Brigid Alverson, Author at Robot 6 @ Comic Book Resources - Page 3 of 134
Comic strips | The art from cartoonist Bill Watterson’s surprise return to the comics page earlier this month for a three-day stint on Pearls Before Swine will be auctioned Aug. 8 on behalf of Team Cul de Sac, the charity founded by Chris Sparks to honor Cul de Sac creator Richard Thompson, who has Parkinson’s disease. The proceeds benefiting The Michael J. Fox Foundation for Parkinson’s Research. A painting by Watterson of one of Thompson’s characters sold in 2012 for $13,000 as part of a benefit auction for Team Cul de Sac. [Team Cul de Sac]
Creators | The tech news site Pando has fired cartoonist Ted Rall, just a month after hiring him, along with journalist David Sirota. While Rall wouldn’t comment on the reason for his dismissal, he did say the news came “really truly out of a clear blue sky. I literally never got anything but A++ reviews,” and he added that editor Paul Carr gave him complete editorial freedom. While Valleywag writer Nitasha Tiku speculates that the two had rubbed investors the wrong way, Carr disputes that, as well as other assertions in the article. Nonetheless, both Rall and Sirota confirmed they were let go. [Valleywag]
Retailing | Shares of Barnes & Noble rose 5.5 percent Wednesday, to $21.69, following the announcement that the bookseller plans to split into two companies, one for its retail stores and the other for Nook Media. Barron’s suggests those plans could buoy stock prices for a while, as long as the company doesn’t change its mind (again) about the split. The magazine also notes the possibility that an outsider buyer could make a bid for the retail stores before the split takes place, leaving Barnes & Noble with the Nook, which will be combined with the company’s successful college-bookstore operations. [Barron's]
Manga | Inspired by a line of T-shirts featuring the work of the manga artist Jiraiya, Guy Trebay talks to Anne Ishii and Chip Kidd about the popularity of hard-core gay manga, such as the work of Gengoroh Tagame, in the United States. [The New York Times]
Jiro Taniguchi, creator of The Walking Man, A Distant Neighborhood and more than 40 other manga, will be a special guest in January at the 42nd Angoulême International Comics Festival, which will include a major exhibit of his work — the first of its scale in Europe.
Titled “Taniguchi, l’homme qui rêve” (“Taniguchi, the dreaming man”), the exhibition will cover four decades of Taniguchi’s work, which includes the memoir A Zoo in Winter, the conquest-of-Everest tale Summit of the Gods, the time-travel story A Distant Neighborhood, and the mystery The Quest for the Missing Girl.
Not only does Taniguchi’s work span most of the major graphic novel genres, the official press release points out, but he has crossed over to become an author with universal appeal. Indeed, Laurent Duvault, director of international media development for the publishing group Media Participations, told me at this year’s festival that “Taniguchi was the first Japanese artist to have his own area, not in the manga section but in the French section [of bookstores]. It was a graphic novel approach, not a manga approach.” He attributed this in part to the fact that Taniguchi’s work is flipped, so it reads left to right, making it more accessible to readers of European languages. Taniguchi is no stranger to Angoulême: A Distant Neighborhood was awarded the Alph’Art prize for best scenario at the 2003 festival, and he was one of the nominees for the Grand Prix this year.
Taniguchi, who has four new books coming out this year in France, will be present at Angoulême to open the exhibit and participate in the program; after the festival is over, the show will go on tour around France and the rest of Europe.
