Comics Publishing Archives - Robot 6 @ Comic Book Resources
Magnetic Press, the independent publisher launched late last year by two comics veterans, former Archaia publisher Mike Kennedy and former BOOM! Studios executive Wes Harris, has announced its third book: a hardcover collection of comics, illustrated stories and art set in Dave Dorman’s Wasted Lands universe. The book, titled Dave Dorman’s Wasted Lands Omnibus, will debut in July.
Dorman is best known for his Star Wars art, and he won an Eisner Award for his artwork on Aliens: Tribes, a graphic novel based on the Alien movies. His work has appeared on the cover of Heavy Metal, and he has done cover art, trading cards and toy design for a host of publishers.
Wasted Lands, on the other hand, is Dorman’s creator-owned work, a high-adventure story with Western and steampunk influences. It’s set in an industrial megalopolis linked to a forbidding outback by a vast rail system; here’s his description of the story from the official website:
Karl Kesel, Vic Malhotra and Greg Scott are teaming up to tell the secret origins of the X-Files. The X-Files: Year Zero, a five-issue miniseries debuting in July, will see Agents Scully and Mulder tackling a mystery that dates back to the 1940s and the beginning of the FBI’s X-Files unit.
“The origins of the X-Files unit of the FBI were only hinted at in the TV show, and we’re proud to present the story of how the precursors of our favorite paranormal agents established the division in the late 1940s,” said editor Denton J. Tipton in a press release. “I think Bing and Millie will become fan-favorites alongside Mulder, Scully, Reyes and Doggett.”
“From the minds” of It’s Always Sunny in Philadelphia and Unsupervised producers Rob Rosell and Scott Marder, with writer Jack Lambert and artist Brandon McKinney, the humorous comic will make its debut this July.
“Doberman is the tale of a roundhouse-kicking, beer-shotgunning, Dodge Stealth-driving badass with a badge, shamed into years of personal exile. But, now he’s back, with only one thing on his mind — revenge!” Lambert said in a press release. “Simply put, if Sylvester Stallone, Steven Seagal, and Jean-Claude Van Damme had a child, Frank Doberano (aka Doberman) would be that bastard’s name.”
Check out the full cover by Bernard Chang below.
It’s safe to say few were sorry to see the Comics Code Authority quietly fade away in 2011, having become literally no more than a stamp on the covers of a handful of titles, but it was nonetheless an important part of history.
Sean Howe, author of Marvel Comics: The Untold Story, realized this three years ago and sent a letter to Heidi MacDonald, asking who had the files of the Comics Magazine Association of America, the trade association that administered the Code. While Howe thought the records had vanished, Mark Seifert was told they were donated to DC Comics.
This week, Howe reiterated his appeal on his blog:
Before that fancy Street Angel hardcover arrives, AdHouse will release Noah Van Sciver‘s Youth Is Wasted in June — which unfortunately was left out of the current issue of Previews.
As Publisher Chris Pitzer says on the AdHouse blog, “we are still printing it on time and we need to get copies sold.”
“Youth Is Wasted collects several of Noah Van Sciver’s most outstanding short stories from his critically acclaimed, award nominated comic book series Blammo as well as various anthology submissions,” the publisher’s site states. “Noah’s previous work was Ignatz nominated and featured in Best American Comics 2011.”
Retailers can still order the book from Diamond, though, using Diamond Order Code: FEB14 8208. The 112-page collection retails for $14.95.
AdHouse will collect Jim Rugg and Brian Maruca ‘s classic Street Angel into a fancy 176-page hardcover. According to The Comics Reporter, the collection will resemble AdHouse’s Afrodisiac volume (which was, indeed, pretty fancy). It also looks like the publisher is releasing a slipcase version so you can house your copies of Afrodisiac and Street Angel in one place.
If you’ve never experienced Street Angel, originally released by SLG Publishing, here’s the description from AdHouse’s site:
At this weekend’s Emerald City Comicon, Dark Horse announced two collections featuring early ElfQuest material by Wendy and Richard Pini.
