Brigid Alverson, Author at Robot 6 @ Comic Book Resources - Page 2 of 128
Graphic novels | BookScan’s list of the bestselling graphic novels in bookstores in March divides neatly into eight Image Comics titles (six volumes of The Walking Dead and two of Saga), eight volumes of manga (four Attack on Titan, four Viz Media titles) and four volumes of media tie-ins. For the second month in a row, not a single DC Comics or Marvel title cracked the Top 20, although an older DK Publishing character guide to the Avengers (not actually a graphic novel) came in at No. 11. The top-selling title was the 20th volume of The Walking Dead, and the No. 2 was the third volume of Saga. It’s also interesting to note that the first three volumes of Attack on Titan charted higher than the most recent release, which suggests new readers are still coming into the franchise in substantial numbers — and sticking with it. [ICv2]
Crime | Police in St. Charles, Missouri, have arrested 24-year-old Adam Radigan and charged him in the Monday-morning robbery of a comic store employee. The robbery occurred in the parking lot as the employee walked out of the Fantasy Shop with a bank bag that contained $26 in coins. The suspect allegedly indicated he had a gun and demanded the bag; after the employee handed it over, fled on foot. Nearby schools were briefly locked down after the incident. [The St. Louis Post-Dispatch, KDSK]
Comics | “Seattle and the Northwest have carved a lasting niche in the comics world by applying the same traits to cartoons that we apply to music — lo-fi, provocative and introspective. Our comics are often funny as in peculiar, not necessarily funny as in laugh-out-loud, our heroes bumbling rather than swashbuckling”: Tyrone Beason looks at Seattle’s thriving alt-comics scene, and talks with Peter Bagge, Ellen Forney, Tom Van Deusen and the organizers of the Short Run Comix and Arts Festival. [The Seattle Times]
Crime | Police in St. Charles, Missouri, are looking for a man who accosted an employee of the Fantasy Shop outside the comic store Monday morning and demanded she hand over a bank bag. The suspect, who indicated he had a gun, then fled with an undisclosed amount of money, leading to five local schools being put on lockdown for about 90 minutes. [St. Louis Post-Dispatch]
Creators | Francis Manapul and Brian Buccellato discuss taking over as the creative team of Detective Comics with Issue 30. “We just want to carve out a small space in the Bat-world and craft stories that resonate with the legions of fans out there,” Buccalleto says. “It’s a tremendous honor to be a part of this legacy.” [USA Today]
Graphic novels | An estimated 200 students, faculty and community members gathered Saturday at the College of Charleston in South Carolina to protest proposed budget cuts to that school and the University of South Carolina Upstate in retaliation for selecting gay-themed books — including Alison Bechdel’s Fun Home — for their summer reading programs. The South Carolina House of Representatives approved a proposal early this month that would slash $52,000 cut from the College of Charleston and $17,142 for USC Upstate, which represent what each school spent on the programs. The budget is now before the state Senate. [The Post and Courier]
The press release I received this morning from Titan Comics calls Martin Eden’s Spandex “the world’s first comic featuring gay superheroes,” which seems like the sort of claim that gets refuted as soon as you post it on the Internet. Still, Eden has taken the idea of, basically, an all-gay Justice League and really run with it.
Spandex was nominated for an Eagle Award, and Titan Books collected the first three issues into a trade edition a couple of years ago. Now it’s making the first two issues available on comiXology for $1.99 each.
Dean Mullaney has a bit of good news for fans of former Popeye writer and artist Bobby London: The next volume of the Library of American Comics’ collection Popeye: The Classic Newspaper Comics by Bobby London will include the first three weeks of the abortion-themed sequence that got London fired — and six weeks’ worth of unpublished strips that were never sent out to newspapers.
