Axel-In-Charge: Waid & Samnee on "Black Widow" and the Dawn of the All-New, All-Different Era
Creators | Naruto creator Masashi Kishimoto isn’t getting the break he was looking forward to, although he was finally able to take his honeymoon, more than 10 years after his wedding. At a preview of Boruto: The Naruto Movie, he talked about moving from the hit manga, which ended its 15-year run last fall, to working on the movie: “I had thought that I could finally rest when I finished the manga series, but I couldn’t rest …” His own son is the same age as Boruto, the protagonist of the new movie (and Naruto’s son). And when asked about a sequel, he said, “I can’t. Please let me rest now,” adding that he thought Boruto was “perfect.” The movie will open on Aug. 7 in Japan and Oct. 10 in the United States. [Anime News Network]
The Los Angeles Times has fired political cartoonist Ted Rall, who worked on a freelance basis, after finding “inconsistencies” in a post he wrote in May for the newspaper’s OpinionLA blog about being stopped by police in 2001 for jaywalking. However, Rall insists his story is true, and accuses the Los Angeles Police Department of pressuring the paper to ax him.
Rall, who has drawn many cartoons critical of the LAPD, described the incident in the original blog post:
Manga | More than 2.5 million copies of the English-language editions of Attack on Titan in print, Kodansha USA announced earlier this month at Anime Expo. Although that may seem like a lot, there are more than 44 million copies of the same 15 volumes of Hajime Isayama’s post-apocalyptic manga in print in Japan. The Asahi Shimbun estimates the U.S. comics market as one-fifth the size of the Japanese market. [The Asahi Shimbun]
Passings | Bill Garner, the editorial cartoonist for The Washington Times from 1983 to 2009, has died at age 79. Garner was born in Texas and attended the Texas School of Fine Arts, then went to the University of Texas at Austin for one year. He served in the Army from 1956 to 1962, then went to work as an illustrator for The Washington Star. His editor there suggested he try his hand at cartooning, and it took. He moved on to become the editorial cartoonist for the Memphis Commercial Appeal, where in 1981 he won a National Headliner Award. His best-known cartoon is one he drew for the Times shortly after the overthrow of Saddam Hussein, showing a tank with the bumper sticker “Saddam Happens” driving over a sand dune. [The Washington Times]
Cartozia Tales is a collaborative comic drawn by a roster of talented indie creators, including Sarah Becan and Lucy Bellwood, that’s a cartographic twist on the notion of an exquisite corpse: The comic is set in an imaginary world that is divided into nine different regions, and each contributor takes a different region in every issue. The result is a lively comic with a variety of different styles and stories, knit together by geography.
The comic is all-ages, in the sense that there isn’t anything that would disturb a 6-year-old, but it’s plenty sophisticated enough for adults to enjoy. Guest contributors include James Kochalka, Dylan Horrocks and Evan Dahm.
Censorship | China may have banned 38 manga and anime series, including Attack on Titan and Death Note, but fans are still finding ways to read and watch them — and Death Note is one of the most popular topics on the social media service Sina Weibo. “Chinese authorities are used to a certain degree of permeability in their various bans and directives,” says Jonathan Clements, author of Anime: A History. “The issue with a lot of Chinese censorship isn’t about a blanket ban that keeps 100% of material out. It’s about making life as difficult as possible for people who actually want it. A ban like this is about restricting casual access.” [BBC News]
Hang Dai Editions is the imprint of Hang Dai Studio, the Brooklyn collective formed by Dean Haspiel, Gregory Benton, Josh Neufeld and the late Seth Kushner. All of them were already well known, Haspiel as a prolific independent cartoonist as well as the artist for Archie Comics’ The Fox, Benton as the creator of B+F, which won the MoCCA Festival award last year, Neufeld as the creator of A.D.: New Orleans After the Deluge and the artist for The Influencing Machine: Brooke Gladstone on the Media, and Kushner, who died in May, as a talented photographer and writer whose works included Leaping Tall Buildings, for which he photographed many prominent comics creators, and Schmuck.
The first titles to be published by Hang Dai were minicomics that the creators hand-sold at shows, but recently the collective announced a slate of comics that will be distributed to a wider audience this fall through Alternative Comics.
In an interview with ROBOT 6, Haspiel and Benton talk about the evolution of Hang Dai, the new fall line and the loss of Kushner. They also shared some art from their upcoming books Beef With Tomato (Haspiel) and Smoke (Benton).
