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At a special event held today at The Scholastic Store in New York City, the publisher premiered cartoonist Kazu Kibuishi’s new cover for Harry Potter and the Deathly Hallows, the seventh and final book in J.K. Rowling’s blockbuster fantasy series.
Announced in February, the new covers by the acclaimed creator of Copper, Daisy Kutter and Amulet were commissioned to commemorate the 15th anniversary of the U.S. release of Harry Potter and the Sorcerer’s Stone. The complete series of new trade paperbacks will be available Aug. 27, along with a new boxed set featuring Kibuishi’s renditions of Hogwarts and Hogsmeade. You can see that artwork below.
However, that’s not the end of the reveals, as new back covers will debut at the rate of one a day from Aug 1. to Aug. 7.
Scholastic unveiled the new cover by cartoonist Kazu Kibuishi for the sixth book in J.K. Rowling’s Harry Potter series, The Half-Blood Prince, during a party held last night at Comic-Con International in San Diego.
Announced in February, the new covers by the acclaimed creator of Copper, Daisy Kutter and Amulet were commissioned to commemorate the 15th anniversary of the U.S. debut of Rowling’s beloved fantasy series. The art for the seventh and final novel, Harry Potter and the Deathly Hallows, will premiere July 31 at a birthday party for the books.
The new editions will be available beginning Aug. 27, with a boxed set scheduled for release in September.
To celebrate the 75th anniversary of the world’s greatest superhero, Andrews McMeel Publishing The Superman Files, a hardcover tome described as “a complete, in-depth life story of the Man of Steel.” The 312-page book will arrive Nov. 5.
Compiled in the 31st century by Brainiac 5, better known as author Matthew K. Manning (DC Comics Year by Year: A Visual Chronicle, The Batman Vault), the book outlines Superman’s history, offering details about friends like Lois Lane, Jimmy Olsen and Perry White as well as facts about such enemies as Lex Luthor, Brainiac, Doomsday and Bizarro.
Among the features: secrets of the daily life of Clark Kent; Daily Planet newspaper articles and eyewitness accounts of Superman’s exploits; childhood mementos and journal entries; top-secret data known only to Superman; favorite destinations in Metropolis; surviving artifacts from Krypton; schematics for the Fortress of Solitude and technology used by Superman; files from Stryker Island Prison; and hundreds of images of Superman’s enemies and allies.
You can see a preview below. The Superman Files retails for $75.
Just hours after launching a Kickstarter campaign to fund a companion “field guide” to Atomic Robo, creators Brian Clevinger and Scott Wegener have already rocketed past their $7,500 pledge goal — by more than $16,000. The project was fully funded within two hours.
Tesladyne Field Guide isn’t a comic book, however: It’s a handbook for employees of the fictional Tesladyne Industries, founded by Atomic Robo, that tackles such topics as “How To Deal With Errant Dinosaurs,” “So You’ve Got An Evil Twin” and “Coping With Alternate Realities.”
While the book is certainly incentive enough for many Atomic Robo fans to donate, some of the pledge rewards may be a big draw. “We [...] figured if we were doing a Kickstarter, then we should throw in some crazy tiers and do stuff we would never do if we were just opening an online store,” Clevinger writes on the Kickstarter page. “So, we’re making campaign exclusive polos and lab coats and other goodies that we will likely NEVER MAKE outside the Kickstarter.”
The lower tiers feature prints, buttons, T-shirts and the like, but it’s when you get to the $250 level that things start to get fun: the “Junior Action Scientist Kit,” with lab coat and a Tesladyne polo shirt; the “Junior Doctor Dinosaur Kit,” with a lab coat (“slightly ruined), “Genuine Hollow Earth Crystals”; and so on (the rewards for the $500 tier and one of the $250 tiers are already gone). Clevinger also quickly added stretch goals, which the campaign has already surpassed.
“We’re choosing to err on the side of caution with regard to calling out our goals at this point,” Clevinger writes. “We’d rather not say or suggest or imply what we’re planning until we’re 100% certain we can make it a reality. ‘Cause otherwise we’re just jerkin’ your chains.”
The Kickstarter campaign ends Aug. 9.
Scholastic is doing a slow rollout of Kazu Kibuishi’s new covers for the Harry Potter novels, and today at LeakyCon, a fan convention in Portland, Oregon, Arthur A. Levine Books unveiled the third one, The Prisoner of Azkaban. Scholastic will release a boxed set of all seven Harry Potter books on Aug. 27, just shy of the 15th anniversary of the debut of the first volume, Harry Potter and the Sorcerer’s Stone.
Kibuishi, the creator of Copper and Amulet and the moving force behind the Flight anthologies, will be creating new covers for all seven of J.K. Rowling’s Harry Potter books, each one revolving around a crucial moment in the story.
Author and comic writer Brad Meltzer is working on a children’s book series, Ordinary People Change the World, which is being published under Penguin’s Dial Books for Young Readers imprint. The first book, I Am Amelia Earhart, which will be illustrated by Chris Eliopoulos, is due out next year.
But before the book can go to press, it’s going to need a cover, and Meltzer has taken to his blog to ask the internet to help pick the cover. He’s posted two options illustrated by Eliopoulos, so head over there to cast your vote.
Dead Pig Collector, the ebook by Warren Ellis that sports a wonderful Ben Templesmith cover, won’t be released June 18 as planned following the author’s split with his publisher.
“Due to continuing issues, I have today terminated my relationship with Mulholland Books,” Ellis announced Wednesday on his email list, which is also provided by the publisher and thus is being turned off. “Dead Pig Collector is cancelled (for now).”
