Comics Publishing Archives - Robot 6 @ Comic Book Resources
BOOM! Studios entered into a similar first-look agreement last year with Cartoon Network.
As part of the deal, Papercutz to publish a new version of Nickelodeon Magazine, which ceased publication in December 2009. Set to launch in late June, the revived magazine will feature a mix of comics previews, new property debuts, and games, puzzles and other activities for young readers.
The first two Nickelodeon properties to make the move to comics under the partnership are Sanjay and Craig, a comedy adventure about an excitable 12-year-old boy and his talking pet snake, and Breadwinners, which follows SwaySway and Buhdeuce, two carefree ducks who fly around in a rocket van, delivering bread.
Though they’re remaining committed to a recent wave of new creator-owned books, Dark Horse has shifted its sales strategy for a trio of lower performing series.
The publisher announced this week that The Ghost Fleet from Donny Cates and Daniel Warren Johnson, Resurrectionists by Fred Van Lente and Maurizio Rosenzweig and Sundowners by Tim Seeley and Jim Terry would all shift their monthly comic output to digital first series. Plans for print graphic novels collecting the continued stories remain in place for the fall.
IDW Publishing has announced it will relocate in June to the former Navy barracks within San Diego’s historic NTC at Liberty Station, where it will open a comics art gallery.
Located within the publisher’s new offices, the San Diego Comic Art Gallery will serve as a permanent home to showcase sequential and animation art, with retail space and working artists. Harry L. Katz, former head curator in the Prints and Photographs Division of the Library of Congress, has been named as the gallery’s curator.
If DC Comics’ announced overhaul of its publishing line in the aftermath of Convergence took you back nine years to Infinite Crisis and “One Year Later,” you’re definitely not alone.
“To me, the similarities between the two are quite prevalent,” DC Co-Publisher Dan DiDio wrote over the weekend on his Facebook page. “In terms of expectations and challenges, the lessons learned in the ‘One Year Later jump’ were applied to insure our June series (hopefully) don’t experience some of the same pitfalls (you can draw your own parallels after reading).”
Launching in March 2006, the “One Year Later” storyline pushed the narratives of all of the DC Universe titles one year after the events of Infinite Crisis, allowing creators to explore the ramifications of the crossover’s continuity changes (there were also numerous series cancellations, launches, relaunches and renamings). That time gap was then filled in with the weekly series 52.
Marvel Executive Editorial Director Ryan Penagos announced today on Twitter that editor Sana Amanat has moved up the chain to become the publisher’s director of content and character development:
Trumpeting the yearlong 10th-anniversary celebration of its Graphix imprint, Scholastic has announced new projects from Jennifer L. Holm and Matthew Holm, Kazu Kibuishi, Raina Telgemeier and Mike Maihack.
The brother-sister team of Jennifer L. Holm and Matthew Holm (Babymouse, Squish) have created a Sunny Side Up, a semi-autobiographical for readers ages 8 to 12, set for release Aug. 25, the same date as Craig Thompson’s previously announced Space Dumplins.
To promote the Wednesday debut of Judge Dredd: The Mega Collection — themed hardcover editions released every two weeks — publisher 2000 AD is using an appropriately mega-sized approach: a 20-second television commercial set to air on multiple channels across the United Kingdom. You can watch it below.
Beginning with Issue 1: “America,” the 1990-92 serial by John Wagner and Colin MacNeil, Judge Dredd: The Mega Collection gathers the definitive stories and creators from the strip’s 38-year history, arranged thematically and “in an order chosen by the experts at Rebellion to give new and old readers alike a coherent and immersive reading experience.”
Brennan, who worked at the House of Ideas for six years, is only the latest Marvel veteran to join Valiant, following the likes of Editor-in-Chief Warren Simons and Editor Alejandro Arbona. DC Comics alum Kyle Andrukiewicz was hired in July as assistant editor.
At Marvel, Brennan worked on such titles as The Amazing Spider-Man, Daredevil, Ms. Marvel, Venom and X-Men.
“Being a part of Valiant Entertainment might just prove that I’m the luckiest guy in comics,” Brennan said in a statement. “Watching Valiant not just survive but thrive in one of the toughest climates in publishing history was always inspiring, but to be a part of it is incredibly exciting. Moreover, Warren Simons is an editor I’ve looked up to for my entire career. This place is full of heart and hustle..
