Brigid Alverson, Author at Robot 6 @ Comic Book Resources - Page 2 of 149
Boys Over Flowers was one of the series that helped propel the manga boom of the mid-2000s. It’s a classic shoujo romance about a girl of modest means who goes to a fancy high school and ends up in a love triangle with two guys, one that’s haughty and one that’s nice.
Now, 12 years after the manga ended in Japan and five years after the final volume appeared in English, creator Yoko Kamio is back with a sequel series, Boys Over Flowers Second Season. And this time, it will be published online, for free, in both English and Japanese — and the English version comes out first.
It appears the story will still be set in the elite Eitoku Academy, but two years later than the original series and with a different cast of characters.
The Cartoonists Rights Network International has set up an Indiegogo campaign to raise $40,000 to extend its efforts, which include advocating for freedom of speech, getting the word out when a cartoonist is in peril, and working behind the scenes to aid cartoonists in trouble.
The organization offers a downloadable manual for cartoonists, and also presents the Courage in Editorial Cartooning Award each year to “a cartoonist who is in great danger or has demonstrated exceptional courage in the exercise of free speech rights, or both.”
Manga | The 72nd and final volume of Masashi Kishimoto’s Naruto, released in Japan on Feb. 4, topped the weekly sales charts, with 874,120 volumes sold in its first week. [Crunchyroll]
Conventions | With 10 fan conventions coming to Indianapolis this year, David Lindquist takes a look at the business of comics-themed entertainment, with interviews with Wizard World CEO John Macaluso and Comic-Con and the Business of Pop Culture author Rob Salkowitz. [Indianapolis Star]
Passings | Andy Hutton, who drew the popular strip “The Q-Bikes” (which morphed briefly into “The Q-Karts”) for the British comic The Beano, died last month at age 91. Born in Calcutta, Hutton moved as a teenager to Dundee, Scotland, where he began working for Beano publisher DC Thomson at age 14. He quit that job to train to be a pilot in the Royal Air Force, but poor eyesight kept him grounded much of the time. After World War II, he got an art degree and lived in Canada for a while, working in nuclear reactor construction, before returning in 1950 to Scotland. He was a Beano artist for 25 years, and his work included Red Rory of the Eagles, Jack Flash and The Kangaroo Kid; he also taught art in a local high school. [Down the Tubes]
Legal | Malaysian cartoonist Zunar was arrested last night on sedition charges stemming from a tweet criticizing the court that upheld the sodomy conviction of opposition leader Anwar Ibrahim. On Tuesday, Inspector-General of Police Tan Sri Khalid Abu Bakar posted a screencap of the offending tweet, which said, “Followers (Barua-barua) in black robes were proud in delivering judgement. Reward by Mr Politician must be lavish,” reflecting the popular opinion that the conviction was a political ploy by the government of Prime Minister Najib Razak to silence Anwar. Zunar then tweeted a cartoon of Najib as the judge handing down the verdict. Although his lawyer said Zunar offered to come in to answer questions, he was brought to the Dang Wangi police station, where he can be detained until Saturday — or longer, if police renew the remand order. [The Rakyat Post]
Conventions | The third Taipei International Comics and Animation Festival kicked off today in Taiwan, where organizers expect as many as 400,000 attendees over the next five days. Forty-seven artists, authors, actors and producers from Taiwan, Japan and South Korea are participating in the event, which last year attracted 409,000 fans and generated about $5.9 million in sales. [Want China Times]
Retailing | Susana Polo interviews several members of the Valkyries, the organization of women who work in comic shops, and examines the “Valkyrie Bump,” the sales boost that some comics, such as Sex Criminals, Lumberjanes and Batgirl, get when they benefit from their extra support. [Publishers Weekly]
Political cartoons | Reporter James Hookway interviews the Malaysian cartoonist Zunar, who’s facing sedition charges, and provides some background on Malaysian politics and trial of Anwar Ibrahim, which is the topic of some of Zunar’s controversial cartoons. [The Wall Street Journal]
For the past week, Kamala Khan fans have been gathering at Kamalacon, a Tumblr celebrating the one-year anniversary of the first issue of Ms. Marvel. I have no idea whether this is a grass-roots thing or some clever guerrilla marketing by Marvel, but it’s fascinating to see the range of fans who have contributed cosplay photos, selfies with their collections, Kamala-themed playlists, and fanart that ranged from sketchbook drawings to animated GIFs to cookies and Funko sculptures. There was even a virtual gift exchange.
Kamalacon kicked off with a series of essays by readers about what Kamala Khan means to them. The first thing that struck me on glancing at them was the diversity of the writers. There’s something universal about Kamala’s story that appeals to many readers, from a Muslim woman who sees parallels to her own life to the white guy who compares it to Quasar to explain what makes Ms. Marvel good and Kamala bad—and makes a good point:
People talk about why they need diversity in comics, and usually it boils down to the importance of representation. But it also just makes better comics. Kamala Khan can tell stories and do things and go place that Wendell Vaughn simply can’t. When a publisher only stocks Wendell Vaughns in their creative toolbox, they’re putting artificial limits on the kinds of stories they can make. They cheat themselves and their audience. As long as Kamala’s on the beat, the industry’s headed in the right direction, however slowly.