Here’s what happened back in 1992, as related at the time by London in an interview with the Comic Art and Graffix Gallery: After writing a strip in which the Sea Hag said “Drat! There goes Roe v. Wade” without getting any pushback from his editors, London figured the topic was fair game and created a storyline in which Olive Oyl, who has a serious Home Shopping Network addiction, gets a baby robot she doesn’t remember ordering and decides to send it back. Despite the fact that the robot is a spitting image of Bluto, Popeye’s arch enemy, Popeye wants her to keep it. Two clergymen overhear them arguing and jump to the wrong conclusion, that Olive Oyl is “in a family way” by Bluto and wants to get an abortion (although the actual word is not used in the strip — the clergymen just call it “the A-word”). One clergyman muses that she must keep the child, and when the other one points out that Bluto is the son of Satan, he retorts, “You fool!! Without Satan, we’re out of a job!! No Satan, no US … You dig?!!”
Legal | Algerian cartoonist Djamel Ghanem is seeking asylum in France as the prosecution and plaintiff appeal his acquittal on charges that he insulted Algeria’s president in an unpublished cartoon drawn for the newspaper Voix d’Oranie. The newspaper brought the criminal charges against Ghanem; in possibly related news, Ghanem is suing his employer for seven years’ unpaid wages. Ghanem now claims Algeria wants to make an example of him. [Radio France International, Ennahar Online]
Conventions | Mark Rahner, who has been going to Emerald City Comicon since the first one in 2003, initially as a reporter and then as a creator, talks about why the event has grown so big (75,000 attendees are expected this weekend) and why it’s still awesome anyway. [Seattle Weekly]
Russell Willis of Panel Nine has announced the iPad app Sequential will now carry a selection of titles from NBM Publishing, including Rick Geary’s Madison Square Tragedy, Margreet de Heer’s Science: A Discovery in Comics and Philosophy: A Discovery in Comics, and Renaud Dillies’ Abelard, Betty Blue, and Bubbles and Gondola.
Sequential began as a U.K. app and launched in August in the United States. With a strong focus on indie and underground graphic novels, it started out with titles from U.K. publishers like Blank Slate, Myriad Editions and Knockabout but has since added titles from U.S. publishers Fantagraphics and Secret Acres. While comiXology goes wide, with apps for every device and comics for every taste, Sequential has taken a different path, with a curated catalog of graphic novels for a particular audience and a sleek interface for a single device, the iPad.
It must be working: Sequential’s other announcement is that it will be a major sponsor of the MoCCA Arts Fest, together with the School of Visual Arts, Blue Sky Studios and Wacom. That sponsorship makes a lot of sense, as MoCCA features the sort of independent, literary comics and graphic novels that appeal to Sequential’s audience — including NBM.
Academia | The Center for Cartoon Studies in White River Junction, Vermont, is adding a masters of fine arts degree in applied cartooning that will allow students to focus on using the comics medium for journalism, medicine, business and other fields. [Valley News, press release]
Creators | With the arrival of the second issue of The Sandman: Overture, Neil Gaiman talks about the joy of writing the first series and returning for this one, why he chooses to pen a story as a comic rather than a novel, and how his process differs as well: “When I’m outlining a comic, I write down the numbers 1 to 24, and I jot down what’s happening on each page, because I have to think of things in terms of pages, and double-page spreads. In a novel, if I want to move a scene, I just cut and paste. In a novel, it’s a completely different conversation.” [CNN]
Legal | The creator of the Islamic superhero comic The 99 says he hasn’t been officially notified of a reported ban of the animated adaptation of his comic in Saudi Arabia. “Nobody ever contacted me, nobody ever asked me any questions,” Naif Al Mutawa says. There have been numerous Twitter campaigns against me for a while now and so for me it’s not new. Maybe it is true this time, but I find it very difficult to believe that a group as influential and high profile as them [Saudi Arabia’s Permanent Committee for Scholarly Research and Ifta] wouldn’t recognize the good that The 99 has done for Muslims around the world.” He adds that the comic has been available in Saudi Arabia for seven years, while the cartoon has been airing for two and a half years, making the timing of a ban “a bit weird.” [Gulf Business]
Yen Press unveiled its digital distribution plans for Square Enix manga on Monday — and while the implementation is news, the basic concept isn’t; Yen announced at New York Comic Con 2012 that it would be the exclusive worldwide digital distributor for Square Enix. The digital manga model has shifted quite a bit since then, though, and what was announced yesterday was a bit different from what one would have expected a year and a half ago.
