Comics A.M. Archives - Robot 6 @ Comic Book Resources

Comics A.M. | ‘Attack on Titan’ will likely end in three years

Attack on Titan, Vol. 14

Attack on Titan, Vol. 14

Creators | Attack on Titan creator Hajime Isayama estimates that the blockbuster manga series will end in three years. “I’d like to end things quickly, with a tight pace of story developments,” he told Japan’s Da Vinci magazine, “and then I always end up feeling like I should qualify that with a ‘but,’ so for now, I can’t say anything more specific.” [RocketNews 24]

Conventions | Nigeria, the largest economy in Africa, has a thriving entertainment industry, and comics are blossoming there as well. At The Beat, Deji Bryce Olukotun interviews Ayodele Elegba, co-founder of this past weekend’s Lagos Comic Con, about the popularity of comics, what makes the Nigerian comics scene different from others, and the ever-present problem of piracy. [The Beat]

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Comics A.M. | Roz Chast discusses her National Book Award nod

Roz Chast

Roz Chast

Creators | Cartoonist Roz Chast talks about her memoir Can’t We Talk About Something More Pleasant? landing on the 2014 longlist for 2014 National Book Award. It’s the first time a graphic novel has been nominated in that category, and Chast is the only woman on this year’s list. When The Wall Street Journal noted that, between this nomination and Alison Bechdel’s MacArthur “genius grant,” “it’s a good day to be a female cartoonist,” Chast replied, “I totally agree. Actually my first thought was just it’s good for cartoons, for the graphic form.” [Speakeasy]

Creators | Alex de Campi talks about her pioneering digital comic Valentine, widely regarded as the first long-form comic to make extensive use of digital techniques. She doesn’t think the medium has come too far since then: “We’re all still in the shallow end, congratulating each other for getting our feet wet. There’s been no significant innovation since us. The DC and Marvel stuff is still based on half-page increments so it can go to print. The Madefire stuff I have seen (not a lot, maybe it’s gotten better) is just embarrassing motion comics. It pisses me off because there is so much more to be done. And I want to do it. But it would take an investor, or a very daring multi-media entertainment company. And big entertainment companies are many things, but daring is not one of them.” [Digital Spy]

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Comics A.M. | Graphic novel sales up 10% in bookstores this year

Saga, Vol. 1

Saga, Vol. 1

Graphic novels | Sales of graphic novels are up 10 percent so far this year compared to the same period in 2013, according to Neilsen BookScan, which tracks sales in bookstores and other general retail channels. In terms of unit sales, that’s about 5.6 million books sold this year, as opposed to 5.1 million in 2013. The trend is echoed by Diamond Comic Distributors’ numbers for the direct market, which show graphic novels up 3.8 percent in dollars and 5.8 percent in unit sales year to date. [Publishers Weekly]

Creators | Alison Bechdel is having a busy week: Following the news that she has been awarded a prestigious MacArthur Foundation fellowship, she announced her new book: The Secret to Superhuman Strength, a memoir of her obsession with exercise and a history of American fitness fads, to be published in 2017 by Houghton Mifflin Harcourt. [The New York Times]

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Comics A.M. | ‘The 99′ creator discusses fatwa, death threats

The 99

The 99

Creators | In an article translated from an Arabic newspaper, The 99 creator Naif Al-Mutawa discusses what life has been like since a fatwa was issued earlier this year in Saudi Arabia against the animated adaptation of his comic: “You can imagine the call I had with my parents and my children when the front page of Kuwait’s leading daily newspaper quoted various death threats. ‘Look on the bright side,’ I told my parents, ‘This shows the impact of The 99.’” He ends on a chilling note: “Why would anyone invest in media content if the producers can be sent off to the public prosecutor’s office and potentially serve jail time? Isn’t it just easier to keep dubbing Turkish, Mexican and American dramas? And if we keep doing that, aren’t we diluting our culture?” [The Beat]

Censorship | The Hartford Courant published two of the most influential editorials of the great comics scare of the 1950s — one was reprinted by Readers’ Digest — so it’s appropriate that David Hajdu, author of The Ten Cent Plague, will visit the city next week during Banned Books Week. This article includes an interview with Hajdu and an excerpt from a 2008 interview with former managing editor Irving Kravsow, who wrote one of the scare pieces. [The Hartford Courant]

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Comics A.M. | Longtime retailer Steve Koch passes away

Steve Koch

Steve Koch

Passings | Customers and family mourn the passing of Steve Koch, longtime owner of Comic Headquarters in St. Louis, who died Aug. 31 of a suspected heart attack. He was 55. “He knew the true value of a comic book was in the story and the art, not as it being a collectible,” said his wife Carla, whom he introduced to comics with a copy of X-Men #1. Koch’s customers praised him for running a store that was welcoming to everyone, no matter what their tastes; some have been shopping there since they were children. [Riverfront Times]

