Chris Arrant, Author at Robot 6 @ Comic Book Resources
What if you went your entire life went without meeting your true love, and you only found it due to a time-travel accident? And what if your job was to eliminate these kinds of accidents? Would you fix the timestream or fix yourself up with your true love?
That’s the story of The Infinite Loop by Pierrick Colinet and Elsa Charretier, which debuts next month in France — but the creators are already looking toward an American release. The duo was at New York Comic Con earlier this month to drum up interest in the six-issue series from English-language publishers.
Superheroes come from all walks of life: journalists, scientists, school teachers, lawyers, even fast-food workers. But what about a DJ? In The Future Prophecy, two DJ sisters take on a dystopian version of Toronto under the control of a mutant army. But they aren’t just any DJ sisters, they’re creators — and real-life DJs — Sara Simms and Melle Oh.
So far, Simms and Oh have self-published two issues of The Future Prophecy, but to produce four more they’ve turned to Kickstarter.
Making comics is generally a solitary experience, but there are a few pockets of camaraderie that have sprung up where artists share a space and work together. One of the most thriving spaces is Toronto’s R.A.I.D. Short for the Royal Academy of Illustration & Design, it’s where some of today’s top comic artists, including Francis Manapul, Ramón Pérez, Cary Nord and Kalman Andrasofzsky, do a majority of their work — and they’re now the subject of a short documentary film.
‘How do I write believable women?’ from male writers, is essentially asking how to write characters that are different from you. But all characters are different from you, or should be, unless they’re you. Characters are individuals, not types. If you’re writing them as types, you’re doing it wrong.
All characters are like you in some ways, and not like you in others. How do you write the parts that aren’t like you? Same as you do with any character. You have eyes, ears and a brain. You write from observation, experience, research and analysis.
If you’re writing a woman, you’re not writing a ‘women.’ Write her. That character, that individual. A person, not a category.”
Jae Lee’s work on Superman/Batman has simultaneously been among the most unique and divisive of DC Comics’ New 52. After years working on Marvel’s adaptation of Stephen King’s The Dark Tower, Lee’s return to superhero work has found a balance between iconic and creepy; while his style might seem tailor-made for the likes of Batman and Catwoman, his depiction of Superman has been both haunting and boyish in all the various main- and alternate-universe incarnations.
And now, DC is using those designs as the basis for a line of collectible figures.
Corto Maltese is one of the most prized series and characters in European comics, and now he’s coming back.
The comic’s longtime publisher Casterman has announced the October 2015 release of the first new Corto Maltese story in 25 years. As creator Hugo Platt passed away in 1995, Blacksad writer Juan Diaz Canales will be joined by artist Ruben Pellejero for the new story. There’s no word word whether this will be serialized or published as a standalone book, but Casterman promises it will be released simultaneously in Europe in French, Spanish, Italian and Dutch. What about English-speaking audiences? Well, that’s another story.
Cartoonist Nate Simpson burst into comics in 2011 with his Image Comics series Nonplayer. He won the prestigious Russ Manning Most Promising Newcomer Award just three months later, sold the film rights to he comic, and then unfortunately broke is collarbone. Now, three years later, he’s back — but not how you might think.
What if terrorists took over a theme park, and the only onwho could save you was one of the park’s costumed mascots? That’s the story of the recently released graphic novel Ricky Rouse Has a Gun by writer/director Jörg Tittel and artist John Aggs. Using thinly veiled versions of Disney’s mascot and a host of other media properties to to populate their theme park, Tittel and Aggs aren’t only making an action story, they’re critiquing corporate consumerism.
Premiering in August, King Maul centers on a savage warrior (named King Maul, of course) who burst out of a portal in space with ominous narrative boxes dubbing him a conqueror, destroyer and creator of an empire. His first battle, with an unnamed green-skinned alien, is less Conan the Barbarian and more WWE Raw — in a good way. In early episodes, fighting is briefly delayed when Maul is offered to smoke a mysterious substance, only to be renewed with his newly established battle cry of “Baaaaaaaaaaallllllssss.”
Like most comic creators around the world, celebrated artists Gabriel Ba and Fabio Moon work from home. That doesn’t require much in the way of a dress code, but for the past nine years the two brothers have celebrated the completion of major projects with a unique tradition: dressing up.
Sean Murphy is in the middle of drawing his first Image Comics series — a collaboration with Rick Remender called Tokyo Ghost — but he still has time for a side project, especially a fun one. Over the weekend Murphy posted a gorgeous illustration based on the classic video game Castlevania, but it’s not just a pin-up — it’s a piece done to the specifications of a classic stand-up arcade box.
“For fun, I’m going to do a series of pieces that are 23×7 like the marquee of a retro stand-up arcade machine (it’s that plexiglass light at the top),” Murphy writes.
The fate of the United Kingdom will be decided in five hours, when the polls close on a referendum that determines whether Scotland will declare independence from England after 307 years. To mark the historic occasion, U.K. digital publisher Eco Comics has introduced an “all-new, all-Scottish” superhero in the form of Scotsman
The Mohawk Media imprint unveiled the character’s design on Wednesday. Eco Comics editor Stuart Buckley told ROBOT 6 that Scotsman will be introduced in the recently launched Englishman series, and a one-shot is already in the works. However, whether he’ll be Englishman’s friend or foe will depend on today’s vote.
Exorcism has long been staple of horror fiction, whether film, television, comics or prose. But two Spanish creators are dialing up turning it up a notch by showing a person in need of an exorcism who lives at the Vatican. That’s right, the pope is possessed.
Debuting next week from Amigo Comics, Roman Ritual is a four-issue miniseries by El Torres and Jaime Martinez that sees self-exiled Catholic priest John Brennan summoned to Rome when the Pope becomes possessed. It’s certainly a provocative premise, and Torres and Martinez don’t shy away from it.
After years of working on anthologies and as a concept artist, Nicholas Kole is looking to make a name for himself … with jelly.
The Rhode Island artist recently launched Jellybots, a webcomic about a boy named Sam who’s enrolled by his family in a prestigious school called the Frontier Academy. Not much else is known about the series, given that it’s just six pages into its run, but the concept material and pin-up art show Sam interacting with supernatural, whimsical and fluid jellyfish.
Mail-order comics services have been around for decades, but with the Internet they’ve grown by leaps and bounds. Still, when you put together the words “online” and “comics,” many people naturally think digital, but a new online mail-order business is putting print — and comics as a physical product — squarely into the limelight.
Launched earlier this summer, Comic Cartel has the standard offerings of other online mail-order services, with the ability to shop for individual issues and graphic novels, as well to create subscriptions. But what sets Comics Cartel apart is its attention to detail when it comes to comics as a physical object — one worthy of high care and exceptional packaging.