Graphic novels | ICv2 has the January graphic novel chart from Nielsen BookScan, which tracks sales in book channels. Roz Chast’s Can’t We Talk About Something More Pleasant? tops the list, with the fourth volume of Saga coming in second, and the 22nd volume of The Walking Dead in third. The list is a bit different from previous months because the chart began including nonfiction graphic novels just last month, and going forward ICv2 will break the titles into three categories: superhero/genre, manga and “author” graphic novels. The retailer-oriented website throws in some interesting bits of analysis, including the fact that six of the Top 20 titles — including books No. 1 and 2 — had female creators or co-creators. [ICv2]
Awards | Longtime MAD Magazine cartoonist Mort Drucker has been named as the first recipient of the National Cartoonists Society’s Medal of Honor. [Comic Riffs]
Crime | Artist and collector Jim Wheelock talks about the loss of his comics collection, which was stolen from a storage unit in Brattleboro, Vermont: “I remember where I was and what I was doing when I bought or read many of [the comic books]. Later, when I worked in the financially rickety world of a freelance artist, knowing the books were in Vermont gave me a sense of security, a retirement nest egg. This is what the culprit robbed me of.” Vermont-based cartoonists James Kochalka and Harry Bliss weigh in on what such a loss would mean. Wheelock’s thousands of comics included extensive runs of The Incredible Hulk, The Avengers, The Amazing Spider-Man, Daredevil and The Fantastic Four, in some cases beginning from the first issues. [Seven Days]
Legal | Palestinian Authority President Mahmoud Abbas has ordered an investigation into a cartoon he claims depicts the Prophet Muhammad. The cartoonist, Mohammed Sabaaneh, denied that on his Facebook, saying, “The intention was not to represent the prophet. [It was to] symbolise Islam and its role of disseminating light and love on the human race.” It was a reaction to the Charlie Hebdo cartoons, not an attempt to imitate them: “My point was to defend religion in the face of attempts to distort it, by using the same means: a caricature,” he said. The newspaper that ran the cartoon, Al-Hayat Al-Jadeeda, apologized and stated that the cartoon was not supposed to be an image of Muhammad. Sabaaneh, who spent several months in an Israeli prison on charges of “contacts with a hostile organization,” has been summoned by the Palestinian Authority for questioning. [Middle East Eye]
Crime | The Wow Cool Alternative Comics store in Cupertino, California, has been burglarized for the second time in two months, and it looks as if it was the same crew both times. The thieves took cash and pretty much every minicomic and digest in the store, as well as a box of Marvel and DC comics. [Wow Cool Comics]
Political cartoons | Malaysian cartoonist Zunar, who’s facing sedition charges in his home country, has been invited to speak at a United Nations forum next month in Geneva, Switzerland, titled “Defending Artistic Expression — Time for the UN to Act.” “In my speech, I will reaffirm my stand that freedom of expression for artistes including cartoonists is paramount and cannot be compromised,” he said, and he will also criticize the UN’s lack of commitment to the issue, which has “given more power to corrupt regimes and extremist bigots to be more repressive toward artists.” [The Rakyat Post]
Auctions | A restored copy of Detective Comics #27, which marks the first appearance of Batman, is expected to bring in more than $100,000 in a Feb. 20 sale held by Heritage Auctions. According to the company, this would be only the second restored copy of that issue reach that milestone (several restored copies of Action Comics #1 have broken $100,000). A CGC-graded 4.5 copy of Batman #1 is expected to fetch more than $65,000 in the same auction. [Antique Trader]
Passings | Cartoonist Joseph Farris, whose work appeared in The New Yorker and other publications for almost 60 years, died last week at his home in Bethel, Connecticut. He was 90. Farris served in the Army during World War II, and he later wrote a memoir, A Soldier’s Sketchbook, that included drawings he did while on the front lines in France and Germany. He recently completed another memoir, Elm Street, about growing up in Danbury, Connecticut. Farris once described his work as “subtly political,” adding that his goal was to make the reader laugh, then stop and think “Wait a minute. What did he say?” [The News-Times]
The Angoulême International Comics Festival ended today, and while the winner of the Grand Prix d’Angoulême, Katsuhiro Otomo, was announced on Thursday, the closing ceremony brought the announcements of the official prizes of the festival.
The prize for the best comic of the year (Fauve d’or/Prix du meilleur album) went to Riad Sattouf’s L’Arabe du Futur, the first volume of an autobiographical trilogy about his childhood, which was spent in France and Syria. Chris Ware’s Building Stories was recognized with a special jury prize, which is not given every year, only when the jury wants to draw attention to a work of special merit. The best series prize went to Last Man, which First Second will be releasing beginning in March. And there was a special Freedom of Expression prize, Prix De La Liberté D’Expression, which honored the five Charlie Hebdo cartoonists who were slain on January 7; this prize will be awarded in future years to creators who have advocated for freedom of speech.
Here’s the complete list:
This week, Ross Richie of BOOM! Studios wrote an editorial, and Matt Gagnon gave a thoughtful interview, on the topic of diversity in comics, and they followed it up with a Twitter hashtag, #comicsforward. It certainly got people talking, although perhaps not always in the way Gagnon and Richie intended.
The first thing that happened was exactly what they had in mind, which was a bunch of folks jumping onto Twitter to celebrate their favorite comics and creators or just applaud the idea. It’s definitely worth checking that hashtag to see some great recommendations.