Kevin Melrose, Author at Robot 6 @ Comic Book Resources - Page 2 of 337
Sideshow Collectibles, best known for its premium figures, has expanded into limited-edition art prints featuring Marvel and DC Comics properties, and its own Court of the Dead.
Its Premium Art Print line debuts with Gotham Sirens: Poison Ivy by Stanley “Artgerm” Lau, Spider-Woman by Scott Forbes, and Kier: Call of the Forsaken Valkyrie by David Palumbo, with upcoming work promised from the likes of Ariel Olivetti, Kris Anka and Fabian Schlaga.
Priced at $79.99, each 18-inch by 24-inch print is hand-numbered, and includes a penciled artist signature and embossed seal of authenticity.
First Second has provided ROBOT 6 with the first look at the cover for Last Man: The Chase, the third volume of the martial-arts fantasy by Bastien Vivès, Balak and Michael Sanlaville.
Originally published by Casterman, Last Man is an homage to American pop culture that centers on Richard Aldana, a cigarette-smoking, leather jacket-wearing stranger who enrolls in the gladiatorial-style games of a medieval fantasy world, but insists on relying on his martial-arts skills rather than magic.
First Second will begin releasing Last Man in March with The Stranger, followed in June by The Royal Cup and in October by The Chase. The remaining volumes will be published in 2016.
When The Walking Dead star Danai Gurira appeared last week on Live! with Kelly and Michael, the took a couple of minutes to show the co-hosts the finer points of zombie-killing, Michonne-style.
During a commercial break, the actress impressed the audience by demonstrating with a wooden katana how to slice a zombie in half. But then she was given a real blade. “I feel like I’m cheating on my girl here,” Gurira said, referring to her sword from the AMC drama.
Michonne, who had been without her signature weapon for a couple of episodes of the series, was reunited with it last night. Watch the video of her Live! appearance below.
More than 15,000 pieces of Batman memorabilia, from vintage model kits to 1980s action figures to kites, will go up for auction Tuesday in Manchester, England.
It’s the collection amassed over the course of 25 years by Steven Matthews, a 57-year-old hairdresser who acknowledges his interest in the Caped Crusader “quickly became an obsession.”
Like a particularly stubborn zombie, there’s a Walking Dead fan theory that simply refuses to die: The events of the bestselling comic and hit television series all take place in the mind of Rick Grimes, who never awoke from his coma.
It staggers to life every so often on a message board, or in a YouTube video, before disappearing, Sophia-like, into the wilderness of the Internet. However, when the theory reemerged last week, with the help of Uproxx, Walking Dead creator Robert Kirkman was on hand to strike a killing blow to the head.
If you’re a comics fan who happens to be in the Philadelphia area on Saturday, you’ll not want to miss the third annual Locust Moon Comics Festival.
Held from 10 a.m. to 6 p.m. at the The Rotunda in West Philadelphia (4014 Walnut St.), the event features an impressive guest list that includes Bill Sienkiewicz, Paul Pope, Denis Kitchen, J.G. Jones, Farel Dalrymple, Dave Bullock, Box Brown, Nathan Fox, Dean Haspiel, Rebecca Mock, Dave Bullock, Tom Scioli, José Villarrubia, Benjamin Marra and Ronald Wimberly.
Even if you didn’t make it to New York Comic Con, you can still view the pristine copy of Action Comics #1 that fetched a record $3.2 million at auction — every single page of it.
Certified Guaranty Company, which graded the copy 9.0, has a digital version of the entire issue, which contained not only the landmark 13-page story by Jerry Siegel and Joe Shuster that introduced Superman, but also 10 other tales. The debuts of Zatara and Tex Thompson have been overshadowed by the Man of Steel, and the rest of the contents — “Chuck Dawson,” “Sticky-Mitt Stimpson,” etc. — are now little more than footnotes, but they’re still of historical interest.
Also, if you want a general idea of what a 76-year-old comic worth $3.2 million actually looks like … let’s face it, this is probably your only chance. The viewer on the CGC website is actually pretty decent, too, allowing you to zoom in to read the text and study the art.
“There’s a loosening up, and this is kind of current, at both companies in terms of what each company considers a comic, which is a ridiculous thing to say, because a comic is basically what sells. That’s a good comic. Dick Giordano hated, hated, hated Lobo — hated the character, hated the book — hated him. But he understood that Lobo was a popular character, not his cup of tea, so he wasn’t constantly after me to change and conform to his way.
