Brigid Alverson, Author at Robot 6 @ Comic Book Resources - Page 2 of 144
Priya’s Shakti is the first comic released in India to use augmented reality, a digital effect that animates some of the panels when they are viewed with a smart phone.
That’s impressive, but it’s not the most remarkable thing about the comic. What sets Priya’s Shakti apart is the subject matter: It’s a story about rape. In the comic, a rape survivor and the goddess Parvati travel around the country and the world, fighting sexual violence and the attitudes that underlie it.
Producer and writer Ram Devineni and artist Dan Goldman (Red Light Properties) created the comic, which has been awarded a 2014 Tribeca Film Institute New Media Fund grant, and they partnered with the NGO Apne Aap Women Worldwide, which works for social and policy changes to improve the standing of women throughout the world, to help get it into as many hands as possible.
Passings | Bermuda-based cartoonist Peter Woolcock died Wednesday after being struck by a car as he was walking to the office of The Royal Gazette to deliver his weekly cartoon. He was 88. Born and raised on a farm in Argentina, Woolcock served on a British tank crew in World War II (during which time he also kept a sketchbook) and worked as a cartoonist and illustrator for almost 60 years, first for children’s magazines in the United Kingdom and then, after moving in 1981 to Bermuda, as an editorial cartoonist. Both his editors and the politicians he depicted have kind things to say in this lengthy obituary, which notes that his final cartoon was about San Diego losing the bid to host the America’s Cup. [The Royal Gazette]
Creators | Candorville cartoonist Darrin Bell talks about the political cartoons he drew in response to the non-indictments of the police officers in the Michael Brown and Eric Garner cases, as well as his own experiences as a black man who got “the talk” when he was 6 or 7 years old and will some day have to give it to his own son. [Comic Riffs]
Conventions | It looks as if Wizard World’s convention won’t be returning to San Antonio, Texas, in 2015. A Wizard World spokesman said the company couldn’t come up with a date that fit the schedule of the city’s Henry B. Gomez Convention Center, adding, “We hope to revisit the possibility for 2016.” However, reporter Rene Guzman notes that San Antonio’s Alamo City Comic Con was a much bigger deal this year, in terms of the exhibit floor (it took up three exhibit halls of the convention center, compared to Wizards’ one) and probably attendance as well: Wizard World said its inaugural event in August drew “thousands,” and Alamo City had 73,000 attendees, almost twice as many as last year. There will be a Wizard World Austin conventionn in 2015, so anyone wanting a taste of that Wizard magic can find it a short road trip away. [San Antonio Express News]
Artist Ken Farnsworth started out painting murals and other art on the walls of the store, which is located in a rather plain commercial building, at the invitation of owner Rusty Simonetti. And when he ran out of wall space, Farnsworth turned his gaze upward — to the ceiling, which was made of white acoustic tile.
Crowdfunding | Digital Manga Publishing’s recent Kickstarter campaign raised some questions as to the proper role of crowdfunding in publishing. When DMP acquired the rights to all of Osamu Tezuka’s manga that haven’t already been translated into English, CEO Hikaru Sasahara launched an ambitious Kickstarter effort to publish about 400 volumes in just a few years. The campaign raised eyebrows not only because of the large amount of money involved (with stretch goals, it would have been more than half a million dollars) but also because it went beyond the direct costs associated with single volumes to include travel and staffing. That campaign failed, but DMP immediately launched another one that’s closer to the usual model. I interviewed Sasahara and one of his most prominent critics to get both sides of the discussion. [Publishers Weekly]
Manga | The top-selling manga in Japan this year was One Piece, with nearly 11.9 million volumes sold; Attack on Titan came in a close second, with 11.7 million. [Anime News Network]
Publishing | Jim Zubkavich updates his post from last year about the long-term sales and profitability of his series Skullkickers. There are some interesting angles to this, including the cost of his deluxe collected editions, the boost he got from his “reboot,” and the importance of digital sales in the long term: “Since there’s no print run or storage limit with digital they continue to build profitability over the long haul (particularly with the early issues as new readers sample the series during comiXology sales). Many issues that lost money in their initial print release have been able to make back their losses thanks to digital.” [Zub Tales]
Jonathan Baylis recently published the seventh issue of his annual minicomic So Buttons, a collection of short, autobiographical stories, written by Baylis and illustrated by a variety of artists. They range from lighthearted anecdotes about his years in the comics and entertainment business (he started an internship at Marvel the day Jack Kirby died, and later worked for Valiant and Topps) to heartfelt stories about discovering beauty, confronting death and fighting his inner demons.
I first met Baylis (as he correctly remembers in this interview) last year a the Toronto Comic Arts Festival, although I was reading So Buttons before that. We have kept in touch since then, and it’s always a pleasure to run into him at a show. When he told me that So Buttons #7 was about to go live on comiXology, it seemed like an opportune moment for an interview about his work and his experiences as a minicomics creator. He not only answered my questions with gusto, he sent along a ton of art and a full-length So Buttons story about an encounter with John Romita Sr. (below).
Passings | Brian Jacoby, owner of the Tallahassee, Florida, comic shop Secret Headquarters and a well-known presence on Twitter and comics discussion boards, died suddenly on Thanksgiving. The news was first released in a tweet from the store. His memorial service will be held Tuesday. [ICv2]
Editorial cartoons | Bob Staake’s New Yorker cover showing a broken Gateway Arch in St. Louis, a commentary on the events in nearby Ferguson, Missouri, received a lot of attention just before Thanksgiving — and even more when it got around that syndicated cartoonist R.J. Matson had drawn a similar cartoon in August. Matson brushes that aside, however, pointing out that editorial cartoonists often come up with similar visuals: “Finding a good joke is like solving a puzzle and very often there is one very best solution to the puzzle. Any cartoonist worth his salt would kick himself or herself for not finding that solution.” And when five cartoonists do it on the same day, he said, “we call it a Yahtzee.” [The Washington Post]
The 42nd Angouleme International Comics Festival is coming up Jan. 29, and over the Thanksgiving holiday organizers announced the nominations for the four juried prizes: the Sélection Officielle (the general category), Sélection Jeunesse (young people), Sélection Patrimoine (classics and reprints) and Sélection Polar (mysteries and thrillers).
