Brigid Alverson, Author at Robot 6 @ Comic Book Resources - Page 3 of 147
Crime | Police have surrounded an industrial park in the town of Dammartin-en-Goele, France, 25 miles north of Paris, where the two suspects in Wednesday’s massacre at the offices of satire magazine Charlie Hebdo are believed to be hiding. Police say brothers Cherif and Said Kouachi have taken over a print shop and are holding a hostage, and have reportedly told negotiators they wish to die as martyrs. The Associated Press reports that a second, apparently linked siege at a kosher supermarket in eastern Paris is believed to involve Amedy Coulibaly, suspected of killing a police officer on Thursday. Police say he’s holding at least six hostages. [The Guardian]
Publishing | The French satire magazine Charlie Hebdo will be published next week, to demonstrate that “stupidity will not win,” according to columnist Patrick Pelloux. Ten of the magazine’s staff members were among those killed Wednesday when three armed men attacked their Paris headquarters, apparently because Charlie Hebdo published cartoons mocking the Prophet Muhammad. [The Guardian]
Political cartoons | Adam Taylor looks at the history of controversies regarding depictions of the Prophet Muhammad. [The Washington Post]
Political cartoons | Cartoonist and syndicator Daryl Cagle pens a remembrance four of the slain Charlie Hebdo cartoonists, some of whom he knew personally, and also talks about the importance of editorial cartooning in France. [Darylcagle.com]
A fifth cartoonist has been named among the victims of the shootings Wednesday at the Paris offices of satire magazine Charlie Hebdo: Philippe Honoré, whose cartoon of ISIS leader Abu Bakr Al-Baghdadi was in the magazine’s last tweet before the attack. Honoré was critically injured in the shootings and died in the emergency room.
Cartoonists Stéphane Charbonnier (aka Charb), Jean Cabut (Cabu), George Wolinski and Bernard Velhac (Tignous) were also killed in the attacks, which left 10 magazine staff members and two police officers dead.
Born in 1941 in Vichy, Honoré was a self-taught artist whose first cartoon was published in the daily newspaper Sud-Ouest when he was just 16 years old. He started working at Charlie Hebdo in 1992 and published two or three cartoons a week there. His work also appeared in Le Monde, Libération, Les Inrockuptibles and Charlie Hebdo‘s predecessor, Hara-Kiri.
“It may be a bit pompous for me to say this, but I prefer dying on my feet to living on my knees.”
— Stephane Charbonnier, aka Charb, the editor of Charlie Hebdo, who was among those killed in today’s attacks.
The assassination — for that’s what it is — of four cartoonists, six other Charlie Hebdo staff members and two policemen unleashed a torrent of grief and solidarity around the world today as news spread of the attack by masked gunmen on the Paris offices of the satirical weekly.
That the gunmen reportedly shouted “Allahu Akbar” (“God is great”) and “The Prophet has been avenged” points to the likelihood that the shootings were in retaliation for the several issues of the magazine that carried cartoons depicting the Prophet Muhammad. (It should be noted from the start that Charlie Hebdo is an equal-opportunity offender; recent cartoons have also lampooned North Korean leader Kim Jong-un and the birth of Christ.) Time has a short history of the magazine’s provocations, and Mic.com has posted a selection of the Muhammad cartoons.
Publishing | In a three-part interview, First Second Books Editorial Director Mark Siegel talks about 2014, the upcoming year, and the emergence of a “new mainstream.” In Part 1 he discusses the 2014 releases and ends with some numbers (print runs rather than sales); the imprint’s top books are Ben Hatke’s Zita the Spacegirl and Jillian and Mariko Tamaki’s This One Summer, both of which have 30,000 copies in print. In Part 2 he looks at the importance of the library market and support from librarians, especially for children and teens, as well as the emergence of a new category of graphic novels that he calls “new mainstream.” Part 3 focuses on First Second’s planned releases for 2015, including Scott McCloud’s The Sculptor, which will have a print run of 100,000. [ICv2]
Masked gunmen attacked the Paris headquarters of the satirical magazine Charlie Hebdo this morning, killing at least 12 people — 10 employees and two police officers — and wounding eight others. The three attackers remain at large after fleeing the scene and hijacking a car.
Paris has been placed on highest alert following what Francoise Hollande described as “a terrorist attack.”
