Kevin Melrose, Author at Robot 6 @ Comic Book Resources - Page 3 of 328
After first responding with press releases and a webpage, Salt Lake Comic Con organizers have now formally denied claims that their use of the term “Comic Con” infringes upon Comic-Con International’s trademark.
Comic-Con International sued the Utah event last month, insisting organizers were attempting to “confuse and deceive” fans and exhibitors with their use of “Comic Con.” The lawsuit specifically cited a customized Audi sent to San Diego during Comic-Con International to promote the Sept. 4-6 Salt Lake City convention.
In documents filed Monday in federal court in San Diego, Salt Lake producers Dan Farr and Bryan Brandenburg argue Comic-Con International’s asserted trademarks are invalid, and that “comic-con” and “comic con” are generic terms applied to comic conventions. They point to 10 other conventions that use some variation of the term, and note that SDCC has never taken action against them. The defendants ask for Comic-Con International’s trademarks to be ruled invalid and canceled.
Somewhere, perhaps, there’s a writer who scribbled notes for a never-realized Elseworlds story about a Batman — or Bat-Man, if you prefer — who stood watch more than 1,000 years ago over Caracol or Tikal. If so, he might’ve worn something a lot like this incredible cowl created by Mexican artist Kimbal for Batman a Través de la Creatividad Mexicana, a celebration of the 75th anniversary of the Dark Knight held at the Mexican Museum of Design in Mexico City.
Inspired by Camazotz, a bat god of Mayan myth (his name means “death bat”), the piece is painstakingly detailed and beautifully weathered (The Creators Project has several photos detailing Kimbal’s process).
Brian Michael Bendis shared some terrific photos from a weekend get-together at the Portland, Oregon, home of Matt Fraction and Kelly Sue DeConnick, where such artists as Matt Wagner, Skottie Young, Tony Moore and Matthew Clarke drew on the hallway wall. DeConnick provides a link to the “completely interactive” wallpaper, whose pattern features frames of different sizes and styles — ideal for one-of-a-kind sketches.
Check out a couple of the images below, and more on Bendis’ blog.
“What we are learning is that the traditional idea of done-in-one stories not selling in comics just doesn’t apply to the new audience buying the books, and believe me, most of that new audience are female. I think the problem right now is we have some people running the companies that just aren’t going out and trying new comics or interacting with the next wave of readers and keep pushing things the traditional way they did years ago. The retailers themselves are seeing this happening daily now and I feel it’s the reason Image Comics will continue to grow and eventually outsell the big two, unless they start thinking outside the box and just make superheroes a PART of their publishing plan and not the entire thing and start looking at the different ways a superhero type of book can be done. Harley is one example, Hawkeye is another. The traditional graphics people associate comics with have been changing for years now and the market is embracing different looks and styles that are outside the house style and its pretty cool to see.”
I don’t know whether it was cartoonist J. Bone’s intent, but I like the suggestion that his “sun-friendly” Superman costume is a send-up of the not-exactly-convincing justification for Starfire’s skimpy costume — namely, that she draws her power from the sun and, therefore, needs to expose as much skin as Earth laws will allow. Heck, these new threads could even work as a response to those who miss those signature red trunks in the New 52 design.
Cosplayers with fake weapons triggered at least two calls to police over the weekend in Derby, England, as about 800 people gathered for the J-Con anime and manga convention.
According to the Derby Telegraph, a police spokeswoman said there were at least two “major incidents” reported by alarmed residents, prompting investigations of the fans in “fancy dress.” “We’ve obviously investigated but, when we’ve found the people involved, the weapons turned out to be fake — just a bit of fun,” she said. “From a distance, though, they didn’t look like fun.”
Despite what you might believe, the problem isn’t that female superheroes are oversexualized in comics and on film — no, according to Fox & Friends, it’s they’re not being sexualized enough.
In a particularly odd segment of Sunday’s show that frequently tipped into full-on parody, co-host Clayton Morris began by worrying that test footage from Genndy Tartakovsky’s animated Popeye movie signifies the “wussifying” of the classic character, as he doesn’t sport his iconic pipe and tattoos.
Todd McFarlane has long talked about “complete reboot” of the 1997 film Spawn, envisioning a low-budget supernatural thriller that has more in common with The Conjuring than with current superhero blockbusters. For inspiration, he may need look no further that director Michael Paris’ fan short Spawn: The Recall.
The bulk of the nearly eight-minute film was shot in a day and two nights in a supermarket after business hours, using a limited cast and crew (post-production took two years, with the visual effects rendered on a single computer).
