Writer, and Comic Book Resources columnist, Ron Marz (Silver Surfer, Green Lantern, Witchblade) has kicked off his fourth annual Comics for Tots auction on eBay. The first round of items, which can be found here, includes original art by Stjepan Sejik, Scott Kollins, and Darryl Banks, as well as a Joker action figure. Marz announced the sale Wednesday on Twitter, and he says more items are on the way. Once shipping costs are paid, all the money will be donated to Toys for Tots.
Last year’s Comics for Tots event raised $2,300. “We purchased and donated multiple loads of toys for the local Toys for Tots effort, everything from action figures to dolls, board games to sports equipment, books to iPods,” he wrote. “This is all possible because of you. We were able to make Christmas brighter for some children in need.”
There’s a bit of irony to this story of a comics dealer and a collector going to great lengths to acquire an intact comics collection … which they apparently intend to break up by selling off the comics individually.
Matthew Lane, the reporter who got the story for the Kingsport, Tennessee, Times-News, puts the allure of the collection right in his lead:
Imagine coming across a rare comic book collection, complete runs of Marvel and DC dating back to the beginning of the Silver Age of Comics. The first appearances of Spider-man, Iron Man, Wolverine, the Avengers and the Fantastic Four.
Indeed, that’s what makes this collection so interesting — its completeness. Seeing an entire run of issues, watching iconic characters pop up in the context of their times, is a special experience (albeit one that can now be duplicated fairly easily with digital comics). The collection of more than 46,000 comics seems to have attracted some attention among dealers, and it was ultimately purchased by retailer Brian Marcus and collector Charles Bond.
Auctions | Comics industry legend Maggie Thompson plans to put up for auction 524 comics from her personal collection. Thompson, who with her late husband Don was a longtime editor of the Comics Buyer’s Guide, estimates that she has 10,000 comics, all stored in a special vault-like addition to her home, which she built using the money from a previous sale, of Amazing Fantasy #15 (the first appearance of Spider-Man) and the first 100 issues of The Amazing Spider-Man. Bidding on the first batch of comics, which includes The Avengers #1, Journey into Mystery #83 (first appearance of Thor), The Incredible Hulk #1, and original cover art from Conan #4, begins today. [The Associated Press]
Comics | ICv2 releases the results of its White Paper (previously reported at Comic Book Resources), which tracks comics and graphic novel sales in all channels. Briefly, the report shows that sales of comics and graphic novels are up, manga is up dramatically, and digital comics sales continue to increase — although growth is slowing a bit, which is to be expected as the base increases. [ICv2]
Retailing | The rental chain Tsutaya and the bookstore chain Yurindo have returned Kuroko’s Basketball books and DVDs to their shelves after “X-Day,” Nov. 4, passed without incident. Someone has sent hundreds of threatening letters to convention sites, bookstores, the media and Sophia University (the alma mater of Kuroko’s Basketball creator Tadatoshi Fujimaki), over the past year, and the most recent batch of letters said that “X-Day will be on the final day of the [Sophia University] school festival.” Meanwhile, police are checking security cameras near all the mailboxes in the districts from which the letters were mailed, looking for suspicious people. [Anime News Network]
Comics | Brian Steinberg looks at Archie Comics’ most radical move yet: the relatively adult Afterlife with Archie, which literally turned America’s most iconic teenagers into zombies. Steinberg talks to Archie CEO Jon Goldwater, writer Roberto Aguirre-Sacasa, artist Francesco Francavilla and others about the significance of this comic, which sold almost 65,000 copies to the direct market. [Variety]
As we noted last week, legendary filmmaker Hayao Miyazaki may have left the world of anime, but he hasn’t retired entirely. Instead, Studio Ghibli producer Toshio Suzuki revealed he’s working on a samurai manga, set in the Sengoku (Warring States) period of Japanese history. And on Monday, Japan’s NHK broadcast a first look at Miyazaki’s progress.
Miyazaki actually drew his first manga, Puss in Boots, in 1969, but he is best known for his seven-volume Nausicaa of the Valley of the Wind, which Viz Media recently reprinted as a two-volume boxed set; the first part of the story was the basis for his film of the same name.
