Comic Books Archives - Robot 6 @ Comic Book Resources
To help promote tonight’s episode of Arrow, The CW has returned to the series’ roots, with a one-page comic teasing the search for the latest threat to Starling City, Cupid.
Debuting in the closing moments of last week’s episode, where she immediately proved her deadliness, Cupid (aka Carrie Cutter) was introduced in 2009 in DC Comics’ Green Arrow/Black Canary #15, by Andrew Kreisberg and David Baron. Kreisberg of course went on to co-create Arrow and its spinoff The Flash (although he didn’t write tonight’s episode, “Draw Back Your Bow’).
Iron Man is one busy superhero. After teaming last month with pint-sized heroes Blue Ear and Sapheara to educate about hearing loss and cochlear implants, the Armored Avenger is now turning his attention to childhood diabetes.
Siemens Healthcare and Marvel Custom Solutions have partnered for Iron Man: Early Warnings, an eight-page comic in which Daisy and her elementary-school classmates visit Stark Industries, where Tony Stark unveils the prototype for his newest invention: the Heath-Y-Meter, a device that glows brightest when the wearer’s body is at its healthiest.
Filmmaker Christopher Nolan has collaborated with artist Sean Gordon Murphy on a short story to address one of the mysteries of Interstellar: What happened to Matt Damon’s Dr. Mann and his robot SKIPP on the other side of the wormhole?
Ahead of the release of the solicitations for February, Vertigo has unveiled the cover for the debut issue of Suiciders, the post-apocalyptic epic from Joker and Batman: Noel artist Lee Bermejo.
Originally announced in July 2013 for release later that year, Suiciders marks Bermejo’s debut as writer and artist on an ongoing series. Thirty years after a massive earthquake left Los Angeles in ruins, the city rises once more due to Suiciders, a television series that pits enhanced competitors against each other in bloody hand-to-hand combat using high-tech obstacles.
Bermejo illustrated the standard cover for the first issue, while Jock will provide the variant.
Aspen Comics has unveiled a redesign of its often scantily clad Fathom heroine Kiani, set to be introduced in February with the launch of the fourth volume of her series.
The update of the decade-old Michael Turner character comes courtesy of artists Giuseppe Cafaro (All New Fathom), Wes Hartman and Alex Konat (both of Fathom: Kiani fame).
“When Kiani was created in 2004, she was an instant hit with Aspen fans because of the depth of her personality and her unique character design,” Vince Hernandez, Aspen editor-in-chief and Fathom: Kiani writer, said in a statement. “And as our company and fan base continue to evolve, a new generation of readers will be introduced to this wonderful character, including a much larger female audience. We wanted to honor that spirit of progress by updating the look and feel of the series with an exciting new design.”
Dark Horse will celebrate the 200th issue of Dark Horse Presents in February with an 80-page installment that includes the first U.S. publication of “Masks,” a short story by Gone Girl author Gillian Flynn and veteran artist Dave Gibbons.
The story, about a mother turned masked vigilante, originally appeared in April as part of The Guardian’s celebration of the opening of the “Comics Unmasked: Art and Anarchy in the U.K.” exhibition at the British Museum. “Masks” marks Flynn’s comics debut.
Mickey Rourke’s turn in the celebrated 2008 drama The Wrestler showed just how real the “fake” world of professional wrestling can be, but there’s more than one story to be told.
Michael Kingston’s indie series Headlocked takes up that challenge, as it documents the struggles of young wrestling fan Mike Hartman as he attempts to break into the industry. Beneath the masks, costumes and colorful tights are men and women with real lives and real problems — something Hartman sees for himself when he’s taken under the wing of an aging wrestler named Mr. Destruction, who’s looking for a comeback.
It’s easy to imagine that news of Action Comics #1 selling for $3.2 million sent some people scurrying to the attic or basement for a copy they swore they saw somewhere, only for them to return empty-handed. However, a few may have unearthed what they thought was the Holy Grail of comics, only to later learn it was fool’s gold: a dreaded reprint.
The scenario has apparently occurs often enough to lead Heritage Auctions to produce a video explaining to (undoubtedly heartbroken) collectors how they can tell the difference between the genuine first edition and DC Comics’ 1974 Famous First Edition oversize reprint.
The upstart comics publisher Lion Forge has launched launched a new entry in the classic magical girl genre with its new series Crystal Cadets.
Created by writer Anne Toole and artist Katie O’Neill, Crystal Cadets follows a middle-school student named Zoe who’s gifted a magical crystal that gives her powers and membership in an elite but discreet sisterhood called (of course) the Crystal Cadets. Featuring members pulled from across the globe, this multicultural story shows these girls of all shapes, sizes and backgrounds learning and mastering special abilities in pursuit of a better life for themselves and their world.