Sometime in the near future — although, alas, not the one depicted in DC Comics’ Futures End — people will worship at the altar of the Dark Knight. At least that we’re told by Terry Gilliam’s new film The Zero Theorem, in which we glimpse an enormous ad that declares “The Church of Batman the Redeemer Needs YOU.”
With its U.S. release today in select theaters and on VOD, the director has of course been making the press rounds, discussing a cinematic world overtaken by technology, and precisely why people would follow the Caped Crusader.
Online petitions are typically met with an eye roll, but it’s difficult not to like this one: Two residents of Edmonton, Alberta, want the city to erect a life-size statue in honor of one of the provinces native sons … James “Logan” Howlett. Yes, Wolverine.
“Not many popular or exciting fictional characters are born Canadian, but superhero and adventurer Wolverine isn’t just Canadian, he’s an Albertan too,” Jesse Seitz writes on Change.org. “I think it would make a lot of people really proud to live in Edmonton and raise morale to erect a life size statue of this character in City Hall, or even perhaps Churchill Square or the Alberta Legislature Grounds.”
His friend Christopher Olivier adds, “Wolverine has been a staple of Marvel Comics for the last 40 years, the X-Men film franchise for 15 and is now considered as popular as The Avengers and Spider-Man. We believe a statue of the X-Man will only draw more people to the city if not just to see it and would make fans of the character beam with pride.”
If Metropolis, Illinois, can have a 15-foot-tall statue of Superman, then why shouldn’t Edmonton have (a decidedly shorter) one of Wolverine? And what better way to memorialize the character’s impending death?
Long Beach Comic Con organizers have announced the Dwayne McDuffie Award, named in honor of the influential comics and animation writer who passed away in 2011. Details will be revealed Sept. 27 at the convention.
“Dwayne’s influence on comics is incredible, and we look forward to helping preserve his legacy through this award,” convention co-founder Martha Donato said in a statement.
Donato will be joined for the official announcement by fellow co-founder Phil Lawrence, and Neo Edmund, Joan Hilty, Joseph Illidge, Heidi MacDonald, Glen Murakami, Eugene Son, William J. Watkins, Len Wein, Charlotte Fullerton McDuffie and Matt Wayne.
Co-founder of the pioneering Milestone Media, McDuffie’s comics work ranged from Marvel’s Damage Control and Fantastic Four to Milestone’s Static and Icon to DC’s Justice League of America and Batman: Legends of the Dark Knight.
His animation credits include Static Shock, Justice League, Justice League: Crisis on Two Earths, All-Star Superman and Justice League: Doom.
While the rest of us were busy Thursday with humdrum activities like work, classes and household chores, 542 employees of Nexen Energy were being awesome by gathering outside the company’s Calgary headquarters to set a Guinness World Record for the Largest Gathering of People Dressed as Batman.
The previous record was a paltry 250. It marks the second time Nexen employees have set a world record: In 2011, 437 of them came together to establish the Largest Gathering of People Dressed as Superman.
Artist Juan Carlos Ruiz Burgos recently added the above Zatanna illustration to his deviantART gallery, drawing our attention to his occasional series of frankly amazing tributes to the classic Saturday Evening Post covers using DC Comics characters.
In addition to Zatanna, surrounded on stage by white rabbits, there’s a heartwarming depiction of Clark Kent casually reading The Daily Planet as a little boy gapes in awe at Action Comics #1, The Joker and Harley Quinn on the run like Bonnie and Clyde, Wonder Woman listening thoughtfully to a little girl, and an autumnal Poison Ivy piece that’s probably not safe for work.
According to the Medford Mail Tribune, the parents object to the availability of the graphic novel in the Three Rivers School District’s high school libraries. Some contend teenagers shouldn’t have access to the book without parental approval.
Depicting Satrapi’s experience as a child and young adult in Iran during the Islamic revolution, Persepolis has received almost universal acclaim. The 2007 animated adaptation directed by Satrapi and Vincent Paronnaud was nominated for an Academy Award. The graphic novel was at the center of a controversy in March 2013, when Chicago Public Schools ordered its removal, sparking protests from parents, teachers and student. That order was quickly rescinded, but CEO Barbara Byrd-Bennett asked that Persepolis no longer be taught to seventh-graders, as it may not be appropriate for that age group.
Warner Bros. Entertainment could eliminate as many as 1,000 jobs — more than 10 percent of its worldwide workforce — as part of studio-wide cutbacks confirmed earlier this month, Variety reports. However, the studio insists that although the cuts will be “substantial,” it hasn’t settled on the exact number of layoffs.
“The plans are still in process,” Dee Dee Myers, Warner Bros.’ new executive vice president of corporate communications, told TheWrap. “We’re reducing costs and it will result in reduced overhead, but the plans are not done.”