Suzuki previously said last week that Miyazaki regards drawing as his “stress relief”; the manga will run in a magazine and that Miyazaki is doing it for free. Here’s a look at the work in progress:
We reported earlier this month on a truly weird case unfolding in Japan: Someone is sending threatening letters to venues connected to the manga and anime Kuroko’s Basketball, including convention centers that host doujinshi (fan comic) events, bookstores that sell the manga, and Sophia University, where creator Tadatoshi Fujimaki attended school. Some bookstores have removed the manga, and convenience stores, including 7-Eleven, also pulled Kuroko’s Basketball-themed snacks after receiving letters saying they had been poisoned.
There were two developments in the case last week. The first was that a small amount of nicotine was found in one of the recalled snacks; the package appeared to be “suspiciously” sealed. However, investigators said the amount found was 1/100th of a lethal dose.
The other other was that Tokyo police announced they may have security camera footage of the suspect — and, in fact, they may have questioned him more than a year ago.
Creators | Newsday picks up the story of Al Plastino’s original art for the John F. Kennedy comic that was canceled when the president was assassinated, and then published a few months later at the request of the Johnson administration. Plastino, now 91, had been told the artwork would be donated to the Kennedy Library, but last month at New York Comic Con he learned that a private individual had the art and was planning to sell it through Heritage Auctions, which now says it won’t move forward until the ownership question is resolved. Copyright lawyer Dale Cendall, former DC Comics President Paul Levitz and artist Neal Adams weigh in on the case. [Newsday]
Kickstarter | In the wake of the successful Fantagraphics Kickstarter campaign, Rob Salkowitz looks at the evolution of the crowdfunding platform from a way for individual creators to connect with their audiences to a pre-sale mechanism that eliminates a lot of the risk for smaller publishers. [ICv2]
Comics | A CGC-certified 9.2 copy of The Brave and the Bold #28, featuring the first appearance of the Justice League, was sold by Pedigree Comics for $120,000, a record price for the issue (cover-dated February-March 1960). ““The sale for $120,000 is a record price for any copy of Brave and the Bold #28, almost doubling the only recorded 9.4 sale (from April, 2004) of $60,375,” said Pedigree Comics CEO Doug Schmell. “The other 9.2 copy (with off-white pages) fetched $35,850 in May, 2008. This book is beginning to rise dramatically in demand, popularity and value, evidenced by the recent sales of two 8.5 examples (in September, 2013 for $45,504 and for $40,500 in June, 2013).” [Scoop, via ICv2]
Passings | “He took me seriously”: Shaenon Garrity writes the definitive obituary of webcomics pioneer Joey Manley, who died Nov. 7 at the age of 48. She talks to a number of the creators who worked with him over the years and puts his accomplishments into perspective. [The Comics Journal]
Last year, Ryan Estrada came up with a cool idea: a pay-what-you-want Kickstarter. Anyone who pledged at least a dollar received the winter 2013 edition of The Whole Story, a bundle of four digital comics, each of which was a complete story. It went over pretty well, blasting right past its initial goal of $2,500 to a total of more than $40,000 — including 750 backers at that $1 or more level. (Estrada, being no fool, did add some enticements to pledge at higher levels.)
Now he’s back with another Kickstarter with an even cooler concept: Broken Telephone, a series of 18 independent yet interconnected comics. Here, let’s let Estrada explain:
Retailing | Fans of the Fall River, Massachusetts, retailer StillPoint Comics, Cards & Games kicked in $5,000 in a GoFundMe campaign to keep the store in business. The shop, which opened in 1997, had to close for 10 days last month after its power was shut off. [The Herald News]
Publishing | Following confirmation last month of a Space Mountain graphic novel series, Heidi MacDonald talks with executives from Disney Publishing Worldwide about the expansion of the new Disney Comics imprint. [Publishers Weekly]
Events | Sean Kleefeld reports on Day 1 of the Billy Ireland Cartoon Library & Museum Grand Opening Festival of Cartoon Art in Columbus, Ohio. [Kleefeld on Comics]
Events | The Billy Ireland Cartoon Library & Museum at Ohio State University steps into the spotlight for the Grand Opening Festival of Cartoon Art, which celebrates the library’s move to a new 30,000-square-foot home on campus. The library’s extensive collection includes more than 300,000 original comic strips, 29,000 comic books, 45,000 books and 2,400 boxes of manuscripts, personal papers and the like. The festival, held today through Sunday, includes such guests as Eddie Campbell, Gilbert Hernandez, Jaime Herandez, Jeff Smith, Paul Pope, Hilary Price, Kazu Kibuishi and Dylan Meconis. [The Associated Press, The Columbus Dispatch, Columbus Alive]
Creators | Art Spiegelman talks about history, Maus, and being the creator of Maus: “I have to keep moving as best I can through the shadow of something that I’m glad I had pass through me.” [Tablet]
Legendary comics writer Alan Moore will turn 60 on Monday, and the digital comics distributor Sequential is celebrating with a free download of Gary Millidge’s Alan Moore: An Extraordinary Gentleman, as well as a sale on all of its Moore comics.
