he got his start drawing Airboy for Hillman Comics in about 1940 and went on to work for Lev Gleason and then Marvel. He assisted Will Eisner occasionally on The Spirit and also drew a number of newspaper strips, including Flash Gordon and The Amazing Spider-Man. “He was a good, dependable artist who drew beautiful women, handsome heroes and some of the ugliest villains in comics,” said Mark Evanier. [News from ME]
Publishing | ICv2 has a two-part interview with Dynamite Entertainment CEO Nick Barrucci, who has plenty to say about variant covers, the launch of Twilight Zone and Legenderry, their Gold Key properties, and what’s coming in the year ahead. [ICv2]
Political Cartoons | Facebook has removed an article from the Revolution News Facebook page, issued a warning to the owners of the page, and banned one admin for 12 hours, apparently because the article included a cartoon by Carlos Latuff that “violated community standards.” The cartoon shows Death pulling a skeleton from the grave; the skeleton has a swastika on its skull and is wrapped in a Greek flag, a reference to recent neo-Nazi activities in Greece. [CBLDF]
Comics | The Edmonton, Alberta police department has created a digital graphic novel about Alex Decoteau, the first Aboriginal officer in the department. Decoteau was also an Olympic runner and was killed during World War I at the age of 29. [CBC]
Passings | Maine cartoonist Jeff Pert, best known for his cartoons and illustrations of lobsters and moose, died Friday on his way to the hospital with chest pains. He was 55. His cartoons adorned souvenir postcards and coffee cups, but he was also an active part of the local comics community in Brunswick, Maine, a regular at Casablanca Comics, and a participant in the Maine Comic Arts Festival. Pert created his first comic when he was in fifth grade and sold copies to local comic shops. “They probably gave us the money and then threw them in the garbage, but we were happy,” said his collaborator (and best friend) Jon Dumont. Pert was known for supporting other artists and even persuaded his local state representative, Maggie Daughtry, to start drawing her own comics: Daughtry knocked on Pert’s door when she was campaigning for office, and, she said, “Within an hour of meeting him, he literally changed my life.” When Daughtry told Pert that she had dreamed of being a cartoonist as a child, he encouraged her to start drawing again, which she did. [Portland Press Herald]
Comics | Tammy Oler considers the roles of Captain Marvel and Ms. Marvel within a growing movement to make superhero comics more diverse: “The devoted fans in the Carol Corps and Kamala Korps view themselves as part of a movement for a bigger and more diverse comic book universe, and it seems like publishers might finally be starting to pay attention. Both Ms. Marvel and the rebooted Captain Marvel are part of Marvel NOW!, an effort by the publisher to attract new readers by providing a lot of accessible places for new readers to jump on board with ongoing series. (DC Comics has done something similar with its New 52 initiative.) Marvel and DC have also taken some steps to address their lack of superhero diversity, in part by launching some new female solo titles, including Black Widow, She-Hulk, and Elektra. Of course, there’s a whole world of mainstream and indie publishers beyond Marvel and DC, but the big two still matter the most because they create the pantheon of superheroes that make it into movie theatres and onto the racks of Halloween costumes at Target.” [Slate.com]
It’s safe to say few were sorry to see the Comics Code Authority quietly fade away in 2011, having become literally no more than a stamp on the covers of a handful of titles, but it was nonetheless an important part of history.
Sean Howe, author of Marvel Comics: The Untold Story, realized this three years ago and sent a letter to Heidi MacDonald, asking who had the files of the Comics Magazine Association of America, the trade association that administered the Code. While Howe thought the records had vanished, Mark Seifert was told they were donated to DC Comics.
This week, Howe reiterated his appeal on his blog:
Manga | Attack on Titan is as much of a manga juggernaut in its native Japan as it is the United States, and the 13th volume had a print run of 2.75 million copies, a new record not only for the series but for publisher Kodansha. [Crunchyroll]
Comics | Tom Risen has a thoughtful piece, which includes an interview with Axel Alonso, on how superhero comics have changed since the War on Terror began: “Superheroes since the 2000s have increasingly held up a mirror to controversies like mass surveillance, remote killings using drones and the ‘with us or against us’ mentality espoused by former President George W. Bush. Misuse of military technology also played a key role in recent movie adaptations featuring Batman, Spider-Man, Captain America and Iron Man, showing how fighting dirty to defeat evil can make America its own worst enemy.” [U.S. News & World Report]
When the announcement was made this week that DC Comics has started selling single issues in the Google Play Books store, my reaction was surprise — that the publisher wasn’t doing it already. Unlike Marvel, which has an exclusive agreement with comiXology for single-issue sales, DC takes a broader approach, offering comics through Kindle, Nook, iBooks and, of course, comiXology. There’s a lot of redundancy there: You can read DC comics on your Kindle as straight e-books or via the comiXology Kindle Fire app, on your iPad via iBooks or the comiXology iOS app or the Kindle or Nook iOS apps, and now, on your Android device via Google Play Books or the comiXology Android app.
Why choose one over the other? Actually, the question really is, why something other than comiXology? For regular comics readers, comiXology offers a more organized storefront and bookshelf area; e-book vendors just give you lists, while comiXology groups comics by publisher, by series and by creator. The other bonus for comiXology users is their Guided View panel-by-panel view system, which flows really well and makes it easier to read comics on an iPhone. On the other hand, Amazon is where the casual customers are, people who just read books but might pick up a comic from time to time.
Legal | Signe Wilkinson, Pulitzer Prize-winning cartoonist for The Philadelphia Inquirer and Philadelphia Daily News, has been named in a defamation lawsuit filed against the newspapers by Pennsylvania Supreme Court Justice Seamus McCaffery and his wife Lise Rapaport. The judge and his wife accuse the two papers of running a smear campaign against them, and the suit specifically mentions a Wilkinson cartoon satirizing their marital and work relationship (it’s complicated). Blogger Alan Gardner adds that he hasn’t been able to find a case in which a cartoonist was successfully sued for defamation, although in this case the newspapers’ reporting is part of the issue as well. [Philadelphia, The Daily Cartoonist]