Spider-Man 1602 #2

I've written a good deal at Robot 6 and elsewhere about comic-book cover art and design, but, unfortunately (for me at least), not so much in recent months. I hope "Comics, Covered" will remedy that, as each Saturday I select the six best covers -- the most striking, the most successfully executed, the most intriguing -- to grace the shelves that week.

This week's list is filled with three comics from Marvel, one from Image, one from DC's Wildstorm imprint and one that's technically not a comic at all.

To find out what made the cut, read on.

The Amazing Spider-Man #612, by Marko Djurdjevic

Spider-Man Loves Mary Jane aside, I'm not sure I could tell you when I last bought a Spider-Man comic, or even which one it was. But Marko Djurdjevic's stunning cover for The Amazing Spider-Man #612 would call to me from the store shelf; I'd be compelled to buy it. The close-up of Spider-Man's mask doubles as an ominous blood-red sky, disrupted by a lightning bolt striking the Empire State Building. Even without the logo in the upper-left corner or the reflection in the mask's eye we know the story involves the classic supervillain Electro, whom I presume has become more deadly since ditching the goofy mask.

Underground #3, by Steve Lieber

For the covers of Underground, the Image Comics miniseries set in and around a cave in Kentucky, artist Steve Lieber smartly has been toying with negative space. But it's not until this third issue that he's really nailed it, using a mass of flying bats to form a background against which he sets the silhouette of protagonist Wesley Fischer. I also like that not all of the bats are in black, providing another layer of detail.

Nomad: Girl Without a World, by Rafael Albuquerque

Artist Rafael Albuquerque set out limiting himself to the colors of the American flag for this unlikely miniseries about the female Bucky from Marvel's mid-'90s Heroes Reborn experiment. Like Steve Lieber with Underground, I think Albuquerque finally hits upon the right combination of composition, color and subject in the third issue: There's drama, white space, and a pop-art element that can be viewed as a reference both to Captain America's shield and to Jim Steranko's legendary cover for Nick Fury, Agent of SHIELD #4. (Oh, okay, the red circles could just be a simple target, or comic-book shorthand for a telepathic attack. But I like my idea better.)

The Fir-Tree, by Lilli Carre

I find it difficult not to smile whenever I see Lilli Carre's art, even when it's for an adaptation of Hans Christian Andersen's depressing Christmas-themed fairy tale The Fir-Tree. There's something about her illustrations that reminds me of children's books from the 1940s and '50s -- the ones my grandmother shared with me when I was young. I love Carre's use of elongated, rubbery arms and her choice of this delightfully macabre scene for the cover (Andersen's story is told from the perspective of the little fir-tree, so his felling signals the beginning of his slow demise).

Spider-Man 1602 #2, by Michael Golden

Michael Golden crams (by my count) 20 figures into this illustration, giving the cover a sense of excitement and urgency. The artist masterfully drives the reader's eye to the lower-right corner, where young Peter Parquagh, at the mercy of these ruthless pirates, dangles precariously close to the water. I also like how the logo blends the familiar Spider-Man font and the "1602" wax seal.

Victorian Undead #1, by Tony Moore

Say what you will about the popularity of zombie fiction and the recent spate of genre mash-ups, but you can't deny that Tony Moore can draw the heck out of the undead. What's more, he can convey the high concept: With the deerstalker, the cloak and the pipe, there's little doubt that we're looking at the cheerful corpse of Sherlock Holmes. Unfortunately, however, someone at Wildstorm apparently wasn't content to allow the illustration to sell the first issue of Victorian Undead. So a Victorian-style font is paired with cliche horror scrawl and topped with blood splatter. And if that weren't enough, we're hit over the head with a B-movie poster burst shouting "Sherlock Holmes vs Zombies!"

It's a shame, too, because all of that clutter obscures the lovely period wallpaper and works against a wry and, despite all of the maggots and worms, understated illustration: Our decaying detective, seemingly oblivious to his state, could easily be sitting for a portrait. It might've been nice for the cover designer to have played it straight with the cover dress, avoiding the stereotypical horror trappings altogether. (In a case of perfect timing, Colleen AF Venable just addressed Victorian-inspired design on the First Second blog.)

