Kevin Melrose, Author at Robot 6 @ Comic Book Resources
If you’re a comics fan who happens to be in the Philadelphia area on Saturday, you’ll not want to miss the third annual Locust Moon Comics Festival.
Held from 10 a.m. to 6 p.m. at the The Rotunda in West Philadelphia (4014 Walnut St.), the event features an impressive guest list that includes Bill Sienkiewicz, Paul Pope, Denis Kitchen, J.G. Jones, Farel Dalrymple, Dave Bullock, Box Brown, Nathan Fox, Dean Haspiel, Rebecca Mock, Dave Bullock, Tom Scioli, José Villarrubia, Benjamin Marra and Ronald Wimberly.
Even if you didn’t make it to New York Comic Con, you can still view the pristine copy of Action Comics #1 that fetched a record $3.2 million at auction — every single page of it.
Certified Guaranty Company, which graded the copy 9.0, has a digital version of the entire issue, which contained not only the landmark 13-page story by Jerry Siegel and Joe Shuster that introduced Superman, but also 10 other tales. The debuts of Zatara and Tex Thompson have been overshadowed by the Man of Steel, and the rest of the contents — “Chuck Dawson,” “Sticky-Mitt Stimpson,” etc. — are now little more than footnotes, but they’re still of historical interest.
Also, if you want a general idea of what a 76-year-old comic worth $3.2 million actually looks like … let’s face it, this is probably your only chance. The viewer on the CGC website is actually pretty decent, too, allowing you to zoom in to read the text and study the art.
“There’s a loosening up, and this is kind of current, at both companies in terms of what each company considers a comic, which is a ridiculous thing to say, because a comic is basically what sells. That’s a good comic. Dick Giordano hated, hated, hated Lobo — hated the character, hated the book — hated him. But he understood that Lobo was a popular character, not his cup of tea, so he wasn’t constantly after me to change and conform to his way.
That was, for a while, the way comics were being run. If the editor didn’t like the direction a book was going, it didn’t matter how well it sold — they’d get in there and start pinching and tweaking and fucking it up. But lately — and I know this for a fact, I’ve talked to people who actually make these decisions — it’s loosening up. It’s really loosening up. They’re actually saying, ‘You know what? You’re always saying, “If I was left alone, I would do this and this and this. I’d make this book popular.” Fine. The shackles are off. Go.’
I love that. I absolutely love that. I think if you’re willing to go after it, I think comics are loosening up a little bit; the way they approach the market, the kind of stories they’re doing, the kind of characters they’re willing to put in their books. This is just, I’d say, within the last year that I’m feeling this. A couple of years before that — as soon as last year — they were pretty horrible.”
– Justice League 3000 writer Keith Giffen, identifying a relatively recent loosening of the creative reins by DC Comics, and by Marvel
Celeste cartoonist I.N.J. Culbard is adapting The King in Yellow, the 1895 short-story collection by Robert W. Chambers that received renewed attention this year because of the HBO crime drama True Detective.
Culbard revealed the cover for the 144-page graphic novel, set to be released in May by U.K. publisher SelfMadeHero.
Chambers’ collection of 10 supernatural tales takes its title from a fictional forbidden play mentioned in four stories that drives anyone who reads it to despair or madness. H.P. Lovecraft was influenced by The King in Yellow, and borrowed some of its elements for his own work.
Announced by Caleb Goellner, who recently joined the company from ComicsAlliance, the project is built around the rather fitting theme of “pressure/sensitivity,” with creator-owned stories by Meredith Gran, Ming Doyle, Giannis Milonogiannis and another artist to be announced. Ulises Farinas illustrated the cover.
The 32-page comic will be available for free online in January, with an eventual limited-edition print version teased.
The folks at How It Should Have Ended produce a lot of videos suggesting “fixes” for blockbusters ranging from Iron Man 3 to Frozen to Captain America: The Winter Soldier. But all of the scenes don’t necessarily make it into the final product, which brings us to this newly released “Bonus Bundle.”
“Often we write too many sketches when creating a HISHE and some scenes get left out,” they explain. “Sometimes they are cut because it didn’t fit the flow of the main video. Sometimes they are cut because they aren’t finished in time. Well rather than let them collect dust we bundled them all together in one collection so you can see those extra scenes that might have been.”
The announcement today that Greg Berlanti is developing a drama for Fox called Riverdale, is certainly big news, if not entirely unexpected, given some of Archie Comics’ recent ambitions. Written by Chief Creative Officer Roberto Aguirre-Sacasa, the series promises both the wholesome Riverdale readers have come to expect over the past seven decades and the “surrealistic twists of small-town life plus the darkness and weirdness bubbling beneath.”
