Brigid Alverson, Author at Robot 6 @ Comic Book Resources - Page 3 of 136
Passings | Manga artist Hiroshi Obi, whose best known work is the Shonen Jump series Ganbare Goemon, died Sunday at age 54. His most recent project was a Yatterman remake, Yatterman Dengeki Daisakusen!, and he also taught in the manga department of Tokyo Kogakuin College of Technology. [Anime News Network]
Publishing | Filip Sablik of BOOM! Studios talks about marketing Lumberjanes on Tumblr, and how Beware the Valkyries, a group of women who work in comic stores, helped promote the comic with a special “Lumber Day.” [ICv2]
Creators | Mike Donachie profiles Canadian creator Diana Tamblyn, who’s nominated for a Shuster Award for her graphic novel From the Earth To Babylon: Gerald Bull and the Supergun. [Metro]
[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Moyoco Anno writes unsparingly about the lives of Japanese women, and In Clothes Called Fat, recently published in English by Vertical, is no exception. Complete in one volume, this manga wraps together the themes of bullying, body image and eating disorders in a story that veers sharply from the usual narrative.
Noko is an office lady with a longtime boyfriend and a lot of extra pounds. People are openly rude to her because of her weight, but in the beginning she doesn’t seem to be too unhappy about it; she has always had friends, and her boyfriend, Saito, is supportive and doesn’t want her to lose weight.
Passings | Jay Maeder, who was the last writer for the comic strip Annie (formerly Little Orphan Annie), passed away Tuesday at age 67. A former New York Daily News columnist and editor who authored Dick Tracy: The Official Biography and contributed to The Encyclopedia of American Comics, Maeder worked on Annie, together with artist Andrew Pepoy, from 2000 its cancellation 2010. He created Amelia Santiago, a pilot and CIA agent, and once said of the strip, “I tell people it’s Indiana Jones with chicks.” [The New York Times]
Manga | Deb Aoki rounds up the manga news from Comic-Con International, including UDON’s license of Kill la Kill and Drawn and Quarterly’s plans to publish Shigeru Mizuki’s biography of Hitler. [Publishers Weekly]
Legal | Attorney Tom Goldstein, co-founder of the respected SCOTUSblog, has joined with Marc Toberoff to represent the heirs of Jack Kirby in their appeal to the U.S. Supreme Court of the Second Circuit’s affirmation that the artist’s contributions to Marvel between 1958 and 1963 were work for hire and therefore not subject to copyright termination. In a response filed this week to Marvel’s brief urging the high court to decline review, Goldstein and Toberoff again challenge the Second Circuit’s “instance and expense” test and its definition of “employer,” and argue, “Many of our most celebrated literary and musical works were created before 1978 and signed away to publishers in un-remunerative transactions. Termination rights were ‘needed because of the unequal bargaining position of authors.’ It would be hard to find a better example of this than the prolific Jack Kirby, who worked in his basement with no contract, no financial security and no employment benefits, but without whom Marvel might not even be in business today.” [Hollyqood, Esq.]
Retailing | Memo to politicians: You don’t win friends and influence people by taking up five spots in a comic store’s parking lot with your campaign bus on a Wednesday — especially when it’s Batman Day. [The Clarion-Ledger]
Scholastic’s Graphix graphic novel imprint turns 10 next year, and editorial director David Saylor announced at Comic-Con International that the imprint will kick off its anniversary with a new edition of its launch title, Jeff Smith’s Bone #1: Out from Boneville.
The new edition will include a new poem by Smith, illustrated in full color, as well as Bone tribute art from 16 creators, including Craig Thompson (Blankets, Habibi), Raina Telgemeier (Smile, Sisters), Kate Beaton (Hark! A Vagrant), Dav Pilkey (Captain Underpants) Jeffrey Brown (Vader’s Little Princess) and Kazu Kibuishi (Amulet).
The new edition will be published simultaneously in the United States and Canada.
