Comic Strips Archives - Robot 6 @ Comic Book Resources
More than a year after city council approved the proposal, officials in Dundee, Scotland, today unveiled the sign for Bash Street, honoring the long-running comic strip from The Beano.
Created by U.K. cartoonist Leo Baxendale, the strip debuted on Feb. 13, 1954 as When the Bell Rings before becoming The Bash Street Kids in 1956. DC Thomson & Co., the Dundee-based publisher of The Beano, asked city council in November 2012 to name a previously unnamed road in the Marketgait area after the comic.
The renewal of Garry Trudeau’s Amazon Studios comedy Alpha House means there won’t be any new weekday Doonesbury strips until at least fall. New Sunday installments will continue to run for the time being.
The Pulitzer Prize-winning cartoonist announced in May he would take a summer sabbatical to work on Alpha House, a political satire about four senators who share a home in Washington, D.C. New Sunday strips reappeared in September, but daily versions were delayed until November; according to the Chicago Tribune, vacation repeats began running this week.
“As I discovered last year, the demands of producing the show are considerable, and my efforts to return to the daily strip while we were still in production had to be abandoned,” Trudeau said in a statement released this morning.
He declined to offer a return date, saying, “There’s no way of knowing how many seasons of Alpha House lie ahead. I could be back drawing Doonesbury full-time in the fall.”
However, Trudeau acknowledged to The Washington Post that the break from Doonesbury may have a price: “A hiatus comes with uncertainty, of course: I can’t assume I’ll be welcomed back a year or two from now.”
We’ve seen cartoonist Bill Watterson’s advice transformed into words of inspiration, but this may be the first time one of his strips has been used in a courtroom.
The Rochester, Minnesota, Post Bulletin reports that when it came time last week to give instructions to a jury considering the case of 20 silica sand protesters charged with trespassing, Winona County Judge Jeffrey Thompson turned to a classic Calvin and Hobbes comic.
The family of the late Dick Tracy creator Chester Gould has donated a collection of his original comics strips and other materials to Ohio State University’s Billy Ireland Cartoon Library & Museum.
The collection includes more than 850 original Dick Tracy daily strips, 64 Sunday strips and the drawing board on which Gould wrote and drew the comic for 46 years. Continue Reading »
While we eagerly await the release of Gene Luen Yang and Sonny Liew’s graphic novel The Shadow Hero, a revival of the Golden Age superhero the Green Turtle, Tor.com has posted a seven-part prequel strip by the duo that originally appeared in the comics anthology Shattered. It’s a nice preview of what we can expect from the book, to be published by First Second.
Created in 1944 by artist Chu Hing, the Green Turtle appeared in only a handful of adventures before fading into obscurity. According to Yang, Hing intended for his hero to be of Chinese-American.
“His publishers didn’t think that would fly in the marketplace,” Yang said in a video released last fall, “so Chu Hing reacted in this really passive-aggressive way: He drew those original Green Turtle comics so that we never see the hero’s face. Whenever the hero is on a panel, we almost always just see his cape. Whenever he is turned around, something is blocking his face. [...] Rumor is that Chu Hing did this so he could imagine his hero as he originally intended, as a Chinese-American.”
Check out another installment of the strip below, and read the whole series at Tor.com.
Although The New York Times doesn’t feature a comics section, it has a long been receptive to comics, history of being receptive to comics. In Sunday’s edition, the newspaper launched a new comic strip by Get Your War On‘s David Rees and Tales Designed to Thrizzle‘s Michael Kupperman. The creators, whose work has been covered previously by The Times, have done their first strip, “Identity Crisis,” satirizing the changing face of political cartoons. For years the Sunday edition has featured a weekly comic by Brian McFadden, but there’s been no word if Rees and Kupperman’s new strip is a replacement or if they’ll both be published in a new schedule.
Here’s Rees and Kupperman’s debut:
Mindy Kaling is best known for her show “The Mindy Project” and her time playing Kelly Kapoor on “The Office,” but did you know she also wrote and drew a comic strip called Badly Drawn Girl during her college years at Dartmouth? The strip — credited to Kaling before she changed her name — ran daily in campus newspaper The Dartmouth from 1999 to 2001, and riffed on everything from campus culture and social groups to academic advisors and dining halls.
Check out some samples of Kaling’s college work below, and head over to the Badly Drawn Girl tumblr for more.
Cartoonist Ron Wimberly is a busy man — but not too busy to try something new.
For the past few weeks, the Prince of Cats creator has been working with Nike and advertising agency Weiden & Kennedy comic strip about Detroit Lions’ wide receiver Calvin Johnson. Launched in September, Calvin & Johnson tells the story of Calvin and how he uses his alter ego (named Johnson) to help manage his life off the field and unleash his speed on the field. The Johnson alter ego is more than just another side of Calvin, as Wimberly states it’s played — in comic form — by rapper/media mogul P. Diddy. If that doesn’t sound like a traditional comic, that’s on purpose; Wimberly says that’s one of the reasons he chose to do it.
