Comic Conventions Archives - Robot 6 @ Comic Book Resources
Fans attending this weekend’s SPACE, the long-running small press show in Columbus, Ohio, will have the first opportunity to see some of artist Nate Powell’s work on the forthcoming March Book Two.
March Book Two, as you can probably guess, is the followup to March Book One, and is written by Rep. John Lewis and Andrew Aydin. The well-received graphic novel, published by Top Shelf, is Lewis’ memoir of the civil rights movement. According to the creator, “Original pages from the forthcoming March: Book Two will be unveiled for the first time ever, and will be on exhibit near my table all weekend.”
Powell will also give a presentation about his upcoming projects on Saturay at 3 p.m., which include Rick Riordan’s The Lost Hero, a collection of comics called You Don’t Say, a new printing of Swallow Me Whole, an early look at his next solo book and “collaborations with acclaimed writers Scott Snyder and Van Jensen.”
In addition to Powell, SPACE will also host a ton of creators from the Midwest and beyond, including Matt Feazell, Ryan Claytor, Jimmy Gownley, John Porcellino, Carol Tyler and many more. Find the complete list here.
Dark Horse will bring three con-exclusive variant covers to WonderCon April 18-20, as well as two limited-edition hardcovers.
The first issues of both Buffy the Vampire Slayer Season 10 and Angel & Faith Season 10 each get a variant, by Tomb Raider art director Brian Horton and Angel & Faith artist Steve Morris, respectively. They cost $5 each, and you’re limited to five copies of each.
Usagi Yojimbo artist Stan Sakai has drawn a variant cover for Dark Horse’s upcoming The Witcher comic, based on the video game of the same name. All proceeds from the sale of this limited-edition variant will benefit Stan and Sharon Sakai.
Finally, they will be selling limited hardcovers collecting the recent Itty Bitty Hellboy miniseries by Art Baltazar and Franco, and The Last of Us: American Dreams by Faith Erin Hicks and Neil Druckmann.
Check out the covers after the jump.
If you’re out East and attending Awesome Con, you can find a variant cover for the Adventure Time 2014 Annual #1, which sports a cover by Ian McGinty. At Wonder Con, you can find several variant covers, including Bravest Warriors 2014 Annual #1 by Sam Lavagnino (he’s the voice of CatBug on the Bravest Warriors show), Herobear and the Kid: Saving Time #1 by Mike Kunkel, Lumberjanes #1 by Jess Fink and Translucid #1 by Dan Duncan.
Check them out below, along with BOOM!’s signing and panel schedules for each con. Both conventions are scheduled for April 18-20.
While everyone else is trying to get a hotel room for this year’s Comic-Con International, Conan O’Brien is already planning for 2015.
TBS has announced he’ll head to San Diego July 2-8, 2015 for a week of shows, marking the first time a late-night talk show has broadcast from the annual event. Conan will set up at the historic Spreckels Theatre, just minutes away from the San Diego Convention Center.
If you purchased badges for Comic-Con International but haven’t received an email directing you to the Travel Planners hotel reservation website, it’s time to begin frantically searching your spam folder. That’s because, as we noted Friday, the annual free-for-all for discounted rooms begins this morning at 9 PT. That’s, oh, two hours from now …
If you didn’t receive, or can’t find, that email with the website link, the URL should appear on the Comic-Con International hotel page after 9 a.m. At that time you can also call 1-877-552-6642 or 212-532-1660 for assistance.
Now that you’ve recovered from the 90-minute marathon for badges, it’s time prepare for the next hurdle on the route to Comic-Con International in San Diego: the annual melee for discounted hotel rooms. As the little bird at the convention’s Toucan blog tells us, reservations open Tuesday at 9 a.m. PT.
More than 70 hotels, from Downtown San Diego to the airport to Mission Valley, are part of the convention block, offering room rates ranging from $152 to to $375 per night — up slightly from last year — the July 24-27 event.
The Society of Illustrators has announced the programming schedule for the MoCCA Arts Festival, coming up April 5-6 at The 69th Regiment Armory in Manhattan. Sessions will occur in the lower level of the building and will be uploaded to the society’s YouTube channel sometime after the festival.
Programming was developed by Bill Kartalopoulos and includes sessions with R. Sikoryak, Ann Nocenti, Alison Bechdel, Howard Cruse, Fiona Staples, Joost Swarte, Art Spiegelman and many others.
Check out the complete schedule below. Admission to the festival is $5 and is part of a bigger week of programming in New York celebrating comics.
Saturday, April 5
11:00 a.m. – 6:00 p.m.
R. Sikoryak Presents: CAROUSEL for KIDS!
Acclaimed cartoonist R. Sikoryak brings a special KIDS’ edition of CAROUSEL, his long-running series of live comics readings and other projected pictures, to the MoCCA stage. Featuring James Kochalka (Johnny Boo, The Glorkian Warrior Delivers a Pizza), Trade Loeffler (Zig and Wikki, Zip and Li’l Bit Funnies), Neil Numberman (Do NOT Build a Frankenstein! Joey Fly: Private Eye), Melissa Mendes (Freddy Stories, Lou), and Colleen AF Venable (Guinea Pig, Pet Shop Private Eye) and more! Stories, gags, audience participation, and more, for kids of all ages.
