Brigid Alverson, Author at Robot 6 @ Comic Book Resources - Page 2 of 140
Legal | The Japanese publisher Square Enix has filed a counterclaim against SNK Playmore, asking Osaka District Court to rule that its manga Hi Score Girl doesn’t infringe on copyrights held by the video game company. Earlier this year, SNK brought criminal copyright violation charges against Square Enix after learning Hi Score Girl contains more than 100 unauthorized images of characters from SNK Playmore games. The manga has been put on hold because of the dispute. [Anime News Network]
Conventions | Who’s buying, and how much are they spending, at conventions? Rob Salkowitz mines the numbers from a recent Eventbrite poll of convention-goers to get some answers: Most people spend between $100 and $500 per person; cosplayers actually spend a bit more than average; and women shell out more money at conventions, while men spend more online. [ICv2]
Editorial cartoons | The New York Times has apologized to readers who were offended by an editorial cartoon about India’s space program that depicted the country as a man in traditional dress, leading a cow and knocking at the door of the “Elite Space Club.” “The intent of the cartoonist, Heng Kim Song, was to highlight how space exploration is no longer the exclusive domain of rich, Western countries,” reads the apology, signed by editorial page editor Andrew Rosenthal. “Mr. Heng, who is based in Singapore, uses images and text — often in a provocative way — to make observations about international affairs. We apologize to readers who were offended by the choice of images in this cartoon. Mr. Heng was in no way trying to impugn India, its government or its citizens.” [The New Indian Express]
Conventions | Thousands filed into Moscow’s Crocus Expo over the weekend for what’s billed as Russia’s first-ever comic convention. While Misha Collins of long-running CW series Supernatural was a big celebrity draw, the main attraction appeared to be the idea of the convention itself. “I’ve wanted to come for years,” 31-year-old Elena Formina told The Guardian. “There have always been geeks and fans here, it’s just now they call it Comic-Con. American, Russian – all fans are the same. They love their heroes. It’s about sharing that love.” [The Guardian]
Passings | Italian comics creator Lorenzo Bartoli died Sunday at the age of 48. Bartoli made his comics debut in 1988 in the pages of the comic anthology L’Eternauta but is best known as the co-creator, with Roberto Recchioni, of John Doe, a comic about an employee of a firm that deals with the management of death. His series Dolls was published in the United sTates by Sirius, and his Morrigan appeared in Heavy Metal. He also wrote two cyberpunk novels under the name Akira Mishima. [Comicus]
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
The Musical Monsters of Turkey Hollow is a charming children’s story with clearly defined heroes and villains, plus music-making Muppet monsters from outer space, all lovingly adapted into comics form by Roger Langridge. It has a classic feel that will please adults but is fresh enough for children to enjoy, and Langridge does a particularly nice job of rendering music into visual form, something that is often a challenge for creators.
The book is adapted from a script that Jim Henson and collaborator Jerry Juhl wrote for a children’s television special, and the story is pretty straightforward. The protagonist, Timmy, lives with his Aunt Clytemnestra, who has an other-worldly feel to her, and his older sister Ann, who is more of a hippie type (the story is set in 1968). Ann and Timmy like to go out to an isolated area of their property to practice playing guitar, but they get chased off by their mean neighbor Mister Sump, who wants the land for himself.
Timmy is out practicing one day when the monsters arrive and accompany him with strange musical sounds of their own. Soon Timmy is friends with the monsters, but you know in a story like this that the bad guy is going to cause trouble, and that’s exactly what happens. Turkey Hollow has more turkeys than people, and suddenly the turkeys are all gone and the monsters are found sleeping in a heap with bones scattered all around. The sheriff reluctantly rounds the monsters up and puts them in jail, but Timmy is pretty sure they are being framed, and he sets off to prove it.
THE DARE: To create a complete 24 page comic book in 24 continuous hours.
That means everything: Story, finished art, lettering, color (if applicable), paste-up, everything. Once pen hits paper, the clock starts ticking. 24 hours later, the pen lifts off the paper, never to descend again. Even proofreading has to occur in the 24 hour period. (Computer-generated comics are fine of course, same principles apply).
No sketches, designs, plot summaries or any other kind of direct preparation can precede the 24 hour period. Indirect preparation such as assembling tools, reference materials, food, music etc. is fine.
The 24 hours are continuous. You can take a nap, but the clock keeps ticking. If you get to 24 hours and you’re not done, either end it there (“the Gaiman Variation”) or keep going until you’re done (“the Eastman Variation”). I consider both of these “Noble Failure” Variants and true 24 hour comics in spirit; but you must sincerely intend to do the 24 pages in 24 hours at the outset.