Marvel is bringing readers to “the crossroads of food and comics” with “3 Course Comics,” a new video series in which C.B. Cebulski cooks up appropriately themed dishes for some of the publisher’s creators and editors. It’s part cooking show, part talk show.
Cebulski, Marvel’s vice president of international brand development, kicks off the series (and the meal) with a Japanese variation of Aunt May’s patented wheat cakes for a “Spider-Verse” conversation with The Amazing Spider-Man writer Dan Slott and editors Nick Lowe and Sana Amanat. “Web of Fate Pasta” is promised for the second course/episode.
Announced in June, the 296-page trade paperback collects The New York Four, the 2008 DC Comics/Minx graphic novel about four young women who move to New York City to attend New York University, and its 2010 sequel miniseries The New York Five.
Dark Horse will also collect the 12-issue Demo and its six-issue sequel, by Wood and Becky Cloonan, for release in April.
IDW Publishing will release print collections of titles from Thrillbent, the digital comics site founded by Mark Waid and John Rogers, beginning in the spring with Empire Volume Two and Insufferable. Under the partnership, IDW will also publish a new edition of the sold-out Empire Volume One.
Founded in 2012, Thrillbent is “an experiment in new-media publishing” whose lineup also includes The House in the Wall, Moth City, Everstar and Valentine.
The sequel to the series created in 2000 by Waid and Barry Kitson, Empire Volume Two continues the saga of Golgoth, the evil armored despot who defeated all of Earth’s heroes and conquered the planet. Insufferable, which Waid created with Peter Krause, explores what happens when a hero’s sidekick grows up and goes to war against his mentor, and what it would take to bring them back together for one final adventure.
DC All Access continues the celebration of the Dark Knight’s anniversary with “75 Years, 75 Batmen,” a visual journey through history, featuring art by everyone from Bob Kane and Sheldon Moldoff to Jim Aparo and Greg Capullo.
And while some of those panels underscore just how weird Batman comics were during the 1950s, I’m not sure that decade as anything on the ’90s. Those costumes!
Judge Dredd has crossed paths with Batman, Predator, the Xenomorph, Lobo and even Mars Attacks!, yet somehow Mega-City One’s finest has never run into the Man of Steel. But while Andy Diggle admits he doesn’t envision that changing anytime soon, the writer has an idea that may have fans pining for the heyday of the intercompany crossover.
“An object falls from space and crashes towards Mega-City One. The anti-missile lasers can’t seem to vaporize the thing, and it hits the ground and demolishes a fortunately uninhabited area of ground,” Diggle tells CBR News in an interview about the release of Predator vs. Judge Dredd vs. Aliens: Incubus and Other Stories. “Turn the page. Cue close-up of tech Judges in radiation gear looking down into this crater. Superman is lying at the bottom of it. He’s basically been blasted into a parallel dimension by a device created by Lex Luthor, which has partly depowered Superman.
“He’s not as super as he used to be, partly also because of all the pollution in the atmosphere of Dredd’s world. It’s called the death belt, this layer of pollution and junk thrown up in the upper atmosphere by nuclear war. It cuts out the sun’s rays, which depower Superman a bit. Dredd is not going to like having an illegal alien running around in his city. Superman is not going to be very keen on this fascist version of justice. It’s no longer truth, justice and the American way, because it’s no longer America: It’s Mega-City One, creep!”
And that’s only the beginning, he assures. Although he has the story plotted out, it seems unlikely DC Comics will be in crossover mode in the near future. But if that changes? Diggle would “absolutely” be up for it.
(Commissioned Dredd art by Kevin Levell)
After Robert Sage won a $13 million jackpot in the Florida lottery in 2001, he said he planned to build a two-story house with a tennis court and enough room to store his 300 superhero statues and 14,000 comic books. But on Tuesday, he found himself in a Jacksonville hotel, looking for bidders to buy his now 24,000-comic collection and settle his $123,432.06 tax debt.
He didn’t find any.
Oh, the IRS auction attracted collectors, The Florida Times-Union reports, but none thought the 22 bins of comics were worth anywhere close to the $200,000 Sage said two independent appraisers found they were worth.
“It looks like they have a lot of ’80s and ’90s,” one collector told the newspaper, noting newer comics don’t hold much value. And as their storage in bins may indicate, Sage was more of a reader than a collector, so the books aren’t in pristine condition. (You can see photos of part of the collection at the link.)
In the end, the 22 bins generated just $5,100 in bids, which were rejected by Sage. The IRS closed the auction and will now search for another way to collect the debt.
Sage, who didn’t pay his income taxes for two years, agreed in 2001 to receive $345,000 annually after taxes for 30 years rather than take a $7 million lump-sum payment. He told the Times-Union he used the money as collateral, and now doesn’t get as much money as he used to.