Angouleme lives up to the “international” part of its name, as many of the selections were first published in English, including Chris Ware’s Building Stories, Brian K. Vaughan and Fiona Staples’ Saga, and Jillian and Mariko Tamaki’s This One Summer.
See the full list below.
Uncivilized Press has announced its spring 2015 lineup of graphic novels, and it’s well worth a look. There are just three books: Borb, by Jason Little, whose previous works chronicled the adventures of Bee in Shutterbug Follies and Motel Improvement Service (you can read an excerpt of the latter here); Vincent Stall’s Robot Investigator, a story about a robot wandering through a planet that’s like Earth but with only feral humans; and True Swamp: Book 2, by John Lewis.
Full descriptions and additional covers can be found below.
Retailing | The Books-A-Million retail chain reported significant growth in the last quarter, due in part to strong sales of manga and strategy games. “Sales in the graphic novel category … grew nicely on the strength of a significant resurgence in the interest in several manga series, particularly Attack on Titan,” CEO Terry Finley said in an earnings call. The chain’s sales increased 1.2 percent, and same-store sales were up 1.8 percent last quarter compared to the same quarter last year; by contrast, fiscal year 2013 sales were down by 9.4 percent from the previous year. [ICv2]
Creators | Jeff Lemire talks about his new graphic novel Teen Titans: Earth One, which reflects his love of Marv Wolfman and George Pérez’s The New Teen Titans: “I wanted a fresh and clean take on a teen super-team without having to rely on other heroes or continuity. So I gravitated to these unique teen characters Marv and George had created, and re-envisioned them through my own sensibilities along with artist Terry Dodson, who really helped them come to life.” [The Kindle Post]
Creators | Isabel Greenberg has announced she’s working on a “sort-of” sequel to The Encyclopedia of Early Earth, her British Comic Award-winning debut graphic novel. She also posted her new comic Dreadful Wind and Rain, which is being published as a limited edition by Gosh! Comics, and will be included in her follow-up to Early Earth. [Isabel Greenberg, via Digital Spy]
Manga | Yen Press associate editor and letterer Abigail Blackman talks about her job: “I see that the editor has a twofold obligation – to the original creator and to the reader. I think everyone in the process has to be most careful of not imposing his or her own sensibilities onto the material. I and Yen feel very strongly about preserving the meaning and intent of the original and making sure it translates clearly to the reader. It’s so easy for a rewriter to get carried away with his or her own voice, or for a letterer to get too cutesy with the fonts and placing emphasis.” [Organization Anti-Social Geniuses]
Debuting in September 1984, the hugely popular cartoon was developed by World Events Productions, a small television production company based in St. Louis, Missouri. Several WEP executives had gone to a licensing convention and saw three Japanese shows they thought would do well in the United States. They requested the master tapes of all three, but Toei Company sent the wrong tapes for one of them, interpreting the request for the “one with the lion” as Beast King GoLion, although the WEP team had actually meant a different show. Ted Koplar, president and CEO of WEP, liked what he saw, recalling, “There was a human side that grabbed me.” Indeed, it became the most popular Voltron cartoon, Lion Force Voltron.
Last month, Viz Media released Voltron: From Days of Long Ago, a 30th anniversary commemorative book that includes a behind-the-scenes history of the show, photos of the many Voltron toys, and a guidebook to the characters and storylines. I spoke with Traci Todd, senior editor for children’s publishing at Viz and a huge Voltron fan herself, and Beth Kawasaki, senior editorial director, about went into the making of the book.
Editorial cartoons | The Indianapolis Star first altered a cartoon by Gary Varvel and then removed it from its website after receiving an outpouring of protests from readers. The cartoon, a reaction to President Obama’s executive actions delaying deportations, showed a white family sitting around a Thanksgiving table, looking in horror as brown-skinned people, presumably immigrants, climbed in the window. The caption was “Thanks to the president’s immigration order, we’ll be having extra guests this Thanksgiving.” “Gary did not intend to be racially insensitive in his attempt to express his strong views about President Barack Obama’s decision to temporarily prevent the deportation of millions of immigrants living and working illegally in the United States,” Executive Editor Jeff Taylor said in a post explaining the removal of the cartoon. “But we erred in publishing it.” Tom Spurgeon offers some commentary. [Indianapolis Star]
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Copyediting is a strange profession: If you do your job well, no one will know you did it at all. It’s when you don’t—or, more likely, when the copyeditor is eliminated—that people notice. I was reading a comic from a major publisher just the other day and encountered a glaring typo that popped me right out of the story.
As a former copyeditor myself, I was touched by Calista Brill’s post at the First Second blog about their copyeditor, Manuela Kruger, who passed away recently.
Despite never having had a conversation with her, I felt like Manuela and I were friends, communicating across the written page. Manuela would return her copyedited printouts of our books to us with a cover letter sharing her thoughts—always perceptive, and sometimes very funny—about the book she had just marked up. The notes and asides she added to her copyediting corrections often made me laugh—made me feel like I had a friend reading along with me.
There are a lot of people whose work goes into making a graphic novel see the light of day, and a lot of them are pretty invisible to the reader and even to the person who wrote or illustrated the book in the first place. But their contributions are invaluable, and it’s a very sad day when you lose one of them.