Comic Conventions Archives - Page 2 of 8 - Robot 6 @ Comic Book Resources
Naturally, the subject matter — the Sentinel of Liberty flinging his mighty shield in front of Willis Tower, now the second-tallest building in the United States — is no accident: Sure, the convention is held at Chicago’s McCormick Center, but there’s also the matter of Marvel Studios’ Captain America: The Winter Soldier, which opens just three weeks before the event.
Yesterday Comic-Con International announced it would sell only single-day badges for this year’s event, with the Preview Night option only being available to those who buy passes for all four days.
The change brought questions, the biggest being “Why?” — and on their blog organizers provided an explanation.
“The decision to move from a 4-Day badge option to single day badge options was to give each attendee more flexibility when purchasing,” the post reads. “Since we no longer offer a discount for purchasing all four days, the 4-Day option was repetitive and often lead to people purchasing a 4-Day badge despite not needing to attend every day. We hope this change will allow attendees to purchase only the days they truly need and maximize the number of people who can get a badge to attend Comic-Con.”
Comic-Con International organizers have announced that four-day passes will not be sold for this year’s event, and that the Preview Night option will only be available to those who buy badges for Thursday, Friday, Saturday and Sunday.
The news arrives just a month after preregistration was postponed until early this year so EPIC Registration could “fine-tune” the online system that so often frustrates would-be attendees. No specific time frame was offered for when preregistration will be open to those who bought badges in 2013, only “sometime in early 2014.”
Organizers of Stumptown Comics Fest have announced they will end the 10-year-old show as a standalone event and will instead move its panel programming and convention awards to Rose City Comic Con, which debuted last year. Stumptown Comics Inc., which achieved nonprofit status earlier this year, now plans to focus “more on its educational goals.”
“From the very beginning, Stumptown’s goals were to bring an artistic and educational focus on comics to Portland,” Shawna Gore, chair of Stumptown’s board of directors, said in a statement. “In those early days there was only one other comics convention in Portland, so the Fest eventually took the shape of a more mainstream-style show to give us a place to gather creators and fans together for our workshops and symposiums. But now Portland has multiple comic and pop culture cons. By partnering with Rose City Comic Con as a venue to present both our programming and our awards, we can focus on new ways to pursue our organizations educational mission.”
Two and a half weeks after informing attendees that pre-registration for Comic-Con International 2014 wouldn’t occur in November, organizers have announced they’re postponing the process until early next year to “fine-tune” the online system.
“Although we have been working around the clock with EPIC Registration, there is still room for improvement,” states the new update on the convention’s blog. “Because we want to have as fully developed a product as possible we have decided to postpone Comic-Con 2014 badge preregistration until early next year. We know this is a disappointment and are sincerely sorry for the delay. However it really is our hope to avoid some of the issues we’ve had in the past and the additional time will allow us and EPIC to best address those issues.”
Organizers say the hope to implement new features, including a shopping cart that “should allow you to hold available badge inventory for all members of your party during your registration session,” single-session purchasing for multiple badges, a unique registration code to help weed out the landing page and waiting room, and extensive load-testing.
Comic-Con International 2014 will be held July 24-27 in San Diego.
Organizers of Salt Lake Comic Con, whose sold-out inaugural show in September attracted a reported 70,000 attendees, have announced two events for next year: Salt Lake Comic Con FanXperience (April 17-19), and the second annual Salt Lake Comic Con (Sept. 4-6), both at the Salt Palace Convention Center in Salt Lake City, Utah.
“Fans in and around Utah have spoken and made it clear that one event a year is not enough,” Dan Farr, the convention’s producer, said in a statement. “This FanX will build upon the accomplishments of the first Comic Con and has expanded into virtually the entire Salt Palace Convention Center. With continued support from the fans we can rival the largest Comic Cons in North America.”
The success of the first show, characterized as Utah’s most well-attended convention, reignited discussion of a new mega-hotel in downtown Salt Lake City. The proposed $350 million project, which would have been funded in part with tax dollars, was narrowly defeated by the state legislature in March.
The Walking Dead star Norman Reedus will headline April’s FanX, joined by his co-star Chandler Riggs, Star Trek: The Next Generation cast members Brent Spider and Marina Sirtis, X2 actress Kelly Wu, and Firefly actor Adam Baldwin.
I attended the first-ever Comic Arts Brooklyn festival on Saturday. The show, organized by Desert Island owner Gabe Fowler, is the offspring of the Brooklyn Comics and Graphics Festival, which came to an end earlier this year zafter Fowler and the other organizers – Dan Nadel and Bill Kartalopoulos – decided to part ways.
Despite the different name, CAB (as it quickly came to be known) had a much similar feel and demeanor to BCGF, not terribly surprising since it was in the exact same location and featured many of the same exhibitors (along with some new faces of course). All of which is to say that CAB was a thoroughly enjoyable show, rich in the breadth and variety of small press work on display.
I pulled a number of photos and tweets taken during the show from the ether (OK, really just Storify) to give folks a sense of what the show was like. Enjoy.
Attendees at Saturday’s Comic Arts Brooklyn will have the opportunity to support a great cause and get their hands on some cool Paul Pope art. The Comic Book Legal Defense Fund will be at table D11 selling, among other things, a limited-edition Paul Pope Battling Boy print. In addition, Larry Marder (Beanworld) and Jeff Smith (Bone, RASL) will be at the booth signing autographs.
