Passings | Silver Age artist Dan Adkins died earlier this month at the age of 76. Adkins, who began with self-published zines before becoming a freelance illustrator, served as Wally Wood’s assistant. As a member of Wood’s studio, he was one of the original artists for T.H.U.N.D.E.R. Agents. Adkins was a prolific penciller and inker for numerous publishers, from DC Comics and Warren Publishing to Harvey Comics and Marvel, notably drawing 132 covers for the latter. He talked in detail about his career, and working with Wood, in this interview with Alter Ego. [News from ME]
Kickstarter | Jeff Yang analyzes why Jonathan Coulton and Greg Pak’s Code Monkey Save World Kickstarter, which started with a single Tweet, was destined for success, and he talks to both creators about how it came to be. [Speakeasy]
Digital comics | Moulinsart, the company that holds the rights to Herge’s works, has released the complete Tintin comics in digital form. The iOS app is free, and it looks like the comics are $5.99 each, which is pretty reasonable. The catch is that they are all in the original French; it doesn’t appear as if translations are available yet. [Idboox]
Passings | Filipino komiks creator Jesse Santos died April 27 at the age of 83. Santos began his career in 1946 as an artist for the first serialized comic in the Philippines, Halakhak, and moved to the U.S. in the 1960s. He drew the sword-and-sorcery character Dragar the Invincible and took over from Dan Spiegle as artist for The Occult Files of Doctor Spektor. [Komikero Dot Com]
Comics sales | Is Mark Millar on to something after all? The first issue of Jupiter’s Legacy sold more than 105,000 copies to direct market stores in April; the only other Image comic to reach those numbers in recent years is The Walking Dead. ICv2 runs the numbers and also posts the Top 300 comics and graphic novels for April. [ICv2]
Passings | Matt Groening’s mother has died at the age of 94. Although she always went by Margaret, Groening borrowed her name for Marge Simpson in his animated series The Simpsons. [Comic Riffs]
Retailing | Amanda Emmert has resigned after nine years as executive director of ComicsPRO, the direct-market trade organization. [ComicsPRO]
Conventions | Last week’s Chicago Comic & Entertainment Expo drew 53,000 attendees, the largest crowd yet for the Chicago-based show, which is in its fourth year. Reed Exhibitions Group Vice President Lance Fensterman talks about the high points of the show and plans for the next couple of years. [ICv2]
Graphic novels | Heidi MacDonald tracks the rise in popularity of graphic novels among librarians, whose support has been integral to the growth of the industry. Her well-researched article includes interviews with public librarians, school librarians, and academic librarians, as well as publishers and others in the field. It’s a comprehensive overview of one of the most important, and least reported-on, areas of our world. [Publishers Weekly]
Comics | Alex Hern looks at three comics that have long been out of print but are now back, or possibly on their way back: Flex Mentallo, Marvelman and Zenith. [The New Statesman]
If the purpose of Free Comic Book Day is to raise awareness of comics, well, mission accomplished! The mass media has taken note, and newspapers large and small have been running articles about comics in general and what is going on in their communities in particular. Here’s a selection of the meatier articles; you can find out what’s going on near you at the FCBD website, and Steve Morris has compiled a list of additional lists at The Beat.
Comics | Matt Moore takes the wide view, talking to Joe Field, organizer of the first FCBD, and looking at the increase in comics sales in the past year as well as the print-digital divide. Moore talks to DC’s Dan DiDio, Marvel’s Dan Buckley, and an assortment of retailers and customers about the convenience of digital and the pleasures of brick-and-mortar comics shops. [Associated Press]
Advice | Allison Babka offers a “virgin’s guide” to making the most of FCBD. [The Riverfront Times]
Comics | Whitney Matheson lists the ten FCBD comics you won’t want to miss, as well as some tips for first-timers. [USA Today]
Awards | Graphic Scotland and the Edinburgh International Book Festival has established the 9th Art Award for graphic fiction, which will be presented in August during the festival. Submissions are being accepted through July 31. [9th Art Award, via The Beat]
Creators | Howard Chaykin remembers Carmine Infantino. [The Los Angeles Review of Books]
Creators | Art Spiegelman talks about his long-lived classic Maus, his thoughts on Israel, and being a New Yorker. [Haaretz]
When you know you don’t have a lot of time, you prioritize.