In addition to Bone, Graphix is the publisher of Telgemeier’s Smile, Drama and the upcoming Sisters, Kibuishi’s Amulet and Doug TenNapel’s Bad Island and Cardboard. Seven Graphix books have made The New York Times graphic books bestseller list, and Sisters is likely to join them, as it is debuting with an initial print run of 200,000.
Saylor made the announcement Thursday night at Scholastic’s Comic-Con party, where Smith and most of the contributing artists were present. The poem was projected on a wall above the venue.
Conventions | Image Comics content manager David Brothers explains why this year’s Comic-Con International was a great convention, pointing out that there’s a lot more to the event than movies and television, and there’s a lot more to comics than the Big Two: “Marvel and DC are comics, just like the other publishers, and they make some great ones when they let the creators do their own thing. But at this point? You can’t treat them like the entirety of the comics industry, or even two companies that can dictate the future of comics. They run the movies, and that’s cool, but running comics? It’s just not true any more. Image in particular outsells Marvel in the book market as far as trade paperbacks go, and that holds true in the comics market lately, too. That’s no coincidence. People enjoy Marvel and DC, but they want more than Marvel and DC.” [io9.com]
Piracy | The Japanese government is joining with 15 anime production companies and manga publishers to launch a major initiative that will target foreign pirate sites. The push will start Aug. 1 and will have two components: The government will send takedown requests to 580 pirate sites and also launch a website that directs people to legitimate sources of online manga. The Japanese Cultural Affairs Agency estimates that Chinese pirate sites cost the industry 560 billion yen (about $5.5 million) last year. [Crunchyroll]
Comics | Lidia Jean Kott talks with writer Jason Aaron about his female Thor and pays a visit to Fantom Comics in Washington, D.C., where a quarter of the customers are women and the bestselling title is Saga (the bestselling superhero comic is Ms. Marvel). [NPR]
Sacred Heart is set in a small town where all the adults have mysteriously disappeared and the teenagers rule. The situation is not total anarchy, and that’s one of the things that makes it so interesting — order has broken down in some ways but not in others. It’s been running online for a number of years, but Suburbia is completely redrawing the comic and Fantagraphics will publish it in a single volume— although the cartoonist says there will be more to come.
ROBOT 6 spoke with Suburbia about Sacred Heart and how it has evolved so far.
Brigid Alverson: Sacred Heart is about a town that seems to be full of high-school kids but no adults or younger children. Can you give us an idea about what’s going on?
In the first draft (the one that’s online) it’s kind of a secret, but in the final print version it’s more clear that their parents left almost four years ago and promised to return in about four years’ time.
Legal | A South Korea court has ruled an exhibition devoted to One Piece can be held as planned after it was abruptly canceled earlier this month following allegations that Eiichiro Oda’s popular pirate manga contains images that resemble the Rising Sun flag, considered a symbol of Japanese imperialism in South Korea. The company staging the One Piece show, which includes life-sized statues, rare figures and Oda’s sketches, asked the court to step in after the War Memorial of Korea in Seoul pulled the plug on the event just days before its scheduled July 12 opening. The court found that One Piece can’t be considered to “[hail] Japanese imperialism” simply because it depicts a flag reminiscent of the Rising Sun; and even if those images are of the Rising Sun flag, it’s mainly shown in a negative light. [The Asahi Shimbun]
Conventions | An advocate for the homeless claims San Diego police are harassing homeless people to keep them away from downtown during Comic-Con International. The mayor and police chief deny the accusation and say officers are simply doing outreach, but at least one homeless man has been given a “stay away” order. Comic-Con begins Wednesday with Preview Night. [ABC 10 News]
Digital comics | Following the news that the comics market was estimated at $850 million in 2013, of which $90 million was digital, George Gene Gustines looks at a couple of different digital models, including Thrillbent’s new subscription service and Panel Syndicate, Brian K. Vaughan and Marcos Martin’s name-your-own-price approach. [The New York Times]
