Kevin Melrose, Author at Robot 6 @ Comic Book Resources - Page 3 of 290
When 20-year-old Taiwanese artist Xhongkai Xiang boasts, “I am the cardboard Tony Stark,” it’s difficult to argue with him. Sure, Stark is a billionaire playboy who fights evil alongside a gamma-irradiated monster and a god, but Xiang has a full-size Iron Man suit … created entirely out of cardboard.
“Tony Stark’s suit cost almost $1 billion,” he says in the video below. “But mine cost almost zero.”
Xiang spent nearly a year constructing the armor in his free time, “because I have many, many things to do.” Some of those things are likely other amazing cardboard constructions, a dragon, Optimus Prime, and a bird and lizard that look real. He also made an Alien out of drinking straws.
Just in case those Court of Owls masks weren’t creepy enough for you, DC Comics will release the paperback collection of Batman’s “Death of the Family” storyline with a replica hand-painted vinyl latex mask of The Joker, with sewn-on hair.
Yes, that’s a mask based on the one the Clown Prince of Crime made out of his own skin, after having the Dollmaker carve off his face in the relaunched Detective Comics #1. Even if you don’t follow the comic, you’ll likely recognize the mask from DC’s marketing for Scott Snyder and Greg Capullo’s “Death of the Family” arc (above).
Now that you’ve recovered from the 90-minute marathon for badges, it’s time prepare for the next hurdle on the route to Comic-Con International in San Diego: the annual melee for discounted hotel rooms. As the little bird at the convention’s Toucan blog tells us, reservations open Tuesday at 9 a.m. PT.
More than 70 hotels, from Downtown San Diego to the airport to Mission Valley, are part of the convention block, offering room rates ranging from $152 to to $375 per night — up slightly from last year — the July 24-27 event.
Abrams has announced it will publish a graphic novel adaptation of Ghetto Klown, John Leguizamo’s award-winning one-man Broadway show, under its Abrams ComicArts imprint next year. Leguizamo is working with artist Christa Cassano on the project.
Recently airing as an HBO comedy special, Ghetto Klown takes audiences from the actor/comedian’s memories of his adolescence in Queens, New York, to his involvement in ’80s avant-garde theater to his motion-picture career, introducing some of the colorful characters he encountered along the way.
Coinciding with the opening of Marvel Studios’ Captain America: The Winter Soldier, Mondo has unveiled a new limited-edition print by Rich Kelly that will go on sale today. Naturally, the poster casts the spotlight on the film’s two title characters, but it also makes room for Black Widow and Falcon.
As usual, these Mondo prints are very limited — 435 copies of the $45 regular edition and 225 of the $75 variant — so they’ll disappear quickly You have to follow MondoNews on Twitter to find out what time today they go on sale.
Going Nowhere Studios has debuted a pretty impressive trailer for Deathstroke: Arkham Assassin, a fan-film prequel to the Warner Bros. video game Batman: Arkham Origins.
In the game, a bounty is placed on the Dark Knight by the Black Mask, bringing eight of the world’s greatest assassins to Gotham City on Christmas Eve — including the formidable Deathstroke. But as the trailer teases, the crime lord requires a demonstration of his skills.
The short film is set to premiere Monday online.
Separate from Bloomberg Businessweek‘s Marvel Studios cover story, Bloomberg Television chats with Stan Lee about the current popularity of superhero movies, concerns about “superhero fatigue,” and the differences between the box-office performances of the Marvel and DC Comics properties.
“I wish my friend Bob Kane were still with us — he’s the fellow who created Batman,” Lee says. “Bob always used to tease me about the fact that Batman was a big deal on television and in movies, and we at Marvel had done nothing. I wish he was here now so I could return that teasing. A character should be somebody that the reader, or viewer, really cares about, and maybe at Marvel we put a little more effort into refining the characteristics and the nature of our heroes, maybe a little more effort than they have on the other side of the aisle.”
Bloomberg Businessweek‘s profile of Marvel Studios President Kevin Feige, timed to coincide with the release this week of Captain America: The Winter Soldier, naturally focuses on the film division, but it also drops some fascinating nuggets about the company’s corporate culture and the 2009 purchase by Disney.
• “In March, Feige gave me a tour of Marvel Studios at Disney headquarters in Burbank, Calif.,” writes Devin Leonard. “The offices are furnished like a college dormitory, with threadbare couches. The hallways are decorated with cardboard superheroes hawking Pizza Hut and Burger King. There’s barely enough room in Feige’s office for a replica of Thor’s hammer.” While that description may come as a surprise to some, Marvel CEO Isaac Perlmutter has a well-established reputation as a penny-pincher, reusing paper, limiting the number of coffee pots and even fishing paperclips out of trashcans.
