Matt & Foggy Hit The Street In First "Daredevil" Season 2 Set Pics
Crime | A rare copy of 1939’s Superman #3 was stolen from Happy Harbor Comics in Edmonton, Alberta, sometime in the past week. The comic was displayed high on a wall, and when owner Jay Bardyla went to show it to a customer on Wednesday, it was missing. This issue would be worth $30,000 if it were in mint condition, but Happy Harbor’s copy had tears and other defects and was priced at $2,000. Bardyla and his staff are keeping an eye on comics sites and other comic shops to see if it turns up. “To my knowledge there’s not another copy of Superman #3 kicking around Edmonton so if it shows up at another shop, pawn shop or a flea market … hopefully if they see it they’ll let us know,” he said. [Global News]
College student Tara Shultz is the latest in a long line of people to be shocked to find that Persepolis, Marjane Satrapi’s graphic memoir about growing up during the Iranian revolution, contains violence.
A 20-year-old attending Crafton Hills College in Yucaipa, California, was so dismayed by the graphic content in four of the graphic novels required by her English 250 course — official description: “the study of the graphic novel as a viable medium of literature through readings, in-class discussion and analytical assignments” — that she and her parents are seeking to have them banned by the administration.
In addition to Persepolis, Shultz took exception to Alison Bechdel’s Fun Home, the first volume of Brian K. Vaughan and Pia Guerra’s Y: The Last Man, and Neil Gaiman, Mike Dringenberg & Co.’s The Sandman: The Doll’s House, due to the depictions of sex, violence and “obscenities.”
“I didn’t expect to open the book and see that graphic material within,” she told the Redlands Daily Facts. “I expected Batman and Robin, not pornography.”
Manga | Remember when Kadokawa published a manga based on the BBC’s popular Sherlock television series? Well, maybe not, because the manga hasn’t been licensed for English-language countries. But now the first volume has been translated: Kadokawa, the publisher of the original manga, has released a bilingual Japanese and English version of “A Study in Pink” intended for students of English. [Anime News Network]
Conventions | Attendance at ReedPOP’s second annual Special Edition: NYC, held June 6-7, reportedly increased 40 percent from the first year. [Publishers Weekly]
Conventions | Comic-Con International is seeking a new sponsor for Artists’ Alley after DeviantArt, the sponsor of the area for the past two years, withdrew support. In a letter sent Wednesday to exhibitors, organizers said they are seeking a new sponsor and remain committed to Artists’ Alley. Heidi MacDonald provides context, noting that the development comes amid ongoing fears about the future of Artists’ Alley, which occupies valuable floor space in an exhibition hall starving for more. [The Beat]
Political cartoons | Michael Cavna has issued an open for cartoonists to draw cartoons in support of imprisoned Iranian artist Atena Farghadani, and tweet them with the hashtag #Draw4Atena. Robert Rusell, executive director of Cartoonist Rights Network International, has written an open letter to the leaders of Iran asking them to intervene. [Comic Riffs]
The Kramers Ergot anthology, edited by Sammy Harkham, has had an irregular publication history, with long spaces between volumes and a different publisher every few years. The oversized Kramers Ergot 7, which stood almost two feet tall, was released in 2008 by Buenaventura Press, and Kramers Ergot 8 came out in 2012 from the now-defunct art publisher PictureBox.
So it’s big news that a new volume is on the way, this time from Fantagraphics.
Retailing | Sales of both comics and graphic novels were strong during the 2014 holiday season and have continued to grow since then, according to the 13 retailers (nine direct market shops and four bookstores that carry graphic novels) surveyed by Publishers Weekly. The answers seem to reflect some trends that have been ongoing for a while: Image Comics solidifying its place as the No. 3 (and in one case, No. 2) comics publisher, the increasing popularity of graphic novels and an influx of new readers, many of them young and female. [Publishers Weekly]
Retailing | Brooklyn Comics & More Inc., the owner of two now-closed stores in New York City, has filed for bankruptcy. The corporation opened Brooklyn Comics & More in 2010 and Manhattan Comics & More in 2011; both closed in 2013. The company’s debts include $71,799.93 owed to Diamond Comic Distributors. [ICv2]
Gilbert Shelton, creator of the Fabulous Furry Freak Brothers, recently turned 75, and the digital comics app Sequential is celebrating with a free collection of his work.
It includes some classic Freak Brothers strips, covers and a history of the comic, as well as a few interesting bits of ephemera such as the package design for the Fabulous Furry Freak Brothers rolling papers and the label for Tall Toad ale, Fat Freddy’s favorite brew. The sampler is available for free through the end of June.
Shelton was one of the pillars of the underground comics movement of the 1960s and early 1970s, a co-founder of Rip Off Press as well as the creator of the Freak Brothers and Wonder Wart-Hog. He was inducted into the Eisner Hall of Fame in 2012 (I was proud to be one of the judges that year).