While the specific motive for the shooting is unclear, Charlie Hebdo has a history of satirizing Islam, and Charbonnier was included on a “most wanted” list published in the Al-Qaeda magazine Inspire. The last tweet sent out on the Charlie Hebdo account before the shooting was an image of ISIS leader Abu Bakr Al-Baghdadi, and this week’s magazine included an article about Michel Houellebecq’s new novel Submission, which depicts a future France under Islamic rule. The Guardian notes that there had been an uptick in threats against the magazine in recent weeks, and security at the Charlie Hebdo offices had been increased.
The magazine’s offices were firebombed in 2011 when it published an issue “guest-edited” by the Prophet Muhammad. The following week, the magazine responded with a cover image of Muhammad kissing a male Hebdo journalist. In 2012 Charlie Hebdo published cartoons of a naked Muhammad, and in 2013 released a serious cartoon biography of the prophet. News reports at the time noted that Charbonnier had received death threats and was living under police protection.
Analysis | Rob Salkowitz kicks off the new year with big-picture questions about “geek culture”: With the popularity of comics-based movies, will continuity and nostalgia become less important? And will comics themselves become less important? “Putting out comics is a relatively costly and troublesome process with limited revenue potential relative to other ways of exploiting the intellectual property. A fan base that buys licensed merchandise and watches entertainment programming without needing a monthly fix of new art and story is probably considered a feature of the new comics economy, not a bug.” [ICv2]
Creators | Chew artist Rob Guillory, who will appear this weekend at Wizard World New Orleans, talks about the strange comics that he read as a kid (The Adventures of Kool-Aid Man) and the unexpected success of Chew, which will end next year with its 60th issue: “In the beginning, John and I were kind of like, ‘Well, best-case scenario, we can go 60 issues. Worst-case scenario, we can do five and go our separate ways and never speak again.’ I don’t know if we’ve seen the peak of our reception. I don’t think we’ll see how popular we’ve been until it’s over. When it’s wrapped and it’s the complete thing, I think people will start missing us.” [Best of New Orleans]
Conventions | Vendors who paid the $60 deposit to exhibit at Cherry City Comic Con are clamoring for a refund after word circulated that the Salem, Oregon, convention won’t happen this spring as planned. (There appears to have been some discussion about the con being canceled on Facebook, but the convention’s Facebook page now states, “A marketing solutions company is helping us start the new year right and get us back on track to make this a successful show everyone can love.” No other posts appear on the page.) This isn’t the first round of controversy for the con: Last May, organizer Mike Martin called an exhibitor “batshit insane” on Facebook when she asked for a refund and expressed concern that the con would not be a “safe place for female cosplayers.” Martin is also the organizer of a craft fair that was canceled; some exhibitors for that event were denied refunds because of “a locked PayPal account.” [KOIN]
The creator of Skeleton Key and Love Fights, cartoonist Andi Watson has worked in more recent years on his all-ages series Gum Girl and Glister, which are better known in his native United Kingdom than in the United States. However, he’s about to make a big splash with young readers on this side of the Atlantic with Princess Decomposia and Count Spatula, a lighthearted romance with creepy characters to be published in February by First Second.
We asked Watson to talk a bit about the book and where it fits in with the rest of his work.
Brigid Alverson: First of all, can you tell us what Princess Decomposia and Count Spatula is about?
Andi Watson: It’s a spooky-themed romance story about love, responsibility and desserts. Princess Decomposia is princess of the Underworld whose father, the king, has taken sick and demands constant attention. The Princess has to run the Underworld, the palace and take care of her father. It’s all getting too much when the king’s fussy eating habits drive off another chef. Fortunately, Count Spatula gets the job and he helps the princess tackle the Underworld’s problems while they grow closer … only the king’s not too keen on their friendship.
I got to know Ryan Sands almost 10 years ago, when he was publishing the strangest manga I had ever seen on his blog Same Hat! Since then, I’ve watched him follow his enthusiasm for innovative comics as the publisher of the Electric Ant zine, the translator of Suehiro Maruo’s The Strange Tale of Panorama Island for Last Gasp and now, as he explained to Chris Mautner in August, the creator of his own small press, Youth in Decline.
His flagship publication is Frontier, an anthology series in which each issue is a complete comic by a single creator. Frontier ended 2014 strong with comics by Emily Carroll and Sam Alden, and this year’s lineup looks equally good, with Jillian Tamaki, Anna Deflorian, Becca Tobin and Michael DeForge on the roster.