It was Nat Gertler who turned the dare into an event: As he told ROBOT 6’s Tim O’Shea earlier this year, on the 10th anniversary, it started as a way to drum up publicity for an anthology of 24-hour comics he was publishing, and it snowballed from there. Now it is organized by the retailer group ComicsPRO, and participants are invited to send their 24-hour comics to the the national 24-Hour Comics Day archive at the Billy Ireland Cartoon Library and Museum at Ohio State University.
Conventions | Ahead of New York Comic Con, George Gene Gustines shares producer Michael Uslan’s program from a 1964 comics gathering in New York City; it actually was released after the show, and includes some thoughts on how things could be improved, mainly by shifting the focus from buying and selling comics to bringing in creators so the fans could meet them personally. Nonetheless, Steve Ditko was there, and the list of registered participants included George R.R. Martin. [The New York Times]
Creators | Roberto Aguirre-Sacasa talks about taking Sabrina the Teenage Witch to the dark side in her new series, a Riverdale horror story in the same vein as Afterlife With Archie. In this case, rather than zombies, Aguirre-Sacasa is drawing inspiration from the 1960s film Rosemary’s Baby. [Hero Complex]
MICE, the Massachusetts Independent Comics Expo, is small but mighty. On Saturday and Sunday, the show will take over the second floor of Lesley University’s University Hall, better known to locals as the Porter Exchange. Admission is free, and the roster includes a mix of local creators, aspiring artists just out of school, and some big names, including special guests James Kochalka, Emily Carroll, Raina Telgemeier, Dave Roman and Box Brown.
We talked with one of the organizers, Dan Mazur (a comics creator and publisher in his own right), about the challenges of running a small indie-comics show in general and the unique qualities of MICE in particular.
Brigid Alverson: What is the focus of MICE, and how is it different from other comics festivals?
Dan Mazur: MICE is an independent/alternative comics show, in the vein of larger shows like SPX, MoCCA Fest and APE, and others like TECAF, CAKE, MECAF. … So it differs from the mainstream comic cons for its lack of superheroes, cosplay, etc., and for the preponderance of minicomics. But for those familiar with the alternative scene, I guess we do have more of a focus (though not exclusive) on a local comics scene, and also on kid-friendly material and activities, to a degree.
Graphic novels | Although BookScan’s September list of the bestselling graphic novels in bookstores is populated largely by old stalwarts — The Walking Dead, Attack on Titan, Saga, Watchmen — Guardians of the Galaxy, Vol. 1, the only Marvel title on the chart, clung to the Top 20 in its second month of release (although it slipped from No. 4. to No. 20). Bryan Lee O’Malley’s Seconds, meanwhile, climbed in its third month to No. 6. One new manga debuted at No. 12: Noragami, about a homeless god who does odd jobs as he tries to build up his reputation; the anime is already out, which probably gave it a boost. [ICv2]
Publishing | A television reporter pays a visit to the Last Gasp offices to talk about the Kickstarter recently launched by the longtime publisher of underground comics (and other quirky books). It’s worth a look just to see the owner’s amazing collection of oddities. [NBC Bay Area]
The Ball-Chatham School Board in Chatham, Illinois, voted unanimously this week to keep Marjane Satrapi’s Persepolis on a reading list for seniors at Glenwood High School.
Mike Housewirth, the father of a student, had asked that the graphic novel be removed from the list, questioning the teacher’s judgment in assigning a book about Muslims on Sept. 11. He also objected to the book’s depictions of torture (particularly one in which a guard urinates on a prisoner) and dismembered bodies.
“If my son had drawn a picture like that at school, he would have been expelled,” Housewirth said, adding that while he felt his son was mature enough to read the book, the overall tone was “appalling.”
“Reading controversial material does not hurt students or corrupt them,” countered Glenwood High School Principal Jim Lee. Students don’t simply read a book and accept it at face value, he added; they use it as a springboard for discussion and reach their own conclusions.
Pittsburgh Magazine has produced a remarkable profile of Ed Piskor that includes a print interview and a video of the artist walking through his childhood home, where the drawings he did as a teenager are still visible amid peeling paint and fallen plaster.
Both pieces focus heavily on the milieu in which Piskor was raised, the Homestead neighborhood of Pittsburgh, which took a sharp nose dive after the steel mills closed; Piskor’s parents were among the many who lost their jobs. When he was growing up, the neighborhood had a heavy gang presence, so Piskor spent a lot of time indoors, drawing, but it was also there that he was exposed to hip-hop and became fascinated by it; his Hip Hop Family Tree has grown out of that youthful obsession.