Crime | Police in Lexington, Kentucky, believe the man who robbed a local comics and hobby shop D20 Hobbies late last month is also behind three other robberies. In all cases, the robber wore a clown mask and indicated he had a weapon but didn’t show one. D20 owner James Risner was puzzled at first as to why anyone would rob a comic shop, but he speculates the thief didn’t realize his business had taken over from the previous tenant of the site, a Quick Cash store. “I guess he figured we had a lot of money,” Risner said. “Thankfully we didn’t have that much.” [Lex18.com]

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Comics A.M. | Pulitzer-winning cartoonist Tony Auth passes away

Tony Auth

Tony Auth

Passings | Tony Auth, editorial cartoonist for The Philadelphia Inquirer from 1971 to 2012, died Sunday at age 72. Auth, who won both the Pulitzer and Herblock prizes during his lengthy career with the newspaper, began drawing as a child, when a lengthy illness confined him to bed for a year and a half. He graduated from UCLA in 1965 with a bachelor’s degree in biological illustration, and worked as a medical illustrator for a time. He began his cartooning career doing a weekly cartoon for a local alternative newspaper and then started drawing a thrice-weekly cartoon for the UCLA Daily Bruin. He left the Inquirer in 2012 to pursue digital cartooning and became the Digital Artist in Residence for WHYY’s News Works. In addition to his cartooning work, he illustrated 11 children’s books. His editorial cartoons have been collected into two books, and Temple University has begun fund-raising for an archive of his work. Michael Cavna has a roundup of tributes from Auth’s colleagues at Comic Riffs. [The Philadelphia Inquirer]

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Comics A.M. | This weekend, it’s Small Press Expo

SPX

SPX

Conventions | With the 20th Small Press Expo kicking off Saturday in Bethesda, Maryland, The Washington Post’s Lori McCue singles out three of the show’s biggest draws: appearances by Jules Feiffer, Lynda Barry and Bob Mankoff. Meanwhile, Michael Cavna spotlights Fear, My Dear, the new release from convention guest Dean Haspiel. [The Washington Post]

Creators | As he prepared to head out to Small Press Expo, Farel Dalrymple paused for an audio interview about his newest book, The Wrenchies, which will debut at the show. [Comics Grinder]

Creators | Writer Tom Taylor teases what we can expect in his new Superior Iron Man series. [Previews World]

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Comics A.M. | Axel Alonso on Marvel’s female superheroes

Ms. Marvel #9

Ms. Marvel #9

Publishing | Admitting that “I don’t think men are as sexualized as women” in Marvel comics, Editor-in-Chief Axel Alonso says the publisher is moving toward including more types of female characters: “We believe there’s an audience of women out there who are hungry for this and we want to make sure they get it. This is affirmative action. This is capitalism.” Later he states, “I challenge you to find in Ms. Marvel anything that resembles the Playboy model standard. But I don’t want to be Mr. Goody-Two-Shoes. We’re creating stories. I don’t want to say there’s no room for stuff that’s not just fun. Then you’re censoring yourself. I want to make sure I have books like Ms. Marvel and Black Widow that I’m proud about and could give to my daughter. But at the same time I don’t want to be the PC police and say you can’t be naughty; you can’t be fun.” [The Telegraph]

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Comics A.M. | Canadian man jailed for watching illegal anime porn

Crime

Crime

Legal | A 54-year-old man was sentenced this week in a Quebec court to 60 days in jail for watching pornographic anime featuring characters that appeared to be minors, a violation of Canadian law. A former private security guard, Regis Tremblay admitted he watched the cartoons several times in January 2012 out of “curiosity” while working at Canadian Force Base Valcartier, north of Quebec City. Investigators say they discovered 210 “hentai” files from a hard drive, and 501 “incriminating” web addresses from Tremblay’s browser history. Following his jail sentence, Tremblay will have to register as a sex offender. [Canoe]

Conventions | Richard Bruton notes that the Dublin International Comic Expo (DICE) has taken the unusual step of posting a link to its harassment policy at the top of its home page. “Having a quick look around it’s the only comic event/festival/expo/con site to feature it so prominently,” he writes. “Some make mention of their policies in FAQ or About sections, but as far as I know DICE is the first to do so this way.” He does take issue with one vaguely worded item in the policy, though: “In particular, exhibitors should not use sexualized images, activities, or other material.” [Forbidden Planet]

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Comics A.M. | Salt Lake Comic Con attendees were mostly local

Salt Lake Comic Con

Salt Lake Comic Con

Conventions | Salt Lake Comic Con may have achieved near-San-Diego proportions in just two years, with an estimated 120,000 attendees, but most of those seem to be locals, according to Scott Veck of Visit Salt Lake: Just 800 hotel rooms were booked through the local tourist organization, as opposed to 3,000 for the big Outdoor Retailers trade show. About 15 percent of Salt Lake Comic Con attendees were from out of state. [Fox News 13]