Sands has signed up some of the most interesting up-and-coming creators in the indie comics scene and has presented their works in interesting and sophisticated ways, so I asked him to talk to me in depth about his work on Frontier.
Brigid Alverson: The Frontier anthology seems to be evolving into a place for side stories or experimental work by creators who are already working on other, longer projects. Do you think these comics would be published if not for Frontier?
Ryan Sands: The goal for the Frontier series is to spotlight each individual artist and a distinct story or collection of work. I tried to set out the goal pretty explicitly on our site when starting Frontier, saying we’d focus on three types of books: up-and-coming talent in the North American indie scene, introducing the work of international artists I like, and presenting “uncommon dispatches” from more-established creators. The first year of Frontier was mostly focused on the first two goals, but with Sam Alden and Emily Carroll’s books — and now with Jillian Tamaki and Michael DeForge creating issues for 2015—I’m hoping to mix in some of these interesting stories from established creators.
Publishing | Abraham Riesman looks at the revival of Valiant, which was once the third-largest comics publisher in the United States and now, under new management, aspires to reclaim that position. The article covers the rise and fall of the original company, its rescue by now-CEO Dinesh Shamdasani, and the strategy the new Valiant has used to quickly build an audience for a different type of superhero comic. [Vulture]
Conventions | San Diego officials had to do some shuffling to accommodate the Major League Baseball All-Star Game, which will be played in the city in 2016, but they didn’t move Comic-Con International, which is only a few days later. “Their attendees are such a unique group that they don’t take well to change,” said Joe Terzi, chief executive of the San Diego Convention & Visitors Bureau. “They plan their year around this event.” [U-T San Diego]
Creators | Garry Trudeau has some straight talk for those who criticized him for basing Sunday’s Doonesbury on the controversial Rolling Stone expose of the University of Virginia’s handling of rape cases — or thought maybe the strip was submitted before a number of commentators cast doubt on the lead anecdote in that article. The cartoonist insists that’s not the point: “We had some internal discussion about whether the flaws in the [Rolling Stone] reporting mattered here, and we concluded they didn’t. UVA is only used as setup to get the reader to consider the larger problem of institutions prioritizing their reputations over the welfare of those they’re charged with safeguarding.” [Comic Riffs]
Conventions | About 180,000 people flocked to the Tokyo Big Sight on Sunday for the first day of Comiket 87, the world’s largest convention dedicated to self-published comics. That’s an increase of about 10,000 from the opening day of the summer edition — Comiket is held twice yearly, in August and in December — and about the same as last winter’s event. Comiket continues through Tuesday. [Anime News Network]
Comics | Kevin Drum does some very loose calculations to check the claim that millennials are addicted to comics, and he reckons that given the current size of the market, about 2 percent of millennials are comics readers. [Mother Jones]
Legal | Illustrator Greg Theakston tells The Comics Journal that during his Christmas vacation, he plans to file a police complaint against the Jack Kirby Museum and Research Center, alleging it stole about 3,000 photocopies of Kirby’s pencil work. Theakston gave the photocopies to the museum, but he contends it was intended to be a loan, while the museum says it was an outright donation. If this sounds vaguely familiar, it’s because Theakston has been threatening legal action since August. [The Comics Journal]
Creators | Paul Tumey posts a charming series of letters from Pogo creator Walt Kelly to a young pen pal (who had a pet alligator named Albert), along with plenty of backstory. [The Comics Journal]
Creators | Osamu Tezuka, the “godfather of manga,” has been dead for 25 years, but his influence lives on, not just in manga and anime but in his old neighborhood, where a restaurant features his favorite dish and merchants have their own local currency, Astro Money. There’s even a group of inventors who were inspired by Astro Boy to design a “power-assisted hand.” [The Yomiuri Shimbun]
Creators | Ivan Brunetti tried to draw Nancy and failed, but he learned how to be a cartoonist in the process: “Nancy is a harsh taskmaster; resuscitating it was a grueling task, but the challenge was invigorating and edifying. By drawing Nancy, I realized that every character (even the environment) in a strip is the cartoonist and is invested and imbued with the cartoonist’s life force. This is perhaps why continuing a strip after a creator’s death is so misguided, and it also explains the precious few exceptions that prove the rule: those cartoonists made the preexisting characters truly their own, commandeering their ink-on-paper souls.” [BoingBoing]