Brigid Alverson, Author at Robot 6 @ Comic Book Resources - Page 4 of 125
Events | The British Library is staging a “long overdue” exhibit on comics, called “Comics Unmasked: Art and Anarchy in the U.K.,” which will feature comics in a variety of genres from the 19th century to the present. Featured items include The Trials of Nasty Tales, which chronicles the 1972 obscenity trial of the editorial staff of Nasty Tales. “I went to a very traditional school where they would raid desks and take comics off to the orchard to burn them,” said Dave Gibbons, one of the contributors to The Trials of Nasty Tales. “Fast forward 40 years and they now invite me to the school to lecture on graphic novels.” The exhibition runs May 2-Aug. 14. [The Guardian]
Conventions | Registration begins Friday for the Small Press Expo 2014 Exhibitor Table Lottery, a new system designed to both bring the old process into the 21st century and address rapidly increasing demand. Online registration will continue through Feb. 14, with lottery winners announced on Feb. 21. There’s a good deal of information to absorb, but convention organizers have created a lottery FAQ. [SPX]
Publishing | Reports of the demise of Ape Entertainment turns out to have been premature. The company, which had one of the bestselling digital comics a few years ago with Pocket God, has been quiet of late and recently canceled a number of outstanding orders. However, COO Brett Erwin emerged Tuesday to say the publisher is simply going through a period of reorganization after the departure of CEO David Hedgecock, who now works for IDW. Ape will release a new Fruit Ninja comic at the end of the month. [The Beat]
Passings | Animator and blogger Michael Sporn died Sunday in New York City from pancreatic cancer. He was 67. Sporn’s short film Doctor DeSoto, based on William Steig’s book, was nominated for an Oscar, and his The Man Who Walked Between the Towers won several awards. He created animated adaptations of a number of children’s books, including Lyle Lyle Crocodile and Goodnight Moon, for HBO. In comics circles, he was also known as a blogger who turned up cool bits and pieces of animation and art. [Variety]
Publishing | Torsten Adair crunches some numbers from The New York Times 2013 bestseller lists, looking at each category and, in some cases, each publisher separately and breaking down the charting books into easy-to-follow pie charts. [The Beat]
Creators | Author Marc Tyler Nobleman tells Michael Cavna about his crusade to gain recognition for Bill Finger as one of the co-creators of Batman — including a push to have Google honor him with a Google Doodle on his birthday: “As it currently stands, even the mighty Christopher Nolan could not legally credit Bill as co-creator. However, prior to The Dark Knight, I asked DC if they could use non-subjective language to acknowledge Bill. I proposed: ‘Batman was first called “the Dark Knight” in Batman #1, in 1940, in a story written by Bill Finger.’ DC publications already regularly credit Bill for that story, and the movie’s title doesn’t even include the word ‘Batman’ — it is wholly a phrase coined by Bill Finger. Alas, they said no.” [Comic Riffs]
Passings | Tulsa, Oklahoma, cartoonist Larry Pendleton, who created the syndicated single-panel cartoon Graphic Nature, has died at the age of 59. [Tulsa World]
Events | The second annual Black Comic Book Festival will take place this weekend at the Schomburg Center for Research in Black Culture in New York City. The lineup of guests includes Norwood Steven Harris, Grey Williamson and Tim Fielder. “It is the largest gathering of black comic book fans in the country,” says Schomburg Director Khalil Gibran Muhammad. “There is something for everyone from the aspirational 9-year-old illustrator, to the costumed superheroes, to the lifelong collectors.” [New York Daily News]
Creators | Ed Brubaker discusses the exclusive deal he and Sean Phillips signed with Image Comics, announced last week at Image Expo: ” It’s almost like having your own label or something. Just the fact that we can green-light our own projects and we have approval over format, everything. … I feel like we have such a core audience that seems to follow us from thing to thing, so let’s take advantage of that and really just experiment and go crazy and just be artists.” [IGN]
Legal | Ecuadorean cartoonist Xavier Bonilla has received a court summons on unspecified charges that seem to relate to a cartoon that President Rafael Correa finds offensive. The case was brought by Ecuador’s new media regulator; Correa has stepped up attacks on the press in recent years, and the newspaper that runs Bonilla’s cartoons, El Universo, has been prosecuted in the past. [Business Standard]
Censorship | Michael Dooley looks at successful and unsuccessful attempts to remove comics from schools and libraries over the past 13 years; this short roundup is informative in its own right, and it’s apparently a sidebar to a longer article that’s not available for free. [Print Magazine]
Digital comics | ComiXology CEO David Steinberger dicusses the growth of the digital-comics platform, which was the top-grossing non-game iPad app for the third year in a row. “We’re finding that a larger and larger percentage of our user base — our new user base — is people who are buying comics for the very first time with us,” he tells Wired. Steinberger also hints at a next step for comiXology: curation. [Wired.com]
Comics | Torsten Adair looks back at some comics trends in from 2013 and looks ahead to what we can expect in 2014. [The Beat]
Comics | Dark Horse Editor-in-Chief Scott Allie discusses the relaunch of the publisher’s Alien, Predator and Alien vs. Predator series and the debut of Prometheus. [io9]
Both books are travel stories. The first, An Age of License, is the tale of Lucy’s trip through Europe, where she apparently has all sorts of adventures, meditates on the meaning of life and finds love. It’s due out this fall and will be about 200 pages, black and white with some color.
