Comics Art Archives - Page 2 of 16 - Robot 6 @ Comic Book Resources
Coming up Dec. 10, Valiant Entertainment will launch a new four-issue miniseries The Valiant, co-written by Jeff Lemire and Matt Kindt with art by Paolo Rivera. To mark its upcoming release, Valiant shared layout, penciled, inked and colored samples of the first four pages for the first issue.
Fans of Gabriel Hardman‘s Kinski get a double treat this week, as the original Monkeybrain run of the series wraps up with the digital release of Issue 6, while at the same time Image Comics has collected all six issues in a $14.99 trade paperback.
To mark the occasion, ROBOT 6 reached out to Hardman for any bonus material he was willing to share . He obliged us with a rejected cover. He also offered the following explanation:
As a longtime fan of both writer Jamie S. Rich and artist Joëlle Jones, especially when the two are collaborating, I was overjoyed to learn this January will mark the launch of their new Dark Horse miniseries Lady Killer. But Monday I became aware of an incredible creative detail I had previously overlooked: The amazing colorist Laura Allred, who typically only has time in her busy schedule to work with husband Mike Allred, will be coloring Jones.
Marvel has reteamed with corporate sibling ESPN to commemorate LeBron James’ return to Cleveland with a special cover for ESPN The Magazine.
The illustration by Miguel Sepulveda, depicting James soaring above the city, is a sequel to the magazine’s 2010 homage to “Spider-Man No More!” that marked his departure for the Miami Heat.
One of the Monkeybrain Comics titles debuting this week on comiXology is the fourth issue of Wander: Olive Hopkins and the Ninth Kingdom, a series by Kevin Church and Grace Allison about an NYU student who goes on a bender only to awaken the next day in a fantasy realm. To mark the release of the new issue, Allison provided ROBOT 6 with a glimpse into the creative process.
On Saturday, Greenville, South Carolina, retailer Richards Comics & Collectables hosted an all-ages ComicFest featuring a range of guests, including Andy Runton, Van Jensen, J. Chris Campbell, Gregbo Watson, Duane Ballenger and Tracy Yardley. Judging from the Halloween Costume Contest photos, the event drew a fair number of children.
Hitting shelves today, Captain Midnight #16 is a special Halloween-themed issue by writer Joshua Williamson, artist Fernando Dagnino and colorist Javier Mena. To mark its release, editor Jim Gibbons provided ROBOT 6 with a glimpse into Dustin Nguyen‘s cover process, as well as the evolution of some of the interior pages.
Illustrator Rocky Davies, who previously took us back to the ’80s with supervillain album covers, now delivers an overdose of cuteness with his “Kid Hero” series, depicting pint-sized versions of Iron Man, Captain America, Wolverine, Leonardo (of Teenage Mutant Ninja Turtles fame) and more.
I know I should probably question teeny Tony Stark’s Van Dyke, but I’m too busy smiling about li’l Nick Fury chomping on a peppermint stick.
Could the timing be anything other than magical? Following word that Sherlock star Benedict Cumberbatch is in talks to play Marvel’s Doctor Strange, Mondo is offering prints from the We Buy Your Kids gallery exhibit that include two downright psychedelic renditions of the Sorcerer Supreme and his classic foe Dormammu.
The two takes on the Stan Lee/Steve Ditko creations look as if they should be rendered on black velvet, which may not be such a bad idea. Each18-inch by 24-inch print is $40, with Dormammu limited to 110 copies and Strange to 125. Keep the Eye of Agamotto trained on the Mondo Twitter feed, where they on-sale time will be announced sometime today.
For those of us who can’t make it to Austin for Mondo’s gallery show celebrating the 75th anniversary of Batman, Slashfilm has rounded up all of the prints and paintings on display. It’s an incredible collection of works that draws inspiration from television, film and comic books, although more the first two than the list.
However, ROBOT 6 favorites Jock and Francesco Francavilla do stick close to home with their contributions: Batman: Year One (in regular and variant varieties), by Jock; Batman & Dracula: Red Rain by Francavilla; and Batman: The Black Mirror, a collaboration between the two of them.
Sideshow Collectibles, best known for its premium figures, has expanded into limited-edition art prints featuring Marvel and DC Comics properties, and its own Court of the Dead.
Its Premium Art Print line debuts with Gotham Sirens: Poison Ivy by Stanley “Artgerm” Lau, Spider-Woman by Scott Forbes, and Kier: Call of the Forsaken Valkyrie by David Palumbo, with upcoming work promised from the likes of Ariel Olivetti, Kris Anka and Fabian Schlaga.
Priced at $79.99, each 18-inch by 24-inch print is hand-numbered, and includes a penciled artist signature and embossed seal of authenticity.
Beginning today, writer Jim Gibbons and artist Caleb Goellner‘s Birch Squatch: The Last Bigfoot #1 (which premiered digitally in mid-September on Gumroad) is available on comiXology for 99 cents. To mark the occasion, Goellner shared with ROBOT 6 a glimpse into the creative process through a series of images.
The comic, about a legendary figure driven out of the woods by rampant development, is definitely worth a read.
Secret Panel, the Chicago-based screen print collective, is launching a print series based on Revival, the “rural noir” series by Tim Seeley and Mike Norton.
Limited-edition prints by Angela An, Randy Ortiz and Revival cover artist Jenny Frison have been teased on Secret Panel’s Facebook page, but not fully revealed. They’ll be available for $30 each (quantities are limited to 140 copies), or all three, plus an exclusive Secret Panel print, for $90.
We’ve already seen plenty of 75th-anniversary tributes to Batman, but the year isn’t over just yet — and beginning Friday, Mondo takes its turn.
The collectible-art boutique, which in July debuted a series of Batman: The Animated Series 7-inch vinyl records featuring Danny Elfman’s theme, will celebrate the Dark Knight’s milestone with a gallery show in Austin featuring posters and original art from more than 30 artists.
Anyone with even a passing interest in comics art and storytelling should set aside some time to read this A.V. Club discussion with three Marvel art teams — Tradd Moore and Val Staples, Declan Shalvey and Jordie Bellaire, and Michael Walsh and Matthew Wilson — about their approach to staging specific action scenes in their respective books All-New Ghost Rider, Moon Knight and Secret Avengers.
“I used a lot of panels here of varied sizes because I feel it gives the scene an undulating flow,” Moore explains of an All-New Ghost Rider page. “I do that a lot with fight scenes. Speed up, slow down, rise, fall. It’s kind of mesmerizing to me. To make a comparison to metal: The small panels are like a frantic blast beat, while the bigger, clearer panels are like a heavy breakdown or head-banging riff. I imagine viewers’ eyes speeding up and slowing down, widening and narrowing, as they scan across the page. I think it’s the kind of page that warrants multiple, extended views.”