“What’s cool about this job is that it’s a comic that you won’t find in a comic book store. It’s not about superheroes,” he told ROBOT 6. “Hell, it’s kind of in the style of yonkoma manga. It stars people of color, made by a person of color. And it’s produced by Nike; they see the value in the medium for everyday folk who are not necessarily initiated in the language of comics. And none of that was deliberate … just happened that way. So that’s cool … rare, but hopefully not for long.”
Alison Bechdel, who’s acclaimed now for her graphic memoirs Fun Home and Are You My Mother?, was previously best known for Dykes to Watch Out For, her long-running comic strip that chronicled the lives of a group of lesbian friends (it’s also where the frequently referenced “Bechdel test” originated, although she didn’t coin the term). In 2008, after more than two decades, she placed the strip on an indefinite hiatus to work on her second memoir; however, the cartoonist soon suggested other factors — a shrinking number of gay and alternative weeklies, a changing political climate — contributed to her decision.
But just how indefinite was that hiatus? Asked by Comic Book Resources in 2009 about a possible return to the comic, Bechdel said, “I don’t mean to be coy. I just doubt that it’s going to be really viable. I was able to eke out a living from it for a long time, but I just don’t know if that’s going to continue to be possible. For various reasons, I had to take a break from it. I’m not saying I won’t go back to it, I just think it’s doubtful.”
Now, more than four years later, she’s reconsidering that stance.
After 63 years, military cutbacks have finally hit Camp Swampy.
Stars and Stripes, the newspaper serving the U.S. military community, announced this week it has dropped Mort Walker’s Beetle Bailey from its daily print edition as the average number of pages shrinks from 40 to 32 due to a number of financial factors that include Department of Defense sequestration cuts and a declining readership.
The newspaper also expects to eliminate an estimated 40 staff positions worldwide next year amid a reduction in print operations “as it tries to accelerate a shift toward digital distribution.”
In the grand Internet tradition of combining one thing you like with another thing you like, the blog This Charming Charlie matches panels from Charles Schulz’s legendary comic strip Peanuts with the lyrics of ’80s alternative rock pioneers The Smiths. The results range from funny to poignant — fitting, given both of the source materials.
Feeling the need to expand your comics knowledge? Worried that you don’t know Rodolphe Topffer from Rudolph the Red-Nosed Reindeer? Fearful that you might make a serious gaffe at your next sequential arts cocktail party?
Good news, help is on the way: The Sequential Artists Workshop, or SAW, located in Gainesville, Florida, is holding an online class on the history of comics. Taught by John Ronan, the class will go from the 1750s through the birth of the comic strip in the early 2oth century, with a focus on early humor magazines like Puck and Judge.
The class begins Aug. 27 and will be held live on Tuesdays, from 11 a.m. to 1 p.m., through Dec. 20. The cost is $99.
The one-panel cartoon, titled “Divine Intervention,” depicts a trio of angels confronting God with a list of how his behavior affects others, ending with, “… and then there was the weekend bender when you reached rock bottom and created man.” It’s not the stuff of such anodyne comics-page mainstays as Family Circus or Garfield, but it hardly seems offensive.
Yet the editor of the Paris, Tennessee, Post-Intelligencer donned sackcloth and ashes in reaction to a phone call from a displeased reader. “We won’t repeat its irreverent humor, accusing God is sinning — let’s just say we were horrified that we didn’t pay attention to it in advance, when we should have refused to publish it,” states the editor’s note in Wednesday’s paper. “We apologize to all our readers offended by this particular comic strip. And we’ll try to do a better job of ensuring it doesn’t happen again.”
You would think being the editor of a newspaper’s comics page, in which all the content is provided by the syndicates, would be the world’s easiest job, but in fact, it’s well known to be a headache, especially when the editors try to change something. T
his recent article from the Capitol Journal, titled “There’s nothing funny about changing the comics page,” could be put under glass at the Smithsonian as the purest example of all such editorials, a perfect distillation of all the necessary elements: reader revolt at the removal of a moribund comic (in this case, Dennis the Menace), introduction of four new comics (they’re good, people, give them a try), and finally, the editors’ courageous stand against Peanuts:
Jack Chick is best known as the creator of Chick Tracts, the little religious comics that predict dire fates for those who celebrate Halloween, read Harry Potter books, or adhere to any religion not approved by Chick. But how did he get his artistic chops?
At the Billy Ireland Cartoon Museum & Library Blog, Caitlin McGuirk posts a fascinating selection of Chick’s pre-tract comics, a caveman series from the 1950s titled Times Have Changed? Like The Flintstones and BC, both of which came later, the comics use modern-day gags in a caveman setting. The writer was P.F. Clayton, and Chick handled the art.