In the second book, Displacement, Lucy takes her grandparents on a cruise, meditates on the meaning of life and “tries to hold her family together,” which sounds intriguing. This graphic novel will also be black and white with some color.
There are a couple of things about this announcement that are worth noting. First is the move from First Second, which published Relish, to Fantagraphics. First Second gave Relish a strong marketing push — for a while it seemed there was a Lucy Knisley interview somewhere, often in a major publication, every single day, and she did a book tour as well. I think that’s helpful to a young creator, and I hope she’s able to stay on a roll with Fantagraphics.
The other thing is format. Relish had a lush feeling because it was in full color. To me, a black-and-white or black-and-white-with-color format signals a different type of book, maybe something a bit more serious, a bit more literary. It works well for many of Fantagraphics’ titles, as it did for Knisley’s first book, French Milk, and it will be interesting to see how it changes the feel of her work.
Fall is a long ways away, so while you wait, check out Knisley’s sporadically updated webcomic, Stop Paying Attention, which is funny and perceptive and really shows what she is capable of.
The full press release can be found below.
Keiji Kiriya, the hero of All You Need Is Kill, is a rookie soldier who’s killed in his first battle but can’t stay dead: Each time he dies, he comes back to the same moment and relives it. With mankind locked in a battle with killer aliens, Keiji uses his strange reincarnation to train himself to be a super-soldier and save humanity.
All You Need Is Kill started out as a light novel, written by Hiroshi Sakurazaka and illustrated by alt-manga artist Yoshitoshi ABe. Now it’s back as a manga, adapted by Takeshi Obata, who is well known to English-language readers as the artist of Hikaru No Go, Death Note and Bakuman.
The manga launched on Saturday and is being serialized simultaneously in Viz Media’s digital magazine Shonen Jump and the Japanese Weekly Young Jump. Shonen Jump is kicking it off with a special Obata-theme issue that features chapters of Hikaru No Go and Bakuman as well as the first chapter of All You Need Is Kill.
And there’s more All You Need Is Kill on the way: The novel forms the basis for the film Edge of Tomorrow, starring Tom Cruise, which will be released this summer, and Viz, which published the light novel and is publishing the manga, is also producing an original graphic novel based on the story.
We talked to Alexis Kirsch, the editor of the English edition of the manga. We also have a preview of the manga, which is available in this week’s Shonen Jump.
