X-POSITION: Bennett Talks "Years Of Future Past's" Teenage Mutant Savior Heroes
Written by Russell Brettholtz and illustrated by Miguel Mendonca, the comic centers on a group of superhero sidekicks who decide it’s time they received the respect they deserve.
Z2 Comics, publisher of Paul Pope’s Escapo, Dean Haspiels’ Fear My Dear and Harvey Pekar’s Cleveland, will branch out from graphic novels into periodicals with a new line debuting this fall.
Formerly Zip Comics, the New York-based boutique publisher will start with three creator-owned titles: Welcome to Showside, by Bravest Warriors comic artist Ian McGinty; Carver, by Pope protege Chris Hunt (12 Reasons to Die); and Allen: Son of Hellcock, the comics debut of Last Week Tonight with John Oliver writer Will Tracy.
IDW Publishing has expanded its partnership with Marvel to include Artist’s Editions and Micro Collectors Fun Packs for the classic Star Wars comics.
Launched in 2010, the Artist’s Edition hardcover line presents complete stories scanned from the original art and printed at full size. IDW previously teamed with Marvel to produce Artist’s Editions for Walter Simonson’s The Mighty Thor, John Romita’s The Amazing Spider-Man, John Byrne’s Fantastic Four and David Mazzucchelli’s Daredevil: Born Again.
Following the announcement last month that it will begin accepting unsolicited submissions and pitches, Oni Press has released detailed guidelines that not only cover what to send, but also what not to.
Among the things to avoid, “Superheroes! They have their place but their place is not with us,” and “long-form series or stories in oversaturated genres such as supernatural noir, zombies, vampires and gritty detectives with a dark past.” Also, “delicate subjects such as rape and sexual abuse as fodder for exposition in genre stories.”
Oni’s submission periods will operate on a two-months open, two-months closed schedule, with the first window opening from May 1 to June 30.
When DC Comics bid farewell this morning on Twitter to New York City, its home since the founding of National Allied Publications in 1934, it may not have expected the touching reply from its biggest competitor.
“Thanks, NYC, for being part of DC Comics’ history for so many years,” the publisher tweeted as the last of its staff makes the move to Burbank, California. “And special thanks to everyone who’s worked here over those years.”
The Portland, Oregon-based publisher announced this morning that it will begin accepting electronic submissions and pitches in May, not only from artists but from writers and colorists as well. More details are promised in May.
Founded in 1997, Oni publishes comics ranging from Scott Pilgrim and Stumptown to The Bunker and the upcoming Invader Zim.
With the move of DC Comics’ editorial department from New York City to Burbank, California, rapidly approaching, Wednesday brought news of one DC editor who’s staying on the East Coast while switching publishers: Rickey Purdin, a DC Comics associate editor, has moved to Marvel as the company’s new talent manager.
“I can’t express how thrilling it is to join Marvel after so many years of reading these comics and being shaped by the characters, stories, and creative teams,” Purdin said in a statement. “Aiding Marvel’s extremely talented editorial team is a dream come true and incredible developments are already in the works.”
IDW Publishing will release a hardcover collection of American Barbarian, Tom Scioli’s Jack Kirby-inspired post-apocalyptic adventure.
Debuting in 2010, the webcomic chronicles the saga of Meric, who sets off across New Earthea to seek revenge against Two-Tank Omen, a half-tank/half-mummy creature who murdered his family. Along the way, the young barbarian — the last American — faces all sorts of threats, ranging from the risen dead to mutant motorcycle gangs to robotic dinosaurs.
Lianne Sentar is a member of the generation that came to comics through manga and stuck with it, moving from reading to creating to publishing. The author of Tokyo Demons, she was writing Sailor Moon novels for Tokyopop when she was still a teenager and later worked as an adaptor and editor.
Two years ago, Sentar teamed up with former Tokyopop senior editor Lillian Diaz-Przybyl and two other women to create Chromatic Press, an independent publisher of comics, fiction and audio dramas. Their flagship publication, Sparkler Monthly, is a digital magazine that is based on the Japanese model of serialized stories. They caught the attention of manga fans immediately by getting the rights to one of the best-regarded graphic novels from Tokyopop’s global manga line, Jen Lee Quick’s Off*Beat. Their lineup also includes Christy Lijewski (RE:play) and rem (Priscilla Hamby), who won the Japanese Morning International Manga Competition for non-Japanese creators. Jason Thompson just dedicated his weekly “House of 1000 Manga” column to an in-depth review of the magazine.
As DC Entertainment continues to staff its Burbank, California, headquarters, prolific writer Jamie S. Rich announced he’s been hired by Vertigo as senior editor. He began work there Wednesday.
“Lots of exciting things in the works,” he wrote on Twitter. “Stay tuned.”
For many reading comics today, WildStorm may be a small footnote in the history of DC Comics or a pit stop in Jim Lee’s path to becoming one of the most powerful figures in comics. For those of a certain age it was something more. If you’re more than a casual fan, someone who perhaps knows what the “C.A.T.” in WildC.A.T.s stood for or always wondered what Aegis Entertainment was, there’s a new project you should know about: WildStorm Oral History.
BOOM! Studios entered into a similar first-look agreement last year with Cartoon Network.
As part of the deal, Papercutz to publish a new version of Nickelodeon Magazine, which ceased publication in December 2009. Set to launch in late June, the revived magazine will feature a mix of comics previews, new property debuts, and games, puzzles and other activities for young readers.
The first two Nickelodeon properties to make the move to comics under the partnership are Sanjay and Craig, a comedy adventure about an excitable 12-year-old boy and his talking pet snake, and Breadwinners, which follows SwaySway and Buhdeuce, two carefree ducks who fly around in a rocket van, delivering bread.
Though they’re remaining committed to a recent wave of new creator-owned books, Dark Horse has shifted its sales strategy for a trio of lower performing series.
The publisher announced this week that The Ghost Fleet from Donny Cates and Daniel Warren Johnson, Resurrectionists by Fred Van Lente and Maurizio Rosenzweig and Sundowners by Tim Seeley and Jim Terry would all shift their monthly comic output to digital first series. Plans for print graphic novels collecting the continued stories remain in place for the fall.
IDW Publishing has announced it will relocate in June to the former Navy barracks within San Diego’s historic NTC at Liberty Station, where it will open a comics art gallery.
Located within the publisher’s new offices, the San Diego Comic Art Gallery will serve as a permanent home to showcase sequential and animation art, with retail space and working artists. Harry L. Katz, former head curator in the Prints and Photographs Division of the Library of Congress, has been named as the gallery’s curator.
If DC Comics’ announced overhaul of its publishing line in the aftermath of Convergence took you back nine years to Infinite Crisis and “One Year Later,” you’re definitely not alone.
“To me, the similarities between the two are quite prevalent,” DC Co-Publisher Dan DiDio wrote over the weekend on his Facebook page. “In terms of expectations and challenges, the lessons learned in the ‘One Year Later jump’ were applied to insure our June series (hopefully) don’t experience some of the same pitfalls (you can draw your own parallels after reading).”
Launching in March 2006, the “One Year Later” storyline pushed the narratives of all of the DC Universe titles one year after the events of Infinite Crisis, allowing creators to explore the ramifications of the crossover’s continuity changes (there were also numerous series cancellations, launches, relaunches and renamings). That time gap was then filled in with the weekly series 52.