Conventions | Organizers of the growing Asbury Park Comicon have announced that, after three years, they’re relocating the New Jersey convention to the Meadowlands Exhibition Center in Secaucus and renaming it East Coast Comicon. Founders Cliff Galbraith and Robert Bruce say the nearly 40-mile move was triggered by a sharp increase in rates at the Berkeley Oceanfront Hotel in Asbury Park, but the hotel’s manager thinks it’s because the venue couldn’t accommodate the dates requested by organizers. The inaugural East Coast Comicon will be held April 11-12, 2015. [Asbury Park Press]
Passings | Amadee Wohlschlaeger, who drew the comic strip Weatherbird for the St. Louis Post-Dispatch for 70 years, has died at age 102. Weatherbird, which debuted in 1901, is the oldest continuously published comic in the United States, and Wohlschlaeger (who went by just his first name) is one of just four cartoonists to draw it. He was named one of the top 10 sports cartoonists in the country, and his drawing of Stan Musial inspired the statue at Busch Stadium. [KSDK]
Retailing | A federal judge has lifted a temporary restraining order blocking the $21.4 million sale of retail chain Hastings Entertainment to Joel Weinshanker, president and sole shareholder of Wizkids parent National Entertainment Collectibles Association. Two Hastings shareholders had sued to stop the sale, insisting the price paid for the retailer is too low; however, U.S. District Judge Mary Lou Robinson found, in part, that they failed to prove they would be irreparably harmed if the sale were completed before they could have their day in court (Texas law permits dissenting stockholders to seek monetary damages after a merger). Hastings, which operates 149 stores that sell books, comics, video games and more, has called a special shareholder meeting for July 15, during which the sale is expected to be approved. [Amarillo Globe-News, ICv2.com]
Comics, animation and video games, all on the same platform, all offered for free: That’s the vision Alex Simmons has for his new digital service, the Arthawk Entertainment Online Network (AEON). He’s running a Kickstarter campaign to get the service off the ground, and he already has plans to go beyond that.
Simmons is a veteran comics writer whose credits include Archie Comics (he won a Glyph Award for his story “The Cartoon Life of Chuck Clayton”), Scooby-Doo and his own creator-owned series, Blackjack. He writes in a variety of other formats as well, including creating interactive mystery stories for the Tiger Toys video game, and he runs the annual Kids’ Comic Con in the Bronx. A few years ago he put together an art exhibit, “The Color of Comics,” that traveled as far away as Senegal.
The AEON is an ambitious project. Artist Derrick A. Richardson, who has done work for DC and Marvel, is the CEO, and Simmons and Richardson have put together a team of animation, creative and technical consultants to build the platform. All this costs money, and they set the goal of the Kickstarter at $100,000. I talked with Simmons about the thinking behind the platform and what the next steps will be.
Conventions | While the South Jersey Times and Philadelphia Inquirer focus on the fans who turned out over the weekend for the 14th annual Wizard World Philadelphia Comic Con, Philadelphia Business Journal zeroes in on its economic impact: an estimated $5.9 million, which seems like a lot, until you compare it to the expected $16.2 million impact of the 6,000-person American Industrial Hygiene Association conference. [Philadelphia Business Journal]
Conventions | First-timer Michael Smith reports on the Amazing Las Vegas Comic Con. [Liberty Voice]
Creators | John Romita Jr. talks about moving from Marvel to DC Comics to draw Superman and about comics being his family business; and his father, John Romita Sr., chimes in as well. [The New York Times]
There are a lot of battle manga, and there are a lot of food manga, but Mitsutoshi Shimabukuro’s Toriko is one of the few where the hero battles the food — literally.
The series, which runs in both the American and Japanese versions of Shonen Jump, is about a gourmet hunter who tracks down the rarest foods in the world. Like the lead character in the foodie manga Oishinbo, Toriko is trying to assemble the greatest meal ever, but that’s where the similarity ends.
A few years ago, Archaia published an anthology of traditional tales based loosely on the Jim Henson television series The Storyteller. In the book, as on the screen, each of the stories was introduced by a genial storyteller (played on TV by John Hurt), who was always portrayed sitting by the fire with his dog.
Now, Nerdist brings news that Archaia is putting a slightly different spin on the concept with The Storyteller: Witches, a four-issue miniseries of folk tales about witches. As in the earlier collection, it will consist of stand-alone folk tales, each told by a different set of creators, but this time they will be published as single-issue comics. The fourth issue, Vaslissa the Beautiful, is based on an unproduced screenplay from the television series, adapted by Jeff Stokeley, the artist for Six-Gun Gorilla and The Reason for Dragons. But the one that caught my eye was the second, which will be published in landscape format (the others are portrait). And yes, the Storyteller will introduce each tale.
