Brigid Alverson, Author at Robot 6 @ Comic Book Resources - Page 4 of 136
Legal | At the request of a state-owned distributor, the Russian media watchdog Roskomnadzor is investigating charges that Marvel comics are “propaganda of a cult of violence,” specifically, violence against Russian targets. The agency will review Avengers #1, due out in Russia in August, “regarding the use of Soviet symbols, the presentation of the characters as Russian service personnel, and the incitement of violence and cruelty,” according to the the Russian Legal Information Agency. This seems to be about the Winter Guard and specifically about Vanguard, who wears a hammer-and-sickle logo; the European publisher, Egmont, plans to remove the logo for the Russian release. Roskomnadzor has the option of issuing an official warning; a publisher who gets two of these in a year may have its license revoked. [CNET]
Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.
Rocket Girl, Vol. 1
By Brandon Montclare and Amy Reeder
This week marked the release of Amy Reeder and Brandon Montclare’s Rocket Girl in trade paperback, which is probably the best way to read it, as the time-travel story is a bit confusing. It’s a fun read nonetheless, especially for those of us who are still waiting for our jetpacks to arrive.
Dayoung Johansson is a 15-year-old girl who travels from 2013, where all New York police officers are teenagers, to the much grittier 1986 version of the Big Apple, to stop a group of scientists from getting a piece of tech that would allow their company to become a mega-corporation that has corrupted the city. The twist is, that if she succeeds, Dayoung will destroy her own future.
Digital comics | ICv2 estimates the size of the digital comics market at $90 million in 2013, not counting subscription services such as Marvel Unlimited or Crunchyroll — so presumably the tally is limited to single-issue sales. It’s also not clear whether the number includes comics sold on eBook platforms such as Kindle or just those sold through specialty channels such as comiXology or as direct downloads. The $90 million number represents a 29 percent increase over 2012 numbers. [ICv2]
Creators | As the first issue of his new series The Life After is released, writer Joshua Hale Fialkov talks about why he prefers creator-owned work: “I want to treat every book I do as though it’s 100% owned by me, because, at the end of the day, nobody is blaming an editor if that book sucks. They’re blaming me. Even if the art is sub-par, I take the blame for that. So, for my money, being thorny and vocal to get work I’m proud of is worth it, no matter what doors it shuts, because, as the saying goes, nothing shuts doors and costs you audience faster than producing junk.” And, he says, he is making as much money doing creator-owned comics as the corporate ones. [The Hollywood Reporter]
The Kuwait Times reports that in a series of tweets, the group accused Al-Mutawa of mocking the 99 names of Allah, and offered a reward for his death. “Who can kill Nayef Al- Mutawa who makes fun of Allah’s names?” was posted by one ISIS account while another said, “Whoever finds him, kill him, and he will be rewarded.”
Growing out of al-Qaeda in Iraq, which has since disavowed the group, ISIS has of course been in the news for its military gains in Syria and Iraq, where it seeks to establish an Islamic emirate. BBC News has a solid primer on the extremist organization.
Al-Mutawa, who said he will take legal action against those behind the account, defended himself on his own Twitter, writing, “My work has glorified Islam from the U.S. to China for the past ten years. I really do not believe in ISIL and Qaeda … I don’t care about them.”
Legal | DragonCon co-founder Ed Kramer, who entered a plea deal in December to avoid more jail time on child molestation charges that date back to 2000, could find himself back behind bars for his use of social media. Kramer, who’s no longer associated with DragonCon, ended years of legal wrangling with an Alford plea that, among other stipulations, barred him from having any direct or indirect contact with anyone under the age of 16. A registered sex offender, Kramer set up a Twitter account under his real name in 2011, but didn’t do much with it until a couple of weeks ago, when he suddenly became active and began following people — including a 14-year-old girl. His Google+ page also shows a connection with the then-14-year-old boy he was charged with molesting. Kramer lists his address as Brooklyn on his social media accounts, but he apparently is still in Georgia. The Gwinnett County district attorney is investigating; a violation of the plea agreement could result in a 60-year prison sentence, 20 years for each of the three counts of child molestation. Heidi MacDonald has more at The Beat. [Gwinnett Daily Post]
The Mary Sue landed the exclusive that First Second will publish Lucy Knisley’s Something New, a graphic novel about the cartoonist’s wedding. She’s a bit in front of things this time, as the wedding is still three months away, but it sounds like Knisley is going to make it interesting:
Archaia is launching a new Fraggle Rock miniseries, based on the 1980s Jim Henson television show of the same name. This is Archaia’s third Fraggle Rock title, following a two-volume anthology of short stories in 2010 and a collection of issues from Marvel’s Star Comics imprint in 2011.
Debuting Oct. 8, Fraggle Rock: Journey to the Everspring is a four-issue limited series with a single story arc, written by Kate Leth, who has worked on BOOM! Studios’ Adventure Time and Bravest Warriors comics, and Jake Myler, who was involved in the earlier Fraggle Rock comics.
In this series, the Fraggles’ water supply mysteriously runs dry, and a group sets out on a quest to find the Everspring, their water source, which no Fraggle has ever seen before. If previous comics are any guide, there will be strong personalities and plenty of silliness along the way.
This is just the latest in a long line of Henson-themed comics from Archaia, which has also published anthologies based on The Storyteller, graphic novels and novelizations of the movie The Dark Crystal, and an adaptation of Henson’s unproduced screenplay A Tale of Sand.
