Tom Bondurant, Author at Robot 6 @ Comic Book Resources

Grumpy Old Fan | To Grandmother’s Earth we go?

Oh, like I was going to pick another cover

Oh, like I was going to pick another cover

(NOTE: The Futures Index is on Thanksgiving vacation, so you’ll get a double dose next week.)

It doesn’t look good for the current Universe Designate 2. If the title of the miniseries Earth 2: World’s End weren’t enough of a clue, the setup of its companion Futures End tells the tale: Apokoliptian troops devastate the planet, forcing the refugees into the main DC Universe (Designate Zero). Moreover, glimpses of the previous Earth-Two — one-time home to DC’s Golden Age heroes and their legacies, like you didn’t know — suggest that it might be making a comeback.

Considering the New 52 relaunch eliminated the original versions of the Golden Agers, their collective reinstatement isn’t without its own set of issues. A few months ago I looked at how the current Earth-2 has distinguished itself from its predecessor. Therefore, today let’s ask how the return of that predecessor might work.

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Grumpy Old Fan | DC hopes you’ll heart Harley in February

Convergence

Convergence

In April, DC Comics released solicitations for its July titles alongside an extra batch of advance listings for the September Futures End-related one-shots. This week, in a move that’s perhaps unintentionally similar, the publisher’s February solicits arrive amid advance info about the spring’s Convergence tie-ins.

The scheduling gap isn’t quite as great — only a couple of months here, as opposed to five months last time — and I can understand why DC would want to avoid a lot of negative fan speculation about Convergence. Still, it steals some thunder from the current batch of solicitations, which try to compensate with a raft of Harley Quinn variant covers (including, strangely enough, one for Harley Quinn itself). In addition to her own series and Suicide Squad, Harl also gets a Valentine’s Day Special, another hardcover collection, a statue, an action figure, and a guest-shot in Deathstroke. At this rate I’m expecting her to be Wonder Woman’s new Amazon queen.
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Grumpy Old Fan | Necessity invented Black Canary’s mother

And thus did Black Canary proclaim "the '80s are over"

And thus did Black Canary proclaim “the ’80s are over”

(NOTE: I’m happy to acknowledge the hard work and obvious dedication of the blogger Count Drunkula, whose Black Canary fansite Flowers & Fishnets was a great resource in putting together this post.)

Recent developments on The CW’s Arrow have gotten me thinking about the various twists and turns visited over the years upon DC Comics’ Black Canary. The television series has come at the character from a few different directions, even splitting some of her characteristics among three players. It makes sense for an adaptation of Green Arrow to include at least a nod to his longtime love interest, as traditionally they’ve been one of DC’s most prominent super-couples.

However, Black Canary didn’t start out as part of Green Arrow’s supporting cast, and even a cursory glimpse of her past invites some careful examination. Indeed, for a few years in the ‘80s, the history of Black Canary threatened to approach Hawkman levels of continuity complexity. Today we’ll look back at that history, and specifically at how a shared-universe setting can both screw up and enrich a character.

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Grumpy Old Fan | Coming together, splitting hairs

Imps gone wild

Collateral damage

For months speculation had raged about what DC Comics would do to mitigate the logistics of its West Coast move. This week the publisher made it officialConvergence is a two-month, 89-issue event starting April 1.  It involves a central weekly miniseries and an array of two-issue micro-series combining various versions of venerable DC folk. Basically, if you’ve ever wondered whether Blackhawk could beat Kamandi, or wanted to see the Superman of 2010 square off against the Green Lantern of 1944, next April and May are going to be pretty fun for you.

I’ve been writing about this for so long that I’m not sure what else to say. (And yet, here we are.) Last week I wrote about DC’s various narrative delays and deferrals. Now I’m even more certain we’ll have to wait until June for the next significant DCU development. Still, the fact that Convergence is happening is … I don’t want to say “encouraging,” but it does seem like progress toward an ultimate — no pun intended — resolution. (Note: This presumes that DC does in fact have specific plans for the superhero line.)

Therefore, today let’s survey the Multiversal landscape, with an eye toward determining Convergence’s role in the grand scheme of things.

