Having released his World War II indictment Onward Towards Our Noble Deaths in 2011, and his compelling childhood memoir Nonnonba in 2012, Drawn & Quarterly will publish Shigeru Mizuki’s most beloved and best-known work, Kitaro, for the first time in North America in 2013.
Created in 1959, Mizuki’s Kitaro, known in Japan as GeGeGe no Kitaro, follows the adventures of a centuries-old little boy who — well, I think the D&Q press release says it best:
Meet Kitaro. He’s just like any other boy, except for a few small differences: he only has one eye, his hair is as an antenna that senses paranormal activity, his geta sandals are jet-powered, and he can blend in to his surroundings like a chameleon. Oh, and he’s a three hundred and fifty year old yokāi (spirit monster). With all the offbeat humor and a delightful cast of characters, Kitaro is a light-hearted romp where the bad guys always get what’s coming to them.
Kitaro is not only incredibly popular in its native country but something of a native landmark, so its release on these shores (the book comes out in February) is noteworthy. As part of Robot 6′s anniversary celebration, the folks at Drawn & Quarterly were kind enough to share a sample story from this upcoming volume, Monster Night Game:
by Basil Wolverton
Fantagraphics Books, 272 pages, $39.99
When Fantagraphics and editor Paul Karasik re-introduced comic book readers to the work of Fletcher Hanks via the books I Shall Destroy All the Civilized Planets and You Shall Die By Your Own Evil Creation, the work seemed like a complete anomaly, separate in tone and manner from what every other Golden Age cartoonist was doing in the then-nascent medium.
Now, with the release of Spacehawk, Basil Wolverton’s sci-fi superhero series, it’s clear that Hanks’ work wasn’t as much of an oddity as previously thought. While Spacehawk isn’t quite as surreal or unsettling as any of Hanks’ best stories, it nonetheless shares some of the same crazed brutality.
Continuing our look into what comics and graphic novels lie in wait for us in the year 2013, I thought I’d take a look at Abrams catalog, which also includes books from British publisher SelfMade Hero, which Abrams distributes in the U.S. Here’s what I discovered:
Continuing our look at various small press publishers plans for the new year, today i thought we’d take a few moments to delve into Picturebox’s latest catalog. Join me, won’t you?
If Bill Kartalopoulos doesn’t have one of the most impressive resumes in the comics world, he certainly has one of the lengthiest. He’s one of the co-organizers of the Brooklyn Comics and Graphics Festival and the programming co-ordinator for the Small Press Expo. He was a publishing associate for Toon Books, a contributing editor for Print magazine, he’s been an assistant to Art Spiegelman on various projects including the book MetaMaus, and has curated a number of comics exhibits in New York City. Oh, and he teaches college classes about comics in his spare time.
Now Kartalopoulos is adding the title of full-fledged publisher to the list. His new venture, Rebus Books was announced a few weeks ago and the company’s debut book, Barrel of Monkeys by Florent Ruppert and Jerome Mulot, made its debut at the recent BCGF.
Despite his incredibly busy schedule, Kartalopoulos was gracious enough to take time to talk over email about Monkeys, why he decided to take a chance on publishing it, and how publishing itself is a form of criticism. He’s an insightful, intensely smart guy, and I wish him the best of luck in this new venture.
OK, let’s start with the basics: How long have you been planning Rebus Books? What made you decide to want to become a publisher? And what made you finally decide to take the plunge?
I’ve been thinking of taking on some kind of publishing project on and off for a long time, but I’ve been planning Rebus Books in a more focused way over the past year. It’s hard to boil it down to a single motivation. In part, I think that because I’ve had the experience of working on other publishing projects, including the TOON Books and MetaMaus, I had a strong desire to turn my skills and experience towards a self-generated project that I was fully responsible for and that directly expressed my interests and point of view. I’m involved with comics in a lot of different ways, as a curator, critic, educator, festival organizer, and so forth, and this seemed like a very proactive way to extend that involvement in a way that enlarges the comics scene rather than simply reacts to it.
A few weeks ago we looked at Fantagraphics publishing plans for 2013. Today I thought it might be worthwhile to peek into Drawn & Quarterly’s crystal ball and see what they have in store. I skipped over some re-releases and new volumes of expected material — a new Moomin collection, a paperback release of Paying for It — mainly because I’m lazy.
You’re Just Jealous of My Jetpack by Tom Gauld. Gauld’s weekly comic gets the fancy book deal. Expect lots of really funny riffs on history and pop culture in Gauld’s stone-faced, deadpan style. January, $19.95.
One of the more interesting, art-focused and idiosyncratic comic conventions around, the Brooklyn Comics and Graphics Festival, will take place this weekend.
The bulk of festival will be held from noon to 7 p.m. Saturday at Our Lady of Mount Carmel Church, located in the Williamsburg section of Brooklyn, N.Y. The show has expanded considerably, however, to include a number of other events, including gallery shows and a film festival.
“Hey Izadore! I’ve just realized that you have microscopic tribes of violent spore lords living on the surface of one of your eyeballs! One eye is at war with the other and both sides have been using your brain as a nightmare particle factory and fueling their attack vehicles with your blood! What are you going to do?”
What are you going to do indeed? So goes a sample of dialogue from Theo Ellsworth’s latest book, The Understanding Monster, the first volume in a projected three-book series. As the above excerpt might suggest, this is a trippy, almost hallucinatory comic, given to frequent bouts of digression. There’s a temptation to call it psychedelic, although that seems too limiting. Suffice it to say that that it’s an experience utterly unlike any other comic that’s out right now.
