Kevin Melrose, Author at Robot 6 @ Comic Book Resources - Page 2 of 281
Titan Comics has released a trailer for Scarlett Couture, the upcoming espionage-adventure series from illustrator Des Taylor about an heiress turned super-spy.
The title character is a billionaire fashion heiress who as a teenager is kidnapped and held for ransom, only to be rescued by Lt. Spencer Kelly, who trains her in hand-to-hand combat and intelligence to ensure she’s never in that position again. When she learns her mother was once a spy for the CIA, Scarlett uses her mother’s fashion empire as a cover for her own quest to bring the world’s greatest criminals to justice.
You can see more of Taylor’s work on his blog. Scarlett Couture #1 goes on sale Oct. 15.
Marvel and Wizard World have revealed exclusive variant covers available to VIP attendees at Wizard World Louisville Comic Con and Wizard World St. Louis Comic Con: Michael Golden’s Daredevil #1 and David Mack’s Wolverine and The X-Men #1.
The covers are available as part of a variant program in which a limited-edition cover will be available at each of the 16 Wizard World Comic Con events scheduled this year. The Golden and Mack covers follow Miracleman #1 and Miracleman #2, by Neal Adams (available at Portland Comic Con and New Orleans Comic Con, respectively) and Wolverine #1, by Greg Horn (available at Sacramento Comic Con).
Steve Rude has debuted the painted cover for his upcoming collaboration with Jerry Ordway on DC Comics’ digital-first Adventures of Superman — a 10-page story featuring none other than OMAC.
In his fan newsletter, the veteran article explained that his editor offered him several scripts, “but it wasn’t until we settled on something specifically catered to ‘The Dude Mentality’ — with characters most memorable to the 60′s and 70′s – that things finally clicked. And what would fit the Dude mentality? How ’bout OMAC? Of the One Man Army Corps? As created by the great Jack Kirby back in ’75?”
But how did Rude connect with Ordway, well known for his runs as both an artist and a writer on DC’s The Adventures of Superman print series?
“Jerry submitted his script and we all loved it,” Rude said of his DC Digital First debut. “And after a hour or two of of finely tuned script discussion over the phone one afternoon, he and I were able to up the dramatics even further on the cool-meter.”
As for that cover: “Finally, I should mention that though DC’s budget didn’t permit the rates normally required by the Dude to paint this issues cover – I painted it anyway. Such sacrifices does one make in the name of proper presentation.”
Ordway and Rude’s Adventures of Superman story, “Seeds of Destruction,” is scheduled to premiere April 14 at DC Digital First.
DC Entertainment and Warner Bros. Consumer Products have reteamed with General Mills to include four collectible editions of Justice League in specially marked boxes of Big G cereals, sold in grocery stores nationwide. A fifth issue is available in select boxes of Cheerios available exclusively at Target.
The companies first partnered for the initiative in late 2011, shortly after the publisher relaunched its superhero line with the New 52. For that cereal promotion, 12 million comics were printed. Once again, the stories begin in print and continue online at BigCerealHeroes.com, where you can get a sampling of the titles.
Kickstarter announced this morning it has surpassed $1 billion in pledges, with half that figure contributed in the past year alone, giving an indication of the crowdfunding website’s growth.
Comics, the 10th-largest category, account for $25.47 million of that; games leads the pack with $215.93 million.
That $1 billion came from about 5.7 million donors in 224 countries and territories on all seven continents. However, the United States is responsible for the majority of pledges, $663 million, followed by the United Kingdom with $54.5 million.
Kickstarter also singled out a handful of donors, beginning with Neil Gaiman, which it labels as the “most influential.”
Other interesting statistics: The day Kickstarter launched, April 28, 2009, 40 people pledged $1,084 to seven projects; Wednesday is the most popular day of the week for pledging; and the biggest single day for pledges was March 13, 2013, when 54,187 backers pledged $4,029,585.45 to 1,985 projects.
Wizard World Inc., which debuted in January 2011 as a publicly traded company, reported nearly $11.2 million in convention revenues in 2013, but still claimed a $3.6 million net loss for the year.
According to documents filed today with the Federal Exchange Commission, those revenues amounted to an increase of 66 percent from 2012, attributed to the expansion from seven conventions to eight, and “management running better advertised, social media driven events resulting in an increase in attendance.”
Wizard World also increased ticket prices, as well as “the overall size and scope of each event,” leading to an average per-convention revenue of about $1.4 million (up 45 percent from 2012).
Scottish fans on Tuesday will be able to tune in for a 30-minute documentary on Frank Quitely airing as part of BBC Four’s series What Do Artists Do All Day?
For the acclaimed Glaswegian artist, the answer is “Draw Jupiter’s Legacy,” his Image Comics collaboration with Mark Millar. The episode follows Quitely over the course of the day, until “he eventually calls it a night at 04.30am, sleeping in his studio, as he does regularly.”
Full details are available on the BBC Four website, along with a clip, which apparently won’t play in the United States.
The publisher’s digital subscription service allows users to access more than 15,000 classic and newer comics on their desktop browser or through the Marvel Unlimited app. A monthly membership normally costs $9.99; a basic annual subscription costs $69.
With the arrival last week of the new volume of Fantastic Four came the departure of prolific colorist Paul Mounts, who worked on the Marvel series for 11 years.