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‘Bob’s Burgers’ builds on its inspiration

BobsBurgers-900x470

[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]

Since sports have kept Bob’s Burgers off the air for the past few weeks, this week’s Bob’s Burgers #3 (from Dynamite) was especially welcome. It’s a potent distillation that uses the comics format to capture the show’s unique tone and energy.

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Grumpy Old Fan | The constant campaign, revisited

Trust me, this was a huge deal at the time

Trust me, this was a huge deal at the time

Several years ago, in a post for the old Great Curve blog that’s surely lost to history, I called DC Comics’ steady stream of crossovers the “constant campaign.” Just as winning candidates must shift from electoral strategies to actual governing, so I argued that DC had to stop churning and changing and settle into telling stories. These days DC isn’t so much into line-wide crossovers — not like 2004-09, when Identity Crisis led into Infinite Crisis and from there to Final Crisis — but it has a similar lack of focus.

* * *

Although the New 52 makeover is only a little more than three years old, it’s gone through quite a bit of change. Many series, and many creative teams, have come and gone. The original 52-series lineup boasted a number of distinctive, idiosyncratic writer/penciler combinations. Now, however, with this week’s final issue of Brian Azzarello and Cliff Chiang’s (and friends’) Wonder Woman, only Justice League, Batman and Batman & Robin have kept the same writer since the relaunch. Moreover, only the two Bat-books have kept the same writer and penciler.

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Grumpy Old Fan | New year, old habits from DC in January

Rowsdower!

Rowsdower!

Although the first issues of Who’s Who and Crisis \on Infinite Earths got a headstart in the closing months of 1984, January 1985 kicked off DC Comics’ 50th anniversary in earnest. No doubt real life — i.e., the DC offices’ upcoming westward move — is preventing the publisher from starting the 80th anniversary celebrations this January, and the solicitations certainly don’t have much in the way of commemoration.

(To be sure, the month’s variant-cover scheme involves the 75th anniversary of The Flash, which Robot 6 contributor J. Caleb Mozzocco has already covered extensively on his own blog.)

Therefore, while the real fireworks will probably have to wait another couple of months, the January solicitation tease the return of Robin, changes in the Super-status quo, and other various and sundry plot churning.

LOOKING AHEAD

One thing that jumps out at me from these solicits has to do with numbering. Now, we all love numbering — big versus small, gimmicks versus straightforward integer progression — but the January books are soliciting the 38th issues of the remaining original New 52 titles. That puts the 50th issues of those series on track for January 2016; or, more likely, February 2016, if next September is another “take a break for a set of specials” month. If I were DC and wanted to relaunch my various titles, and I were a year away from a set of 50th issues, I’d probably wait a year.

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Grumpy Old Fan | Firestorm, Cyborg and corporate synergy

Science bros

Science bros

We’re just now into the back half of October and it’s already been a busy month for DC Comics’ television and movie adaptations. Gotham got under way, The Flash debuted and Arrow has returned, with Constantine on deck. Meanwhile, Warner Bros. announced a massive slate of Justice League-related movies, stretching from 2016’s Batman v Superman to 2020’s Cyborg.

However, the adaptation pipeline has the potential to flow in two directions. Between Caitlin Snow’s potential Killer Frost, the second episode’s Multiplex and the promise of both Ronnie Raymond and Martin Stein, the new Flash show seems pretty intent on bringing in a good bit of Firestorm lore. If DC executives hadn’t already been thinking about yet another Firestorm comic revival, The Flash’s immediate success may well encourage them to. Similarly, of all the movies Warner Bros. apparently intends to make over the next six years, the only one without a solid comics presence is Cyborg.

Therefore, today we’ll look at these two creations of the late ‘70s/early ‘80s, to see what DC might do with their four-color futures.

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‘Astro City’ gives an old ‘Wish’ new life

ASTRO-Cv3n16-tease

[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]

Ever since its return under the Vertigo banner, Astro City (from Kurt Busiek, Brent Eric Anderson, and company) has been pretty great on a consistent basis. Don’t get me wrong, it’s always been a highlight of my pull list; but the current run has really been something special. Last month’s issue #15 — concluding the story of a sweet little old robotics genius and the supervillain who sought to ruin her — was particularly heartwarming. (What’s that? Something in my eye? No, I’m just tired….)