Comics | Liam Burke, editor of the essay collection Fan Phenomena: Batman, discusses the enduring appeal of the Dark Knight, who of course turns 75 this year: “This isn’t a guy who’s from an alien planet, this isn’t someone who was bitten by a radioactive spider. This is an average guy, albeit incredibly wealthy and incredibly intelligent, at the peak of human fitness, but an average guy nonetheless. That sort of aspirational quality has been identified as the reason Batman sort of stands above Spider-Man, Superman or any number of heroes.” [RN Drive]
Publishing | David Harper looks at the economics of monthly creator-owned comics, as well as how trades fit into the picture; for creators, the monthlies provide a regular stream of income so they can always be working on the next issue. Brandon Montclare, Jim Zubkavich and others provide some first-hand commentary on how things work in the real world. [Multiversity Comics]
Conventions | Samantha Melamed looks at the problem of harassment at comics conventions, particularly of cosplayers, and what some women are doing about it. The article includes interviews with artist Erin Filson, one of the co-founders of Geeks for CONsent, which has called upon Comic-Con International to institute a more specific, and more visible, anti-harassment policy; cosplayer Nicole Jacobs, who describes a recent incident at AwesomeCon; and psychology professor Kimberly Fairchild, who studies harassment. [The Philadelphia Inquirer]
Creators | Frequent collaborators Kieron Gillen and Jamie McKelvie discuss their new series The Wicked + The Divine, which debuted this week from Image Comics. [USA Today]
Crime | A successful weekend at Denver Comic Con turned sour for Zac and Mindy Conley, the owners of The Hall of Justice art gallery, after a thief stole a cash box containing their proceeds from the show, about $1,000, and some special orders for Mindy Conley’s artwork, which would have earned the couple another $1,500. The Conleys say they were planning to use the money for rent for their home and studio and the payment for their booth at next year’s Denver Comic Con. “We’ve been fighting to turn this place into some really cool. And every month we’re wondering if we’re going to survive,” Zac said. However, friends are rallying around: Illustrator Drew Litton, who will be showing his work at the gallery next month, will donate a portion of the proceeds to the Conleys, and gifts are also coming in through their Facebook page. [The Denver Post]
Legal | Turkish cartoonist Mehmet Düzenli began serving a three-month sentence this week on charges of insulting Muslim preacher Adnan Oktar, who espouses controversial views, such as creationism and Holocaust denial. Oktar sued Düzenli over a cartoon about him, and Düzenli refused to appeal the sentence on the grounds that even if it were suspended, he still would not be able to express himself freely. “If Mr. Oktar has the right to claim that he is the Mahdi [the redeemer who is supposed to appear at the ‘end times’], I have the right to say that he is lying,” he said. [Reporters Without Borders]
Comics sales | ICv2 has sales estimates for the direct market in May, which was a good month for chart-toppers, with four titles selling more than 100,000 copies, compared to just one in each of the first three months of the year. The top seller was Marvel’s Original Sin #1, at 147,045 copies, but ICv2 notes that sales were juiced by incentives, including variant covers and a plastic eyeball, and that orders for the second issue are considerably lower. They also give the top 400 comics and the top 300 graphic novels charts for the month. [ICv2]
Conventions | A reported 86,500 people attended the third annual Denver Comic Con over the weekend, up from 61,000 in 2013. The event is undergoing some growing pains, however, with organizers quickly rescinding an announced cart-service fee for next year’s convention following complaints from vendors. Even without that additional charge, some exhibitors remain unhappy about the proposed increase in booth fees. [The Denver Post]
[Editor’s note: Every Sunday, Robot 6 contributors discuss “The best in comics from the last seven days” — from news and announcements to a great comic that came out to something cool creators or fans have done.]
Meags Fitzgerald‘s Photobooth: A Biography is my favorite sort of book, the history of a common object that folds in all sorts of interesting side stories along the way. Photobooths were once ubiquitous in malls and shopping centers; you put in your quarter, mugged for the camera, waited what seemed like forever, and collected your strip of three or four photos to swap with friends or pin to your bulletin board. When I was growing up they were just sort of there, and nobody thought too much about them.