WATCH: "Fantastic Four" Power Up In New Promo Spot
Passings | Inker Rick Ketcham has passed away. Details are sparse, but Ketcham’s Facebook quickly filled with tributes from friends and colleagues who hailed his kindness, his professionalism, and his willingness to mentor others. Ketcham worked on a number of titles for DC Comics, Marvel, Dark Horse, Image Comics and other publishers, including The Amazing Spider-Man, Buffy the Vampire Slayer, G.I. Joe, New X-Men, Runaways and Venom. [Tsunami Studios Facebook]
Political cartoons | The artist who drew the iconic “Je Suis Charlie” cover for Charlie Hebdo says he’s no longer interested in drawing the Prophet Muhammad. In an interview with a French magazine, Rénald Luzier, who goes by the pen name Luz, said “I am tired of him, just like [former French President Nicolas] Sarkozy. I am not going to spend my life drawing them.” Luz was running late the day that two gunmen attacked the Paris offices of Charlie Hebdo and killed 12 people, and his tardiness saved his life. [Comic Riffs]
Creators | Responding to the removal of Maus from Moscow bookstores as the Russian government cracks down on Nazi symbols, Art Spiegelman said, “It’s a real shame because this is a book about memory. We don’t want cultures to erase memory.” Retailers fear the swastika on the graphic novel’s cover may be enough to run afoul of a new law prohibiting “Nazi propaganda” as the country prepares to celebrate the 70th anniversary of the Soviet victory over Germany. “I don’t think Maus was the intended target for this, obviously,” the cartoonist told The Guardian. “But I think [the law] had an intentional effect of squelching freedom of expression in Russia. The whole goal seems to make anybody in the expression business skittish.” [The Guardian]
Manga | Dragon Ball creator Akira Toriyama is writing a new series, to be illustrated by Video Girl Ai artist Masakazu Katsura. The series will run in Young Jump magazine in Japan. [Anime News Network]
Libraries | Jillian and Mariko Tamaki’s YA graphic novel This One Summer was the first graphic novel to be named a Caldecott Honor Book, but being a pioneer isn’t easy: Because the Caldecott Medal honors illustrators, most librarians think of Caldecott honor books as being for younger readers. Answering a complaint from a librarian, Pat Scales, former chair of the American Library Association’s Intellectual Freedom Committee, points out that the Caldecott Medal is awarded to books for readers up to age 14, and that This One Summer is generally regarded as an eighth grade book—so it qualifies, but it is an unusual case. [School Library Journal]
Manga and anime fans are known for their love of two-dimensional girls, but artist Muneo Saito is rounding things out a bit without going overboard: To create his “2.5D” comic Attack 00 Gakuen 2.5D, he arranges flat cutouts in three-dimensional space.
RocketNews 24 has a detailed explanation of how Saito, who is the artist for the manga Pokémon Gold and Silver Golden Boys and was a character artist for several Pokémon anime, creates his comic: He draws the figures, inks them, cuts them out, and attaches them to little clear plastic stands. While the characters are two-dimensional, their surroundings are not; Saito has painstakingly put together a model school with 3D desks and even (my favorite touch) a little model wastebasket with carefully constructed trash.
Conventions | Chicago’s RedEye has an overview of the Chicago Comic & Entertainment Expo, which kicked off this morning at McCormick Place, and talks with Brian Stephenson of producer ReedPop about the future of the five-year-old show. “It has all the potential in the world to be bigger than San Diego [Comic Con] or New York, all based on the square footage at McCormick,” he said. Meanwhile Chicagoist checks in with a convention food guide, while Chicago Now offers a rundown of the best after-parties. [Chicago Comic & Entertainment Expo]
The British sci-fi anthology 2000AD was one of the first publishers to offer digital comics, and it ofers readers a choice: They can buy single issues and graphic novels within their iOS and Android apps or as direct downloads from their web store.
The advantage to the latter has always been that direct downloads are free of digital rights management (DRM) — they are simply files that can be freely moved from device to device — while comics purchased within the apps can only be read within the apps. Each way of buying comics has its advantages; the apps allow the user to store comics in the cloud and keep them organized in a single place on their tablet or computer, while PDF and CBZ files come with no strings attached.