Then, however, I read this week’s issue #16. Readers looking for familiar pastiches will be rewarded immediately, since the broad strokes of the story are deliberately reminiscent of Silver Age Superboy and Lex Luthor. (The energy-headed hero Starbright also looks a bit like Firestorm, but that’s more incidental.) It’s a tale of awkward friendship, super-powered rivalry, and an act of simple kindness which literally transforms a life. As Busiek reveals on the letters page, the middle part of the story comes from his unpublished eight-page script for an installment of the backup feature “Superman: The In-Between Years.” In hindsight it’s easy to see how that script would have worked as a look into the developing dynamics between the Collegian of Steel and his former friend — but as usual, Astro City has taken those elements in undreamt-of directions.

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Grumpy Old Fan | Balancing out the New 52, Part 2

Really, isn't everything fifty-fifty? Either it happens or it doesn't

Really, isn’t everything fifty-fifty? Either it happens or it doesn’t

Last week I laid out a lot of numbers and background on the distribution of character-oriented franchises in the New 52. (Along the way I got confused about the New 52 version of G.I. Combat; it was canceled after Issue 7, but its zero issue brought its total to eight.)

Accordingly, this week discusses whether the New 52 needs to get back up to its eponymous number of titles, or whether a smaller stable of ongoing series is a more sustainable environment. We’ll get into some other concerns as well, but the overarching question — as DC transforms its biggest franchise, the Bat-books — involves how the publisher chooses to allocate its resources.

(Because I forgot to do it directly last week, I want to acknowledge my debt to Dave Carter, who started me thinking about all this when he charted New 52 longevity in January and who, providentially, has just started listing DC rosters of Augusts past.)

* * *

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Grumpy Old Fan | Balancing out the New 52, Part 1

Larfleeze, not beloved among the franchisees

Larfleeze, not beloved among the franchisees

Note: This week’s post, and probably next week’s, get pretty number-heavy. Also, this week’s post contains a lot of history and background data. I have tried to make it all entertaining, but consider yourselves warned. Either way, there’s still the Futures Index.

Starting this week, the Batman line gets a makeover. Gotham Academy, from writers Becky Cloonan and Brenden Fletcher and artist Karl Kerschl, is a delightfully spry addition to the Bat-landscape. Amid a franchise dominated (not unreasonably) by stylized, unflinching urban avenging, GA’s unique perspective is both welcome and necessary. Waiting in the wings are new Batgirl and Catwoman creative teams, as well as new titles Arkham Manor and Gotham After Midnight. (The three new books apparently take the places of Batman: The Dark Knight, Batwing and Birds of Prey.)

All look promising, and each offers a new look at a seldom-seen aspect of the Batman mythology. Moreover, it’s vitally important for DC to reach out to a diverse audience, particularly one that may have felt underappreciated over the past few years.

However, all this innovation comes at a time when the in-name-only New 52 has been stuck for a while at around 40-odd series. Only 21 of the original 52 ongoings are still being published, although books like Teen Titans, Suicide Squad and Deathstroke have been relaunched with new volumes. Similarly, we might view Grayson and Justice League United as continuations of Nightwing and the New-52 version of Justice League of America.

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The New Yorker profiles ‘The Last Amazon’

wonder-woman-cropped

[Editor’s note: Each Sunday, Robot 6 contributors discuss the best in comics from the last seven days — from news and announcements to a great comic that came out to something cool creators or fans have done.]

Anyone seeking an antidote to recent Wonder Woman-related idiocy need look no farther than Jill Lepore’s story “The Last Amazon” in the Sept. 22 issue of The New Yorker.

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Grumpy Old Fan | ‘Doomed’ ends, bustin’ out all over

Girl with kaleidoscope eyes

Girl with kaleidoscope eyes

The sprawling intertitle crossover “Doomed” wrapped up this week with the release of Superman: Doomed #2. It’s a 40-page installment produced by writers Greg Pak and Charles Soule and artists Ken Lashley, Szymon Kudranski, Cory Smith, Dave Bullock, Jack Herbert, Ian Churchill, Aaron Kuder Vicente Cifuentes, and Norm Rapmund (assisted ably by colorist Wil Quintana and letterer Taylor Esposito). However, it’s getting some attention due to the final page.

