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UPDATE (8:14 a.m.): An FBI official has identified one of the gunmen as Elton Simpson of Phoenix, ABC News reports. The FBI had previously investigated Simpson for possible terrorism, and he was convicted in 2010 of lying to federal officials about the purpose of a trip to Africa. He is suspected of being the person who tweeted several times, once using the hashtag #TexasAttack, shortly before the event.
Two gunmen were killed Sunday evening after they shot a security guard outside a controversial contest and exhibit in Garland, Texas, devoted to cartoons of the Prophet Muhammad.
According to The Dallas Morning News, the two men pulled up in front of the Curtis Culwell Center, just as the event was ending, opened fire on a security guard and then were shot and killed by Garland police. The guard was taken to the hospital but was later released. Meanwhile, the bodies of the two gunmen remained in the street while the bomb squad was called to investigate their vehicle. The center was locked down, and nearby Walmart and Sam’s Club stores were evacuated.
MAD may be well past its 1960s heyday, but every once in a while the magazine shows that it’s still capable of surprising us with political satire and social commentary.
The most recent reminder is MAD‘s timely take of Norman Rockwell’s famous 1958 painting “The Runaway,” which memorably depicts a kindly state trooper talking to a little boy at a diner counter. In the magazine’s update, influenced by events in Ferguson, Missouri, and the subsequent debate about the militarization of local police forces, the officer isn’t the reassuring presence he might have once been.
Christopher Guest calls the cartoons in The New Yorker “the best cartoons in the world,” and for the past 17 years the person responsible for picking them all (and drawing some of them) has been cartoon editor Bob Mankoff. And in his new memoir How About Never?- – Is Never Good For You?: My Life in Cartoons, which goes on sale Tuesday, the Bronx native recounts how these popular comics are made and even the secrets to winning the magazine’s caption contest. Mankoff delves not just into his own process, but also others he’s worked with such as Saul Steinberg and Carl Rose.
Before he became well known as the writer and illustrator of charming children’s books, Dr. Seuss (aka Theodor Seuss Geisel) had another gig: He drew political cartoons. In fact, in the run-up to World War II, Seuss drew some fairly pointed cartoons accusing those who wanted to stay out of the war of being manipulated by the Nazis.
Alas, one stash of these cartoons is being kept firmly out of the public eye, as reporter Bill Sloat reveals in a fine piece in the Cincinnati City Paper: The Cincinnati Art Museum has five of Seuss’ political cartoons, all drawn for the left-leaning newspaper PM between 1939 and 1941, but they aren’t on exhibit, and the museum has no plans to put them on public display:
Cartoonist Matt Bors has made significant inroads for himself, political cartooning and comics journalism since taking on the role as editor of Medium‘s comics hub The Nib in September. And now in 2014, he’s taking it one step further: Bors has announced an all-star weekday lineup that will see “over 15″ new comics debut on the site each week. His new roster of weekly comics contributors are:
These days, it doesn’t take long between a news story breaking and a couple of comics artists posting some sketches in reaction. Here’s a couple that have shown up from members of the sketch blog Drawbridge, 2000AD mainstay Simon Fraser and Tim “Fahrenheit 451” Hamilton. Fraser isn’t the first comic artist to point how just how downright … Emperor Palpatine-like … Pope Benedict XVI had a habit of looking. To Hamilton, however, it seems like just another occasion to display his ongoing preoccupation with Moebius-esque conical headgear.