Tim O'Shea, Author at Robot 6 @ Comic Book Resources - Page 4 of 25
As a lifelong Georgia resident, I can verify the state is relatively sedate for most of the year. However, this week, Winter Storm Leon blew into town and threw a monkey wrench in the lives of metro Atlanta residents as well as its myriad outlying cities/suburbs, which include Marietta, location of the editorial office of Top Shelf Productions.
As Publisher Chris Staros wrote on his Facebook page, he found himself amid the Interstate-75 chaos of gridlocked people trying to get home on Tuesday afternoon. To a certain extent, he considers himself one of the lucky ones, as he was able to exit the interstate and make his way down non-pretreated back roads to Marietta’s Hilton Hotel. That’s where he hunkered down for the next two days.
“A 2-day survival party commenced at the bar, and a good time was had by all my new friends who weathered the storm with me,” he wrote. “My heart goes out to all the people who had to sleep in their cars over night, or abandon them, or who got in wrecks, as it was a cold cold night, and a disaster all around. In any event, home safe and sound … and if you ever want to know what it’s like to ride a glacier, you can ask me. As, now I know!”
ROBOT 6 contacted Staros to make sure it was OK to recount his experience for readers. While catching up with him, it also proved a good chance to find out what’s on the horizon for the ever-busy publisher.
As someone who has covered the comic book industry to some degree since 1999 and been reading comics since 1977, I’ve been audience to a plethora of appeals by creators to support their projects. But none has caught my attention quite like that of A Voice in the Dark creator Larime Taylor, who draws with his mouth.
Earlier this month, in a Tumblr post, Taylor recounted how in 2012 he embarked on a pilot project through Kickstarter for A Voice in the Dark in the hopes he could ultimately connect the project to a publisher. In 2013 he succeeded, with it landing at Top Cow’s Minotaur Press imprint. But unfortunately, sales are lagging. He logically assumes part of the sales struggle is that he is an unknown name and that some potential consumers are less inclined to read a black-and-white comic.
Both factors are true. I’m ashamed to admit there are multiple independent comics that are released on a monthly basis that never catch my attention. I was surprised that this one in particular hadn’t, given Taylor’s unique talents — as well as the fact he was interviewed in late August by Comic Book Resources.
A few months back Utah-based freelance designer and comics artist Jake Parker revealed a series of Marvel characters he drew–Captain America, Wolverine and Iron Man among them — for his followers to enjoy. At that time, he asked readers to suggest other characters to add to the series. The past week and this week he revealed Spider-Man and Hulk pieces he completed in response to feedback.
It is particularly interesting to see how Parker uses one dominant color to tie each piece together with the respective characters’ costumes.
Wednesday marks the release of Furious, the Dark Horse superhero series from Bryan J.L. Glass and Victor Santos. As a follow-up to the interview ROBOT 6 conducted with the creators during our fifth-anniversary celebration, Dark Horse Associate Editor Jim Gibbons offered a look at the design process for the cover, promotional material and costume design.
Writer/artist Jimmie Robinson has been creating and publishing his stories through Image Comics for almost 20 years. Let that just soak in for a moment. Wednesday marks the resumption of Five Weapons, his now-ongoing series set in a high school for assassins, which launched as a five-issue miniseries, but it performed so well that Jim Valentino’s Image imprint Shadowline offered to make it a monthly.
In addition to discussing the transition from miniseries to ongoing with this week’s Issue 6, Robinson agreed to discuss the recent Image Expo and his larger industry realization that the loss of Dwayne McDuffie left a hole that has yet to be filled. He also addresses his intentions to return to the Bomb Queen universe as well as whether he would ever write for Marvel (in particular Rocket Racer) or DC (think Chase).
As part of the Five Weapons coverage, Robinson shared several upcoming covers, plus one in-process page from Five Weapons #7. Be sure to answer the question that Robinson poses at the end of this interview in the comments section.
During ROBOT 6′s Fifth Anniversary celebration, Mighty Avengers #6 artist Valerio Schiti kindly shared a sneak peak of his upcoming work, which hits stands on Feb. 5. We also posted more of his sketches on our Tumblr page.
Those sketches (as well as the art pages from the initial post) resonated with readers so strongly that Schiti was more than pleased to share additional sketches of Blue Marvel, Falcon (including a variant “classic” costume sketch) and Luke Cage that he had prepared.
Declan Shalvey’s friendship with Stephen Mooney stretches back nearly a decade, to before either Irish creator was well known in the United States. So when the Moon Knight artist pitched ROBOT 6 the idea of interviewing Half Past Danger creator Mooney about the hardcover collection, arriving Jan. 29 from IDW Publishing, we didn’t hesitate to say yes, thinking the conversation would offer terrific insight into their relationship, their careers, the Irish comics scene and, of course, Mooney’s Nazis vs. dinosaurs adventure.
As it turns out, we were right.
