Brigid Alverson, Author at Robot 6 @ Comic Book Resources - Page 4 of 147

Comics A.M. | Two charged in theft of $5,000 worth of comics

Crime

Crime

Crime | Police in San Antonio, Texas, arrested two men on Friday on charges of stealing $5,000 worth of comics from a local collector. After the robbery, the collector contacted local comic shops and asked them to keep an eye out for the stolen goods. Several retailers gave police information, including a license plate number, that led to the arrests of Gino Saenz and Jose Gonzalez on charges of theft. [San Antonio Express-News]

Digital comics | Humble Bundle sold $3 million worth of DRM-free digital comics in 2014, the first year in which the company included e-books and comics in its bundles. Total e-book revenues were $4.75 million, of which $1.2 million went to charity (including the Comic Book Legal Defense Fund). That may sound like a lot of money, but as director of e-books Kelley Allen said, “The numbers generated by the book bundles look like a rounding error in comparison to video games,” because the audience for the latter is so vast. Humble Bundle’s e-books are DRM-free, which has been a stumbling block for traditional book publishers, but comics publishers are more flexible, Allen said. [Publishers Weekly]

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The kids are on the case in ‘The Case of the Simple Soul’

PrintBad Machinery is an all-ages webcomic about a group of British schoolchildren who solve mysteries and generally act like normal kids.

When I say that, I mean it as the highest compliment. Too many children’s books, both graphic novels and prose, exist in some sort of never-never land where all families are happy and all the children are well-behaved, except for one or two who are explicitly evil. The kids in Bad Machinery aren’t like that. They don’t do anything truly horrific, but they do disobey their parents, talk in slang, and best of all, poke their noses where they really shouldn’t. Each story arc is a supernatural mystery of some sort, and the supernatural creatures are real, but usually pretty benign in the end.

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Cartoon elicits protests, boycott attempt

chris-britt-police-race-cartoong

It’s not unusual for an editorial cartoon to trigger a reaction from its subject, but Chris Britt’s cartoon above has unleashed not only a vehement response from local police organizations but also an apparent attempt to get local businesses to stop advertising in the paper.

The Bucks County (Pennsylvania) Courier Times published the nationally syndicated cartoon on Dec. 7, leading to a vehement letter to the editor from John McNesby, head of the Philadelphia Fraternal Order of Police, that called it “disrespectful and highly offensive,” demanded an apology, and concluded:

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Comics A.M. | Creator loses original art, more in car break-in

Josh C. Lyman

Josh C. Lyman

Crime | Artist Josh C. Lyman reports that thieves broke into his car sometime on Monday or Tuesday and stole about 40 pieces of original art (some of it commissioned), 1,200 prints, plus convention setup materials, art supplies and clothes. “I’m more devastated in the fact my originals are all gone … some of my better non-commissioned work of the last 3 years … along with all of my tools I have earned and acquired during the aforementioned periods. Tshirts and the like I can slowly replace … but it’s the matter of having all this potential art for shows gone; along with all the posters I had left,” he writes. Lyman contacted police and has notified local comic shops to keep an eye out for the missing work, and he has posted images of the stolen art. [Facebook, via Bleeding Cool]

Censorship | Rachael Jolley takes a long and wide view of the pressures that political cartoonists are subject to, looking at several recent attempts to suppress editorial cartoonists as well as the history of tensions between creators of political cartoons and those they portray; the article also includes comments from Neil Gaiman on the topic of censorship. [The New Statesman]

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Fighting sexual violence in India with ‘Priya’s Shakti’

Priya coverPriya’s Shakti is a comic that aims to change the world, or at least, one part of it.

The creation of writer Ram Devenini and artist Dan Goldman, Priya’s Shakti uses elements of Indian religion and mythology to take on the difficult topic of rape and send a strong message that it’s a crime and the victim is not to be blamed for it. The comic tells the story of a rape survivor who’s cast out by her family, a situation that angers the gods; the resolution comes with a call to action.

The comic is available for free on comiXology and debuts in print this week at the Mumbai Film and Comics Convention. However, it’s not limited by the usual distribution structures: As Devenini explains to ROBOT 6, the creators have partnered with the Indian charitable trust Apne Aap Women Worldwide to get the title out to girls in classrooms and communities far from comics shops. They also painted street murals in Mumbai that include an augmented reality feature; when viewed with a smart phone, parts of the murals are animated.

I spoke with Devenini and Goldman about making the comic, the special features, and how they plan to spread the word.