That’s what Zachi Telesha did. In August 2008, age 7, the Allentown, Pennsylvania, youth was diagnosed with osteosarcoma. Telesha set himself a series of personal goals, and he died this week, at age 12, a published comics writer.
Telesha was a fifth-grader at McKinley Elementary School when the publisher Rodale, a corporate sponsor of the school, learned of his illness and his desire to write a comic. He spent five months working with Rodale staffers and teachers from his school to produce the graphic novel, Hero Up!, which features four superheroes — one of whom, Venom Transporter, was based on Telesha himself. “He can get bit by the most poisonous snake and spider at the same time repeatedly and still just get stronger,” Telesha explained in a YouTube video.
Graphic novels | April was a slow month for new graphic novel releases, so the BookScan Top 20 had plenty of room for some backlist titles. The Walking Dead dominated, of course, but the 10th volume of Sailor Moon was there for a second month and actually moved up a notch. And the first volume of Saga came in at No. 12, perhaps because people were curious as to what all the fuss is about. [ICv2]
Editorial cartoons | Nick Anderson, the Pulitzer Prize-winning cartoonist for the Houston Chronicle, has responded to Texas Gov. Rick Perry’s criticism of Jack Ohman’s cartoon with a cartoon of his own. [Comic Riffs]
Conventions | Jeff Smith, Brian Wood, Sean Murphy and Raina Telgemeier are the headline guests at the Maine Comics Arts Festival in Portland on May 19. [Foster's Daily Democrat]
Darryl Cunningham’s How to Fake a Moon Landing, which debuted last month at MoCCA Arts Fest, looks at a number of popular fallacies, from homeopathy to global warming denial, and lays out not just the science behind each one but the history as well, including the personalities who drove them.
Personal tales crossed over into science in Cunningham’s first book Psychiatric Tales, which not only described different mental disorders but related stories about each one, told from Cunningham’s vantage point as a care assistant on a psychiatric ward and his own experience with depression. How to Fake a Moon Landing is less personal but still has a point of view, which is that there’s good science and bad science, and it’s important to be able to tell the difference. (You can see excerpts from the book, and his other work as well, on his blog.) I spoke with Cunningham about both books during a quiet moment at MoCCA.
ROBOT 6: Do you have a background in science?
Darryl Cunningham: I worked as a care assistant in an acute psychiatric ward, and after a few years, I thought I would do training to be a mental health nurse. I did a three-year course, which is very, very academic — more academic than it needs to be. Through that I learned how to write essays and research things, and to be skeptical about research, to look at how things have been properly peer reviewed, [whether] the evidence has been replicated, that kind of thing. I got a sense of how science works. After eight years of doing this, I was completely burned out. I couldn’t continue — I had a major crisis, really, started suffering from anxiety and depression, and I had to leave that work, but out of that whole experience, Psychiatric Tales came out.
I got into the habit of researching and have been able to boil down a lot of information into a comic strip format. And I listen to science podcasts when I’m drawing — some are famous ones, like The Skeptic’s Guide to the Universe — and listening to these, I realized there was a whole series of hot-button issues that came up time and time again that people didn’t really understand, things like the idea that the moon landing was a conspiracy, the MMR vaccination controversy, and evolution, not so much in Europe but very much here. I had the whole book structured for me and ready to go. All I had to do was research, write, and draw it. [Laughs] It took the better part of a year.
Here’s Mark Millar explaining why he doesn’t want his creator-owned comics to be released in digital the same day as print:
Digital comics are like TV rights to me in that they’re the tertiary phase of all this. These are for the most casual, mainstream readers or viewers and much cheaper than the primary or secondary waves. They’re a great way of pulling people in for the next product coming out in theatres or in comic stores, but absolutely not the bedrock of your business. The fact they’re not on paper doesn’t matter as these guys aren’t collectors as such and the lower price point is very attractive to them.
That was in November 2011, when same-day release of digital comics was still something of a novelty. Now it is so commonplace that, as Rich Johnston noted, Twitter was full of confused readers last week who couldn’t figure out why the first issue of Millar and Frank Quitely’s new series Jupiter’s Legacy wasn’t available digitally.
You can’t fault Millar for not being able to see the future. It’s pretty counterintuitive to think that sales in the direct market would go up in tandem with the rise of digital media, but that’s exactly what has happened. There’s zero evidence that digital sales are hurting comics shops.
