Kevin Melrose, Author at Robot 6 @ Comic Book Resources
Marvel and Paris-based mobile game developer Gameloft have released the launch trailer for The Amazing Spider-Man 2, a tie-in to the Sony Pictures movie sequel that pits the wall-crawler against villains ranging from Electro and the Green Goblin to Kraven and Venom.
Available now on iOS and Google Play, the action-adventure follows Spider-Man as he swings through Manhattan in an effort to save New York City from the chaos of a costumed crime wave.
Fantagraphics has unveiled the Hip Hop Family Tree Vols. 1-2: 1975-1983 Box Set, complete with two new covers by creator Ed Piskor (one side of the slipcase pays homage to EC Comics, the other to 1960s DC).
And if that weren’t enough, it comes with the exclusive bonus Hip Hop Family Tree #300 “Milestone, Variant, Limited, Ashcan Edition!” In the words of the publisher, “Foil-stamped cover! Rob Liefeld! It’s the ’90s-est.”
On sale in November for $59.99, the box set collects the first two volumes of Piskor’s bestselling chronicle of the history of hip hop, originally serialized on BoingBoing.
The first 112-page volume covers 1975 to 1981, with appearances from the likes of Grandmaster Flash, Afrika Bambaataa, Kurtis Blow, Russell Simmons, Debbie Harry and Keith Haring. The second volume moves on to ’82-’83, with Run-DMC, Grandmaster Flash and the Furious Five, the Beastie Boys and more.
Organizers of Washington, D.C.’s Awesome Con hope they can pack the National Mall today with enough costumed heroes (and villains) to set a new world record for the largest gathering of people dressed as comic book characters.
The current record, as certified by Guinness World Records, was set in April 2011 at the opening ceremony of International Animation CCJOY LAND in China. The magical number? 1,530 people. “I know we can break that record and mark Washington, D.C., as the capital city of cosplay,” Ben Penrod, co-founder of Awesome Con, said in a statement.
In an effort to do just that, Awesome Con and the Museum of Science Fiction sent out the call for cosplayers to gather at noon at the U.S. Capitol Reflecting Pool, where the Guinness adjudicator will undertake the official count.
Three weeks after Marc Silvestri and Todd McFarlane pulled back the curtain on their collaboration process for a Skybound cover, Image Comics has unveiled the final product: a variant for Manifest Destiny #7. It’s colored by series colorist Owen Gieni.
The issue kicks off a new arc in the series by Chris Dingess and Matthew Roberts, which tells the hidden story of the Lewis & Clark expedition (one filled with monsters).
Manifest Destiny #7, which arrives June 11, can be ordered now with Diamond Code APR140575; the Silvestri/McFarlane variant is MAR148175.
Written by Buccellato and illustrated by Noel Tuazon (Tumor), the series debuted in February 2012 from Dog Year Entertainment. However, just five of the planned six issues were released.
Set in a world where technology is stuck in the analog 1970s, Foster centers on a haunted war veteran who becomes the guardian of a 6-year-old boy wanted by a shadowy race of supernatural creatures.
“Foster is such a personal story for me,” Buccellato said in a statement. “As a father of a teenage boy, I wanted to write about fatherhood and specifically the male need to protect your child from the physical dangers of the world. Foster’s trying to forget the Vietnam War at the bottom of a bottle when he encounters a boy who changes his life. Suddenly he has to navigate a world where technology is stuck in the analog ’70s and supernatural creatures and twisted scientists lurk around every corner. Noel Tuazon really captured the gritty, urban horror at the heart of this story.”
Foster will be available for $12.99 beginning July 2.
With a name that gives a nod to a 19th-century physicist and a sign that features an olive within an atom, it’s a safe bet that Houston’s new Neil’s Bahr isn’t your run-of-the-mill drinking establishment.
Instead, Eater reports, it’s a bar where patrons can browse the comic book library, read sci-fi novels in the comfy lounge or play Super Nintendo and vintage arcade games.
“I’ve always wanted a geeky bar where people can watch The Simpsons or Star Wars on TV, a very hole-in-the-wall place,” owner Neil Fernandez told the website. He also has Industry Night Tuesday, which caters to bar and restaurant employees, and soon plans to launch trivia and cabaret/karaoke nights. Fernandez is even considering going “full-blown nerd” with Magic: The Gathering.
