Tim O'Shea, Author at Robot 6 @ Comic Book Resources - Page 3 of 26

Talking Comics with Tim | Shobo & Shof Coker on ‘Outcasts of Jupiter’

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When two siblings work together on a comic, it creates a rare interview opportunity. The dynamics of a typical collaboration, with unrelated creators, when successful, means there’s a strong rapport between storytellers. But the link between two brothers, as in the case with Shobo and Shof Coker, means a level of candor and communication that I really wanted to discuss with the creators of Outcasts of Jupiter. Their formative years as children in Lagos, Nigeria, and its impact on their storytelling approach, was another area of interest for me.

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Talking Comics with Tim: David Liss and Allen Byrns on ‘Angelica Tomorrow’

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Typically, I don’t interview a creator twice about the same project. However, David Liss is a writer whom I consider to be greatly undervalued; if you never read the Black Panther stories he did with Francesco Francavilla a few years ago, you should remedy that situation immediately. We initially discussed his creator-owned Angelica Tomorrow in 2012, but along the way publishing plans (and options available to Liss) expanded, and an opportunity presented itself to bring artist Allen Byrns into the discussion.

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Talking Comics with Tim | Nat Gertler on 10th anniversary of 24 Hour Comics Day

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Thursday marks 10 years since the first 24 Hour Comics Day. In recognition of this milestone, Nat Gertler, who organized that first day and orchestrated the event annually through 2007, was more than happy to share his recollections of its formation. One detail that surprised was that the 2005 collection features the first sold story by award-winning artist Fiona Staples.

In addition, Gertler briefly chats about his work on Kaboom’s Peanuts series, as well as his publisher search for Tess Fowler‘s Jenny’s City.

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Talking Comics with Tim | Dale Eaglesham on ‘Sinestro’

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It doesn’t matter how many years I’ve read comics, on the eve for the launch of a new series that piques my interest, I always get pumped with excitement. Such is the case this week, given that writer Cullen Bunn and artist Dale Eaglesham‘s Sinestro #1 hits shelves on Wednesday.

The series marks a departure in style for Eaglesham as he pursues a darker, horror tone, an approach he discusses in this interview. He also discusses discusses the opportunity to digitally ink his art, being colored by Jason Wright, collaborating with Bunn, and looking forward for the chance to indulge in Kirby dots (aka Kirby Krackle).

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Paul Smith reflects upon early days of his comics career

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If you’re like me, who only recently discovered that comics industry veteran artist Paul Smith has a website and is on Twitter, suffice to say you are in for a treat.

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Ming & Rachel explain the ‘Rachel & Miles X-Plain the X-Men’ pinup

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Earlier this week many of us delighted at the reveal of Ming Doyle‘s homage to John Byrne’s classic X-Men #137 (Phoenix Must Die!). The commission was done for Rachel Edidin in anticipation of the first episode of Rachel and Miles X-Plain the X-Men, Edidin’s new podcast with Miles Stokes that debuts this weekend.

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Building the Perfect Beast: Designing Dark Horse’s ‘Project Black Sky’ FCBD Cover

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Back in December 2013, Dark Horse revealed the covers for its May 3, 2014’s Free Comic Book Day offerings. One of those covers is for Project Black Sky featuring Captain Midnight and Brain Boy from cover and interior artist Michael Broussard.

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Katie Skelly on ‘Operation Margarine’

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April 2014 marks two years since the release of Katie Skelly‘s Nurse Nurse. In one of those great coincidences, this is also the month that sees the release of Skelly’s new book, Operation Margarine.

Her narrative focus has shifted from Nurse Nurse‘s futuristic sci-fi vibe to the motorcycle road trip (and accompanying drama as well as conflict, plus a few nuns) of Operation Margarine. It was a delightful surprise to learn her new work’s connection to Roland Barthes’ Mythologies.

