Tim O'Shea, Author at Robot 6 @ Comic Book Resources - Page 3 of 26
As I noted in the intro to the first round of HeroesCon 2014 Day 1 photos, I tried to cover a lot of ground in taking photographs. It turns out I got around to so many people on the first day that I needed to split the photos into two posts. Now on with part II!
On the first day of HeroesCon 2014, the 32nd edition of the Charlotte, North Carolina, comics convention founded and still run by Shelton Drum, I tried to cover a lot of ground in taking photographs. When possible I found out about the current or upcoming projects in the pipeline for the creators photographed.
As a kid, The Phantom was one of my favorite comic strips. So last year, I was enthused when I learned that writer Jeff Parker was collaborating with artist Marc Laming on a miniseries called Kings Watch, starring Flash Gordon, The Phantom and Mandrake the Magician.
Ahead of the July release of the trade paperback collection, I spoke with Laming about the miniseries, and to briefly discuss how the project has opened the door for future work for him. My thanks to Laming for his time and to series editor Nate Cosby for facilitating the interview.
[Editor’s note: Every Sunday, Robot 6 contributors discuss “The best in comics from the last seven days” — from news and announcements to a great comic that came out to something cool creators or fans have done.]
I’ve been interviewing comic creators since late 1999–and I periodically like to read other people’s interviews to see nuances and angles I may be overlooking. One interviewer that always engages my interest and challenges me to reconsider my approach is Robot 6 co-conspirator Chris Mautner. Mautner is widely read and respected because of his talent and because of the myriad publications that offer him a forum.
This week, over at The Comics Journal, Mautner caught up with Operation Margarine’s Katie Skelly. Having interviewed her myself in April, I was eager to see what ground Mautner covered that I had not. He did not disappoint.
Seemingly every week a new Kickstarter project worthy of support attracts my attention. Last week, writer Travis Horseman made me aware of his campaign for Amiculus: A Secret History. Horseman, who characterizes himself as a incurable graphic novel junkie, clearly relished the opportunity to discuss his original, epic three-part graphic novel series telling a lost history of the fall of Rome.
At the beginning of the interview, I was curious to learn what Horseman meant by quasi-historical, and the discussion took off from there.
This is the Best of 7 for several weeks. Also I consider this making the best of a tough situation.
As previously reported, Seth Kushner is fighting leukemia and is going to need a bone marrow transplant. In the meantime, he has to be isolated and is away from his young son. To help ease the pain (for both father and son) of separation, Kushner is drawing daily superhero pinups for his son.
I received Kushner’s permission to run some of the sketches and promised him I would make folks aware of the National Bone Marrow Registry. In addition to needing matches, the registry will also take financial donations.
When two siblings work together on a comic, it creates a rare interview opportunity. The dynamics of a typical collaboration, with unrelated creators, when successful, means there’s a strong rapport between storytellers. But the link between two brothers, as in the case with Shobo and Shof Coker, means a level of candor and communication that I really wanted to discuss with the creators of Outcasts of Jupiter. Their formative years as children in Lagos, Nigeria, and its impact on their storytelling approach, was another area of interest for me.
Typically, I don’t interview a creator twice about the same project. However, David Liss is a writer whom I consider to be greatly undervalued; if you never read the Black Panther stories he did with Francesco Francavilla a few years ago, you should remedy that situation immediately. We initially discussed his creator-owned Angelica Tomorrow in 2012, but along the way publishing plans (and options available to Liss) expanded, and an opportunity presented itself to bring artist Allen Byrns into the discussion.
Thursday marks 10 years since the first 24 Hour Comics Day. In recognition of this milestone, Nat Gertler, who organized that first day and orchestrated the event annually through 2007, was more than happy to share his recollections of its formation. One detail that surprised was that the 2005 collection features the first sold story by award-winning artist Fiona Staples.
It doesn’t matter how many years I’ve read comics, on the eve for the launch of a new series that piques my interest, I always get pumped with excitement. Such is the case this week, given that writer Cullen Bunn and artist Dale Eaglesham‘s Sinestro #1 hits shelves on Wednesday.
The series marks a departure in style for Eaglesham as he pursues a darker, horror tone, an approach he discusses in this interview. He also discusses discusses the opportunity to digitally ink his art, being colored by Jason Wright, collaborating with Bunn, and looking forward for the chance to indulge in Kirby dots (aka Kirby Krackle).
Earlier this week many of us delighted at the reveal of Ming Doyle‘s homage to John Byrne’s classic X-Men #137 (Phoenix Must Die!). The commission was done for Rachel Edidin in anticipation of the first episode of Rachel and Miles X-Plain the X-Men, Edidin’s new podcast with Miles Stokes that debuts this weekend.
Back in December 2013, Dark Horse revealed the covers for its May 3, 2014’s Free Comic Book Day offerings. One of those covers is for Project Black Sky featuring Captain Midnight and Brain Boy from cover and interior artist Michael Broussard.
Her narrative focus has shifted from Nurse Nurse‘s futuristic sci-fi vibe to the motorcycle road trip (and accompanying drama as well as conflict, plus a few nuns) of Operation Margarine. It was a delightful surprise to learn her new work’s connection to Roland Barthes’ Mythologies.
Archie Comics is in an unusual position among North American comics companies, as not only is a majority of its titles geared toward younger readers, but a majority of that audience is female.
Curious to learn how Archie maintains that readership, I reached out to President Mike Pellerito to discuss how he envisions the market for the company’s core kids line, and how he seeks to expand what it offers. Of course, the recent hiring of Roberto Aguirre-Sacasa as chief creative officer and his potential impact on the line became central to the discussion.
In the comments section, please be sure to answer Pellerito’s question to Robot 6 readers.