Despite a 50-year history, a record-breaking movie and several video games and animated television series, there apparently still are some in Japan who don’t know who the Avengers are. A little surprising, maybe, but that’s what Earth’s Mightiest Heroes discover when they travel to that country in the latest issue of CoroCoro Comic.
Kotaku spotlights the 12-page story from Shogakukan’s monthly manga magazine for elementary school-age boys, which finds Captain America, Iron Man, the Incredible Hulk, Thor, Spider-Man and the Wasp facing several obstacles on unfamiliar shores: Thor can’t get his armor and hammer through customs, the Hulk can’t stomach Japanese food and, worse still, no one is familiar with them.
In the wake of the uproar in South Carolina over her graphic memoir Fun Home, cartoonist Alison Bechdel has joined with the producers and cast of the musical adaptation to bring the acclaimed off-Broadway show to the College of Charleston.
The Post and Courier reports tickets went on sale Tuesday for two concert-version performances to be held April 21 at Memminger Auditorium; about 750 were sold within the first 24 hours. The show, which premiered in September, was announced this week as finalist for the Pulitzer Prize for Drama.
With a $1.1 billion global box office and a certified-platinum soundtrack, Disney‘s Frozen is more that a blockbuster — it’s a pop-culture phenomenon. However, the folks at How It Should Have Ended found the animated film lacked a certain … something. Namely, an appearance by X-Men.
After all, where better than Xavier’s School for Gifted Youngsters for Elsa to learn more about her powers — and, of course, organize the joint faculty-student chorus?
This year’s Eisner Awards nominations were dominated by two publishers, Fantagraphics and Image Comics, with the former earning 18 and the latter 17 (plus three shared). To celebrate the occasion, Image is holding a 50 percent-off sale on digital editions of all 10 nominated titles, for a limited time. That means you’re getting single issues for just 99 cents each.
Whether you’ve fallen behind on some of the series or want to see what all the hubbub is about, now is pretty good time to check out East of West, Lazarus, The Manhattan Projects, Nowhere Men, Outlaw Territory, Pretty Deadly, Rat Queens, Saga, Sex Criminals and Zero.
Marvel Universe Live!, the upcoming multimillion-dollar arena tour show from Marvel and Feld Entertainment, is getting its own comic-book prequel. You have to buy tickets for the production to snag one, though.
The limited-edition one-shot, by Frank Tieri, Miguel Sepulveda and Jay David Ramos, with a cover by Mike McKone, is available for free to those in the continental United States who order tickets to the show between today and June 1.
DC Comics’ upcoming relaunch of Justice League of America was announced in August as Justice League Canada before it was changed in January to Justice League United. But with the arrival next month of Issue 1, the name will revert once more to Justice League Canada — if only on one cover.
Confused? Don’t be. As the Toronto Star reported over the weekend, the publisher will release a Canadian variant for the debut issue, featuring a recolored version of Mike McKone’s cover emblazoned with “Justice League Canada” (complete with maple leaf emblem). It will be available to all retailers.
Inspired by Skottie Young’s popular baby variant covers, artist Luigi Monaldi created the adorable “Indestructibles” — featuring pint-sized versions of the Invisible Woman, Incredible Hulk and Wolverine — for a “baby comics” contest on treddi.com. The details are pretty amazing (click on the image below to super-size it), from the Reed Richards doll in Lil’ Sue’s hand to the splintering floor beneath Hulk’s fist to the claw marks on the chalkboard.
Attention fans of Jock and Batman: On Wednesday the artist will debut a gorgeous screen print based on one of his splash pages from Batman: The Black Mirror, available for purchase from his website for just 48 hours.
The 24-inch by 36-inch screen print comes in two versions: black and white ($50), and purple ($65). The same panel was the basis for a statue in DC Collectibles’ Batman Black and White series.
Follow Jock on Twitter to find out when on Wednesday the prints go on sale.
“No idea has proven more damaging to the comics industry than the myth that its professionals — not just creators, but retailers, even distributors — work for love and not money. It’s a philosophy that has justified exploitation of creators and theft of intellectual property. It’s allowed the entire industry to pass the buck for its failures — from publishers to retailers, and retailers to — for decades. And it’s why the comics industry lingers in a frozen adolescence, clinging to a shrinking target audience like a sea captain railing at the storm — when the real problem is the rotting wood of his own hull.”
– Rachel Edidin, former Dark Horse editor turned freelance writer and editor, addressing reactions to Amazon’s announced purchase of comiXology for Wired.com