Kevin Melrose, Author at Robot 6 @ Comic Book Resources - Page 2 of 291
DC Comics’ upcoming relaunch of Justice League of America was announced in August as Justice League Canada before it was changed in January to Justice League United. But with the arrival next month of Issue 1, the name will revert once more to Justice League Canada — if only on one cover.
Confused? Don’t be. As the Toronto Star reported over the weekend, the publisher will release a Canadian variant for the debut issue, featuring a recolored version of Mike McKone’s cover emblazoned with “Justice League Canada” (complete with maple leaf emblem). It will be available to all retailers.
Inspired by Skottie Young’s popular baby variant covers, artist Luigi Monaldi created the adorable “Indestructibles” — featuring pint-sized versions of the Invisible Woman, Incredible Hulk and Wolverine — for a “baby comics” contest on treddi.com. The details are pretty amazing (click on the image below to super-size it), from the Reed Richards doll in Lil’ Sue’s hand to the splintering floor beneath Hulk’s fist to the claw marks on the chalkboard.
Attention fans of Jock and Batman: On Wednesday the artist will debut a gorgeous screen print based on one of his splash pages from Batman: The Black Mirror, available for purchase from his website for just 48 hours.
The 24-inch by 36-inch screen print comes in two versions: black and white ($50), and purple ($65). The same panel was the basis for a statue in DC Collectibles’ Batman Black and White series.
Follow Jock on Twitter to find out when on Wednesday the prints go on sale.
“No idea has proven more damaging to the comics industry than the myth that its professionals — not just creators, but retailers, even distributors — work for love and not money. It’s a philosophy that has justified exploitation of creators and theft of intellectual property. It’s allowed the entire industry to pass the buck for its failures — from publishers to retailers, and retailers to — for decades. And it’s why the comics industry lingers in a frozen adolescence, clinging to a shrinking target audience like a sea captain railing at the storm — when the real problem is the rotting wood of his own hull.”
– Rachel Edidin, former Dark Horse editor turned freelance writer and editor, addressing reactions to Amazon’s announced purchase of comiXology for Wired.com
WB Games has added yet another champion to the roster of Infinite Crisis, Turbine’s free-to-play multiplayer online battle arena game: Jaime Reyes, the Blue Beetle.
Beginning April 30, Beta testers will be able to play as the fan-favorite character, who in the game world wandered into a dispute between warring superhuman gang and stumbled upon the object they were fighting over: a blue scarab. It, of course, bonded to Jaime, covering his body with battle armor, allowing him to flee to safety. After his escape he learned that while the armor wasn’t permanent, his bond with the scarab is. Check out the Blue Beetle trailer and screenshots below.
For two months this winter many of us were swept up in HBO’s True Detective and the serpentine search by detectives Rust Cohle and Marty Hart not only for a serial killer but also for the meaning of life and the nature of good and evil. And while not everyone was satisfied with the ending, most of us remain enthralled with the writing of Nic Pizzolatto and the existential nihilism of Matthew McConaughey’s character.
And now we can experience both again, in a decidedly different form, with Time Is A Flat Circus, which combines dialogue from the crime drama with panels from the long-running comic The Family Circus. It’s as terrific as you imagine.
With Tom Cruise poised to battle aliens (again and again and again) in Edge of Tomorrow, Viz Media has announced the May 5 release of the graphic novel adaptation of the book that inspired the sci-fi action film.
Written by Hiroshi Sakurazaka and illustrated by alt-manga artist Yoshitoshi ABe, All You Need Is Kill is a 2004 light novel about a new recruit to the United Defense Force who’s killed in his first fight against Earth’s mysterious invaders — only to find himself caught in a time loop: He wakes up the day before that fateful battle, only to die and be resurrected time and again.
Adapted by sci-fi author Nick Mamatas and comic artist Lee Ferguson (Green Arrow, Miranda Mercury), the graphic novel will be available in print for $14.99 or digitally across multiple platforms for $8.99.
On April 29, Viz will also release a new movie tie-in edition of Sakurazaka’s light novel, which in 2009 launched the publisher’s Haikasoru imprint, with a new title (Edge of Tomorrow) and a covering bearing the poster of stars Cruise and Emily Blunt. It’s priced at $7.99.
Timed to coincide with the lunar eclipse, DC Comics last night released a teaser image for its new weekly series that promises, “When Futures End … the Blood Moon Shall Rise!”
Launching with a zero issue on May 3 as part of Free Comic Book Day, Futures End propels the New 52 storylines ahead five years for an exploration of the nature of heroism as well the past, present and, yes, future of the DC Universe. The series is written by Brian Azzarello, Keith Giffen, Dan Jurgens and Jeff Lemire, with a roster of artists that includes Ryan Sook, Ethan Van Sciver, Jesus Merino, Aaron Lopresti, Jurgens and Giffen.
“When I first got this role I just cried like a baby because I was like, ‘Wow, next Halloween, I’m gonna open the door and there’s gonna be a little kid dressed as the Falcon.’ That’s the thing that always gets me. I feel like everybody deserves that. I feel like there should be a Latino superhero. Scarlett does great representation for all the other girls, but there should be a Wonder Woman movie. I don’t care if they make 20 bucks, if there’s a movie you’re gonna lose money on, make it Wonder Woman. You know what I mean, ’cause little girls deserve that. There’s so many of these little people out here doing awful things for money in the world of being famous. And little girls see that. They should have the opposite spectrum of that to look up to.”