Editorial cartoons | The public-relations consultant hired by the city of Murrieta, California, after residents protested the arrival of refugee children to be processed there, told cartoonist Lalo Alcaraz that referring to Murietta as “Hate City USA” was “actionable.” “There IS a fine line between your constitutional right to draw cartoons and expressed (sic) your opinions,” Hermosillo wrote in a comment on Alcaraz’s Facebook page, “and falsely, deliberately, and maliciously labeling and attacking an entire community as racist or as ‘Hate City.’ You are working overtime to damage Murrieta and such a false premise is actionable. There’s a fine line between humor and stupidity. You may have crossed that line at your own peril.” Murrieta spokesperson Kim Davidson walked that back, however, saying the city has no plans to sue Alcaraz. [The Press Enterprise]
Publishing | Archie Comics Co-CEO Jon Goldwater responds to Singapore’s ban of the third volume of Life With Archie, which features the wedding of Kevin Keller and Clay Walker: “Riverdale will always be about acceptance, equality and safety. I’m sad readers in Singapore will miss out on the chance to read such a pivotal moment in comics.” [The Hollywood Reporter]
Business | Devin Leonard looks at the possible effects of a Fox/Time-Warner merger on superhero movies; Time-Warner owns DC Entertainment, and Fox has the movie rights to some Marvel characters. The New York Times offers a broader overview. [Business Week]
Publishing | The latest BookScan numbers reveal June was a good month for manga in bookstores, with eight volumes of Attack on Titan making the top 20 — a new record. The first volume topped the list, which means new readers are still discovering Hajime Isayama’s dark fantasy. Overall, manga had a slight edge, with 11 titles, and all three volumes of Saga were on the list, but only one volume of The Walking Dead. And despite the Amazon-Hachette battle, the Yen Press title Sword Art Online: Aincrad made the chart. [ICv2]
Publishing | ICv2 and Comichron’s John Jackson Miller joined forces to calculate the size of the entire comics market, including the direct market, bookstore and digital channels, and both single issues and graphic novels. Inevitably some things get left out, such as subscription services, sales to libraries and the juggernaut that is the Scholastic Book Fair, but it’s a good snapshot. The bottom line: $850 million in 2013. [Comichron]
Publishing | John Jackson Miller mines the circulation statements provided once a year to put together a 54-year sales history of Archie Comics’ flagship title Archie (the publisher is one of the few that still prints annual statements of ownership, allowing the numbers to be traced back, unbroken, to 1960). As he points out, Archie was a big newsstand title, selling almost 600,000 copies in the late 1960s, but it didn’t fare well when comics moved to the direct market — although Archie Comics has done well nonetheless with its digests, which far outsell its single-issue comics. [Comichron]
Publishing | Annie Koyama of Koyama Press talks with Dan Berry about how comics publishing works, and how she got into the field. [Make It Then Tell Everybody]
Writer Gail Simone launched a new blog, Comics Survival Kit, that promises to be a source of useful, practical information for creators.
“Like all comics pros, I am asked all the time for advice on how to become a pro, and how to maintain that position once you have attained it,” she writes in the introductory post. “It is a huge question, even if we knew the answers, it would be a lot to process!” So she is presenting information in small, tightly focused posts and drawing on her many friends in the industry, including Kelly Sue DeConnick, Greg Pak, and Jim Zubkavich, for their advice as well.
Simone is a pretty good resource herself; she has written more than 400 comics, and her credits include Birds of Prey, Secret Six and Red Sonja. What sets this Tumblr apart from other creators’ is its exclusive focus on information and advice; what sets it apart from other creator-information sites is the high profile of the owner and the contributors.
The Tumblr already has a collection of interesting posts, including Red Sonja editor Molly Mahan on what editors want to see in an artist’s portfolio, Third Eye Comics owner Steve Anderson on communicating with retailers and Paul Allor (Orc Girl) on the perils of self-publishing.