Claiming an appeals court “unconstitutionally appropriated” Jack Kirby’s copyrights and gave them to Marvel, the late artist’s heirs have taken their fight with the comics publisher to the U.S. Supreme Court.
In a petition filed March 21, and first reported by Law 360, Kirby’s children argue “it is beyond dispute” that the artist’s Marvel work between 1959 and 1963 was not produced as “work for hire” and, therefore, is subject to a clause in the U.S. Copyright Act that permits authors and their heirs to reclaim copyrights transferred before 1978.
The appeal follows an August decision by the Second Circuit upholding a 2011 ruling that Kirby’s Marvel works were indeed made at the “instance and expense” — that term plays a significant role in the heirs’ petition — with the publisher assigning and approving projects and paying a page rate; in short, they were “work for hire.” As such, the courts found, the 45 copyright-termination notices the artist’s heirs filed in 2009 for such characters as the Avengers, the X-Men, the Fantastic Four and the Hulk were invalid.
In the build-up to Sunday’s premiere of Turn, the Revolutionary War thriller based on Alexander Rose’s fascinating 2007 book Washington’s Spies, AMC has released a beautifully illustrated online comic that details the backstories of the members of the Culper spy ring.
Turn: Origins is drawn by Steve Ellis, known for his work on High Moon, Box 13 and The Only Living Boy, and penned by Turn writer LaToya Morgan, whose credits include Shameless and Parenthood. Kevin Colden did the lettering.
The National Cartoonists Society has announced the divisional nominees for the 68th annual Reuben Awards. They join the finalists for the Outstanding Cartoonist of the Year Award — Wiley Miller (Non Sequitur), Stephan Pastis (Pearls Before Swine), Hilary Price (Rhymes With Orange) and Mark Tatulli (Heart of the City, Lio) — revealed in late February.
The winners will be announced May 24 at the annual NCS Reuben Awards dinner in San Diego.
If you were surprised by that promotional campaign by Sony Pictures and the United States Postal Service featuring Stan Lee and Spider-Man, you may want to sit down for this one: Evian stakes out its own Amazing Spider-Man 2 tie-in with a commercial that introduces the world to Spider-Baby, a web-slinging, rope-skipping, dancing infant-sized mirror version of the wall-crawler. The TV spot is either inspired, or completely insane, I can’t decide.
Titled “The Amazing Baby & Me 2,” it’s the latest commercial in Evian’s “Live Young” campaign (aka the baby series).
The November launch of Jeff Smith’s webcomic Tüki Save the Humans was met with excitement, followed almost immediately by grumbling that the interface seemed as ancient as the adventure’s prehistoric setting. But now Smith’s Boneville.com has unveiled a redesign that allows readers to enjoy the Reuben Award-nominated comic in an easily navigated widescreen format that better showcases the work of the cartoonist and colorist Tom Gaadt.
“When Tüki began, we redesigned the site for the occasion. Unfortunately, our rollout made Healthcare.gov look good,” Smith said in a statement. “Still, like Rasl, our motto is: It’s never too late to fix it! We listened to our readers and came up with what we hope is a better experience for reading Bone, RASL and Tüki.”
Telltale Games has debuted the launch trailer for the third episode of its adventure series The Wolf Among Us, based on Bill Willingham’s Vertigo comic Fables.
Set 30 years before the events of Fables #1, the game allows players to control Bigby Wolf as he investigates the gruesome murder of a Fable, which leads to an even bigger mystery. In Episode 3, titled “A Crooked Mile,” Bigby “is just steps behind the prime suspect of a horrific murder, but he’s not the only one; other forces in Fabletown will stop at nothing to protect their interests.”
Be warned, though: The trailer contains spoilers for the first two episodes.
Washington Post readers looking forward to a new installment of Stephan Pastis’ Pearls Before Swine in Sunday’s newspaper instead found a rerun after editors pulled the latest strip over objections to the use of the word “midget.”
In the strip, which did appear on the Post’s website, Goat and Rat are discussing how the acceptability of some terms changes over time, with “flight attendant” replacing “stewardess,” “housekeeper” succeeding “maid” and, yes, “little person” becoming preferable to “midget.” It’s a setup for the duo’s meeting with Willy the Word Decider, who’s tasked with determining which terms are acceptable.