It shouldn’t be a surprise that, on the heels of September’s successful release of The Best of Milligan & McCarthy, there might be new work from Brendan McCarthy published by Dark Horse: On Wednesday, the four-part story The Deleted begins in Dark Horse Presents #32, dealing with the possibility of uploading the consciousness into a virtual world.
It’s rare that I interview a creator who can provide answers that open with the phrase, “Myself and Brett Ewins, Bryan Talbot and Alan Moore were the first people to start off the new era of comics in the U.K.,” so while I had the chance, we discussed more than his new story, thanks to McCarthy’s willingness to give his time (and samples of his myriad works, past and present).
Saturday is the deadline to get your order form for this month’s Previews catalog to your local comic book shop. With that date looming, Edison Rex co-creators Chris Roberson and Dennis Culver are hoping to make Edison Rex, Vol. 2: Heir Apparent one of the most-wanted trade paperbacks.
In fact, writer Roberson and artist Culver concocted an eye-catching wanted poster to drum up interest in the upcoming collection, which includes issues 7-12 of the Monkeybrain Comics digital series. The creative team was quite willing to discuss the latest news with me about the villain turned superhero.
Writer Justin Aclin has looked forward to today, as his Dark Horse miniseries S.H.O.O.T First comes to a conclusion with the release of the fourth issue. Four happens to be the magic number on more than one level, as Aclin notes that the storyline has been in development for four and a half years.
However, the end of the miniseries doesn’t mark the end of Aclin and artist Nicolás Daniel Selma‘s adventures with the S.H.O.O.T. First team. In fact, Aclin provided ROBOT 6 with a peek at art from the upcoming arc Dark Horse Presents, which in March with Issue 24.
As Aclin described it, “This page is the first time we’re showing art from the upcoming Dark Horse Presents story. Part 1 takes place 10 years in the past, where an earlier version of the team confronts a giant snake Outside Actor in the Everglades. You can see a younger Lord Byron taking aim here.”
Action Comics is quickly becoming a fan favorite since the creative team of writer Greg Pak and artist Aaron Kuder boarded the series. With the release last week of Action Comics #27, it seemed like a good time to interview Kuder and get him to explain how his experience as a budding electrician had an influence on Lana Lang’s current career choice of electrical engineering.
Last year writer/artist Jane Irwin executed a successful Kickstarter for Clockwork Game: The Illustrious Career of a Chess-Playing Automaton, a historical fiction graphic novel. I was curious to learn about her experience in getting the project successfully funded, and she was kind enough to answer my questions in this brief interview.
Our annual “Looking Forward, Looking Back” feature continues, as we ask various comics folks what they liked in 2013, what they’re looking forward to in 2014 and what projects they have planned for the coming year. In, this final round, we hear from Vito Delsante, Jacq Cohen, Mark Sable, Dean Haspiel, Joshua Williamson, Jordie Bellaire, Paul Allor, Adam P. Knave, Tim Gibson, Bryan Q. Miller, Nathan Edmondson, Ann Nocenti, Jason Latour, Paul Tobin, Ming Doyle, Jeff Parker, Francesco Francavilla and Gabriel Hardman.
And if you missed them, be sure to check out Part 1, Part 2, Part 3, Part 4, Part 5 and Part 6 where we heard from Jimmy Palmiotti, Tim Seeley, Chris Roberson, Kurt Busiek, Faith Erin Hicks, Tyler Kirkham, G. Willow Wilson and many more.
Two elements of Stuart Moore and Gus Storms‘ new Image Comics series EGOs make me exceedingly eager to read the first issue: the flawed marriage at the heart of the title (automatic fodder for great drama), and a foe that’s a living galaxy.
To get a better understanding of EGOs, which debuts Jan. 15, I pelted the creators with a series of questions. Moore has a grasp of the comics medium (and its unlimited potential) in a manner few others possess, so to say it was a delight to chat with him and Storms is an understatement. How strong is EGOs? As noted in our discussion, it has Saga writer Brian K. Vaughan as its guardian angel. What more needs to be said? Well, I’m a sucker for any series with a broken-down cyborg. I needed to say that.
When I set out to conduct an interview, particularly when it’s focused on one project, I usually expect the conversation to go in a certain direction. I concede that this Q&A with Zero writer Ales Kot surprised me in its ability to venture into a variety of topics, including genetic memory, synchronicity and the importance of honesty in branding.
Tim O’Shea: How early in the development of Zero did you realize you wanted to use a variety of artists?
Ales Kot: Pretty much right in the beginning, if I remember correctly. The choice was a storytelling decision and a way to work with many artists I am interested in at the same time. I believe a narrative doesn’t have to be conventional in the way it is depicted (i.e. one artist for the story) in order to achieve clear communication of itself. Clearly I am right but really how hard is that to figure out? People who read comics are smart and wonderful and hungry for new stories and new ways of telling them. We live in a world that carries easiness of sensory overload within itself and our encounters with said sensory overload can teach us how to modulate/expand our perceptions. We are mutants. My approach to Zero is that of acknowledging and embracing evolution as a gift. That is one of the reasons why a variety of artists is correct here. Another reason would be because I simply felt like it.