Check out the full print below. Comic Arts Brooklyn takes place Saturday from 11 a.m. to 7 p.m. at the Mt. Carmel Church on 275 N. Eighth Street in Brooklyn.
Stan Lee’s Comikaze Expo returns Friday to the Los Angeles Comic Convention Center with a guest list headlined by the likes of John Romita Jr., Jhonen Vasquez, RuPaul and, of course, Lee himself.
It’s the third year for the pop-culture convention, which began in 2011 as Comikaze Expo before it was re-branded through a partnership with POW! Entertainment. It was purchased last year by trade-event organizer Advanstar. The first installment attracted about 35,000, a number that increased last year to more than 50,000.
Not that long ago, the convention circuit would have been easing into hibernation around this time of year, with the former Mid-Ohio Comic Con — held over a typically frigid Thanksgiving weekend in Columbus — signaling the unofficial end of the season, leaving the remainder of the year to scattered one-day dealer shows.
However, nowadays once-sluggish October and November now boast pretty full schedules, and this weekend is no exception, with Detroit Fanfare in Dearborn, Michigan, Alamo City Comic Con in San Antonio, Texas, and Cola-Con in Columbia, South Carolina.
Described as “just bigger, better and more geared to the fans of all ages,” the fourth annual Detroit Fanfare has expanded to take over the Adoba Hotel of Dearborn/Detroit (formerly the Hyatt Regency Dearborn). “There’s two full rooms of nothing but comics and the entire south end of the hotel’s dedicated to the periphery of the comics culture in what we call the Bizarre Bazaar,” convention founder Dennis Barger Jr. tells the Press & Guide. “We’re keeping it separate but still within our convention. People who love the entire culture will have the whole first floor to enjoy and the comics purists will have the north end.”
In response to New York Comic Con’s controversial use of attendees’ Twitter accounts to send promotional messages, and the implementation of technology allowing organizers to track individual badges, a staff member for a leading digital-rights group has written an open letter asking all pop-culture conventions to “protect our secret identities.”
New York Comic Con reportedly attracted more than 130,000 attendees over four days, meaning the six-year-old event is now roughly the same size as Comic-Con International, which has had to cap attendance because of space limitations. Last year, NYCC drew about 116,000 people; in 2007, its inaugural event, there were just 15,000.
ICv2.com receives the news from Lance Fensterman, global vice president of organizer ReedPOP, who lays out some of the changes this year, including a reduction in the number of three-day passes (allowing more new people to attend each day), and the use of RFID (radio-frequency identification) to try to clamp down on fraudulent badges and badge-sharing among exhibitors.
“I think we had wildly underestimated our fraudulent ticket issue,” Fensterman told tells the website. “We had the exact same number of ticketed people per day as last year, but if you looked at the common spaces, they were 40 percent less congested. We had a pretty big counterfeit problem.”
You can add Charles Schulz to the long list of artists who have been featured in IDW’s Artist’s Edition series. Along with the Jim Steranko S.H.I.E.L.D. and Captain America editions, the Dave Gibbons Watchmen edition and Jack Kirby’s New Gods edition came the news that IDW will release a Peanuts Artist’s Edition.
“Having grown up with Charlie Brown, Linus and his blanket, Snoopy and the Red Baron…I could not be happier about bringing them into the IDW family,” said Ted Adams, CEO and Publisher of IDW Publishing, in a press release. “In the world of comic art, it does not get any bigger than Peanuts.”
Today at New York Comic Con, IDW Publishing announced two Artist’s Editions dedicated to Jim Steranko’s landmark work on Nick Fury, Agent of S.H.I.E.L.D. and Captain America. The news accompanied the unveiling of plans for Jack Kirby’s New Gods: Artist’s Edition and Dave Gibbons’ Watchmen: Artifact Edition.
Arriving in May, The Steranko Nick Fury: Agent of S.H.I.E.L.D. Artist’s Edition will feature the artist’s initial 12 stories from Strange Tales #151-162. That will be followed at an as-yet-undetermined date by The Steranko Nick Fury and Captain America Artist’s Edition, collecting the remaining Fury stories from Strange Tales #163-168, plus issues 1, 3 and 5 from Nick Fury Agent of S.H.I.E.L.D. In addition, it will Steranko’s three issues of Captain America.Nearly all of the pages were shot from original art in Steranko’s personal collection.
“I probably have the distinction of making the least amount of work making the most amount of noise,” Steranko said during today’s IDW panel. “You’ve heard of the blues artist Robert Johnson? Twenty-nine recordings. That’s how many comics I did, 29 issues, and I sold my soul to Stan Lee. [...] As an artist, I’m inclined to see all the mistakes I’ve made along the way. Thankfully, there are other people who see something else.”
Dark Horse revealed today at New York Comic Con that it will publish Bad Blood, a five-issue vampire story by Bram Stoker Award-winning author Jonathan Maberry and Eisner Award-winning artist Tyler Crook (B.P.R.D., Petrograd).
“Bad Blood tells the story of Trick, a teenage slacker on the losing side of a fight with cancer,” Maberry, author of Ghost Road Blues, said in a statement. “When he’s attacked by a vampire, he figures it’s game over. Except that the chemo drugs in Trick’s blood poison the vampire. As punishment, the vampires begin slaughtering everyone Trick loves. So he goes hunting for the vamps to try to destroy them. His only superpower? The chemo drugs in his system are deadly to the undead. His only ally? A heroin-addicted Goth chick. Bad Blood brings the pain in a downbeat tale of heartbreak, loss, and courage.”
Bad Blood debuts Jan. 1.