Tim O'Shea, Author at Robot 6 @ Comic Book Resources - Page 3 of 25
Back in December 2013, Dark Horse revealed the covers for its May 3, 2014′s Free Comic Book Day offerings. One of those covers is for Project Black Sky featuring Captain Midnight and Brain Boy from cover and interior artist Michael Broussard.
Her narrative focus has shifted from Nurse Nurse‘s futuristic sci-fi vibe to the motorcycle road trip (and accompanying drama as well as conflict, plus a few nuns) of Operation Margarine. It was a delightful surprise to learn her new work’s connection to Roland Barthes’ Mythologies.
Archie Comics is in an unusual position among North American comics companies, as not only is a majority of its titles geared toward younger readers, but a majority of that audience is female.
Curious to learn how Archie maintains that readership, I reached out to President Mike Pellerito to discuss how he envisions the market for the company’s core kids line, and how he seeks to expand what it offers. Of course, the recent hiring of Roberto Aguirre-Sacasa as chief creative officer and his potential impact on the line became central to the discussion.
In the comments section, please be sure to answer Pellerito’s question to Robot 6 readers.
Few creators would consider drawing inspiration from My Fair Lady to retell the Frankenstein tale, only as one man’s quest to construct the perfect woman. Fortunately, there are few creators quite like veteran writer Jamie S. Rich and newcomer artist Megan Levens, the team behind the new comic series Madame Frankenstein.
Ahead of the series’ May 7 debut, I talked with Levens about, among many things, her nuanced examination of psychological horror. Madame Frankenstein #1 can be preordered using Diamond Code MAR140478.
“The message that we send when we don’t represent the broader culture in our stories is that ‘You are other.’ … As a community, as an organism, it is a thing that makes us ill. It is actually bad for us.”
– Kelly Sue DeConnick, writer of Captain Marvel and Pretty Deadly, speaking about the need to diversity the kinds of characters that appear in comics, at the “Broadening Comics Readership” panel at Emerald City Comicon
Large diesel-powered airships dueling in the sky. That basic concept caught my attention last week when I discovered the Kickstarter for Skies of Fire, a new comic created and written by Vincenzo (Vince) Ferriero and Ray Chou with art by Pablo Peppino.
To understand the full scale of the project’s plans, particularly given that the Kickstarter has already well exceeded its goal, I conducted a quick email interview with Ferriero and Chou.
The five-issue miniseries finds Brown teaming with writer Ales Kot to craft the new adventures of former Secret Avenger Jim Rhodes (while it is currently a miniseries, as noted in this late January tweet by Kot: ” … there is room for more if the series does well. We might just extend if so”). Given that Brown is a 2010 graduate of The Kubert School, I took the opportunity in this brief interview to also discuss that experience and its impact on him.
This week writer and photojournalist Seth Kushner launched the Kickstarter for Schmuck, his semi-autobio/anthology graphic novel about his quest to find love in New York City. While portions of the collection originally ran online at TripCity.net, even those aspects will be remastered and/or colored for the 168-page trade paperback.
This collection, which features the work of 22 artists, also marks the inaugural release of HANG DAI Editions. The HANG DAI imprint, which was founded in New York City by Gregory Benton, Dean Haspiel, Josh Neufeld and Kushner, focuses on “limited edition comix, graphic novels, and art books, with an emphasis on personal interaction at events, conventions, and signings”.
Typically a newcomer artist to comics doesn’t have a background of 25 years of experience in architecture, but United Kingdom-based Alison Sampson is not your typical creator. One realizes that after seeing her one-of-a-kind work on Genesis, her upcoming Image Comics graphic novella with writer Nathan Edmondson about a man who gains unlimited power, only for it to become his worst nightmare.
Naturally, I was curious to learn how an architect decided to explore working in comics; we discuss that among other topics in this interview.