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Comics A.M. | The mystique of the Marvel writers’ retreat

Marvel

Marvel

Publishing | Alex Abad-Santos examines how Marvel has created a mystique around its writers’ retreats, using the necessary secrecy to transform the planning meetings “into something fans are genuinely interested in.” The piece goes beyond that, however, touching upon recent accusations of sexism, and the inclusion of newly Marvel-exclusive writer G. Willow Wilson in this month’s retreat. [Vox]

Comics | Matt Cavna interviews Matt Bors, editor of The Nib, the comics section of the website The Medium, which has become the go-to site for journalism and commentary in comics form. [Comic Riffs]

Best of the year | The Publishers Weekly critics vote for the best graphic novels of the year; Jillian and Mariko Tamaki’s This One Summer tops the list, and there are plenty of interesting suggestions as books that got even one or two votes are included. [Publishers Weekly]

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Comics A.M. | U.K. publisher Great Beast to close

Great Beast

Great Beast

Publishing | The British independent publisher Great Beast, which has released the work of Dan Berry, Marc Ellerby and Isabel Greenberg, among others, will close on Jan. 7. Founded in 2012 by Ellerby and Adam Cadwell, the publisher was something of a victim of its own success, as Cadwell explains: “As the group got bigger, as the books became more successful and as we widened the range of shops we sold to there became more of a need for the management and promotion to come from one or two people and Marc Ellerby and I (Adam Cadwell) happily took up that role. However, as time went on we found that the time spent working for the benefit of the group was getting in the way of us actually making our own comics, which is why we started the group in the first place… We looked at many ways of monetising the group so we could pay someone to run things whilst still giving the creators the bulk of the profits but we just couldn’t find a fair way to make it work.” [Great Beast Blog]

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Comics A.M. | How one manga publisher is expanding into China

Kodansha's Jinmanhua magazine

Kodansha’s Jinmanhua magazine

Publishing | Keiko Yoshioka explains how Japanese publisher Kodansha is getting into the Chinese market, not by selling Japanese products but by publishing a magazine in China that’s geared toward Chinese audiences — and using Chinese creators as well. The article puts a special focus on the two-woman team known as Navar, whose suspense series Carrier: Xiedaizhe now runs in Japan as well. [The Asahi Shimbun]

Academia | Northwestern University Prof. Irving Rein discusses why superheroes have secret identities, ticking off several superhero comics tropes and then going a bit deeper: “The usual script of a superhero episode revolves around a threat occurring in which the superhero is the victim of the decision making of the criminals. The hidden identity is a standard form of the superhero narrative and it allows the creators to use the formula and still deviate from the script. Throughout the comic book or movie there are a series of fundamental questions. Will the superhero be identified? When and under what circumstances will the superhero become a superhero? How will the superhero get back into his civilian identity without being identified?” [Daily Herald]

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Robot Reviews | ‘Can’t We Talk About Something More Pleasant?’

Can't We Talk About Something More PleasantCan’t We Talk About Something More Pleasant?
By Roz Chast

In Can’t We Talk About Something More Pleasant? Roz Chast has produced an amazingly honest and clear-eyed memoir of her relationship with her parents in their declining years. It’s both a universal story of something many of us will go through and a very particular account of a single family of quirky individuals.

Chast had an unusual upbringing: She was an only child (a sister died at birth 14 years before she was born), and her parents had her late in life, so she always felt like a bit of an interloper. Her mother had a domineering personality and a sharp temper — she described her own outbursts as “A blast from Chast.” Her father was quieter, easier to get along with, but also plagued by anxieties and phobias, which led him to rely completely on her mother. They were, as Chast describes them, “a tight little unit,” and they seemed to believe that if they carefully avoided the subject of future unpleasantness, nothing would change. She depicts this perfectly in a single panel in which the hooded figure of Death roars “What’s THIS??? The Chasts are talking about me! Why, I’ll show THEM!!!”

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Comics A.M. | Rare Tintin drawing sells for $670,000

1939 Tintin drawing by Herge

1939 Tintin drawing by Herge

Auctions | An original 1939 drawing of Tintin created by Herge for the cover of the weekly magazine Le Petit Vingtième sold Sunday for $673,468 at an auction of French and Belgian comics art held simultaneously in Paris and Brussels. The auction featured 101 works, of which 86 were purchased for a total of $2.4 million. [Agence France-Presse]

Auctions | A copy of The Hulk #181, featuring the first appearance of Wolverine, fetched $8,000 at an auction held Saturday at Back to the Past comics store in Redford, Michigan. [My Fox Detroit]

Retailing | System of a Down drummer John Dolmayan, who shuttered his online store Torpedo Comics in 2010 after about three years in business, is looking to open a brick-and-mortar shop. A brief story notes that while Las Vegas store Comic Oasis, owner Derrick Taylor is partnering with Dolmayan to open Torpedo Comics in January at 8775 Lindell Road, Building H, Suite 150. [Vegas Inc.]

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Beautiful deluxe edition celebrates ‘Moomin’ and Tove Jansson

Moomin slipcase

[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]

Drawn and Quarterly is celebrating the 100th anniversary of Tove Jansson’s birth with Moomin: The Deluxe Anniversary Edition, a beautiful, slipcased book that collects all the Moomin comics drawn by Jansson in a single oversized volume.