Green Arrow: Year One

Internet | A website called the Home of the Green Arrow, which supports the far-right British National Party in its "fight to secure a future for the indigenous peoples of these islands in the North Atlantic which have been our homeland for millennia," has co-opted Jock's art from the DC Comics miniseries Green Arrow: Year One for its banner. "This is leaving a horrible taste in my mouth," the artist wrote this morning on Twitter. He has contacted DC's legal department. [Jock's Twitter feed]

Art | Frank Frazetta's original cover painting for the 1967 Lancer paperback edition of Conan the Conqueror sold at auction last week for a reported $1 million. That's nearly four times the previous record price for the artist's work -- $251,000 -- paid in 2008 for the cover to Edgar Rice Burroughs' Escape on Venus. [Spectrum Fantastic Art, via Sci Fi Wire]

The Greatest 1950s Stories Ever Told

Art | As of Thursday morning, bids on the 18 pieces of original art by Joe Kubert had reached $30,000. The auction, held by Heritage Auction Galleries, opens to the public today. [Daily Record]

Awards | Mike Keefe, editorial cartoonist for the Denver Post, has won the 2009 Berryman Award for Editorial Cartooning. [The Daily Cartoonist]

Publishing | Dark Horse Assistant Editor Brendan Wright discusses one of the perks of his job: seeing the doodles and character designs that Stan Sakai occasionally leaves on the back of his Usagi Yojimbo art boards. [The Wright Opinion]

Publishing | Lauren Davis takes a look at celebrities who dip their toes into the comic-book pool. [io9.com]

Retailing | "Superheroes saving comic book stores from recession." Yeah. [Daily Camera]

Creators | Phil Hester talks about his career and his new BOOM! Studios series The Anchor, and offers some advice to young writers and artists. [Surfing the Bleed]

From "Spandex" #1

Creators | Scott Thill interviews Martin Eden, creator of the gay-superteam comic Spandex, which earlier this week had been heralded as presenting "the first gay superheroes." “Let’s not kid ourselves,” Eden said. “Spandex aren’t the first-ever gay superheroes. At the moment, for instance, you’ve got a lesbian Batwoman, a lesbian Question, Rictor and Shatterstar in X-Factor, and there’s been Apollo and Midnighter in the Authority, who were gay versions of Superman and Batman. There are probably a few more, but not many. I mean, I was thinking of pitching a gay series to Marvel a while ago, but could barely think of any gay characters they had, which surprised me.”

Blogosphere | Tucker Stone delivers a special, positive edition of "Advanced Common Sense": "That's what being a hero is all about -- is that sometimes you have to take out a baby." [The Factual Opinion]

AOL

AOL, which has been described as an albatross around the neck of DC Comics parent company Time Warner, plans to shed more than a third of its workforce as it spins off from the media giant next month.

Although earlier speculation placed layoffs at about 1,000, the struggling Internet company announced this morning that it will ask 2,500 of its 6,900 employees to accept buyouts. If it can't find enough volunteers, AOL will resort to layoffs. The announcement, part of an effort to cut $300 million in annual costs, comes a little more than a week after 100 layoffs.

Founded in 1983 as Quantum Computer Services, AOL at one point boasted 30 million subscribers, a number that shrank considerably after its 2001 merger with Time Warner -- a disastrous deal that resulted in a record $99-billion loss for the (briefly) rebranded AOL Time Warner and the removal of Steve Case as chairman.

AOL, which The Associated Press points out still makes money, counts among its operations the comics blog Comics Alliance, the tech blog Engadget, the video-game blog Joystiq and, in partnership with Time Warner's Telepictures Productions, the high-profile celebrity-news site TMZ.com.

On Tuesday the beleaguered website, which for the past six years had indexed torrents to facilitate often-illegal file-sharing, pulled the plug on its tracker -- something operators say is no longer needed because of advances in peer-to-peer technology.

However, Wired.com's Threat Level blog reports the Motion Picture Association, which lobbies for Hollywood overseas, claims The Pirate Bay tracker is simply operating under a new name: OpenBitTorrent, a site originally registered to Pirate Bay co-founder Fredrik Neij. (A commenter on Robot 6 pointed out the connection last month.)

For its part, OpenBitTorrent denies that it's The Pirate Bay tracker, with a message on the website chalking up the confusion, in part, to the two using the same hosting company at one point.

The MPA isn't buying that explanation, and has gone to court to force OpenBitTorrent's current Internet host to stop servicing the site.