Yes, “Doomed” began as a sequel to an as-yet-unseen event — the New 52 version of the monster’s first deadly battle with Superman — but it’s ended, like many a crossover before it, as a tease for  the next big thing. Moreover, it’s joined by the only Futures End special one-shot without its own series (yet); namely, Futures End: Booster Gold.

Accordingly, today’s all about how everything might start to make sense, and how it doesn’t quite make sense for DC to go that way.

SPOILERS FOLLOW for the finale of “Doomed” and for Booster Gold.

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Grumpy Old Fan | DC’s December: happy golden days of yore

...'Miss Gordon' if you're nasty

‘Miss Gordon’ if you’re nasty

There’s a lot to like in DC Comics’ December solicitations, most of it due to the return of some old friends and the uber-nostalgic glimpses at a traditional status quo. It’s not like the New 52’s changes are being rolled back — I have no illusions about that, and I’m not sure how it would work if it did happen — but DC is always best served when it can channel the familiar aspects of its past in vibrant new forms.

THERE YOU GO AGAIN

I am starting to think Secret Six is the comic Gail Simone was born to write, even more so than Birds of Prey. There’s always been a dark undercurrent running through her DC work, from BOP to Batgirl to The Movement, but only with the Sixers could she really cut loose. Indeed, as much as I enjoyed Scandal, Bane, Deadshot and the rest, I’m eager to see what she can do with six cryptically united strangers, most of whom will probably be new to us.

Those who believe the traditional, pre-New 52 DC Universe is still out there, somewhere in the Multiverse, can reasonably hang their collective hat on the return of the Keith Giffen/J.M. DeMatteis Blue Beetle and Booster Gold in Justice League 3000 #12. I’d go even further, and say this version of Beetle and Booster probably follows directly from the two “Super Buddies” arcs that Giffen, DeMatteis and Kevin Maguire produced in the mid-2000s. The second one, I Can’t Believe It’s Not the Justice League, ended rather pointedly with Beetle and Max Lord sharing a happy moment. That, of course, stood in stark contrast to the Countdown to Infinite Crisis special, in which Max shot Beetle in the head, and then (a few months later) successfully dared Wonder Woman to execute him. Therefore, the Beetle and Booster of JL3K hail from an Earth where things turned out quite differently — but ironically, they’ve been awakened in a dystopian future where the Justice Leaguers are darkly twisted versions of their old selves. Not that Giffen and DeMatteis can’t find some comedy there, but I’m having trouble summoning up a bwah-hah-hah.

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Grumpy Old Fan | Selling Complicated Boy and Look-It-Up Lass

Try to work in these guys, too

Try to work in these guys, too

It won’t be long before the Legion of Super-Heroes reappears in the New 52. This week’s two-page editorial spread (written by editor Brian Cunningham) teases next month’s “The Infinitus Saga,” a Justice League United arc pitting the newest batch of Leaguers against the future’s greatest super-team.

Providentially, rumors have begun circulating about the Legion’s possible jump to the big screen, as Warner Bros.’ answer to Marvel’s Guardians of the Galaxy. Among the reactions to these rumors were Eric Diaz’s suggestions (at Nerdist) and The Beat’s conclusion that “I never got the Legion [but] this could be a charming and exciting film.”

To be sure, it’s way too early to evaluate the merits of a Legion film. Heck, there may not even be a Legion movie, if Batman v Superman underperforms. However, two things jump out at me from this coverage: First, the blockbuster Guardians has opened the door for adapting all sorts of superhero obscurities. Second, any adaptation must deal with — and most likely overcome — the Legion’s history (and history of reboots).

With regard to the latter, The Beat calls the feature “classic DC — a continuity-heavy series that has a smallish but rabid following, and a huge cast of characters who are sometimes oddballs”; and Nerdist notes that “DC has struggled to keep the book relevant” for most of the past 30 years.

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