DC Reveals First "Dark Knight III: The Master Race" Cover
The nominees have been announced for the 2014 Ghastly Awards, which recognize outstanding achievement in horror comics.
Established in 2011, the awards are named in honor of “Ghastly” Graham Ingels, the late illustrator best remembered for his work on such EC Comics titles as The Haunt of Fear and Tales from the Crypt. Creators may submit their own work for consideration by the judges, who then choose the nominees in each of the 15 categories. Fan and creator voting will begin Feb. 9 on the awards website.
The nominees are:
CeCe Bell’s graphic memoir El Deafo today earned a prestigious Newbery Honor for outstanding contribution to children’s literature, while Mariko Tamaki and Jillian Tamaki’s This One Summer became the first graphic novel to receive a Caldecott Honor and only the second to be recognized with a Printz Honor.
The awards were announced this morning by the American Library Association at its Midwinter Meeting in Chicago.
The Angoulême International Comics Festival ended today, and while the winner of the Grand Prix d’Angoulême, Katsuhiro Otomo, was announced on Thursday, the closing ceremony brought the announcements of the official prizes of the festival.
The prize for the best comic of the year (Fauve d’or/Prix du meilleur album) went to Riad Sattouf’s L’Arabe du Futur, the first volume of an autobiographical trilogy about his childhood, which was spent in France and Syria. Chris Ware’s Building Stories was recognized with a special jury prize, which is not given every year, only when the jury wants to draw attention to a work of special merit. The best series prize went to Last Man, which First Second will be releasing beginning in March. And there was a special Freedom of Expression prize, Prix De La Liberté D’Expression, which honored the five Charlie Hebdo cartoonists who were slain on January 7; this prize will be awarded in future years to creators who have advocated for freedom of speech.
Here’s the complete list:
Akira creator Katsuhiro Otomo has won the Angoulême International Comics Festival’s Grand Prix, marking the first time a Japanese artist has received the event’s top honor. Just five non-Europeans have earned the award.
Jeremiah artist Hermann and Watchmen writer Alan Moore were also finalists for the award, presented annually in recognition of lifetime achievement to a living comics creator. The winner traditionally serves as president of the jury for the following year’s festival.
The Eisner Awards judges have selected Little Lulu creator Marjorie “Marge” Henderson Buell and Katy Keene creator Bill Woggon for automatic induction into the Will Eisner Comic Awards Hall of Fame.
Marge debuted the single-panel Little Lulu in 1935 in The Saturday Evening Post. She continued to write and draw the antics of the mischievous little girl until 1947, by which time Lulu was the story of a syndicated strip, comic books and animated shorts. Although Marge stopped drawing the comic, the retained creative control, finally selling Little Lulu to Western Publishing upon her retirement in 1971. She passed away in 1993 at age 88.
The GLAAD Media Awards are traditionally a fairly mainstream affair, with the Gay & Lesbian Alliance Against Defamation recognizing outstanding portrayals of the gay, lesbian, bisexual and transgender communities in works that reach a wide audience. Although in the past, the organization has honored the likes of Fun Home, Luba and Strangers in Paradise, the outstanding comic book category is typically heavy on superhero titles released by Marvel and DC Comics.
However, with the announcement this morning of the nominees for the 26th annual GLAAD Media Awards comes a couple of big surprises: Just one superhero series is singled out, and, for the first time since the comic book category debuted in 2003, there are no titles published by DC or its imprints.
After initially announcing he would decline the Angoulême International Comics Festival’s Grand Prix Award, Jeremiah creator Hermann has reluctantly altered his position.
“Under friendly but insistent pressure from publishers, fans and colleagues who don’t understand his position, Hermann changed his mind and seems now to accept the Grand Prix if he eventually wins it,” reads a statement posted this morning on the Belgian cartoonist’s official Facebook page.
The prize is presented annually to a living comics creator, with the winner traditionally serving as president of the jury for the following year’s festival. Calvin and Hobbes creator Bill Watterson received the honor in 2014, becoming only the fourth non-European to do so, but the famously reclusive cartoonist declined to attend. He did, however, create a poster for this year’s festival.
Tentative categories — they may be altered at the discretion of the judges — are: best short story, best single issue, best continuing series, best limited series, best new series, best publications for kids and teens, best humor publication, best anthology, best digital comic, best graphic album–new material, best graphic album–reprint, best reality-based work, best adaptation from another medium, best archival collection, best U.S. edition of foreign material, best writer, best writer/artist, best penciler/inker (individual or team), best painter (interior art), best lettering, best coloring, best comics-related book, best scholarly/academic work, best comics journalism periodical or website, and best publication design.
