Stephen Amell Joins "Teenage Mutant Ninja Turtles 2"
Retrofit Comics is extending its early bird sale, allowing readers to subscribe to a full year of their comics for just $65, shipping included.
That includes original single-issue comics by Kate Leth, Olivier Schrauwen and Matt Madden, as well as some up-and-coming creators you probably haven’t heard of … yet. But wait! There’s more! They also throw in a free digital version of each comic (in PDF format) and two free gifts and you can have one of their 2014 comics sent to a friend! If that’s all too much, there’s also a digital-only option for $35.
Retrofit, which publishes single-issue alt-comics, was launched in 2011 by creator Box Brown with initial funding from a Kickstarter campaign. The idea is to allow creators to publish single-issue comics, which Brown sees as an important part of the creative process:
Writer Matt Fraction is no stranger to mixing a little bit of social activism into his comics work. But this weekend, the Hawkeye and Sex Criminals scribe is drawing attention to a charity not because of art he made but because of art he detests: Fifty Shades of Grey.
The international best-selling romance novel and its just opened film adaptation could charitably be described as having a complicated relationship with sexual violence. Or as Fraction put it on his blog, “So there’s a movie out this weekend based on books that romanticize, fetishize, glamorize and normalize abusive relationships…And while sex is great and finding someone into all the stuff you’re into is great, sex is not consent to violence, a relationship is not permission to abuse, and there are thousands of women and children who have to deal with that fundamental and erroneous misconstruing of truth and wild misinterpretation of love every day.”
In response to the fact that the film’s earning millions made him feel “a little sick to think about,” Fraction is planning on matching donations to the Futures Without Violence charity generated by the sale of Hawkeye merchandise on WeLoveFine.com between now and Monday. The proceeds of past t-shirt and messenger bag sales exceeded $2,000 for the charity that works to end violence against women. But if you didn’t get a chance to buy a “Hawkguy” product then (or are just grossed out by the Fifty Shades phenomenon), now is your chance to make your contribution count for double.
Long recognized as the birthplace of Superman, Cleveland may at long last get a statue commemorating the creation of the Man of Steel.
According to The Cleveland Plain Dealer, plans are under way to erect a 12-foot burnished-steel statue of Superman near the Rock and Roll Hall of Fame and Museum, about five miles from the house where teenagers Jerry Siegel and Joe Shuster dreamed up the superhero in the early 1930s.
Sculpted by David Deming, who’s been working on the project for nearly seven years, Superman will be mounted atop a 30- to 35-foot pedestal, with smaller, life-size statues of Siegel, Shuster and Lois Lane model Joanne Siegel looking up at him.
Todd McFarlane has unveiled a glimpse of a planned Spawn/Batman crossover that never saw the light of day. In what the Image Comics co-founder characterizes as “a bit of fate,” the project was to have been drawn by current Batman artist, and longtime McFarlane collaborator, Greg Capullo.
“Years ago there was a deal for DC Comics and myself to do a cool Batman/Spawn cross-over book (for those not hip to comic lingo, that’s a book in which both characters are in the same issue),” McFarlane writes in a Facebook post accompanying the long-lost cover. “I [was] to have written and inked it, while a talented penciller, Greg Capullo, was going to draw it. For a variety of reasons (mostly on my shoulders) the book never got off the ground, but a few pages and promo pieces were done for it. Below is one such piece drawn by Greg and inked by myself.”
Ahead of the debut of the Man of Steel’s new power and costume in Wednesday’s Superman #38, DC Comics has released a graphic charting the history of his abilities, from super-speed to flight to, now, super flare.
The conclusion of the “Men of Tomorrow” storyline by Geoff Johns, John Romita Jr. and Klaus Janson, the new issue apparently climaxes with the unleashing of what the writer calls “the most destructive power Superman has.”
Controversial ads on the sides of San Francisco buses that equate Islam with Nazism have been defaced with images of Marvel’s Kamala Khan, accompanied by slogans like “Stamp Out Racism.”
According to SFGate, these banners — only the latest purchased by blogger Pamela Geller’s American Freedom Defense Initiative — went up on buses on Jan. 9, and feature an image of Adolf Hitler and Palestinian Muslim leader Haj Amin al-Husseini, who opposed Zionism. With the headline, “Islamic Jew-Hatred: It’s In The Quran,” the ads encouraged an end to aid to all Islamic countries.
Amid efforts by relatives and colleagues to raise money for veteran Batman artist Norm Breyfogle‘s medical care, DC Comics appears to have rushed solicitation of Legends of the Dark Knight: Norm Breyfogle, Vol. 1.
The 54-year-old artist was hospitalized in mid-December following a stroke that paralyzed his left side, including his drawing hand. Breyfogle has no health insurance, and his savings was eaten away by the hospital stay, leading his brother and sister-in-law to launch an online fundraising campaign to help pay for months of care and physical therapy.
To date, the effort has generated nearly $86,000 of its $200,000 goal.
DC Comics had no comment about the collection or its timing, but the blog Collected Editions notes it hadn’t part of the publisher’s 2015 releases.
No details are known beyond the Amazon listing, which specifies a 520-page hardcover, set for release on July 7 for $34.35.
A fixture of DC from 1987 to 1995, collaborating with writer Alan Grant on Detective Comics, Batman and Shadow of the Bat. The folks at Collected Editions speculate what storylines might be included in the hardcover.