– Captain America: The Winter Soldier star Anthony Mackie, discussing playing the Falcon, and the need for more representation of women and minorities in superhero movies
Bone, Jeff Smith’s critically acclaimed fantasy adventure about three cousins swept up in epic populated by dragons, rat creatures and evil forces, was among the books most frequently challenged last year in schools and libraries.
The news comes from the American Library Association’s Office for Intellectual Freedom, which has released its annual Top 10 List of Frequently Challenged Books as part of National Library Week. In 2013, the organization received 307 reports on attempts to remove or restrict materials from library bookshelves and school curricula across the United States. That’s down from 464 official challenges in 2012.
Bone came in at No. 10 on the list, which was led once again by Dav Pilkey’s Captain Underpants series and populated by the likes of Suzanne Collins’ The Hunger Games, Toni Morrison’s The Bluest Eyes and Stephen Chbosky’s The Perks of Being a Wallflower (see the full rundown below). The last comic to make the list was Kim Dong Hwa’s The Color of Earth in 2011.
The ALA’s 2014 State of American Libraries Report doesn’t cite specific challenges to Bone or reveal how many there have been, but it does offer broad reasons for the objections: “political viewpoint, racism, violence.”
Although the challenges last year apparently failed to attract media attention, there was a good deal of coverage of complaint filed in 2010 by a parent in suburban Minneapolis-St. Paul, Minnesota, objecting to the depictions of drinking, smoking, gambling and sexual situations in Bone. However, a school district committee voted 10-1 to keep the books on library shelves. (There’s a Comic Book Legal Defense Fund case study, if you’re interested.)
A British author is accusing DC Comics and Marvel of “banning the use of the word superhero” after he received notice that the publishers are opposing his attempt to trademark the title of his advice book Business Zero to Superhero.
“I was very shocked,” Graham Jules told BBC Radio. “I’m a new author and small business, and I’m now in the position of fighting or scrapping the entire book.” The Mail on Sunday picked up on his story, running it with a headline that’s both cliche and misleading: “Zap! You can’t say ‘superhero’.”
As many comics fans know, and Jules quickly learned, DC and Marvel have since 1979 jointly owned the trademark for “super hero” and “super heroes,” covering a range of products, from comic books and playing cards to pencil sharpeners and glue. Their renewal of that mark in 2006 drew widespread attention, as well as scrutiny from those who question whether such a term should be allowed to be registered.
Readers who have already stopped by their local comic store today may have noticed that the cover of Marvel’s Deadpool #27, the special wedding issue, includes a little something extra: a seal certifying it as a Guinness World Records record holder.
The wraparound cover by Scott Koblish and Val Staples, featuring 232 denizens of the Marvel Universe gathered for Wade Wilson’s wedding, has set the record for the most comic book characters on a single issue cover. Guinness found that 224 of those characters were publicly familiar enough to qualify for the recognition. Alas, there’s no mention of which eight didn’t make the cut.
If you aren’t following the blog of artist Joe Quinones (FF, Wednesday Comics), then you’re missing out on some terrific glimpses of Black Canary and Zatanna: Bloodspell, the long-awaited graphic novel written by Paul Dini.
Each Wednesday for the past month, Quinones has revealed one or two panels from the book, some more complete than others, as he counts down to the planned May 21 release.
To mark the digital debut of Peter Bagge’s Hate and Dame Darcy’s Meat Cake, Fantagraphics Books and comiXology are offering the first issues of both series for free for a limited time.
First published in 1990, Hate chronicles the life of Bagge’s longtime protagonist Buddy Bradley, a malcontent who comes of age in the Seattle grunge scene before moving back to suburban New Jersey and his dysfunctional family. One of the bestselling alternative comics of the ’90s, Hate ran for 30 issues; Bagge resurrected the title in 2000 for a series of Hate Annuals. A Hate follow-up, Buddy Buys a Dump, is planned for release in June.
Published by Fantagraphics since 1993, Darcy’s Meat Cake delves into a neo-Victorian world of humor, romance and frequently tragic fairy tales featuring such characters as Effluvia the Mermaid, the roguish roué Wax Wolf, Igpay the Pig-Latin pig and Stregapez, who speaks by dispensing Pez-like tablets through a hole in her throat.
“Debuting Hate and Meat Cake digitally on comiXology marks a new era for these historic Fantagraphics titles,” Fantagraphics Associate Publisher Eric Reynolds said in a statement. “Although the trade paperbacks collecting these works are perennial classics, this marks the first time that the single issues of these generation-defining classics have been widely available in well over a decade. Now with comiXology’s help, readers around the world will be able to experience them anew and discover just what makes these books so timelessly great.”
“I have a fleece that I wear that has an Archie patch on it, and everywhere I go people will stop me and say ‘Archie, I love Archie!’ I think the teen years are such a universal experience — people are either going through it, looking forward to going through it, not looking forward to going through it, went through hell in high school, loved their high school experience — and somehow Archie and his adventures capture all that. I went to an all-boys prep school and had a pretty good high school experience, I would say, but there’s always something about those stories where I always wished I went to Riverdale High. And I wish I was part of that kind of gang of friends. I don’t know why. But there was something really comforting about it. I also always thought there was something subversive about the brand. I always felt like there was stuff happening right to the right or the left of the panels, and I was always interested in what those stories were.”
– Archie Comics Chief Creative Officer Roberto Aguirre-Sacasa,
on the enduring appeal of the Riverdale gang