Attack on Titan, Death Note and Black Butler are on a list of 38 manga and anime the Chinese Ministry of Culture has designated as “severely improper content” and banned from print or digital distribution within the country.
The ministry announced Monday it has shut down eight websites and sanctioned 29 more for carrying comics and anime that either were unlicensed or featured violent content, and it’s threatening to issue warnings and fines to websites that don’t remove the blacklisted titles.
Manga | Viz Media announced Friday it will publish a print edition of One-Punch Man, which managed to garner an Eisner nomination in its digital-only format. Zainab Akhtar provides some background on the book and reproduces a review by David Brothers. [Comics and Cola]
Conventions | Scott Eric Kaufman follows Devin Pike, one of the organizers of Dallas Comic Con, throughout the three-day event and gets a good look at what goes on behind the scenes: “As I witnessed these lines [of fans] snakes down corridors and spill into causeways, they began to seem like a physical manifestation of the passion fans have invested in these individuals and the iconic characters they’ve played, and it’s up to people like Devin to ensure that that passion is rewarded with an experience that is, if not equal to it, at least a reflection of it.” [Salon]
Legal | A judge has ordered Matthew Pocci to stand trial on charges of felony reckless driving for an incident at last year’s SDCC ZombieWalk: San Diego that left one woman seriously injured. In a preliminary hearing held Wednesday, the defense argued that Pocci, who is deaf, was scared for his and his family’s safety, and was just trying to drive through an opening in the crowd of spectators, but the prosecution countered that he had grown angry and impatient. [CBS 8 San Diego]
Comics | Michael Dooley looks at Marvel’s Daredevil through the years, with an emphasis on the art. [Print Magazine]
Legal | Witnesses testified Wednesday in a preliminary hearing that driver Matthew Pocci honked his horn and drove through the crowd of spectators last year during the annual SDCC ZombieWalk: San Diego, despite attempts by spectators stop him. Pocci, who is deaf, has been charged with felony reckless driving causing serious injury. But Pocci’s fiancee, April Armstrong, said the crowd had mostly passed when he started the car, and that the people surrounding them were frightening: “People then started laughing at us. People were getting close to us. I started to freak out. I couldn’t understand what was going on. I was looking back at my son, he was scared. I told Matt, ‘please let’s go.'” Armstrong also testified, however, she had told a neighbor she felt she couldn’t tell the true story because of her relationship with Pocci. [San Diego Union-Tribune]
Iranian political cartoonist Atena Farghadani has been sentenced to 12 years in prison after being found guilty of “insulting members of parliament through paintings” and “insulting the Iranian supreme leader.”
The charges stem from a cartoon Farghadani posted online that depicted members of the Iranian parliament with the heads of cows and monkeys. A painter as well as a cartoonist, Farghadani was also charged with “gathering and colluding with anti-revolutionary individuals and deviant sects” because she mingled with the relatives of political prisoners and members of the Baha’i faith during an exhibit of her paintings of protesters killed by the Iranian government.
Call it the Streisand Effect, Singapore-style: Sonny Liew’s graphic novel The Art of Charlie Chan Hock Chye has sold out at bookstores across Singapore after the National Arts Council pulled its funding from the book at the last minute, citing “sensitive content.”
The book had an initial press run of 1,000 copies, and all 500 of the copies allotted to Books Kinokuniya Singapore are gone. Other bookstores also report a run on the book, and the publisher has no more copies in the warehouse; a second printing is planned. Publisher Edmund Wee of Epigram Books attributed the sellout to a combination of the controversy and Liew’s popularity. To give an idea of the scale of graphic novel sales in Singapore, a typical Epigram book sells about 500 copies a year.
About a year and a half ago, the founders of Medium did something that was both totally old-school and daringly novel: They set up a dedicated cartoon site, The Nib, hired editorial cartoonist Matt Bors to run it, and gave him a budget to pay the contributors. At a time when even venerable institutions like The Atlantic expect writers to pitch in their articles for free, this was a welcome sight — a publication with enough respect for its contributors to offer them paying work.
It showed, too; some of the most remarkable comics of the past year and a half have appeared on The Nib, including work by Leela Corman, Mike Dawson, Eleanor Davis, Shannon Wheeler and Sarah Glidden. Those are just the creators who appear on the front page today.
And now, just like that, it’s gone, to be replaced by … well, it’s not clear. Bors posted an announcement Friday that things would be different going forward:
Passings | Underground comics artist Michele Wrightson has died. As Michele Brand, she was a contributor to the first all-women underground comics anthology, It Ain’t Me Babe, with a story titled “Tirade Funnies” that still rings true 45 years later. That comic spawned the ongoing Wimmen’s Comix, to which she was also a contributor. Wrightson was also a colorist for Marvel and several other publishers and was married first to cartoonist Roger Brand and then to artist Bernie Wrightson, with whom she collaborated on the Creepshow graphic novel. Stephen Bissette has more in a Facebook post, including the fact that she helped Louise Simonson get her first job in comics. [The Beat]