Creators | Mumbai, India, editorial cartoonist Kanika Mishra was infuriated when controversial religious leader Asaram Bapu said the victim of a highly publicized gang rape shared responsibility for the crime. When the news broke that Asaram was accused of raping the 16-year-old daughter of one of his followers, Mishra drew a series of cartoons about it — and then, when his supporters threatened and harassed her, she drew about that, too: “I decided not to send this message that I am afraid of these goons. I made more and more cartoons on Asaram as his followers abused and threatened me.” Mishra is one of two recipients of this year’s Cartoonists Rights Network International Award for Courage in Editorial Cartooning. [India West]

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Comics A.M. | Salt Lake Comic Con draws a reported 120,000

Salt Lake Comic Con

Salt Lake Comic Con

Conventions | Attendance at the second annual Salt Lake Comic Con was estimated at between 120,000 and 130,000, putting it on a par with the big shows like Comic-Con International in San Diego and New York Comic Con. Even better, Stan Lee proclaimed it “the greatest comic con in the world” (but he probably says that to all the shows). [The Salt Lake Tribune]

Conventions | The scale of the first Las Cruces [New Mexico] Comic Con was considerably smaller, with expected attendance of 3,000 to 5,000, but organizers were pleased with the event, which featured a Yu-Gi-Oh! tournament, a Comic Strip Burlesque show, and appearances by Jim Steranko, Power Rangers stuntman Jason Ybarra, and the 1966 Batmobile. [Las Cruces Sun-News]

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Comics A.M. | The changing demographics of comics industry

Saga, Vol. 1

Saga, Vol. 1

Comics | Almost half the attendees at this year’s Comic-Con International in San Diego were women, writes Yael Kohen in an article about the growing importance of women to the comics industry. He cites statistics showing that young women are the fastest-growing segment of the comics audience, talks to Image Comics President Eric Stephenson and a woman who works in a comic shop, and mentions the enduring popularity of manga and Marvel’s recent introduction of more interesting female characters. With all that material to work with, it’s too bad he started with a lead right out of the 1950s, something about a fashion show at Comic-Con, as if that’s what all those women were there for. [BloombergBusinessweek]

Creators | Writer Jen Van Meter discusses her newest project, Valiant’s first female-led series, The Death-Defying Doctor Mirage. [Hero Complex]

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Comics A.M. | Why two dealers paid $3.2M for ‘Action Comics’ #1

Action Comics #1

Action Comics #1

Comics | Vincent Zurzolo of Metropolis Collectibles explains why he and his partner Stephen Fishler were willing to pay a record $3.2 million last month for a pristine copy of Action Comics #1: “We feel very confidently this was a good price and that we will be able to sell this for a profit. We really believe in the strength of the comic book market and that it has a long way to go.” Zurzolo also talks about how he built up his business, starting out selling comics at conventions at the age of 15. [The Hollywood Reporter]

Legal | More trouble for Square Enix over the gamer manga Hi Score Girl: Publication was suspended last month following allegations the series, which runs in the Japanese magazine Monthly Big Gangan, had used characters owned by the game company SNK Playmore without permission. Now it turns out Square Enix asked permission from Sega to use characters from its Virtua Fighter game, but then went ahead and published the story before permission was granted. Sega executives “strongly objected” but took no further action and did grant the permission, reasoning it would be good publicity for the game. [Anime News Network]

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Comics A.M. | Warner Bros. plans buyouts, possible layoffs

Warner Bros.

Warner Bros.

Business | DC Entertainment parent company Warner Bros. is expected to offer buyouts to an unspecified number of employees as part of an effort to increase profits following a disappointing summer at the box office. The cuts are thought to be spread across the film, television and home entertainment units; if not enough workers accept buyouts, unnamed sources contend the studio may resort to layoffs. Warner Bros. wouldn’t comment on the report. [Bloomberg]

Legal | Hirofumi Watanabe has filed an appeal in Tokyo District Court, seeking to overturn his conviction on charges of sending threatening letters to venues and retailers linked to the Kuroko’s Basketball manga and anime series. Watanabe admitted to all the charges on his first day in court, and after he was sentenced to four and a half years in prison, he said, “I’m glad to accept the ruling so I can live over four years in prison,” so this is a reversal for him. [Anime News Network]

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Comics A.M. | Books-A-Million sees growth in graphic novel sales

Books-A-Million

Books-A-Million

Retailing | Books-A-Million had a good second quarter, and CEO Terry Finley gives at least part of the credit to graphic novels: “We also saw strong growth in the graphic novel category, with continued success with titles related to AMC’s The Walking Dead series and a renewed interest in several manga series [that] drove sales increases.” And to boost that, the retail chain, which operates more than 250 stores nationwide, is planning Marvel promotions throughout September. [ICv2]

Conventions | Salt Lake Comic Con co-founder Dan Farr is trying to measure how much money attendees are spending. In terms of hotel beds, at least, the convention seems to be dwarfed by trade shows, but with people coming to Salt Lake City from 48 states for the recent spinoff event FanXperience, that may be changing. Still, even in San Diego, attendees spend only about $600 per person; if Salt Lake attendees are similarly thrifty, the convention may not be a significant player in the Salt Lake City convention scene. [The Salt Lake Tribune]

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