Awards | Cartoonist Roz Chast is one of six recipients of this year’s Heinz Awards, which recognize “exceptional Americans, for their creativity and determination in finding solutions to critical issues.” The honor comes with an $250,000 cash prize. “‘Floored’ does not begin to describe it,” says the author of the acclaimed graphic memoir Can’t We Talk About Something More Pleasant? “I don’t think I’ve fully absorbed it yet.” [The Washington Post]
Political cartoons | In a radio interview, Afghan political cartoonist Habib Rahman Habib talks about his work. [NPR]
Publishing | Paul Kaminski, Archie Comics’ executive director of editorial since 2012, has left the publisher to become an associate editor for DC Comics’ Superman Group. Kaminski joined Archie in 2007, editing such titles as Sonic the Hedgehog, Mega Man and The New Crusaders. [Twitter]
Museums | The reason the Cartoon Art Museum is vacating its current location is familiar to San Franciscans, says curator Andrew Farago: “The price per square foot is going to more than double, and that’s just not viable for us. The landlords are giving us what considerations they can, but ultimately it’s a business decision.” The museum will remain open in its current location, on Mission Street, until June 28; a new venue has not been found yet. [SFGate]
Awards | The Buffalo News editorial cartoonist Adam Zyglis is the winner of the 2015 Pulitzer Prize in Editorial Cartooning, fulfilling a mandate given to him on the day he was hired, when his editor said, “Welcome aboard. Now go win us a Pulitzer.” [The Buffalo News]
That means English-language readers will get the story the same day as those in Japan, although in a different format, as Viz’s Shonen Jump is digital-only.
One of the top-selling manga in the United States for many years, the original series ended in November. However, Kishimoto said he had more Naruto stories to tell before moving on to a different series.
Conventions | Calgary Expo organizers asked an exhibitor to leave after learning the group had misrepresented itself and is affiliated with GamerGate. The group, Honey Badger Radio, raised money through crowdfunding to set up a booth at the convention, but registered under a different name (as explained on the crowdfunding site, they were in “stealth mode”). At the convention, the exhibitor displayed a poster with a GamerGate logo and monopolized the Q&A session at a panel on women in comics. In a statement released on Twitter, the event organizers said, “The Calgary Expo is a positive and safe event for everyone. We have reason to believe that the Exhibitor in question does not fall in line with this mandate … so we have politely requested that they not participate in our show or future shows.” [The Mary Sue]
Publishing | Ron Richards, who joined Image Comics in January 2013 as its director of business development, has announced his departure from the publisher. “I am immensely proud of the work that I was able to be a part of,” he wrote. “Re-defining how a comic company makes announcements and interacts with their fans with Image Expo, and helping usher in new and exciting comics like Black Science, Wytches, Southern Bastards, Deadly Class, The Wicked + The Divine (among so many more) has been an honor and a privilege. It’s been a delight to work alongside some of the most talented comics creators in the business — and I leave with respect for all of them.” A co-founder of iFanboy and a veteran of Graphicly, Richards said he doesn’t have any immediate work plans. His departure from Images follows that of Jennifer de Guzman last week. [Medium]
When it was founded in 1984, San Francisco’s Cartoon Art Museum was a “museum without walls,” with no permanent exhibit space. It moved to several locations before settling into its current space on Mission Street in 2001. And now it will move again, but no one is sure where.
The museum revealed Thursday that it has received a notice to vacate, and it will leave the premises by the end of June. The announcement hinted that San Francisco’s notoriously high rents are to blame.
“When I ask the average person about depictions of women in media, the first thing they mention is female body image, and the sexualisation of women. They then go on to talk about how the depiction of women affects the self-esteem of young girls, because they look into the mirror and find their physique wanting when compared to catwalk models.
My answer to that is usually not the ‘you should love yourself the way you are’ sort of stock reply, which has been bandied around for years, to little effect. Instead, I bounce another question back at the person asking it:
Why the focus on what women look like and what they’re wearing?
Why is the debate about teenage self-image always about appearances, and not about the stories of women as people who have lives, hopes and values?
[…] Using just a fine liner and a sheet of paper, I’ve created girls and women of various shapes, sizes, ages and ethnicities. Sometimes these women are interested in romance, sometimes not, but all of them have the same agency as the male characters do. Which I feel is the important thing. Not so much talking endlessly about a woman’s appearance, but showing that every single character, male or female, can be a well-rounded person with goals and values.”
— Queenie Chan, creator of The Dreaming and artist for Odd Thomas.