Fantagraphics has made a number of notable publishing announcements over the past few weeks, but the new release of its spring/fall catalog reveals even more intriguing books coming down the pike next year. I thought I’d take it upon myself to run through what I feel are some of the more interesting titles scheduled for 2013, avoiding some of the more expected titles, like the new Donald Duck or Steve Ditko collections, or paperback editions of previously released material. If all goes well, I hope to do this sort of thing again with other small press publishers as we get closer to the end of the year.
The Amazing, Enlightening and Absolutely True Adventures of Katherine Whaley by Kim Deitch. Deitch’s latest graphic novel (his first original one, his previous works having been serialized in anthologies and other series) concerns a young actress in early 20th century America who gets a plum role in a movie serial, only to discover all is not what it seems. Could alleged recordings of Christ made centuries before the invention of recorded sound be somehow involved? Could be! Printed in landscape format to give that “widescreen” feel. April, $29.99.
Bread and Wine by Samuel R. Delaney and Mia Wolff. Apparently this was published back in 1999, although this is the first time I’ve ever heard of it. Famed science-fiction author Delaney chronicles his romance with a young homeless man, with Wolff providing art. April, $14.99
Corpse on the Imjin! and Other Stories
By Harvey Kurtzman et al.; edited by Gary Groth
Fantagraphics Books, 240 pages, $28.99
Came the Dawn and Other Stories
By Wallace Wood, et al.; edited by Gary Groth
Fantagraphics Books, 208 pages, $28.99
In an essay that ran in issue #250 of The Comics Journal – and was recently republished on the Hooded Utilitarian website – the critic Ng Suat Tong took to task one of the comics’ most sacred cows, EC. In the essay, entitled EC Comics and the Chimera of Memory, Suat argues that nostalgia has blinded critics and readers to EC’s many faults; that while the house that Bill Gaines built might have influenced many and laid the groundwork for the underground era, the stories themselves rarely deserve the lofty reputation they have attained.
While I don’t agree with everything Suat says in his essay — I think he’s far too harsh on poor Bernie Krigstein for example — I do agree with several of his points. My main takeaway from his essay is that we need to be more careful and much more selective when discussing EC’s aesthetic value. Rather than saying “Mad was great,” we should be saying which stories in Mad were great because, as anyone whose read the first three issues knows, Kurtzman and company weren’t always firing on all cylinders. In fact, a good deal of the EC material could be less than stellar to put it mildly, and many stories that were initially regarded as exemplary haven’t held up well over time.
In a comment thread on The Comics Journal website, Fantagraphics Co-Publisher Kim Thompson revealed the company will publish an early work by Tintin creator Herge (a.k.a. Georges Remi) titled Peppy and Virginny in Lapinoland.
Also known as Popol Out West, and called Popol et Virginie au pays de Lapinos in French, the book follows the adventures of “a couple of haberdashers who journeyed to the Wild West in search of new clientele, accompanied by their trusty horse Bluebell — where they ran into savage Indian tribes, evil bandits, and much more,” according to the PR details. As far as I can tell, it’s Herge’s only long-form funny animal series, with the lead characters drawn as bears and the Native Americans depicted as rabbits with feathers for ears.
Originally published in 1934, the book is one of several lesser-known and short-lived series that Herge did before giving his artistic life over to Tintin completely (and includes the Quick and Flupke and Jo, Zette and Jocko series).
The 56-page book, which costs $16.99, will be in stores July 2013. It will be part of Fantagraphics ongoing all-ages Eurocomics line, which includes such titles as The Littlest Pirate King and Murder By High Tide.
In other, unrelated Herge news, the comment thread also calls attention to this book, yet to find a publisher, which apparently suggests that Herge and Tchang, the model for the Chang character in The Blue Lotus, had an affair. Bleeding Cool has not-at-all sexy previews of the book here.
Comics College is a monthly feature where we provide an introductory guide to some of the comics medium’s most important auteurs and offer our best educated suggestions on how to become familiar with their body of work.
Last month we looked at the career of Marjane Satrapi. This month we’ll examine the career of one of her largest (or at least more apparent) influences, Pierre-Francois Beauchard, better known by his pen name, David B.
Another Small Press Expo has come and gone, and I have the empty wallet to prove it. My official SPX report appears at Comic Book Resources. You can also hear me blathering on about the show with Joe McCulloch and Matt Seneca over here. Short recap: It was a great show, arguably the best SPX I’ve been to in a long while.
Despite my self-induced reputation as a horrible photographer, I opted to take photos at the show anyway.
The annual Small Press Expo, better known as SPX, will arrive at the Bethesda North Marriott Hotel and Convention Center in Bethesda, Maryland, Saturday and Sunday. This particular SPX promises to be excellent — mayhap the bestest SPX evar — so allow me to run through some of the goings-on if you happen to be in that area this weekend.
I wasn’t very familiar with Ben Hatke‘s work before I met him in 2010 at the Small Press Expo, apart from reading his contribution to the second Flight anthology. So I was pleasantly taken by surprise at how charming his debut graphic novel, the all-ages Zita the Spacegirl, is. The book, about a young girl who is inadvertently transported to another galaxy full of strange and fearsome aliens, adheres closely in style to many well-worn fantasy adventure comics. But it manages to stand out from the pack with a cast of broad, engaging characters, an appealing heroine, and some smartly (and tightly) paced actions scenes.
Now Hatke has a sequel, Legends of Zita the Spacegirl, which finds the pint-sized interplanetary traveler struggling to cope with her new-found celebrity, and encountering a would-be impostor who’s more than happy to taker her place.
I talked with Hatke about the new Zita book, how he became a cartoonist, and his goals for the series.