In August, fans can expect The Complete ElfQuest Volume 1: The Original Quest, a 720-page, black-and-white collection of “what is now known as The Original Quest.” It will include a gallery of concept art, pinups and covers, as well as commentary from the Pinis.
Then October brings ElfQuest: The Original Quest Gallery Edition. In what sounds like something akin to IDW’s Artists Edition series, it will collect Wendy Pini’s original artwork from the first five issues of “The Original Quest.” According to the press release, “Each page is carefully scanned from Wendy Pini’s original art to capture every stroke and detail. At 12 1/8″ by 17″, it’s as close to holding Pini’s original art as a fan can get.”
The Complete ElfQuest Volume 1: The Original Quest goes on sale Aug. 6. ElfQuest: The Original Quest Gallery Edition will arrive in comic shops Oct. 8 and bookstores Oct. 21.
Beginning in June with Abe Sapien #13 and Captain Midnight #12, the publisher will highlight issues of ongoing titles that serve as good introduction for new readers. Starting Points issues will be marked with the above logo in Diamond Comic Distributors’ Previews catalog and feature order incentives and promotional support.
In short, it’s a lot like Marvel’s Point One initiative, only more geared toward retailers and without the awkward issue numbering.
Abe Sapien #13, by Mike Mignola, Scott Allie and Sebastián Fiumara, finds Hellboy’s one-time partner encountering a crazed healer and a frog possessed teen, while Captain Midnight #12, by Joshua Williamson and Fernando Dagnino, begins a new arc.
The agreement kicks off in August with Steven Universe, based on the new animated comedy by Rebecca Sugar (Adventure Time) about a boy named Steven and a team of magical Guardians of the Universe. BOOM! teased the comic in October, ahead of the show’s November premiere, with a sneak peek in the Adventure Time 2013 Spoooktacular.
BOOM! began its partnership in February 2012 with the debut, under the KaBOOM! imprint, of Adventure Time, which has transformed into a hit franchise with spinoff limited series and original graphic novels.
“Our partners at Cartoon Network have a stellar lineup of new shows that we are looking forward to publish as equally stellar all-ages comics, following the tremendous success of Adventure Time and Regular Show,” BOOM! Studios CEO Ross Richie said in a statement. “Steven Universe has that same edginess that will resonate with readers — and that’s just the beginning.”
Considering that Marvel’s Original Sin begins with the discovery on the moon of the Watcher’s body, minus his eyes, it’s perhaps unsurprising the publisher opted for a somewhat ghoulish way to promote the upcoming event series in comic stores: Marvel-branded bouncy balls that resemble Uatu’s missing eyeballs.
And given that writer Jason Aaron teased last month, “Whoever holds one of the eyes is able to explode a bomb full of secrets and unleash all the various secrets of the Marvel Universe into the wild through that eye,” it seems only fitting that Marvel Senior Vice President Tom Brevoort, keeper of many of those secrets, has been spotted with one of the missing organs. There’s no telling what may come of this …
The eight-issue Original Sin debuts in May.
To help promote its All-New Ghost Rider, which introduces a new Spirit of Vengeance with a new vehicle, Marvel is turning to some folks who know a little bit stylish rides: the editors of Lowrider Magazine.
As part of a new partnership, new Robbie Reyes Ghost Rider (and a scantily clad friend) will grace the cover of the magazine’s special April issue, “Marvelous Mayhem,” with an illustration by series writer Felipe Smith. Inside, readers will find an interview with Smith and Marvel Editor-in-Chief Axel Alonso, as well as artwork by Tradd Moore from All-New Ghost Rider #1.