Comics are a visual medium, and some images grab your attention at the outset. In the case of writer/artist Matthew Petz‘s War of the Woods, I liked the story from the moment I saw a live turtle being used as the otter Phin’s helmet.
The digital series, which reveals an alien invasion of Earth from the perspective of an animal kingdom, has completed two seasons (both Season 1 and Season 2 are available on comiXology) with more on the horizon. Petz recently took some time to discuss how the series came into being and some of his plans for Season 3.
It’s a cause for celebration any time Greg Rucka launches a new series, as he does Wednesday with Veil, the story of a girl who awakens with amnesia in an abandoned subway station. Teaming with Rucka on this new Dark Horse ongoing is artist Toni Fejzula. I challenge you not to read Veil once you see the eyes of the lead character as drawn by Fejzula — that and so much more about his art instantly caught my attention to the series. With this interview, I aimed to gain insight into Fejzula’s passion and approach for this new collaborative project. It’s an added bonus to learn he might be listening to Rock Lobster while drawing Veil …
The always-busy writing team of Jimmy Palmiotti and Justin Gray are back with a Kickstarter campaign for Denver, a 72-page original graphic novel for mature readers illustrated by Pier Brito. As with most things involving Palmiotti, there is an interesting angle to this particular project (his sixth Kickstarter) in that the creators have added a soundtrack to the story, written and composed by Hans Karl. Denver comes equipped with a direct story pitch: “… one man going against all odds to get back the woman he loves, all set in the not-too-distant future.” With 15 days left on the campaign, Palmiotti was happy to discuss this latest Kickstarter.
Many artists utilize Tumblr primarily as a promotional platform, but I find Dustin Harbin’s blog to be a little more layered, as he also uses it as a process/teaching tool.
He frequently shares pages from his sketchbooks, and includes the size of the pieces and the tools he used to draw them. Below are a few of his sketchbook pages.
As a lifelong Georgia resident, I can verify the state is relatively sedate for most of the year. However, this week, Winter Storm Leon blew into town and threw a monkey wrench in the lives of metro Atlanta residents as well as its myriad outlying cities/suburbs, which include Marietta, location of the editorial office of Top Shelf Productions.
As Publisher Chris Staros wrote on his Facebook page, he found himself amid the Interstate-75 chaos of gridlocked people trying to get home on Tuesday afternoon. To a certain extent, he considers himself one of the lucky ones, as he was able to exit the interstate and make his way down non-pretreated back roads to Marietta’s Hilton Hotel. That’s where he hunkered down for the next two days.
“A 2-day survival party commenced at the bar, and a good time was had by all my new friends who weathered the storm with me,” he wrote. “My heart goes out to all the people who had to sleep in their cars over night, or abandon them, or who got in wrecks, as it was a cold cold night, and a disaster all around. In any event, home safe and sound … and if you ever want to know what it’s like to ride a glacier, you can ask me. As, now I know!”
ROBOT 6 contacted Staros to make sure it was OK to recount his experience for readers. While catching up with him, it also proved a good chance to find out what’s on the horizon for the ever-busy publisher.
As someone who has covered the comic book industry to some degree since 1999 and been reading comics since 1977, I’ve been audience to a plethora of appeals by creators to support their projects. But none has caught my attention quite like that of A Voice in the Dark creator Larime Taylor, who draws with his mouth.
Earlier this month, in a Tumblr post, Taylor recounted how in 2012 he embarked on a pilot project through Kickstarter for A Voice in the Dark in the hopes he could ultimately connect the project to a publisher. In 2013 he succeeded, with it landing at Top Cow’s Minotaur Press imprint. But unfortunately, sales are lagging. He logically assumes part of the sales struggle is that he is an unknown name and that some potential consumers are less inclined to read a black-and-white comic.
Both factors are true. I’m ashamed to admit there are multiple independent comics that are released on a monthly basis that never catch my attention. I was surprised that this one in particular hadn’t, given Taylor’s unique talents — as well as the fact he was interviewed in late August by Comic Book Resources.