Conventions | Clem Bastow notes a disconnect at Oz Comic-Con in Melbourne, Australia, where women were a slight majority in the audience but were severely underrepresented as guests; DC artist Nicola Scott was the only woman in the comics contingent. Organizer Rand Ratinac said it was purely a matter of availability: “We offered for literally dozens if not hundreds of different guests, we always do, because you’re dealing with people whose schedules they sometimes can’t lock in until a month before the event. This time, of the people that we wanted, there were just a lot of guys that were available. Next year, it could be a whole bunch of girls; it all just depends who can come.” But Scott points out that there are simply fewer women in superhero comics than in the other sectors of the industry and superhero creators are what brings the audience in the door. [The Guardian]
Passings | Frank Cummings, an artist for the comic strip Blondie, has died at age 55, according to a posting on Blondie.com. No cause of death is given, but this obituary (in Italian) states he had a long battle with pancreatic cancer. Cummings started his career as a commercial artist and self-published his own satire magazine, JAB. Later on he illustrated the newsletter of diet and exercise guru Richard Simmons and did movie parodies for Cracked. He joined Blondie in 2004 as an assistant to head artist John Marshall. [The Daily Cartoonist]
Publishing | Former DC Comics President and Publisher Paul Levitz has debuted an “occasional” column on the retail news and analysis site ICv2. [ICv2.com]
Events | An extensive exhibit in Taipei, Taiwan, devoted to Eiichiro Oda’s One Piece manga and anime has drawn more than 100,000 visitors since its opening on July 1. Overseen by Oda, the exhibition is the first of its kind outside of Japan, where it was held from 2012 to 2013 to celebrate the 15th anniversary of the insanely popular manga. ”One Piece Exhibition: Original Art x Movies x Experience Pirate King Taiwan” runs through Sept. 22. [Kotaku]
What a difference seven years makes! When Todd Allen published the previous edition of his book, the title reflected the digital comics scene at the time: The Economics of Web Comics. Even more tellingly, he didn’t produce an eBook version — it was print -only.
The world of digital comics has spun around on its axis several times since then, and Allen, who writes about digital comics for The Beat and has taught e-business courses at Columbia College in Chicago, is now working on a major revision of his book, now titled The Economics of Digital Comics. And this time, he’s funding it through Kickstarter, another major force in the comics industry that didn’t exist seven years ago. We asked Allen how he constructed his Kickstarter, what his plans are for the book, and where he thinks digital comics are going.
Robot 6: First of all, congratulations on exceeding your goal! You started with a very modest goal of $500, and as of this writing your backers have almost tripled it. It doesn’t seem like a lot of money — what will you use it for?
Todd Allen: I definitely took the minimum-costs route on this. I need to set up a couple files with my print-on-demand provider. I may or may not upgrade some software — I’ll worry about that when I’ve got everything written and am ready to go into production. Could I have counted my labor for the book and time spent running a Kickstarter toward the cost and put the goal at something like $12,000? There’s a case to be made for it. I’m doing a Kickstarter Campaign Diary over at Publishers Weekly, and this week’s installment is about setting the pricing and goals.
Creators | Shaenon Garrity chronicles Calvin and Hobbes creator Bill Watterson’s recent return to the public eye. While Watterson stopped drawing the strip in 1995, he recently provided a painting for the Team Cul De Sac charity, did an interview and created a poster for the documentary Stripped, and contributed as a guest artist to Stephan Pastis’ Pearls Before Swine comic strip. [Paste Magazine]
Comics | Some bonus Calvin and Hobbes content: Adam Weinstein looks at the history of those “peeing Calvin” decals, with a short road trip into the “praying Calvin” variant. [Gawker]
Creators | Marc Sobel interviews Ganges creator Kevin Huizenga. [The Comics Journal]
Retailing | An American collector donated about 800 comics to the Books For Amnesty charity store in Bristol, England, just ahead of a planned sale of comics and graphic novels. Volunteer Richard Wallet said the collection, which goes back to the 1960s, is probably worth tens of thousands of pounds. The store, which benefits Amnesty International, recently had another windfall when someone donated a copy of the Beatles album Revolver signed by the designer, Klaus Voormann, and valued at £1,000 (about $1,716 U.S.). [Bristol Post]
Comics | Jim Rugg interviews retailer Andrew Neal about the Ghost Variant cover program, which was created by a group of store owners. The idea was to commission a prominent artist to do a special variant cover for a particular comic and release it, through the stores in the group only, with very little promotion. It turns out that some comics buyers like a little mystery! [BoingBoing]
Publishing | Spurred by the GoFundMe campaign launched last week by Dan Vado to get SLG Publishing “back on its feet,” Comic-Con and the Business of Pop Culture author Rob Salkowitz wonders whether a nonprofit model might make sense for some indie/niche publishers: “Contrary to popular perception, however, being a non-profit doesn’t mean you can’t make money. Lots of successful non-profits generate revenues in the millions and pay their staff, executives and contributors salaries comparable with those in the private sector. They can also pay contractors and contributors like performers or creators full market rates. They just don’t pay shareholders, and they plow any excess revenues back into their operations.” [ICv2.com]
Publishing | Comics archivist and publisher Rachel Richey will launch a Kickstarter campaign in September to fund a collection of Johnny Canuck comics. Created by Leo Bachie and published from 1941 to 1946 by Dime Comics, the character was a super-patriotic hero who once fought Hitler mano-a-mano. Richey was behind last year’s successful Kickstarter to revive another uniquely Canadian character, Nelvana of the North. [Global News]
Digital comics | Todd Allen chats with the Madefire folks about branching out to Windows 8; they launched a free five-issue Transformers motion comics on Windows 8 just last week. Madefire is also available on iOS and via DeviantArt. [Publishers Weekly]