The recently resurrected Alternative Comics has announced its full list of comics for the spring and summer of this year. They include:
- The Big Feminist BUT, edited by Joan Reilly and Shannon O’Leary. An anthology featuring work by folks like Lauren Weinstein, Jeffrey Brown, Sarah Oleksyk, Gabrielle Bell, Justin Hall, Ron Rege Jr. and Vanessa Davis. (March)
- Sunbeam on the Astronaut, by Steven Cerio. A collection of Cerio’s psychedelic comics, art work and illustrations. (April; you can see a preview of the book here)
- (Mostly) Wordless, by Jed Alexander. An all-ages collection of short stories, told using as few words as possible (hence the title). (April)
- Ritual 3: Vile Decay, by Malachi Ward. A sci-fi story involving an old woman relating to her grandson how exactly everything went horribly wrong. (June)
- Magic Whistle #14, by Sam Henderson. Henderson returns to his long-running, one-man humor anthology. (June)
- Sugar Booger #2-3, by Kevin Scalzo. Scalzo’s dayglo all-ages series continues. For more on this comic, see my interview with Scalzo. (March and July)
- Unspoken, by Megan Kelso. A newly “remastered” version of Kelso’s 1990s-era zine collecting various short strips that haven’t been collected elsewhere. (August)
In addition, the company also plans to offer digital releases of Megan Kelso’s seminal Girlhero series (all six issues); Backwards Folding Mirror by Forming author Jesse Moynihan (three issues); Cat Suit by Steve Lafler; Subway Series and Queen’s Day by Leela Corman; The Vagabonds by Josh Neufield; and More Mundane by Noah Van Sciver.
You can read the full press release below.
Caliber Comics, which in the 1990s published the debut works of such creators as Brian Michael Bendis, Ed Brubaker, Guy Davis and Michael Allred, is plotting its return within the next few months, with founder Gary Reed again at the helm.
Now a division of Caliber Entertainment, a company formed by Reed and Eagle One Media President Eric Reichert, the revived Caliber will focus primarily on graphic novels and collections of previously released material. Transfuzion Publishing, which Reed launched in 2007 with Rafael Neives, will become a graphic novel imprint of Caliber.
“As far as new monthly comics go, that is a massive undertaking that we’re not going to tackle immediately,” Reed said in a statement. “We will likely look to partner up with an established company on the comic ‘floppies’ because in today’s market, you can’t just make it unless you have enough awareness in the comics market.”
This time last year, longtime U.K. book and magazine publisher Titan announced it was delving into comics with a new imprint titled, aptly enough, Titan Comics. And in the 12 months since, the company has published a number of creator-owned titles as well as new editions of formerly out-of-print stories such as Jack Katz’s The First Kingdom. But 2014 looks to see the company grow by leaps and bounds, as it recently announced the acquisition of the comics license for Doctor Who, previously held by IDW Publishing.
During IDW’s seven-year run publishing Doctor Who comics, it produced an ongoing series and a number of miniseries and one-shots to some success, so it’s conceivable that Titan Comics could do much the same. If so, it could help expand Titan from a boutique publisher to a sizable presence in the marketplace.
The void left by Mike Marts moving from DC Comics back to Marvel has been filled, with long-running Vertigo editor Mark Doyle announcing Tuesday on Twitter that he’s taking over as Batman group editor. He’ll still be working on Vertigo titles as well, specifically mentioning American Vampire and The Wake — two titles written by Batman scribe Scott Snyder.
Snyder quickly expressed his enthusiasm for the move, writing on Twitter that “‘Thrilled’ doesn’t do justice to how thrilled I really am in welcoming [Doyle] to Gotham as Batman group editor. Mark is not only responsible for bringing me to DC via American Vampire (of which he’s the editor), but he’s edited the Wake, and some of my favorite books of past few years, from Sweet Tooth and Trillium on.”
Crediting Marts for bringing “Gotham to new heights,” Snyder said he was already showing Doyle his Batman and Superman work, and “there’s no one I trust more when it comes to story.”
Beyond those mentioned by Snyder, Doyle’s editing credits during his years at Vertigo also include American Splendor, Scalped and DMZ.