Conventions | So you think Comic-Con International is too big? The Taipei International Comics and Animation Festival drew 330,000 attendees last year — its first year — and with Attack on Titan creator Hajime Isayama as a guest, this year’s show promises to be just as big. [Focus Taiwan]
Conventions | Crystal Gutierrez files a report on Albuquerque Comic Con, which took place over the weekend. [KRQE]
Comics | Gene Demby talks to several “thoughtful geeks” about race and superheroes, using as a starting point Orion Martin’s project in which the X-Men were re-colored to appear to be brown-skinned. Related: Writing for CBC News, Niigaanwewidam Sinclair looks at the depictions of indigenous peoples in comic books. [NPR]
Auctions | The Leicestershire (England) Police are auctioning about 1,200 comics — most of them are post-2000 DC Comics titles, described as in mint condition — seized as criminal assets in Dorset (the police force doesn’t have its own eBay account). “Some are signed by the artists and they are mainly Superman and Spider Man, that sort of thing,” said Dave Hargrave, proceeds of crime asset realization manager. “[...] The person who had the comics was obviously a collector.” About 400 comics have been sold, bringing in £600 (about $985 U.S.). [Leicester Mercury]
Publishing | Avatar Press has returned to Diamond Book Distributors as its distributor to bookstores, the mass market, library services, and other markets. Avatar left DBD in 2011 to sign on with BOOM! Studios to distribute its books through Simon & Schuster in the United States and HarperCollins in Canada. [ICv2]
Crime | A man in Augusta, Georgia, told police someone stole his collection of nearly 30,000 comics from a storage building at his friend’s home sometime between Nov. 13 and Dec. 30. Although the 85 boxes allegedly included signed issues, police valued the comics at just $1 each. [The Augusta Chronicle]
Publishing | ICv2 concludes its three-part interview with Marvel Publisher Dan Buckley with questions about variant covers, Marvel NOW!, and staying in New York City. [ICv2]
Publishing | Heidi MacDonald profiles new graphic novel publisher Magnetic Press, which is spearheaded by former Archaia and BOOM! Studios executives Mike Kennedy and Wes Harris. Magnetic will launch in April with a varied line that will focus strongly, but not exclusively, on translations of French comics. [Publishers Weekly]
The Angoulême International Comics Festival is just around the corner, and the shortlist for the Grand Prix de la Ville d’Angoulême was announced on Tuesday:
Binet, Christophe Blain, Charles Burns, Pierre Christin, Daniel Clowes, Richard Corben, Bernard Cosey, Étienne Davodeau, Nicolas de Crécy, Edika, Emmanuel Guibert, Hermann, Alejandro Jodorowsky, Manu Larcenet, Milo Manara, Lorenzo Mattotti, Alan Moore, Katsuhiro Otomo, Quino, Marjane Satrapi, Joann Sfar, Jiro Taniguchi, Jean Van Hamme, Chris Ware et Bill Watterson.
The prize is awarded to a living comics creator, and traditionally the winner serves as president of the jury for the following year’s festival; previous honorees have included Robert Crumb and Art Spiegelman, but the award usually goes to someone working in French-language comics.
There was a bit of controversy last year when juror Lewis Trondheim leaked the finalists on Twitter: Alan Moore, Katsohiro Otomo, Akira Toriyama, Chris Ware, and the eventual winner, Willem, who is well known in French-speaking countries but less so in the rest of the world (the poster above is his work). The Grand Prix winner is chosen by a combination of votes from French creators and a jury of past winners (l’Académie des Grands Prix), and the word on the street last year was that Toriyama was the creators’ choice but the jury overruled that and went with Willem. Toriyama was given a special prize commemorating the 40th anniversary of Dragon Ball.
If I’m reading the French article right, the process will be different this year, with the list being narrowed down to three names in a preliminary round of voting and the winner being determined by a second round in which the creators and the jurors will have an equal say.
Legal | As the dust begins to settle on the ruling last month by a federal judge that Arthur Conan Doyle’s first 50 Sherlock Holmes stories have lapsed into the public domain in the United States, out march the analyses pointing out the buts. Chief among them, of course, is the possibility of appeal by the Conan Doyle estate, which contends the characters were effectively incomplete until the author’s final story was published in the United States (the 10 stories published after Jan. 1, 1923, remain under copyright in this country until 2022).
However, Publishers Weekly notes that because U.S. District Judge Ruben Castillo didn’t rule directly on that “novel” argument, the estate may be satisfied with the ambiguity of the decision, given that uncertain creators still may seek to license the characters to steer clear of any trouble. Estate lawyer Benjamin Allison also insists that the Sherlock Holmes trademarks remain unaffected, an assertion that puzzles author and scholar Leslie Klinger, who brought the lawsuit. “There is a very good reason why the Estate did not assert trademark protection: The Estate does not own any trademarks,” he told PW. “They have applied for them, and there will be substantial opposition.” There’s more at NPR, The Independent and The Atlantic. [Publishers Weekly]
Graphic novels | Image Comics had a strong December in bookstores, snagging nine slots on BookScan’s Top 20 chart: Eight volumes of The Walking Dead (including the very first one, at No. 4), plus the first Saga collection, which was originally released in October 2012. The first two volumes of Attack on Titan, which are more than a year old, were also on the chart. [ICv2]
Legal | Colleen R. LaRose, aka “Jihad Jane,” was sentenced Monday to 10 years in prison for her role in a failed conspiracy to murder Swedish cartoonist Lars Vilks, who drew images of the Prophet Mohammed that offended many Muslims. [The New York Times]