The 99-cent short story was being offered for preorder on the publisher’s website and was about a character named Mr. Sun. “As far as Mr. Sun is concerned, the heart is just a pump. It’s an anatomical fact he knows quite intimately, and a key component of the knowledge base essential to his particularly devious line of work: murder for hire and body disposal<” the description on the page read. “Certain jobs, however, make it hard to keep this in mind. Like the one that’s brought him from cold, dreary London to sun-soaked Los Angeles, and connects Mr. Sun with a beautiful and perpetually curious woman who has to know everything about Mr. Sun’s methods.”
Mulholland published Ellis’ most recent novel, Gun Machine, in January. Hopefully, Dead Pig Collector will find another publisher soon.
Today at BookExpo America in New York City, Scholastic unveiled Kazu Kibuishi‘s new cover for the trade paperback edition J.K. Rowling’s Harry Potter and the Chamber of Secrets.
As we reported in February, the publisher turned to the acclaimed creator of Copper, Daisy Kutter and Amulet to illustrate seven new covers to commemorate the 15th anniversary of the U.S. debut of Rowling’s beloved fantasy series. Each cover will depict a memorable scene from the respective book; in this case, it’s Harry and the Weasley brothers riding in the flying car.
The entire collection will be released in September as a boxed set.
Ever heard of digital publisher Dog Boy Productions? Neither had I until I saw these earlier: Mike Mignola’s cover designs for a new edition of Carlo Collodi’s The Adventures of Pinocchio, and Scott Mignola’s Pinocchio’s Forgotten Land.
Digging about, it seems that Dog Boy was set up by Scott Mignola as “a small boutique publisher of new, rare, and out-of-print material in digital form.” Sounds promising, and having one of the greatest illustrators of a generation in the family can’t hurt, either. The pencils for the cover of the Collodi book can also be seen below.
Beyond a vague description of it as “a very silly children’s book,” we’ve been given scant details about Fortunately, the Milk, the upcoming collaboration between Neil Gaiman and Skottie Young (for the U.S. edition) and Chris Riddell (for the U.K. version). But at long last, the author has broken his silence in a video introduction from SFX.
“It’s the silliest, strangest, most ridiculous book I’ve ever written. And I’m damned proud of it,” Gaiman says. “It’s called Fortunately, the Milk. It’s the story of a father who goes out to bring back milk for his children and, at least according to him, on the way is kidnapped by aliens, kidnapped again by pirates, rescued by a stegosaurus in a hot-air balloon. He has a nearly fatal encounter with a volcano god, there’s a ridiculous amount of time travel. There are ponies. There are vampires, or possibly one-pires, there are interstellar dinosaur police, and there’s a happy ending. And fortunately for everybody, there’s milk. Can a container of milk save the universe?”
Officially announced in July as part of the author’s five-book deal with HarperCollins Children’s Books, Fortunately, the Milk will be released Sept. 17 in the United States, and in October (from Bloomsbury) in the United Kingdom. Watch the video below, and check out Skottie Young’s cover for the U.S. edition.
On the science fiction blog io9, Rachel Ariel Porte provides us with a great introduction to Raymond McDaniel‘s Legion Of Super-Heroes-themed poetry collection Special Powers And Abilities, along with a fascinating interview with the poet.
This was a book whose existence I was entirely in ignorance of until now, but has gone straight to the top of my Amazon wish list. McDaniel’s dropped-at-the-deep end introduction to Legion lore sounds remarkably similar to my own, when I bought LSH #300 on a whim as a youth. The interview reveals McDaniel as a writer with an amazingly thoughtful take on these characters, and a man throwing around as many mad ideas and as much maddening language as Grant Morrison. (“Consider us super-induced, added to that which is, enumerated perhaps to the point of being supererogative if never quite superfluous, each one of us supernumerary, all of us superhetrodyne, mixed, reactive, multiple, magical”).
The guy should be offered the job of writing a Legion comic for DC ASAP!
That sound you hear is the collective gasp of millions of J.K. Rowling fans as Scholastic unveiled the new cover for Harry Potter and the Sorcerer’s Stone by none other than Kazu Kibuishi, the acclaimed creator of Copper, Daisy Kutter and Amulet.
The cover is the first of seven illustrated by Kibuishi for the U.S. trade paperbacks commemorating the 15th anniversary of the U.S. debut of Rowling’s beloved fantasy series. According to Scholastic, each of the covers will depict a memorable moment from the respective book. The entire collection will be released in September as a boxed set. The American softcover editions have sported Mary GrandPré’s covers since 1998.
It’s really a shame that Golden Age artist Matt Baker was so relatively mysterious among his peers, as the historical importance of his influential work and his being one of the first and few black men working in comics at the time make him a figure a lot of people should want to know more about.
That there are so many question marks regarding Baker’s personal and professional life beyond his drawing table isn’t exactly a tragic thing, however. As editor Jim Amash notes during an interview included in his Matt Baker: The Art of Glamour, it meant Baker could be appreciated for his work more than any biographical details, as interesting and colorful as some of those may be .
Fred Robinson, Baker’s half-brother, puts it this way in the interview: “The reason that Matt got so much work wasn’t because he was black or white; he got it because he was good. It’s as simple as that. If you’re good, and you have what people want, they’re going to use you. You get hired. Jackie Robinson broke the color barrier mainly because he was good; he could play ball better than anyone else. He just happened to be black.”
Baker died in 1959 at just 38 years old, the victim of a lifelong heart problem, and therefore didn’t live as long as so many of his peers (some of whom, like the 90-year-old Stan Lee, are still working today), and didn’t even last long enough for the rise of a fan culture around comics, and the nostalgia-driven efforts to collect and chronicle the medium’s beginnings.