Black Dossier

Libraries | The library board in Jessamine County, Kentucky, heard public comment last night about acquisition and borrowing policies and the recent firings of two employees who kept a copy of The League of Extraordinary Gentlemen: Black Dossier out of circulation. The hourlong meeting was marked by shouting, crying and the presentation of petitions, including one that called for the removal of two books and two DVDs -- Black Dossier among them -- from county library shelves. No action was taken by the board. [Lexington Herald-Leader]

Awards | A controversy emerged just a day before the National Book Awards ceremony as author/blogger Janice Harayda suggested that Kathi Appelt, a judge in the Young People''s category, should recuse herself because finalist David Small had illustrated her novel. In her response Appelt was cryptic, at best, saying that as committee deliberations are private, "I or any other judge might well have excused ourselves from voting on any particular book, if conflict of interest were an issue.” In the end, Small's celebrated graphic memoir Stiches didn't win last night; Phillip Hoose's Claudette Colvin: Twice Toward Justice did. [ArtsBeat, Jacket Copy]

IDW storefront

Publishing | IDW Publishing has launched a digital-storefront application for iPhone and iPod that now features 10 free comics and more than 200 for purchase. Titles will be added regularly. [IDW Publishing]

Publishing | SLG Publishing is holding a "pre-holiday recession sale" through Monday, during which time all items online are offered at a 40-percent discount: "The economy tanking combined with some bits of bad luck has taken it's toll on our small company. We're finding ourselves in a bit of a jam due to some things that are beyond our control. ... Since we are not a bank or a car company we aren't going to get any bailout money from any source other than our loyal fans." Cartoonist Evan Dorkin has more. [SLG Publishing]

Publishing | Speaking of SLG, cartoonist Andy Ristaino writes that low pre-orders for Escape From Dullsville could mean the collection of his seven-issue Life of a Fetus won't see print. [Livejournal]

The Phoenix Requiem

Webcomics | Robot 6 contributor Brigid Alverson spotlights a selection of science fiction and fantasy titles for teens. [School Library Journal]

Manga | Kami no Shizuku ("Drops of God"): Savior of wineries the world over. [Kyodo News]

Comics | This article looks at how "recession-proof" comics -- POW! SPLAT! -- "seem to flower during periods of economic stress." Sigh. [DailyFinance]

Creators | Eddie Campbell chats briefly about Alec: The Years Have Pants, autobiographical comics and what recent releases have interested him. [Speakeasy]

Fables: The Deluxe Edition

Creators | Ron Hogan posts a three-part interview with Bill Willingham in which the writer discusses the popularity of the Fables franchise, the state of the industry, politics in comics, Justice Society of America and his fondness for the character Obsidian. It's a solid interview; go read it. [Graphic Novel Reporter]

Creators | Artist Danijel Zezelj talks about process, influences and working with writers like Brian Azzarello, Jason Aaron and Brian Wood: "Some scriptwriters use more descriptions, some less. For instance, Brian Azzarello, his scenarios are almost exclusively dialogues. ... He uses very little descriptions, more like description of the situation, where and what happens, but practically everything else is left to the drawer. But he can do this, because Brian Azzarello is a big master of dialogue. Basically, through dialogues the characters are being formed. I like the most those kinds of scenarios, because in such cases you have completely opened space for composing images and layouts. I have a lot more freedom within that form." [Personal Cyber Botanica]

Established in November 2003 in Sweden, The Pirate Bay tracked and indexed torrents, allowing users to search for and download comics, music, video games and movies uploaded (often illegally) by others. Within five years the site announced it had reached more than 25 million users.

But with new peer-to-peer technology like Distributed Hash Table (DHT) and Peer Exchange (PEX), users to longer need to access a central server to find the files they're looking for.

“Now that the decentralized system for finding peers is so well developed, TPB has decided that there is no need to run a tracker anymore, so it will remain down!” operators wrote Tuesday on The Pirate Bay's blog. “It’s the end of an era.”

However, it's hardly the end of The Pirate Bay story.

While the tracker is gone, the site will continue to index torrents. Then there's the matter of the four Pirate Bay founders, who still face a year in prison and a combined $4.4 million in damages to movie studios and record labels for facilitating copyright infringement.

And in a delightfully absurd aside, Wired.com's Threat Level blog reports that Pirate Bay co-founder Peter Sunde has objected to a plan by a Swedish retailer to register the site's iconic sailing-ship logo -- it's been adrift in the public domain since its creation -- and use it to sell USB drives.