That was, for a while, the way comics were being run. If the editor didn’t like the direction a book was going, it didn’t matter how well it sold — they’d get in there and start pinching and tweaking and fucking it up. But lately — and I know this for a fact, I’ve talked to people who actually make these decisions — it’s loosening up. It’s really loosening up. They’re actually saying, ‘You know what? You’re always saying, “If I was left alone, I would do this and this and this. I’d make this book popular.” Fine. The shackles are off. Go.’
I love that. I absolutely love that. I think if you’re willing to go after it, I think comics are loosening up a little bit; the way they approach the market, the kind of stories they’re doing, the kind of characters they’re willing to put in their books. This is just, I’d say, within the last year that I’m feeling this. A couple of years before that — as soon as last year — they were pretty horrible.”
– Justice League 3000 writer Keith Giffen, identifying a relatively recent loosening of the creative reins by DC Comics, and by Marvel
Celeste cartoonist I.N.J. Culbard is adapting The King in Yellow, the 1895 short-story collection by Robert W. Chambers that received renewed attention this year because of the HBO crime drama True Detective.
Culbard revealed the cover for the 144-page graphic novel, set to be released in May by U.K. publisher SelfMadeHero.
Chambers’ collection of 10 supernatural tales takes its title from a fictional forbidden play mentioned in four stories that drives anyone who reads it to despair or madness. H.P. Lovecraft was influenced by The King in Yellow, and borrowed some of its elements for his own work.
Announced by Caleb Goellner, who recently joined the company from ComicsAlliance, the project is built around the rather fitting theme of “pressure/sensitivity,” with creator-owned stories by Meredith Gran, Ming Doyle, Giannis Milonogiannis and another artist to be announced. Ulises Farinas illustrated the cover.
The 32-page comic will be available for free online in January, with an eventual limited-edition print version teased.
The folks at How It Should Have Ended produce a lot of videos suggesting “fixes” for blockbusters ranging from Iron Man 3 to Frozen to Captain America: The Winter Soldier. But all of the scenes don’t necessarily make it into the final product, which brings us to this newly released “Bonus Bundle.”
“Often we write too many sketches when creating a HISHE and some scenes get left out,” they explain. “Sometimes they are cut because it didn’t fit the flow of the main video. Sometimes they are cut because they aren’t finished in time. Well rather than let them collect dust we bundled them all together in one collection so you can see those extra scenes that might have been.”
The announcement today that Greg Berlanti is developing a drama for Fox called Riverdale, is certainly big news, if not entirely unexpected, given some of Archie Comics’ recent ambitions. Written by Chief Creative Officer Roberto Aguirre-Sacasa, the series promises both the wholesome Riverdale readers have come to expect over the past seven decades and the “surrealistic twists of small-town life plus the darkness and weirdness bubbling beneath.”
But before this Riverdale, there was another that featured just that: Longtime readers may recall the 2011 parody trailer of the same name that perfectly lampooned both Archie Comics and the tropes of teen melodramas.
French manufacturer Orangina Schweppes has partnered with DC Entertainment to produce special cans for its Oasis fruit-drink brand featuring some of the publisher’s most iconic superheroes.
According to The Ephemerist, the promotion is tied to the 75th anniversary of Batman, here portrayed by Mangue Debol. He’s joined by Ramon Tafraise as The Flash, Fambougeoise as Wonder Woman and Orange Presslé as Superman. It’s worth noting that all four heroes seem to be wearing a variation of their New 52 costumes, which don’t often appear in licensing efforts.
You can see closeups at Geek Art.
Magnetic Press has announced Poet, a three-issue miniseries created by Blink-182 and Angels & Airwaves frontman Tom DeLonge.
Written by DeLonge and Ben Kull (Mission Hill, The Oblongs) and illustrated by Djet Stéphane, the sci-fi fantasy adventure debuts in the spring, serving as a prequel to the animated short Poet Anderson: The Dream Walker, which will receive wide release Dec. 9 alongside the new Angels & Airwaves album The Dream Walker. A full-length feature is also being developed.
Mondo is now accepting preorders for its first entry into collectible toys: Lil Mikey, a 9-inch vinyl figure based on Mike Mitchell‘s adorable illustration of Michelangelo of Teenage Mutant Ninja Turtles fame.
Mitchell, a Mondo regular who’s been featured several times on ROBOT 6, drew Lil Mikey as part of his “Just Like Us” series, which features round-headed, child-like versions of characters ranging from The Punisher and Kraven to Ron Swanson and Jeffrey “The Dude” Lebowski.