Tim O'Shea, Author at Robot 6 @ Comic Book Resources - Page 3 of 30
With Thanksgiving this week, it was sheer coincidence that I ran across Doomsgiving, a Tumblr hashtag used by Washington-based cartoonist and writer “Calamity” Jon Morris to celebrate his affinity for the Doom Patrol.
Morris, who also posted Doomsgiving pieces last year (in addition to being involved in a variety of unique side projects well worth checking out), has penned The League of Regrettable Heroes: Half-Baked Heroes from Comic Book History, set for release in June 2015). There are plenty more of his illustrations to enjoy on his Tumblr and on Behance.
POP, writer Curt Pires‘ collaboration with artist Jason Copland and colorist Pete Toms, wraps up this week with the release of Issue 4 from Dark Horse. One thing I consistently enjoy about Pires’ storytelling is how it works on two levels: You have a plot replete with action that always keeps the reader engaged, along with with a layer of subtext that invites deeper consideration.
In an interview with ROBOT 6, Pires allowed me to poke around both layers. Suicidal ideation, drug use and poetic terrorism are just a few of the concepts considered in POP, and in this interview.
As origins go, Jess’ latent seer powers to see demons being triggered by losing her virginity is one of the more unforgettable opens to a first issue I have read in quiet a while. That’s exactly how co-creator/co-writer/artist Michael Avon Oeming and co-creator/co-writer/colorist Taki Soma cut to the heart of their new Image Comics/Shadowline series, Sinergy.
Next week, BOOM! Studios’ KaBOOM! imprint launches Capture Creatures, a new ongoing series by writer Frank Gibson and artist Becky Dreistadt. It’s the latest evolutionary step for a property that began as a website with 151 Dreistadt paintings of cute creatures (inspired by Pokemon) before being Kickstartered as a 300-plus page collected edition with Gibson-written character descriptions.
In anticipation of the series debut, Dreistadt and Gibson shared six exclusive process pages with ROBOT 6 that follow the art from initial pencils (Dreistadt) to the inking stage (by Kelly Bastow), followed by colored pages by Tracy Liang and, finally, letters by Britt Wilson. Along with the process pages, Dreistadt and Gibson also detailed the influences and challenges behind bringing Capture Creatures to KaBOOM!
In case you weren’t able to make this year’s Thought Bubble: The Leeds Comic Art Festival, ROBOT 6 has rounded up snippets of the overall experience through social media. The festival, now in its eighth year, was held Nov. 9-16, ending with a two-day convention on Nov. 15-16. Beyond the final two-day event, Thought Bubble offered more than 80 comics-related opportunities — some in cooperation with the 28th Leeds International Film Festival.
This week marks the release of the final collected volume of Jack Katz‘s an epic series initially published in the 1970s and ’80s. Titan Comics began reissuing Katz’s magnum opus, which clocks in at an impressive 768 pages, in 2013. Each remastered volume was produced utilizing cleaned and restored art taken from high-resolution scans of Katz’s original art pages, as well as being completely relettered. Titan also provided background information on the history of Katz’s story, as well as extra material, such as character sketches as well as original drawings.
To mark the release, Titan Comics shared with ROBOT 6 some of the extras included in the final volume.
This February will mark five years since the release of Raina Telgemeier‘s Smile, the autobiographical graphic novel about her childhood from sixth grade to high school, partially documented by her orthodontia experience through those years.
Telgemeier’s teeth were forefront in her mind earlier this week as she visited her dentist, taking a couple of pictures while there, which she shared on her Instagram account.
Longtime readers of writer Fred Van Lente know well how much of a history buff he is. So it did not surprise me that his new ongoing series with artists Maurizio Rosenzweig and Moreno Dinisio, Resurrectionists, draws upon the past as a major fuel for the present day narrative. The creator-owned project builds upon the concept that certain people can utilize the knowledge and experience of their past lives.
While many creators use Twitter, not all of them do so to such a thorough degree as Janet K. Lee. The artist behind Return of the Dapper Men, Jane Austen’s Emma (for Marvel) and Lost Vegas shares commission pieces as well as works in progress and warmup sketches. Here are a few recent examples.
At Chris Brunner and Rico Renzi’s blog The Kids Stick Together, the artist and colorist have shared some behind-the-scenes pieces from their recent three-page collaboration with writer Jason Latour on Wolverine and the X-Men #11. The creators provide a great deal of insight, and rather than try to summarize it here, ROBOT 6 has cherry-picked a few fun items, with Renzi’s permission. He assured us they will do at least do one additional post analyzing another page in the very near future.
Late last week Children’s Healthcare of Atlanta (CHOA) marked the planned demolition of a 43-year hotel (and future site of its administration offices) with an event called Cape Day. The primary public face of the celebration was a 4-year-old former patient, DJ Pitts (aka Super DJ), who at age 3 accidentally ingested an industrial cleaner, resulting in a six-month stay at CHOA. While he was there, enduring more than 20 surgeries, he donned many different superhero capes to pass the time as he received treatment, to the delight of himself and everyone who met him.
UR collects a variety of Eric Haven‘s stories previously published in various anthologies, and draws upon many influences, including his love of classic comics, while swimming deep in the waters of absurdist humor.
Haven spoke with ROBOT 6 about what went into arranging this collection, how it landed at AdHouse, his hatred of dancing, and the comedic truism: “Explosive diarrhea is always funny.” AdHouse is offering a preview of the book, which will be released in December.
Often when one runs across an engaging new series, it is fairly easy to identify the prime factor that serves as the appeal/pull for the project. In the case of Tooth & Claw, the new fantasy series (replete with talking animals and magic) by writer Kurt Busiek, artist Ben Dewey and colorist Jordie Bellaire, no one factor can be identified.
For starters–in the “credit where credit is due” department, there would be no series had Busiek not initially conceived the series, prior to seeking out Dewey. Busiek has known since the initial 1994 success of Marvels that no matter how great a writer he may be, the lynchpin to a project’s success or failure is how effectively the artist interprets his script.
While still early in the month, ROBOT 6 decided to spotlight a handful of Aquavember pieces, including some by comics industry veteran (and faculty member at Ringling College of Art and Design) George Pratt and award-winning colorist Laura Martin.
11/8/14 Update: Since the initial post, I learned about Aquavember’s origin. Inspired by Inktober, artist Ken Meyer Jr. organized the inaugural Aquavember this year.As Meyer explained at this Aquavember page: “I created this page as a gathering place for #AquaVember, a place where you can show DAILY WATERCOLORS. … Do something, anything, in watercolor daily.”
Coming up Dec. 10, Valiant Entertainment will launch a new four-issue miniseries The Valiant, co-written by Jeff Lemire and Matt Kindt with art by Paolo Rivera. To mark its upcoming release, Valiant shared layout, penciled, inked and colored samples of the first four pages for the first issue.