But before this Riverdale, there was another that featured just that: Longtime readers may recall the 2011 parody trailer of the same name that perfectly lampooned both Archie Comics and the tropes of teen melodramas.
French manufacturer Orangina Schweppes has partnered with DC Entertainment to produce special cans for its Oasis fruit-drink brand featuring some of the publisher’s most iconic superheroes.
According to The Ephemerist, the promotion is tied to the 75th anniversary of Batman, here portrayed by Mangue Debol. He’s joined by Ramon Tafraise as The Flash, Fambougeoise as Wonder Woman and Orange Presslé as Superman. It’s worth noting that all four heroes seem to be wearing a variation of their New 52 costumes, which don’t often appear in licensing efforts.
You can see closeups at Geek Art.
Magnetic Press has announced Poet, a three-issue miniseries created by Blink-182 and Angels & Airwaves frontman Tom DeLonge.
Written by DeLonge and Ben Kull (Mission Hill, The Oblongs) and illustrated by Djet Stéphane, the sci-fi fantasy adventure debuts in the spring, serving as a prequel to the animated short Poet Anderson: The Dream Walker, which will receive wide release Dec. 9 alongside the new Angels & Airwaves album The Dream Walker. A full-length feature is also being developed.
Mondo is now accepting preorders for its first entry into collectible toys: Lil Mikey, a 9-inch vinyl figure based on Mike Mitchell‘s adorable illustration of Michelangelo of Teenage Mutant Ninja Turtles fame.
Mitchell, a Mondo regular who’s been featured several times on ROBOT 6, drew Lil Mikey as part of his “Just Like Us” series, which features round-headed, child-like versions of characters ranging from The Punisher and Kraven to Ron Swanson and Jeffrey “The Dude” Lebowski.
At the risk of ROBOT 6 turning into Excelsior! Home Journal, there is another followup to the Stan Lee real-estate story: It turns out that $3.75 million listing in the Hollywood Hills isn’t for the creator’s home, but instead for another lot he owns. In fact, there’s no longer even a house on it.
“I’m not selling my house. It’s just a piece of property we own,” Lee tells Los Angeles Magazine. “We tore it down, we were gonna rebuild and we decided to sell it instead, so it’s just a hunk of property that’s for sale.”
The photo above isn’t from a comic convention or even a new Apple release, but rather the debut over the weekend in Japan of the Jordan X Slam Dunk Collection. More than 300 people reportedly lined up to get their hands on the collaboration between Nike and manga artist Takehiko Inoue.
The collection includes the limited-edition Air Jordan VI ($250), Jordan Super.Fly 3 ($185), two T-shirts and a hat, all featuring Inoue’s artwork and other nods to the bestselling basketball manga (for instance, protagonist Hanamichi Sakuragi’s school and jersey number).
Jordan X Slam Dunk launches everywhere else in the world on Nov. 1.
When word surfaced Tuesday that Stan Lee has put his Hollywood Hills West home on the market for $3.75 million, some commenters began to speculate about the legendary writer’s finances. Of course, they’re not the first.
Asked earlier this year by Playboy whether he at least received “a Tony Star-like helicopter” from Disney’s $4 billion purchase of Marvel, the 91-year-old creator was quick to point out that he’s not as wealthy as some may think.
“My daughter was looking at the internet the other day and read that Stan Lee has an estimated $250 million,” Lee said. “I mean, that’s ridiculous! I don’t have $200 million. I don’t have $150 million. I don’t have $100 million or anywhere near that.”
As strange as Marvel’s recent teasers haven been, with offbeat remixes of events past, they’re nothing compared to the inter-company mashup captured Tuesday afternoon on Hollywood Boulevard.
CBS Los Angeles reports that the Hollywood Walk of Fame, long a hotbed for costumed mayhem, erupted about 5 p.m. as Batgirl struggled with Mr. Incredible in a brawl that drew in a colorful cast of characters. Reporter Suzanne Marques offers play-by-play of the video, shot by a production company that happened to be working nearby:
If you watch DC Entertainment’s promotional web series DC All Access, you’ve likely thought either “Wow, I’d love to get that kind of access” or “I can do better than that.” Whichever the case, you may now get your shot.
DC has announced a social media-driven contest to find a new co-host to join Tiffany Smith on the year-old show, beginning in 2015. (Farewell, Blair Herter?) Here’s what you have to do: