Soule Finds a Weakness in the Afterlife, Discusses Surprise "Inhuman" Return
Scott Snyder and Greg Capullo’s Batman is big in New York City. Well, huge may be more like it.
At 13th Dimension, Dan Greenfield has a gallery of photos taken over the holiday weekend at Times Square, where Google’s block-long, 8-stories-tall digital billboard — the largest in North America — ran an ad for Batman, Vol. 1: The Court of Owls (available on Google Play, naturally).
On his Facebook page, Usagi Yojimbo creator Stan Sakai offers a glimpse into his process, showing the evolution of a single panel from rough sketch to final inks.
Sakai’s historical fantasy, which celebrated its 30th anniversary this year, continues next month with the conclusion of Usagi Yojimo: Senso, the six-issue miniseries with a War of the Worlds-like twist.
See the full panel process on Sakai’s Facebook page.
Geoff Johns has revealed finished art from the long-awaited second volume of Batman: Earth One by Gary Frank, Jon Sibal and Brad Anderson.
The original graphic novel is scheduled to arrive on May 6, nearly three years after the debut of the first volume. They’re part of the Earth One line that retells the earliest adventures of some of DC Comics’ superheroes, free of current continuity. Teen Titans: Earth One was released in November, with Superman: Earth One Vol. 3 scheduled to hit shelves in February.
DC unveiled the covers for the new volumes of Superman: Earth One and Batman: Earth One in August.
Todd McFarlane frequently uses his Facebook page to inspire fans with lessons he’s learned in his own life, and his latest post is little different — except that it features the first piece of Spawn promo art, drawn on the day he left Marvel in 1991.
“When I left Marvel … I JUMPED OFF THE CLIFF into the unknown to start Image Comics and then McFarlane Toys,” he writes. “But I knew in that by following my heart, I would be a better husband and father. No amount of money could be buy me that!!!
The comics medium allows for diverse interpretations of characters, both narratively and visually. Artist Jaakko Seppälä has taken 10 of the most iconic comic characters — from Asterix to Batman to Lucy van Pelt — drawn in the style of 10 famous artists (including their respective creators or most popular illustrators).
Fans will have to wait until September 2015 to get their hands on the Batgirl Black and White Statue, based on the character’s redesign by Cameron Stewart and Babs Tarr, but artist Jesse Farrell has already sculpted his own take on Burnside’s protector.
Created for the sixth annual “Dark Knight on a Dark Night” Batman art show at Hub Comics in Somerville, Massachusetts, the sculpt was inspired by Barbara Gordon’s first appearance, on the cover of 1967’s Detective Comics #359. However, Farrell’s version is decidedly modern, with the updated costume, smartphone and spilling cup of Gotham Coffee.
See a couple of photos below, and more on Farrell’s website.
Beginning n February, writer Stuart Moore and artist Gus Storms embark on a new five-issue EGOs arc, called “Crunched.” As noted in Image Comics’ solicitations, “The narcissistic super-team of the future returns to battle an invisible threat to the galactic economy.” To whet folks appetite for the upcoming arc, Moore, Storms and designer Brett Evans detailed for ROBOT 6 the steps leading up to the final cover design.
Artist Ken Lashley leaped into the spotlight this week with his collaboration with writer Gail Simone on DC Comics’ latest incarnation of Secret Six. No stranger to the publisher, he’s provided covers for such titles as Suicide Squad and Superboy, and drawn interiors for Superman: Doomed. A quick glance of CBR’s previews archives reveals the variety of work he’s done for other publishers in recent years, including a couple of AXIS Revolutions covers for Marvel.
To get an idea of the variety of characters Lashley draws, as well as some of his commissions, one needs only to look at his Instagram profile (where he posts under the username Ledkilla). In addition to the range of talent he shares with his fans, he clearly relishes shooting some of his samples at interesting angles, adding a layer of kineticism.
Marvel regained its mojo in the late 1990s when it handed some of its second-tier characters to creators to reimagine as part of the Marvel Knights imprint. And now, one of comics’ hottest up-and-coming artists is pitching his revamp of two of the publisher’s cult-favorite properties not to Marvel, but directly to the fans.
First mentioned during an Inkstuds interview, Ron Wimberly has posted two sets of illustrations showcasing his re-envisioning of Blade and Cloak & Dagger. The Prince of Cats creator said the Cloak & Dagger work initially started as “playing with type,” but he says he does have story ideas to back up the artwork.
This week marks the release of Valiant Entertainment’s Eternal Warrior: Days of Steel #2, written by Peter Milligan in collaboration with artist Cary Nord, colorist Brian Reber and letterer Dave Sharpe. In anticipation of the new issue, the publisher shared with ROBOT 6 process pages by Nord, Reber and Sharpe. One detail of note: There is no inking stage, as Reber colors directly over Nord’s pencils.
Valiant describes the upcoming issue as follows:
OK, so maybe Batman versus Darth Vader wasn’t exactly a fair fight, but what about Doctor Doom versus the Dark Lord? Alex Ross depicts such a scenario in a painting he created for a friend. Both characters blend magic and technology, and they cut mean figures in their capes and suits of armor. It seems like a pretty good match-up.
With Thanksgiving this week, it was sheer coincidence that I ran across Doomsgiving, a Tumblr hashtag used by Washington-based cartoonist and writer “Calamity” Jon Morris to celebrate his affinity for the Doom Patrol.
Morris, who also posted Doomsgiving pieces last year (in addition to being involved in a variety of unique side projects well worth checking out), has penned The League of Regrettable Heroes: Half-Baked Heroes from Comic Book History, set for release in June 2015). There are plenty more of his illustrations to enjoy on his Tumblr and on Behance.
Next week, BOOM! Studios’ KaBOOM! imprint launches Capture Creatures, a new ongoing series by writer Frank Gibson and artist Becky Dreistadt. It’s the latest evolutionary step for a property that began as a website with 151 Dreistadt paintings of cute creatures (inspired by Pokemon) before being Kickstartered as a 300-plus page collected edition with Gibson-written character descriptions.
In anticipation of the series debut, Dreistadt and Gibson shared six exclusive process pages with ROBOT 6 that follow the art from initial pencils (Dreistadt) to the inking stage (by Kelly Bastow), followed by colored pages by Tracy Liang and, finally, letters by Britt Wilson. Along with the process pages, Dreistadt and Gibson also detailed the influences and challenges behind bringing Capture Creatures to KaBOOM!
Virtually everyone, fan and creator alike, has his or her own of what Batman acts and looks like. To that end, the Facebook art group Brainstorm asked its members to redesign the Dark Knight — just one in a series of challenges — to stunning results.
The Brainstorm Facebook page has been rampant with designs, some keeping the superhero elements while others delve into fantasy and sci-fi. The entries come from artists of all skill levels and from around the world.
Here are six pieces, out of the hundreds submitted, that stood out. Head to Brainstorm’s Facebook page to see even more.
This week marks the release of the final collected volume of Jack Katz‘s an epic series initially published in the 1970s and ’80s. Titan Comics began reissuing Katz’s magnum opus, which clocks in at an impressive 768 pages, in 2013. Each remastered volume was produced utilizing cleaned and restored art taken from high-resolution scans of Katz’s original art pages, as well as being completely relettered. Titan also provided background information on the history of Katz’s story, as well as extra material, such as character sketches as well as original drawings.
To mark the release, Titan Comics shared with ROBOT 6 some of the extras included in the final volume.