Long before Frank Frazetta became internationally renowned for his genre-defining — and redefining — paintings of Conan, Tarzan and John Carter of Mars and other characters, he created the Snow Man. A scrappy ax-swinging, pipe-smoking statue brought to life, the Snow Man was introduced in 1944 in the first and only issue of Tally-Ho Comics, marking Frazetta’s comic book debut. He was 16 years old.
“All I did was one story, I was the kid who created the character,” Frazetta later recalled. “I did the pencils, and [Baily Publishing artist John] Giunta did the inking. I was only a kid, I didn’t even know how it was done.” However, Frazetta quickly learned, becoming first a comic book artist, drawing Western, fantasy, mystery and funny-animal stories, and then a painter whose influence on sci-fi and fantasy is still felt.
Uncivilized Press has announced its spring 2015 lineup of graphic novels, and it’s well worth a look. There are just three books: Borb, by Jason Little, whose previous works chronicled the adventures of Bee in Shutterbug Follies and Motel Improvement Service (you can read an excerpt of the latter here); Vincent Stall’s Robot Investigator, a story about a robot wandering through a planet that’s like Earth but with only feral humans; and True Swamp: Book 2, by John Lewis.
Full descriptions and additional covers can be found below.
DC Entertainment has hired Michael Shelling as director of publicity for publishing, a position left vacant since February, when Alex Segura returned to Archie Comics.
Shelling was most recently public relations manager of Carbine Studios, the Aliso Viejo, California-based division of NCsoft devoted to developing massively multiplayer online games. He previously worked at Sony Online Entertainment, which developed DC Universe Online, among numerous other titles.
DC is expected to complete its move from 1700 Broadway in New York City to 2900 W. Alameda Ave. in Burbank in the spring, with editorial operations joining the film, digital, consumer-products and administrative operations. In 2011, the company signed a 10-year lease for the entire second floor, which amounts to 35,000 square feet of space.
Stuart and Kathryn Immonen‘s Russian Olive to Red King will headline a boisterous lineup of books coming in the spring from AdHouse Books. The slate, announced on The Comics Reporter, features Ignatz winner Sophie Goldstein’s new book The Oven in April, the Immonens’ long-gestating graphic novel in May, and the fourth issue of Ethan Rilly’s Pope Hats in June.
In 2010 Stuart Immonen spoke briefly to ROBOT 6 about Russian Olive to Red King, calling it a “tortured love story” featuring “petroglyphs and plane crashes and bad dogs and angry people.”
With the search under way for a new co-host for DC All Access, DC Entertainment has been calling in the big guns to fill in with Tiffany Smith on the year-old web series. First it was Kevin Smith, and now it’s Wil Wheaton, who will guest-host this week … as long as he isn’t fired after the promo clip below.
New episodes debut Tuesdays on the DC All Access website.
IDW Publishing will follow Jack Kirby New Gods: Artist’s Edition with a 192-page collection of the legendary creator’s work on Mister Miracle.
Part of the early-1970s “Fourth World” saga that also spanned DC Comics’ Superman’s Pal Jimmy Olsen, The Forever People and New Gods, Mister Miracle introduced not only escape artist Scott Free and the warrior Big Barda, but also the likes of Oberon, Granny Goodness and the Female Furies, who lived well beyond the series’ 18 issues.
All-New X-Men #33, Fantastic Four #12, Inhuman #7 and Wolverine and the X-Men #11 include the phrase “Created By Stan Lee and Jack Kirby,” while Death of Wolverine: Deadpool & Captain America #1 states, “Captain America Created By Joe Simon and Jack Kirby.” The credits pages can be found below.
Added with no fanfare, the credits follow a settlement agreement announced last month, ending the five-year-old fight between Marvel and Kirby’s children over the copyrights to 45 characters created or co-created by their father — among them, the Avengers, the X-Men and the Fantastic Four.
Neither side has commented publicly on their agreement beyond the joint statement, issued even as the U.S. Supreme Court was expected to decide whether it would consider an appeal by the Kirby heirs: “Marvel and the family of Jack Kirby have amicably resolved their legal disputes, and are looking forward to advancing their shared goal of honoring Mr. Kirby’s significant role in Marvel’s history.”