Mary Turner of Getty Images and Carl Court of Agence France Presse captured some terrific images of cosplayers at London Super Comic Convention, which drew thousands of fans Saturday and Sunday to the Excel Centre. My favorite may be the troupe of dancing Predators, above, but there are plenty of other good ones below, from Iron Man posing with a pint-sized Captain America to Harley Quinn and Poison Ivy cosplayers Kia Sunda and Maria Grozova making sure their costumes and makeup are just right.
Badges for Comic-Con International 2014 go on sale this morning at 9 Pacific, kicking off the anxiety-inducing annual rite for tens of thousands of hopeful attendees.
This year sees a couple of major changes: First, of course, is the elimination of four-day badges, which organizers believe gives attendees more flexibility and will allow more people to attend each day. The second is the personal registration code, implemented to prevent ineligible members from entering the EPIC Registration waiting room and further bog down the process.
If you have a Member ID code but haven’t received an email containing your personal registration code and a link to the EPIC Registration landing page, you may want to take a peek in your spam folder. The landing page should be open now to allow hopefuls plenty of time to enter their code and authorize their device to enter the waiting room. (You don’t have to camp out there all morning, however; there are no advantages for being the early bird. As long as you’re there by 8:45 or 8:50 to do what you need to do, you’ll be fine.)
Toucan, the official Comic-Con International blog, has a lengthy Open Online Registration FAQ that will probably answer any last-minute questions you may have.
Good luck, everyone. We’ll be checking back in with frequent updates throughout the process (which last year went on for about 90 minutes).
With convention season getting into full swing — major events Emerald City Comic Con, WonderCon Anaheim and C2E2 arrive in rapid succession over the coming weeks — Oni Press has stepped up to provide what no con-goer will want to be without: convention penalty cards!
“Comic conventions should be bastions of unfettered fun, enthusiasm, and safety,” explains a post on the Oni Tumblr, but lately it seems like nary a con can go by without some complaint of uncouth or downright inappropriate behavior on the part of some attendees. While these cards are by no means a solution to a systemic problem, we hope they might prove useful should one find themselves in the damnable position of encountering said behavior.”
The general public finally gets its shot at badges for Comic-Con International on Saturday morning.
Organizers have announced open online registration will begin shortly after 9 a.m. PT; the EPIC Registration landing page will open two hours earlier to allow hopefuls to enter their personal registration code and authorize their device to enter the waiting room. (The personal registration code and a link to the landing page will be sent by email to those with Member IDs at least 24 hours before badges go on sale.)
Confused by mention of the “personal registration code”? It’s been implemented to prevent ineligible members from entering the EPIC Registration waiting room and further bog down the process. Details can be found here.
Organizers of the inaugural Capital City Comic Con in Austin, Texas, have apologized for a criticized promotional flier that depicts a close-up of Power Girl’s breasts with the slogan, “Everything is BIGGER in Austin,” saying, “We want everyone to feel safe at our convention and not feel offended.”
“In response to our prior ad campaign, the proper steps are being taken in regards to this situation,” reads a statement posted early Sunday on the event’s Facebook page. “Capital City Comic Con did not mean to offend or harm anyone, in any way. Our advertising department has been contacted and changes to our marketing material and plan are being made. [...] As for our future plans, we will no longer use the image of superheroes (or any character) in such fashion. We wish to apologize to anyone we may have offended with our initial promotional campaign.”
As recent controversies surrounding the successful Denver Comic Con and the canceled River-Con illustrate, organizing a comics convention is riddled with potential pitfalls. If you need further evidence, look no further than Julian Lawler, whose El Paso Comic Con has experienced more than its fair share of difficulties.
In a preview of this weekend’s event El Paso in Comics (EPIC), KFOX TV14 runs down the criticisms made against what Lawler characterizes as “the most scrutinized comic con in the country.” There apparently have been “many” instances in which celebrities (most recently Shannon Elizabeth) claim they’ve been wrongly promoted as appearing at the convention, which the organizer attributes largely “agent breakdown communication.”
Wizard World Inc., which debuted in January 2011 as a publicly traded company, reported nearly $11.2 million in convention revenues in 2013, but still claimed a $3.6 million net loss for the year.
According to documents filed today with the Federal Exchange Commission, those revenues amounted to an increase of 66 percent from 2012, attributed to the expansion from seven conventions to eight, and “management running better advertised, social media driven events resulting in an increase in attendance.”
Wizard World also increased ticket prices, as well as “the overall size and scope of each event,” leading to an average per-convention revenue of about $1.4 million (up 45 percent from 2012).
Comic-Con International has kicked off its “Early Bird Hotel Sale,” offering a limited number of rooms in Mission Valley and the airport area at special rates before general housing opens.
Beyond the geographic restrictions — no downtown rooms are included in the sale — there are some other notable conditions, including full, non-refundable “prepayment” at the time of the book. Nearly all of the hotels also require a minimum three- or four-night minimum stay. The early-bird rates expire on April 8, after which reservations are non-transferable.
Attendees staying Mission Valley and the airport area would need to take a 15- to 20-minute shuttle or cab ride to and from the San Diego Convention Center. Twenty-four-hour shuttle service to Comic-Con begins at 7 a.m. Thursday, July 24 and continues through 7 p.m. Sunday, July 27.