Awards | The finalists for the inaugural Kirkus Prize literary awards include two graphic novels: Roz Chast’s Can’t We Talk About Something More Pleasant? is one of six nominees in the Nonfiction category, and Cece Bell’s El Deafo is one of the picks for the Young Readers award. The winners in all three categories, who will receive $50,000 each, will be announced during a ceremony held Oct. 23 in Austin, Texas. [The Washington Post]
Manga | A prequel to Osamu Tezuka’s classic Astro Boy manga is in the works for the Japanese magazine Monthly Hero’s. Tezuka’s son, Makoto Tezuka, is supervising the production of the story, which focuses on the time before the “birth” of the iconic robot boy. [Anime News Network]
Manga | Eiichiro Oda’s One Piece, the bestselling manga in Japan, is getting a spinoff: Starting with the January issue, which ships in December, the manga magazine Saikyo Jump will carry a series focusing on Monkey D. Luffy and the Straw Hat Pirates. There doesn’t seem to be any information yet on who the creators will be. [Anime News Network]
Publishing | In a business-oriented interview, Mark Waid talks about the strategy behind his digital comics site Thrillbent, especially its appeal to diverse groups of readers. The key is flexibility, Waid said, in terms of platforms and content. His goal is to make the comics readable on any digital device, which he says is not difficult once the site is set up. In terms of content, he says, “Pay attention to the audience, let them tell you who you’re clearly not serving, and go after them.” [The Wall Street Journal]
Legal | Hirofumi Watanabe has withdrawn the appeal of his conviction last month on charges of sending more than 400 threatening letters to venues in Japana connected with the manga Kuroko’s Basketball. The 37-year-old former temporary worker admitted to all charges during his first day in court, but mpoved to have his conviction overturned after he was sentenced to four and a half years in prison. Watanabe, who said he doesn’t feel guilty for what he did and won’t apologize, acknowledged that he sent the letters out of jealousy of the success of Kuroko’s Basketball creator Tadatoshi Fujimaki. [Anime News Network]
Manga | The most promising new market for manga right now? India, where the comics market in general is exploding. Kevin Hamric of Viz Media says manga is already well known there and fans can’t get enough, while Lance Fensterman of ReedPOP, the company behind New York Comic Con, talks about the planned collaboration with Comic Con India. The one obstacle: the same one that afflicted the American manga market, Japanese publishers’ reluctance to license their properties. [The Japan Times]
As DC Comics continues its celebration of the 75th anniversary of Batman, the iconic hero will again grace postage stamps in a limited-edition set officially unveiled Oct. 9 as the U.S. Postal Service kicks off New York Comic Con with a first-day-of-issue ceremony.
Each sheet of 20 “Forever” stamps — they’re 49 cents each but will remain good even when rates increase — will features designs representing four eras: the Golden Age, the Silver Age, the Bronze Age and the current New 52 era. There’s also a round stamp with the Batman symbol.
Batman is only the latest in a series of DC characters, including The Flash, Wonder Woman, Superman and Aquaman, who have graced U.S. postage stamps recently. And this isn’t actually the first Batman stamp, as Linn’s Stamp News notes: The DC Superheroes set issued in 2006 included two Dark Knight stamps.
Canada Post last year honored Superman’s Toronto roots, and his 75th anniversary, with a series of commemorative stamps.
This year’s pairing of Banned Books Week and comics, with considerable input from the Comic Book Legal Defense Fund, was pure genius. While it is sponsored by a number of organizations, Banned Books Week is heavily supported by libraries, and librarians have been among the most ardent boosters of graphic novels in the last ten years.
In fact, Banned Books Week is really all about libraries, and to a lesser extent, schools. The days of government censorship in the form of prohibiting publication, import, or sale of a book for offensive content are long gone. Nowadays, “banned books” really refers to books that someone wants to remove from a public library or a school. Often, those attempts are unsuccessful because the library in question has a solid acquisition policy and a process for handling challenges, which is how it should be. Libraries buy books for a reason, and they shouldn’t take them off the shelves without a better reason.
Many public library challenges have a similar narrative: Kid checks a book out of the library, mom finds the book and freaks out, mom goes to the library, or the press, and demands the book and all others like it be removed from circulation. When the proper process is followed, a committee of professionals reviews the book and makes a decision, and you and I seldom hear about it; it’s when someone goes to a public meeting and starts yelling and waving a book that things go haywire. That’s what happened in South Carolina, where the a mother let her daughter check out Alan Moore’s Neonomicon, which the library had correctly shelved as an adult book, then was shocked to discover it had sex in it. In this case, the library review committee recommended that the book remain on the shelves but the library director overruled them.