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Talking Comics with Tim | Mike Pellerito on Archie’s kids line

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Archie Comics is in an unusual position among North American comics companies, as not only is a majority of its titles geared toward younger readers, but a majority of that audience is female.

Curious to learn how Archie maintains that readership, I reached out to President Mike Pellerito to discuss how he envisions the market for the company’s core kids line, and how he seeks to expand what it offers. Of course, the recent hiring of Roberto Aguirre-Sacasa as chief creative officer and his potential impact on the line became central to the discussion.

In the comments section, please be sure to answer Pellerito’s question to Robot 6 readers.

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Talking Comics with Tim | Megan Levens on ‘Madame Frankenstein’

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Few creators would consider drawing inspiration from My Fair Lady to retell the Frankenstein tale, only as one man’s quest to construct the perfect woman. Fortunately, there are few creators quite like veteran writer Jamie S. Rich and newcomer artist Megan Levens, the team behind the new comic series Madame Frankenstein.

Ahead of the series’ May 7 debut, I talked with Levens about, among many things, her nuanced examination of psychological horror. Madame Frankenstein #1 can be preordered using Diamond Code MAR140478.

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Quote of the Day | Kelly Sue DeConnick on diversity

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“The message that we send when we don’t represent the broader culture in our stories is that ‘You are other.’ … As a community, as an organism, it is a thing that makes us ill. It is actually bad for us.”

Kelly Sue DeConnick, writer of Captain Marvel and Pretty Deadly, speaking about the need to diversity the kinds of characters that appear in comics, at the “Broadening Comics Readership” panel at Emerald City Comicon

Vincenzo Ferriero and Ray Chou on ‘Skies of Fire’

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Large diesel-powered airships dueling in the sky. That basic concept caught my attention last week when I discovered the Kickstarter for Skies of Fire, a new comic created and written by Vincenzo (Vince) Ferriero and Ray Chou with art by Pablo Peppino.

To understand the full scale of the project’s plans, particularly given that the Kickstarter has already well exceeded its goal, I conducted a quick email interview with Ferriero and Chou.

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Talking Comics with Tim | Garry Brown on ‘Iron Patriot’

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If you’re not already aware of Garry Brown‘s art from Brian Wood’s The Massive, you’ll be introduced to his distinctively eye-catching work on Wednesday with the release of Marvel’s Iron Patriot #1 .

The five-issue miniseries finds Brown teaming with writer Ales Kot to craft the new adventures of former Secret Avenger Jim Rhodes (while it is currently a miniseries, as noted in this late January tweet by Kot: ” … there is room for more if the series does well. We might just extend if so”). Given that Brown is a 2010 graduate of The Kubert School, I took the opportunity in this brief interview to also discuss that experience and its impact on him.

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Seth Kushner on his ‘Schmuck’ Kickstarter

schmuck_2nThis week writer and photojournalist Seth Kushner launched the Kickstarter for Schmuck, his semi-autobio/anthology graphic novel about his quest to find love in New York City. While portions of the collection originally ran online at TripCity.net, even those aspects will be remastered and/or colored for the 168-page trade paperback.

This collection, which features the work of 22 artists, also marks the inaugural release of HANG DAI Editions. The HANG DAI imprint, which was founded in New York City by Gregory Benton, Dean Haspiel, Josh Neufeld and Kushner, focuses on “limited edition comix, graphic novels, and art books, with an emphasis on personal interaction at events, conventions, and signings”.

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Talking Comics with Tim | Alison Sampson on ‘Genesis’

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Typically a newcomer artist to comics doesn’t have a background of 25 years of experience in architecture, but United Kingdom-based Alison Sampson is not your typical creator. One realizes that after seeing her one-of-a-kind work on Genesis, her upcoming Image Comics graphic novella with writer Nathan Edmondson about a man who gains unlimited power, only for it to become his worst nightmare.

Naturally, I was curious to learn how an architect decided to explore working in comics; we discuss that among other topics in this interview.

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