Yes, he intended to pirate the pirates. And the pirate didn't like it one bit.

After Sunde complained to Sweden’s Patent and Registration Office, the retailer withdrew his registration.

Mickey Mouse and Alan Moore

This is probably the only day of the year you'll see those two names together in a headline.

Today marks the 56th birthday of the writer of Watchmen, V for Vendetta, Swamp Thing, From Hell and countless other influential and entertaining comics. It's also the 81st anniversary of the release of the animated short Steamboat Willie, and the date The Walt Disney Company celebrates as Mickey's birthday (despite his actual first appearance in Plane Crazy some six months earlier).

Nicolas Cage in "Ghost Rider"

Remember back in 2002 when actor Nicolas Cage auctioned off his comic collection for a cool $1.6 million but never said why? Well, now we may know.

Last month the star of Ghost Rider and the upcoming Kick-Ass sued his former business manager for $20 million, blaming him for financial problems that include more than $6 million in tax liens. However, in a countersuit filed last week, Samuel J. Levin claims that by the time the actor hired him in 2001 Cage "had already squandered tens of millions of dollars he had earned as a movie star."

Levin asserts that he advised Cage he would need to earn more than $30 million to maintain his lifestyle, and persuaded him to sell a dozen automobiles and his comic-book collection, which included copies of Action Comics #1, Detective Comics #1 and All-Star Comics #3.

But by the time Ghost Rider was released in 2007, Cage reportedly had fallen back into his old habits: Levin contends that in that year alone the actor purchased three homes worth more than $33 million, 22 cars, 12 pieces of expensive jewelry and 47 pieces of artwork. Within a year, Cage's tally of homes had reached 15. He also owned an island in the Bahamas, four yachts and a Gulfstream jet.

No wonder he's so eager for another Ghost Rider movie.

Weekly Astro Boy Magazine

Publishing | Tezuka Productions and D-Arc Inc. has launched Weekly Astro Boy Magazine, a service that delivers manga by Osamu Tezuka to iPhones and iPods in the United States. Announced last month, it's the first English-language manga service for mobile devices.

If I'm reading the site correctly, the premier "edition" of Weekly Astro Boy Magazine offers the first volume of Astro Boy for free. Subsequent volumes of that title, and other Tezuka classics like Phoenix, Dororo, Black Jack and Buddha, cost 99 cents each, and are available in weekly installments. [Weekly Astro Boy Magazine]

Education | Ryan Sohmer and Lar deSouza, creators of the webcomic Least I Could Do, have established The Rayne Summers Webcomic Scholarship at The Center for Cartoon Studies in Vermont. Named for the protagonist of their nearly seven-year-old comic, the scholarship will cover tuition for one student each year who is working toward a career in webcomics. [Least I Could Do, via The Daily Cartoonist]

Eisner Awards

Awards | The judges have been named for the 2010 Eisner Awards: Craig Fischer, associate professor of English at Appalachian State University and comics critic; Francisca Goldsmith, director of branch services at the Halifax Public Libraries, Nova Scotia, and author of The Readers' Advisory Guide to Graphic Novels; John Hogan, editor of Graphic Novel Reporter; James Hudnall, comics writer and publisher; and Wayne Winsett, owner of Time Warp Comics and Games in Boulder, Colorado. [Comic-Con]

Awards | Neil Gaiman has been awarded the Booktrust Teenage Prize for his novel The Graveyard Book. The award was established in 2003 to celebrate contemporary fiction in the UK written for teenagers. [Booktrust Children's Books]

Publishing | Publishers Weekly profiles five-year-old publisher Dynamite Entertainment, focusing on successes like The Lone Ranger and The Boys, and touching upon the risks associated with licensed properties. [PW Comics Week]

Hagar the Horrible: The Epic Chronicles

Publishing | Titan's Hägar collection pillages Seth's design for The Complete Peanuts. [FLOG! Blog]

Graphic novels | George Gene Gustines spotlights 11 graphic novels as part of The New York Times' holiday gift guide -- among them, The Wonderful Wizard of Oz, Bloom County: The Complete Library, and Criminal. [The New York Times]

Creators | Colleen Mondor chats with Jim Ottaviani about his latest graphic novel T-Minus. [Chasing Ray]