Manga | Kentaro Miura’s action-fantasy manga Berserk has 35 million copies in print — 27 million in Japan, and 8 million overseas — Hakusensha’s Young Animal magazine announced today. Miura returned to the series this week after a 10-month hiatus. The manga, which centers on a pair of mercenaries in a medieval Europe-inspired fantasy world, debuted in 1989; 37 volumes have been released to date. Dark Horse holds the license to Berserk in North America. [Anime News Network]
Crime | Russell Brandom and Colin Lecher describe a fascinating case in which comics figured in two types of crimes, money laundering and theft of evidence. Along the way, they explain the importance of grading, how slabbing works, and why it’s pointless to steal a really valuable comic that’s already known to collectors. [The Verge]
Manga | Nearly two decades into his blockbuster fantasy adventure, it appears creator Eiichiro Oda still has a long way to go before he completes the epic One Piece. Just ahead of the manga’s 18th birthday on Sunday, its current editor Taku Sugita revealed on a Tokyo radio show that somewhere around the 60th volume Oda estimated the story had reached the halfway point. With the release of Vol. 78 earlier this month, Sugita guesses One Piece is “maybe” 70-percent complete. “I don’t think it’s at 80 percent yet,” he said. “Something like that.” [Rocket News24]
In the 1980s, Mike Baron flipped the superhero genre on its head with Nexus, a comic about a reluctant executioner of mass murderers. Meanwhile, on television, a bunch of surprisingly dark characters were running missions in a futuristic helicopter on Airwolf. Now, 30 years later, Baron has written a story for the upcoming Airwolf graphic novel, which will be released in August by Lion Forge.
Baron came up with an interesting twist for the Airwolf comic, pitting the high-tech chopper against some very low-tech World War II-era planes. He’s also still writing new Nexus comics, and artist Steve Rude is running a Kickstarter campaign to publish the newest story online and in print.
Baron spoke with ROBOT 6 about Airwolf, Nexus and his other projects, and he threw in some advice about writing comics as well.
Legal | DC Comics has filed a trademark lawsuit against clothing manufacturer Mad Engine, claiming one of its T-shirt designs infringes on the iconic Superman shield (it replaces the signature “S” with “Dad”). The shirt was sold through Target, which isn’t part of the suit. DC sent a cease-and-desist letter to Mad Engine on June 1, but, the publisher claims, the clothing company didn’t respond until June 19 “in an effort to allow the Infringing T-Shirt to remain available for sale through Father’s Day.” [The Hollywood Reporter]
Retailing | David Harper asked 25 comics retailers how they feel about their business (spoiler: mostly optimistic), what their customer base is like, how they determine which comics to order (some really interesting comments here), and their thoughts on the industry as a whole. With the caveat that it’s a small group, it’s fascinating stuff. [Sktchd]
In less than two years, starting in September 2013, Matt Bors built up The Nib into one of the best comics sites on the internet, with a stellar roster of creators and a curated selection of short comics that offered profound insights into current issues. This was achieved with a combination of talent and money: Host site Medium paid Bors to edit the site and gave him a budget to pay contributors. This made it a significant player in the field of online and indy comics.
And then it all ended a few weeks ago with a vague post from Bors saying that The Nib would be changing, although it was not clear to what.
Well, now it has become clear: Bors has taken The Nib with him, and his first initiative is a Kickstarter campaign to produce a print volume, Eat More Comics! The Best of The Nib, with a lineup of creators that includes Josh Neufeld, Kate Leth, Sarah Glidden, and Erika Moen. The Kickstarter has a goal of $45,000, which covers not only production costs but also compensating the creators for the republication of their comics. The plan is to have the books out by Small Press Expo in September.
And then? Bors says in his post on Medium that he has reassembled his editorial team and has plans to do more online and print comics in the future.