Publishers who wish to submit entries must send one copy each of the comics or graphic novels, along with a cover letter that includes what’s being nominated, and in what categories, and the names of the creators. Creators may submit works for consideration if their publisher is no longer in business or is unlikely to submit nominations itself.
Entries should be mailed to: Jackie Estrada, Eisner Awards Administrator, Comic-Con International, P.O. Box 128458, San Diego, CA 92112. Submissions for the best digital comic category can be emailed to Estrada. The full list of nominees will be announced in April.
Additional details can be found on the Eisner Awards website.
It’s deja vu all over again for the Diamond Gem Awards: Voted on by comics retailers, the winners this year look a lot like the 2013 lineup, with Image Comics and BOOM! Studios once again taking honors as top publishers in their divisions. Marvel was named top dollar publisher, DC Comics as top backlist publisher and Viz Media as top manga publisher — just like in 2012 and 2013.
The first issue of the widely acclaimed Ms. Marvel was honored as comic book of the year in the under $3 division, and Thor #1 was the choice among pricier comics. The Amazing Spider-Man #1 brought in the most dollars, however. My Little Pony: Friendship Is Magic was named the best all-ages comic of the year, Batman: Earth One took the honors as best original graphic novel, and Box Brown’s Andre the Giant was the best indie comic.
In terms of who got what, DC Comics won seven awards, Marvel won six and Dark Horse won three, including best anthology for Dark Horse Presents, another three-peat.
Here’s the full list of winners:
The finalists have been announced for the 2014 Children and Young Adult Bloggers’ Literary Awards, better known as the Cybils.
Established to recognize children’s and young-adult authors and illustrators, the Cybils are selected through a process that involves public nominations, publisher submissions and then, finally, a judging committee. The winners will be announced Feb. 14.
Here are the finalists in the graphic novel divisions:
Comic-Con International has announced the judging panel for the 2015 Will Eisner Comic Industry Awards.
The six-person committee will meet in early April in San Diego to select the nominees to be placed on the Eisner ballot, which will then be voted on by comics industry professionals. The judges are:
Guidelines for submitting materials will be released in early January; deadline for entries is March 17. The winners will be announced July 10 during an awards ceremony held in conjunction with Comic-Con International in San Diego.
The shortlist has been announced for the 2015 Stan Lee Excelsior Award and the new Stan Lee Excelsior Award Junior, whose winners are selected by students at secondary and primary schools, respectively, across the United Kingdom.
Established in 2011 by Paul Register, a school librarian in Sheffield, the Stan Lee Excelsior Award is designed to promote comics and to encourage children and teenagers to read. The Stan Lee Excelsior Award Junior is being introduced this year.
The winners — first, second and third place — will be announced in July. The nominees are:
Stan Lee Excelsior Award
The 42nd Angouleme International Comics Festival is coming up Jan. 29, and over the Thanksgiving holiday organizers announced the nominations for the four juried prizes: the Sélection Officielle (the general category), Sélection Jeunesse (young people), Sélection Patrimoine (classics and reprints) and Sélection Polar (mysteries and thrillers).
Angouleme lives up to the “international” part of its name, as many of the selections were first published in English, including Chris Ware’s Building Stories, Brian K. Vaughan and Fiona Staples’ Saga, and Jillian and Mariko Tamaki’s This One Summer.
See the full list below.
The winners of the third annual British Comic Awards were announced Saturday at the Thought Bubble Festival in Leeds, England. Two of the four awards went to titles published by Image Comics; all four of the winning works are readily available in the United States. Here are the winners:
Best Comic: The Wicked + The Divine #1 by Kieron Gillen, Jamie McKelvie, Matt Wilson and Clayton Cowles (Image Comics)
Best Book: The Encyclopedia of Early Earth by Isabel Greenberg (Jonathan Cape)
Young People’s Comic Award: Hilda and the Black Hound by Luke Pearson (Flying Eye Books)
Emerging Talent: Alison Sampson for her artwork on Genesis (Image Comics) and “Shadows” from the In The Dark anthology (IDW Publishing)
Hall of Fame: Posy Simmonds
Two years ago, when the first awards were announced, there was some discussion about the gender balance of both the committee that chose the books and the nominations themselves. Last year’s awards all went to men. This year, there were more women on the committee and more women on the shortlist, and the awards were split, with Simmonds giving the women the edge.