“Tom Brevoort had been editing Fantastic Four even longer that I had been coloring it, and after a record-breaking run on the title decided that it was time to give someone else a shot at editing it,” Mounts explained in an email to ComicBook.com. “And, of course, when a new editor takes over a title, he/she is going to want to bring in his/her own team, make his/her own mark. [...] I tend to always look forward to the next project than to look back at the past, but I guess after 11 years and (I think) nearly 130 issues, it’s a change worth a mention. Someone who was nine years old when I started would be twenty now – yikes!”
DC Comics has announced a new lineup for its digital-first series Adventures of Superman that includes a collaboration between veterans Jerry Ordway and Steve Rude.
No stranger to the Man of Steel, Ordway was a staple of DC in the 1980s and ’90s known for his runs as artist, writer-artist and then writer of The Adventures of Superman and writer-artist of Superman. And while mostly closely associated with his own Nexus, Rude also has a past with the Last Son of Krypton: He illustrated the 1990 miniseries World’s Finest and the 1999 crossover The Incredible Hulk vs. Superman.
Ordway and Rude’s story, “Seed of Destruction,” appears April 14.
The other creators in the March and April lineup are: Joe Keatinge, Ming Doyle and Brent Schoonover with “Strange Visitor,” Part 1; Keatinge, Doyle, David Williams and Al Gordon with “Strange Visitor,” Part 2; Keatinge, Tula Lotay and Jason Shawn Alexander with “Strange Visitor,” Part 3; Kelly Sue DeConnick and Valentine De Landro with the one-part “Mystery Box”; and Steve Niles and Matthew Dow Smith with the one-part “Ghosts of Krypton.”
New chapters of Adventures of Superman are available each Monday at DC Digital First.
Marvel has partnered with developer Glitchsoft to develop a mobile game based on the seminal 1981 X-Men storyline “Days of Future Past.”
Appearing in The Uncanny X-Men #141-142, the story by Chris Claremont and John Byrne depicts a timeline created by the X-Men’s failure to prevent the Brotherhood of Evil Mutants from assassinating a U.S. senator. In that alternate future, the giant robotic Sentinels have become the de facto rulers of the United States, where mutants are hunted down and placed in internment camps. To prevent that dystopian world from coming to pass, an adult Kate Pryde transfers her mind into her younger self in an effort to stop the event that triggers the anti-mutant hysteria.
Gallery Nucleus in Alhambra, California, most recently featured on ROBOT 6 for its “Little Golden Tales” exhibit, is playing host on Saturday to “Making a Living With Your Webcomics,” a four-hour event featuring Jason Brubaker, Travis Hanson and Ethan Nicolle.
Brubaker, who works for DreamWorks Animation, raised more than $125,000 through Kickstarter to publish his two-volume reMind; Hanson, creator of The Bean, raised more than $12,000 in the first 36 hours of his Kickstarter campaign for Tanner Jones and the Quest for the Monkey Stone; and Nicolle is the co-creator of Axe Cop, the hit webcomic turned animated series.
The seminar costs $80 for the 1 p.m. to 3:30 p.m. workshop and 3:30 p.m. to 4 p.m. Q&A seminar. Admission to the 4 p.m. signing session is free.
“When the government, in effect, attempts to dictate what college students must, or must not, read, the state is going to suffer. Not only will its censorship impede academia from innovation and honesty, it will, as Rep. Gilda Cobb-Hunter, D-Orangeburg, said, hurt the state’s efforts to attract jobs. Who wants to live in a place where legislative budget writers determine what gets taught in college?
Voters expect their representatives to fix roads, fairly fund education and make laws for the safety of citizens, not to police people’s thoughts.”
– the editorial board of the Charleston, South Carolina, Post and Courier, responding to a vote last week by the state House Ways and Means committee to reduce funding two universities that recommended gay-themed books. One of the schools, the College of Charleston, selected Alison Bechdel’s acclaimed graphic novel Fun Home, which Rep. Garry Smith, R-Greenville, said “goes beyond the pale of academic debate. It graphically shows lesbian acts.”
Big B Comics in Hamilton, Ontario, has a terrific-sounding initiative to help foster literacy, and comics reading, among students.
As the CBC reports, between now and spring break in March, students in grades kindergarten to 12 can bring their report cards to the flagship store and get a free comic from the Big B back-issue bins for each A. It’s an annual program called, fittingly enough, “Free Comics For A’s,” which also rewards those students at the end of the school year June who have shown an improvement in their grades.
“We’ll find some reason to give them a free comic book,” Nicole Cartwright, the store’s assistant manager, told the CBC.
The Big B website also emphasizes the dedication of the Ontario retail chain — there are also locations in Barrie and Niagara Falls — to education: There’s a “Library Resources” section that highlights reasons for using comics as educational tools, provides a glossary of terms and recommends age-appropriate titles.
If Hammacher Schlemmer‘s $200,000 licensed, street-legal 1966 Batmobile is a little too cheap, or a little too dated, for your tastes, allow us to this roadworthy replica on the Tumbler from Christopher Nolan’s Dark Knight trilogy. Listed on the James Edition luxury goods website, the vehicle will only set you back … $1 million.
But, hey, it’s worth it: This concept car — it’s “inspired by the movie Batman Begins” — comes equipped with an eight-cylinder LS1 engine, four 44-inch super swamper tires with custom rims, five driver-assist cameras and a stereo with blue tooth, CD/DVD and iPod integration. Plus, it’s a limited edition; there are just five of these in the world.