What really bugs me about Millar’s comment, though, is that he seems to be giving the back of his hand to readers who get their comics digitally. Someone should tell him there’s a large audience out there that’s fully engaged, to the point where they are willing to pay full cover price for digital comics in order to get them the day the print editions come out. Those fans seem to me to be precisely “the bedrock of the business.”
I won’t pay $3.99 for a single-issue digital comic, but there is apparently a substantial audience out there who will. Publishers and digital distributors aren’t in the business of losing money, and they wouldn’t maintain that full cover price if people weren’t paying it. Someone who will pay top dollar to get a comic right away, rather than wait a couple of months for the price to drop? That’s an engaged fan.
Retailing | As the U.S. Senate prepares to vote on the Marketplace Fairness Act, Jacob Weisberg looks at how Amazon and Congress have managed to delay online sales taxes for more than a decade, giving online retailers a significant advantage over brick-and-mortar stores. Amazon, which has long fought any attempts to collect sales tax through lobbying, campaign contributions and threats to move to warehouse jobs, now supports the legislation, with Weisberg contending the retail giant “has played out the clock longer than it dared hope and would now like to be able to build warehouses everywhere without doing state-by-state battle over its ‘physical presence.’” The bill seems likely to pass the Senate, but its fate in the House is far less certain. [Slate.com]
Publishing | DC Comics has put together a guide to its graphic novel backlist, which will be available both in print and digitally. [Publishers Weekly]
Editorial cartoons | Michael Cavna interviews Sacramento Bee editorial cartoonist Jack Ohman about Texas Gov. Rick Perry’s demand that the newspaper apologize for an April 25 cartoon in which the politician is depicted boasting that “Business is booming in Texas!” beneath a banner that reads, “Low Tax! Low Regs!,” juxtaposed with an image of the deadly fertilizer-plant explosion in West, Texas. “It was with extreme disgust and disappointment I viewed your recent cartoon,” Perry wrote in a letter to the editor. “While I will always welcome healthy policy debate, I won’t stand for someone mocking the tragic deaths of my fellow Texans and our fellow Americans.” Lt. Gov. David Dewhurst has reportedly called for Ohman to be fired.
Retailing | The direct market is looking good, with first-quarter sales up 29 percent over last year, according to figures released at the Diamond Retailer Summit. Heidi MacDonald reports, “There was no single element which seemed to be behind to surge, although sales of The Walking Dead comics and graphic novels were frequently mentioned. The general interest in “nerd culture” seems to be driving much of the merchandise and publishing growth, with more offerings in the housewares category a standout: Diamond is now offering their own line of such things as bottle openers and ice cube trays, such as a Walking Dead themed ice cube tray in the shape of body parts.” [Publishers Weekly]
Conventions | CBR and Robot 6 are covering C2E2 in depth, but for a quick overview, check out Christopher Borrelli’s recap and photo gallery. [Chicago Tribune]
Legal | Singapore cartoonist Leslie Chew was arrested last week on charges of sedition, held over the weekend, and released on S$10,000 bail. His cellphone and computer were also confiscated. The charges stem from two cartoons on Chew’s Demon-cratic Singapore Facebook page. [Yahoo! News Singapore]
Crowdfunding | Chris Sims tells the truly bizarre tale of a crowdfunding scam: Someone copied Ken Lowery and Robert Wilson IV’s Kickstarter campaign for Like a Virus, including the video, and made it into an IndieGoGo campaign, presumably planning to pocket the money and run. [Comics Alliance]
Publishing | In advance of Chicago Comic & Entertainment Expo, DC Comics Co-Publisher Dan DiDio and Marvel Chief Creative Officer Joe Quesada discuss who’s reading their comics, and the creative challenges of writing about characters who have been around for generations. Asked if he was the custodian of contemporary myths, DiDio answered, “You know, I feel like a renter, to be honest. I’m in charge at this moment, and the goal is to keep these myths healthy enough so that, eventually, you can pass them down to the next person who rents them.” [Chicago Tribune]
Conventions | Christopher Butcher, the organizer of the Toronto Comic Arts Festival, talks about how the show has grown and what to expect this year, including an interesting slate of international creators, from David B. to Taiyo Matsumoto. [The Comics Reporter]