Creators | Author Kevin Baker discusses his Vertigo graphic novel Luna Park on NPR's Talk of the Nation. You can listen to the interview, or read the transcript. [NPR]

Creators | Brian Heater wraps up his three-part interview with Neil Swaab. [The Daily Cross Hatch]

Creators | Andi Ewington answers five questions about his graphic novel Forty-Five. [ArtPatient]

Comics | Graeme McMillan looks at seven superhero stories that are simply "too big for movies." [io9.com]

Blue Bloods: Masquerade

Publishing | Italian movie producer Domenico Procacci has purchased Bologna-based graphic novel publisher Coconino Press, adding it to his Fandango filmmaking and book-publishing company. In addition to its own titles, Coconino publishes the Italian editions of works by such artists as Charles Burns, Daniel Clowes, and Garon Tsuchiya and Nobuaki Minegishi. [Variety]

Publishing | Young-adult novelist Melissa de la Cruz has signed new contracts with Hyperion, the Disney Book Group imprint that publishes her bestselling Blue Bloods series. The deal calls for three companion books to the teen-vampire drama, including Blue Bloods: The Graphic Novel. [Variety]

The Last Unicorn

Publishing | IDW Publishing will adapt Peter Beagle's bestselling 1968 fantasy novel The Last Unicorn as a six-issue miniseries. The comic, by writer Peter B. Gillis, artist Renae De Liz and colorist Ray Dillon, will debut in April. [ICv2.com]

Publishing | Simon Jones offers commentary about declining manga sales in Japan: "Some blame was again placed at the industry’s increasing focus on niche genres (just as comics is a spandex ghetto, manga is facing a crisis of the moe slum), but I think this is being overstated as a cause, when it’s really a symptom that is self-feeding.  Manga sales have gone down … it could be lower birth rates, or competition from other media, or internet piracy (come on guys, we don’t need to couch this in flowery language), or any combination of those.  But it all comes down to fewer companies being able to produce mainstream products, because a growing segment of mainstream audiences are no longer willing to pay for them despite increasing demand." [Icarus Publishing]

Publishing | Micha Hershman, former graphic-novel buyer and marketing executive with Borders Group, has joined Dark Horse as the company's senior director of marketing. [press release]

AOL

Business | Time Warner has set Dec. 9 as the date to complete its separation with AOL, ending one of the worst media deals of the decade. The spinoff, which comes just shy of 10 years after the merger, is expected to be followed by massive layoffs at AOL. [Variety]

Legal | Again? The heirs of Stephen Slesinger, the man who in 1931 signed a licensing deal with Winnie-the-Pooh creator AA Milne, are again taking Disney to court, this time over accusations of unpaid royalties. The moves comes on the heels of a judge's September ruling that confirmed Disney as the rights holder. [BBC News, via The Daily Cartoonist]

Retailing | Industry veteran KC Carlson takes a lengthy look at the early days of the direct-market system. [Westfield Comics]

Retailing | Did you know that Ryan Sohmer, co-creator of the webcomic Least I Could Do, opened his own comic store about a month ago in Pointe-Claire, Quebec? [The Chronicle]

Retailing | A comic-book store also has turned up in Old Bridge, New Jersey. CJ Comics will have its grand opening on Nov. 21. [MyCentralJersey]

Gunnerkrigg Court

Webcomics | El Santo compiles his list of the 10 best webcomics of the decade, including Hark! A Vagrant, Gunnerkrigg Court and High Moon. [The Webcomic Overlook]

Comics | At least once a year a newspaper in the U.K. declares one character or another "the first gay superhero." This time it's a gay super-team/comic named Spandex. [The Sun]

Comics | John Geddes spotlights Alien Legion, the early-'80s Epic Comics series whose Dark Horse ominbus edition hits stores this week. [USA Today]

Creators | George Gene Gustines profiles the legendary Joe Kubert, who's permitting "a large trove" of his original art to be auctioned on Friday. [The New York Times]

Creators | Robert Kirkman discusses his first exposure to Image Comics, the history of the company, becoming a partner, and writing Image United. [Techland]

Creators | Brian Heater continues a multi-part interview with Jerry Moriarty. [The Daily Cross Hatch]

Comics | Brandon Thomas launches a multi-part examination of the Morrison-Era New X-Men and Whedon/Cassaday-Era Astonishing X-Men. [Fiction House]