Passings | Archie Comics artist Tom Moore died yesterday at the age of 86. Moore got his start as an artist in the Navy, where he served during the Korean War: His captain found a caricature that Moore had drawn, and instead of calling him on the carpet, he assigned him to be staff cartoonist. Moore’s comic strip, Chick Call, ran in military publications, and after the war he studied cartooning in New York, with help from the GI Bill. Moore signed on with Archie Comics, drawing one comic book a month, from 1953 until 1961, when he left cartooning for public relations. “It’s important to create characters that can adapt to anything, but whose personalities are consistent,” Moore said in a 2008 interview. “Establish that, and don’t deviate. Betty doesn’t act like Veronica, and Charlie Brown doesn’t act like Lucy.” He returned to cartooning in 1970, drawing Snuffy Smith, Underdog, and Mighty Mouse, and then went back to Archie to help reboot Jughead, staying on until his retirement in the late 1980s. After retiring, Moore taught at El Paso Community College and was a regular customer at All Star Comics. [El Paso Times]
Publishing | DC co-publishers Jim Lee and Dan DiDio talk about the comics market as a whole, variant covers, and their move to Burbank, among many other topics, in a three-part interview. [ICv2]
Commentary | Christopher Butcher discusses the way the comics audience has diversified, and the way that parts of the industry (the parts that aren’t involved, basically) have refused to acknowledge the enormous popularity of newer categories of comics by “othering” them: “‘Manga aren’t comics,’ went the discussion. They were, and are in many ways, treated as something else. The success that they had, the massive success that they continue to have, doesn’t ‘count’. All those sales and new readers were just ‘a fad’, and not worthy of interest, respect, or comparison to real comics. It was the one thing that superhero-buying-snobs and art-comics-touting-snobs could agree on (with the exception of Dirk Deppey at TCJ, bless him): This shit just isn’t comics, real comics, therefore we don’t have to engage it.” Butcher sees these attitudes changing at last, though, thanks to the massive commercial and critical success of books like Raina Telgemeier’s Smile (three years on the New York Times graphic novel best-seller list!) and Mariko and Jillian Tamaki’s This One Summer. [Comics212]
Passings | Artist and writer Alan Kupperberg has died of thymus cancer at the age of 62. Kupperberg got his start writing dummy letters for Marvel in the late 1960s, then moved to the production department at DC and in 1974 was hired by the short-lived Atlas/Seaboard comics, where he played a variety of roles, including letterer, colorist, and editor. That company folded after a year, and he went to Marvel, where he worked on a number of different titles, including The Incredible Hulk, Iron Man, Savage Sword of Conan, and Amazing Spider-Man. He created the one-shot comic Obnoxio the Clown vs. the X-Men working entirely solo, and he drew the weekly Howard the Duck newspaper comic as well as the comic-strip version of The Incredible Hulk and Little Orphan Annie. His magazine work included National Lampoon, Cracked, and Spy. Kupperberg also taught at the School for Visual Arts, and he was the brother of writer Paul Kupperberg. [ICv2]
Manga | Hiromi Bando has translated Keiji Nakazawa’s Barefoot Gen into Chinese and is looking for a publisher, but she has been told the Chinese government will not approve its publication. Bando, who is Japanese, was inspired to translate the manga, an eyewitness account of the bombing of Hiroshima and its aftermath, after hearing of her father’s experiences fighting in China during World War II. The manga is taught in the original Japanese in a few universities in China. [Asahi Shimbun]
A thief walked out of JC’s Comics ‘N’ More in Toledo, Ohio, with $1,400 worth of comics concealed in his pants, but he seems to had a change of heart– after video of the act was shared on a local newscast, the comics were mysteriously returned
Store owner James Collins said the seven missing comics were Marvel’s Civil War comics with variant covers, valued at between $70 an $250 apiece. Collins first noticed the missing comics last Wednesday, and when he viewed the security camera footage, he saw a man, accompanied by a woman, enter the store, stuff the comics into his pants, and walk out without paying. Collins was tending to other business at the time and didn’t see them enter or leave the store.
Creators | Scott Snyder discusses his horror comic Wytches, starting with why he used the unusual spelling: “We wanted to do something that basically would announce that we were trying to make the classic monster our own. For me, it separated the witches that you knew from what we were going to do in our book. It was an aesthetic thing and it made it look a little more ancient.” [Suicide Girls]
Political Cartoons | Laurent Sourisseau, the editor of Charlie Hebdo, says he will not draw any more cartoons of the Prophet Muhammad. “We’ve done our job. We have defended the right to caricature,” Sourisseau told the German magazine Stern, but he also said, “We have drawn Muhammad to defend the principle that one can draw whatever they want. It is a bit strange though: we are expected to exercise a freedom of expression that no one dares to.” Sourisseau was in the Charlie Hebdo offices when they were attacked in January by armed gunmen who killed eight of his colleagues and four other people. He survived by pretending to be dead. “[W]hen it was over, there was no sound. No complaints. No whining. That is when I understood that most were dead,” he said. Sourisseau is the second Charlie Hebdo staffer to declare he will no longer draw cartoons of the Prophet Muhammad; the cartoonist Luz said in April that “I am tired of him, just like [former French President Nicolas] Sarkozy. I am not going to spend my life drawing them.” [Deutsche Welle]