The Moomin comics were sort of hiding in plain sight: Jansson’s fanciful, hippo-like creatures appeared in children’s books (originally published in Swedish and quickly translated into English) and an animated television series, but for some reason the comics, which were originally published in English in The London Evening News, were not only out of print but rare. In the introduction to this book, Drawn and Quarterly creative director Tom Devlin tells of how he discovered the comics: Dylan Horrocks gave him a photocopy of the first English collection, which Horrocks in turn had gotten from critic Paul Gravett. There’s an almost mythical aspect to that story, and it makes a fine introduction to the comics.

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Comics A.M. | WonderCon announces first wave of 2015 guests

WonderCon Anaheim

WonderCon Anaheim

Conventions | WonderCon Anaheim has announced the first round of guests for its April 3-5 show: Neal Adams, Becky Cloonan, Aaron Kuder, Kevin Maguire and Dustin Nguyen. [Toucan Blog]

Publishing | Oni Press is seeking a new director of publicity, following the departure last month of John Schork. [Oni Press]

Publishing | Magnetic Press is looking for a marketing assistant. [Magnetic Press]

Retailers | The Laughing Ogre chain has announced its Lansdowne, Virginia, location (Phoenix Comics & Toys) has lost its lease and will close Dec. 18. That store is managed by chain co-owner Gary Dills, the former ComicsPRO treasurer named as the subject of an investigation into a possible misuse of organization funds. The chain has two other locations, in Fairfax, Virginia, and Columbus, Ohio. [Laughing Ogre, via Bleeding Cool]

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Eric Orchard on ‘Maddy Kettle,’ depression and mental illness

Maddy KettleOn one level, Eric Orchard’s Maddy Kettle: The Adventure of the Thimblewitch is a classic adventure tale about a girl who has to go find the witch who turned her parents into kangaroo rats, in order to undo the spell. The art is reminiscent of children’s fantasy tales, and Maddy meets a fanciful assortment of friends and foes along the way. However, after reading Orchard’s recent tweets about his experiences with mental illness, I realized there are many layers to this story.

I asked Orchard if he would discuss the way his experiences with mental disorders — his mother’s schizophrenia and his own depression and anxiety — have influenced his storytelling.

Brigid Alverson: How has mental illness affected your life?

Eric Orchard: My mother always suffered terribly from schizophrenia, but when my father died, when I was 2, she fell apart. Most of my childhood was my mother struggling to keep herself together. In retrospect it seems like a heroic feat; even though I suffered somewhat, she overcame things that I find astounding. She had reserves of strength and compassion that saw us through. She was battling fears and terrifying visions so that I could have some kind of normal life. Really, there was only so much she could do. What I recall most was the antipsychotics causing her to sleep most of the day. With no siblings or father, I was alone a lot. These were times I started writing and drawing. I had hours to tell elaborate stories and build worlds. I was taught to read very young by an aunt, and that also helped.

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Comics A.M. | Putting ‘Star Wars’ #1 sales in historical context

Star Wars #1

Star Wars #1

Publishing | John Jackson Miller reflects on the news that the first issue of Marvel’s Star Wars will sell 1 million copies, and notes the last comic to do so was a Pokemon title in 1999. The last direct market comic to reach that mark was Batman #500 in 1993. Miller also delves deeper into history, pointing out that Marvel’s original Star Wars #1, released in 1977, also sold more than 1 million copies, making it the first comic to reach that height since Dell’s Uncle Scrooge in 1960. [Comichron]

Passings | Maurice Tanti Burlo, editorial cartoonist for the Times of Malta, has died at the age of 78. Burlo, who used the pen name Nalizpelra, was working for Telemalta in 1977 when Prime Minister Dom Mintoff suspended a number of Telemalta staff, including Burlo, for supporting doctors, nurses, and bankers who went on strike. Burlo started cartooning to “get back at Mintoff,” and just kept on doing it; he published three books of his work and won the BPC Award in 1998 an 2002. [Times of Malta]

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Comics A.M. | Store suffers reported $300,000 loss in burglary

Mark Rowland

Mark Rowland

Crime | Wichita, Kansas’ KWCH TV is showcasing the Nov. 19 burglary of comics and collectibles store Riverhouse Traders as its Crime Stoppers crime of the week. The thieves apparently knew what they were looking for, and stole a reported $300,000 worth of rare comic books and memorabilia, leaving owner Mark Rowland with an unwanted shift in priorities: He has always given free comics to local children who get As on their report cards, and he provides gifts to local families at Christmas, but this year he has to cut back to pay for a security system. [KWCH]

Creators | Writer Jeff Lemire and artist Terry Dodson discuss their new graphic novel Teen Titans: Earth One. George Perez and Marv Wolfman’s Teen Titans were Lemire’s gateway to comics, so he was particularly enthusiastic about this project, and, he that affected his choice of a cast: “My decision early on was just to use the unique characters that Marv and George created that weren’t sidekicks, and that freed me from having to establish the adult superheroes in this world.” [Comic Riffs]

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