Much like DC Comics’ Legion of Super-Heroes, Marvel’s X-Men can seem a bit impenetrable. Readers have to contend not only with the team’s nearly 52-year history — minus that five-year period when no new stories were published — but also multiple titles, alternate universes and recons. Y’know, the usual stuff.
Luckily, IGN has produced “Every X-Man Ever,” a nearly 11-and-a-half-minute video infographic that is billed as “detailing everyone who ever joined Professor Xavier’s team of X-Men.” Naturally, that’s your cue to interject with, “But they forgot …”
If you prefer a text version, IGN has that too.
Grumblings that Marvel alters its comics to more closely resemble their on-screen depictions date back to at least 2001, when Grant Morrison and Frank Quitely put the X-Men in leather.
With the founding of Marvel Studios and the rise of the tightly knit Marvel Cinematic Universe, however, there are increasing complaints about continuity changes perceived to be in service to corporate synergy, most recently in the parentage of Quicksilver and the Scarlet Witch.
But in a wide-ranging interview with ICv2.com, Marvel Publisher Dan Buckley dismisses any assertion there’s a conscious effort to align continuity — “I think people like to jump to conclusions” — while acknowledging that of course the films are going to have some influence on creators.
“We all remember picking up our X-Men books in the ’70s, ’80s and ’90s,” he said. “The Professor would go in to put Cerebro on and he’d wear a helmet in a room, and whatever room that was and whatever it looked like was up to the artist du jour. But that room now, after the X-Men movie when he rolled into that big open area with the metallic globe that he is sitting inside of with the ramp, and then he puts the helmet on, you go into a Marvel comic now and that’s what that room looks like. The movie defined the mass market perception of what Cerebro looks like. The comics guys are looking at it and thinking, ‘That’s pretty cool, I think I’ll do that!’ So, to say that one medium does not influence the other a great deal would be lying.
The 2005-2006 DC Comics crossover Infinite Crisis may be best remembered for Superboy-Prime’s “continuity punch,” and for a staggeringly high body count. However, it turns out that figure could’ve been a little higher, and perhaps even more controversial.
While cleaning his basement, DC Comics Co-Publisher Dan DiDio uncovered the original whiteboard pages laying out the event’s timeline, as well as a “hit list’ (below), which is exactly what it sounds like — a rundown of characters marked for death.
“Always fun to see where we started now that we know where it ended up,” DiDio wrote on his Facebook page.
Two years ago this month, DC Comics announced that all of its April 2013 New 52 releases would be “WTF Certified,” its name for a series of gatefold covers poised to reveal surprising developments when folded out. The promotion drew some criticism, stemming from the fact that the “F” in “WTF” stands for a word you won’t find in any of DC’s superhero comics. Ultimately, while DC went forward with the gatefold covers themselves, the “WTF Certified” branding was abandoned.
Marvel showed they haven’t forgotten any of that with the release of a “WTD Certified” teaser image on Thursday afternoon, closely mimicking DC’s scrapped “WTF” logo. What exactly “WTD” stands for in this instance is unclear, though “What the Deadpool” is an easy first guess (he’s dying that month, after all). An answer should be coming soon — “WTD Certified” is tied to April’s releases, and Marvel’s solicitations for that month are likely to hit early next week. The full teaser follows below.
UPDATE 1/14/2014 4:25 PM PT: Kris Anka has clarified the nature of the scrapped project on his Tumblr, writing, “The sketches I posted were not for an official project to be published by Marvel. They were for an artists’ sketchbook that Kevin Wada and myself were going to pitch to Marvel for approval. Kevin and I decided to pull the plug on this project, not Marvel. We were proud of our work so far, so we wanted to share what we had done.”
If you were holding out hopes for a return of the Marvel Swimsuit Specials of the early 1990s, you’re about to be disappointed: Artist Kris Anka revealed that while he Kevin Wada were indeed working on a one-shot, that’s unfortunately no longer the case.
“I write to you today with the somber news that after a few months back and forth with the powers-that-be, circumstances have arisen that have forced us to stop production on this project,” he said on his blog, later adding, “While we are both disappointed that we can no longer work on this, there was no malice behind this decision. It is what it is.”
Ahead of the arrival of the landmark 250th issue, Todd McFarlane has unveiled “The Evolution of Spawn,” a graphic tracing the character’s numerous costumes, from the original design to the Greg Capullo-drawn Commando Spawn to Jonboy Meyers’ upcoming interpretation.
“And if you’re doing the math, that’s 24 YEARS. TWENTY-FOUR!!!!!!!!” McFarlane writes on Facebook. “It’s cool to look back and see how things have changed since 1992….it’s hard to believe we’re already coming up on our #250th issue.”
Titan Comics has provided ROBOT 6 with a first look at the new trailer for Scarlett Couture, the long-teased espionage-adventure series by Des Taylor.
Originally announced for release in October 2014, the comic will now debut April 29, bringing with it a healthy dose of high-octane spy action, with plenty of high fashion.
There’s a mountain of comic book projects that were solicited, advertised and told that never saw the light of day, and now we have one more lost treasure to add to that list: a Final Fantasy series by Kurt Busiek, Del Barras and Mike Mignola.
Commissioned by the defunct Disney imprint Hollywood Comics, the story was to be a four-issue adaptation of the video game Final Fantasy IV (released in 1991 in North America as Final Fantasy II). Busiek got the job by pitching an original story set in the Final Fantasy universe, with publisher Square (now Square Enix) then shifting him over to the adaptation of the then-forthcoming video game.