Millidge originally put together the 20-page bio-comic in 2003 to celebrate Moore’s 50th birthday, and he has revised and updated it for this occasion. It’s text-heavy, with a two-page introduction followed by the story of Moore’s life told in panels from his comics, overlaid with lots and lots of text boxes. It’s certainly an interesting comic and worth checking out if you have an iPad. Millidge is the creator of the self-published comic Strangehaven and the editor of the anthology Alan Moore: Portrait of an Extraordinary Gentleman.
Sequential is also offering discounts on a number of Moore’s comics: From Hell is $3.99, and The League of Extraordinary Gentlemen: Century and Nemo: Heart of Ice are priced at $2.99 each.
If you’re wondering, “Is it worth it to download another app just for these cheap comics?” the answer is probably yes, if you have an iPad and you like indie and underground comics, particularly those from the United Kingdom. Sequential has a very nice presentation, and there’s quite a bit of free material, including the collection of Neil Gaiman’s Lost Tales (which includes Moore’s Leviticus) and the digital comics magazine Infinity.
“There was a very fine line to walk, though. To create a book that Comic Book Guy could enjoy because wa-hey, boobies and gore … but that also as a female writer (and a feminist) I could be OK with. Most people won’t notice that the gaze in the book towards the female characters is not predatory — the women are complicit, and in fact usually in charge. It’s a gossamer thing, this manipulation of gaze, this slight change, this look awry — but it makes a huge difference to how the book feels when you read it. The book makes people really happy. And, you know, for the horror crowd, the little changes in having a woman write it so some of the invasive, penetrative horror happens to men — well, it makes for more effective and unexpected horror.”
– writer Alex de Campi, talking with ThinkProgress about her new series Grindhouse: Doors Open at Midnight, a gleefully trashy exploitation comic the describes “straight-up tits and gore, the way nature (and Russ Meyer) intended.”
Nonetheless, De Campi, whose work ranges from the action thriller Ashes to the all-ages Kat and Mouse and My Little Pony, approaches her work in a thoughtful way. In the same interview, she discusses how changing the point of view of a rape scene radically alters it. De Campi’s work illustrates the point that bringing diversity into comics can greatly improve the stories, by introducing fresh and original perspectives — and even surprising the reader.
As news spread of Typhoon Haiyan, which has displaced 800,000 people, left 2 million without food, and caused at least 1,700 deaths in the Philippines, comics creators began to organize to help. Actually, some were already poised to send aid to the devastated nation, as Haiyan is its second catastrophe in the past couple of weeks: A 7.2 magnitude earthquake rattled the region on Oct. 15, leaving a reported 222 people dead and 976 injured, and destroying 73,000 structures.
Conventions | WonderCon organizers have announced that next year’s show, set for April 18-20, will again be held in Anaheim, California. This will be the third year for the event at that location, after having been uprooted from its longtime home at San Francisco’s Moscone Center first because of remodeling and now because of scheduling conflicts. [Los Angeles Times]
Publishing | Nick Barrucci, CEO and publisher of Dynamite Entertainment, looks back on 10 years in the business, and discusses some upcoming comics, including J. Michael Straczynski’s Twilight Zone and the new kids’ line Li’l Dynamites. [Previews World]