Here’s how it will work: Full volumes will be sold as e-books through Amazon, Apple, Barnes & Noble, Google and Kobo, while individual chapters (some being published simultaneously with their release in Japan) will be available through those platforms and via the Yen Press iOS app, which is limited to North America, according to Kurt Hassler, Yen Press’ vice president and publishing director. “The Yen Plus magazine, our previous ‘streaming’ service, was closed following the December issue of the magazine to pave the way for individual chapter availability by virtue of these various platforms,” he said in an email to ROBOT 6.
Conventions | Rob Salkowitz, who wrote a book about Comic-Con International, looks forward to this weekend’s sold-out Emerald City Comicon, and explains why it represents the convention of the future: “One reason ECCC is such an ideal place to talk about the future of comics is because the show itself looks like the future of comics–at least the one that I call ‘The Expanding Multiverse.’ Supportive of creators and celebrities alike, embracing the broadest conception of styles and subjects from indie work to mainstream superheroes, self-consciously diverse and inclusive in its conception of fandom, ECCC and shows like it represent a sustainable path forward for geek culture in an age of super-saturation and sensory overload.” Salkowitz will be a participant, not just a fan: He has developed a programming track on comics and digital culture that will feature a number of people (IDW’s Ted Adams, Monkeybrain’s Alison Baker) giving short presentations, similar to the format and spirit of TED Talks. [ICv2]
Legal | Those wondering how Stan Lee Media can possibly afford its long, and so far entirely unsuccessful, legal battle with Marvel and Disney may want to read this brief Wall Street Journal article about “litigation finance” — which it characterizes as the growing practice of investing in lawsuits. However, pointing to the fight over the rights to Spider-Man and other characters, writer Rob Copeland points out there are high risks: namely, that investors could never see financial return. As we’ve noted before, Stan Lee Media’s efforts are backed by a group of investors that includes the $21 billion hedge fund Elliott Management, which helps to explain why the lawsuits keep coming. [MoneyBeat]
The New York Times this week ran an article (accompanied by a video) titled “Comic Books Zap to Life” that recommends three digital comics apps: comiXology’s Comics, the Dark Horse app, and Manga Rock. That last one is problematic, although writer Kit Eaton gives it a rave review:
Manga Rock, free on iOS and Android, beats the competition. It has a list of more than 50,000 comics available, and though its reading system isn’t as sophisticated as the one in Comics, it is still smooth to use. It’s free, but to get access to all the comics you have to pay $4 for the full edition through an in-app upgrade.
Here’s why Manga Rock is such a good deal: It’s a reader that uses files from pirate manga sites. When you open the app, it allows you to choose three sources for your manga; all three are bootleg sites that host scanlations (fan translations) and sometimes scans of licensed books. I checked a couple of series that are licensed in the United States on both the app and one of the websites it’s pulling from. The manga isn’t actually available on the website (there’s a note saying that’s because it’s licensed), but many of these series are available via the app, so the files are still sitting on the server somewhere.
Eaton recommends two other manga apps, apparently without trying them; both are also bootleg apps that work in exactly the same way.
For the second time in less than two years, a Japanese school board has removed Keiji Nakazawa’s Barefoot Gen from school libraries.
The manga is a semi-fictional account of Nakazawa’s experiences during and after the bombing of Hiroshima, and in recent years it has come under attack from some conservatives because of its portrayal of postwar Japan.
In this case, Mayor Hiroyasu Chiyomatsu of Izumisano in Osaka Prefecture told the local school board that the books were problematic not because of the story but because they use outdated and possibly pejorative terms for poor, homeless or mentally ill people.
“Rather than the overall content of the manga, I thought the problem was with certain discriminatory expressions,” Chiyomatsu said. “Because the city of Izumisano as a whole has emphasized human rights education, I told the board of education that there may be a need to provide individual guidance to those students who read the manga.”
The head of the school board, Tatsuhiro Nakafuji, issued a directive in November telling schools to “move the manga from the library to the principal’s office so children cannot lay eyes on it.” Not all schools immediately complied, so in January they were instructed to turn over their copies to the board of education. The initial plan called for the board to return the books on March 20, once schools had come up with some way to provide “guidance” regarding the language in question.