Covers Archives - Page 2 of 4 - Robot 6 @ Comic Book Resources
Legendary Entertainment has released the official cover for its Godzilla graphic novel tie-in, Godzilla: Awakening, by fan-favorite artist Art Adams. His take on the King of Monsters is, of course, highly detailed, with particular attention paid to the texture of the skin and scales.
Co-written by Godzilla screenwriters Max Borenstein and Greg Borenstein, Awakening features the work of a number of artists, including Eric Battle, Yvel Guichet, Alan Quah and Lee Loughridge. Arriving May 7, the original graphic novel serves as a prequel to director Gareth Edwards’ film, although no concrete plot points have been revealed. Check out Adams’ cover and the Godzilla: Awakening synopsis below.
Marvel has debuted Alex Ross’ cover for Miracleman #5, which kicks off the reprints of “Book Two: The Red King Syndrome,” by Alan Moore, Alan Davis, John Ridgeway, Chuck Beckum and Rick Veitch.
The issue, which arrives May 7, also features variants by Jim Cheung and Humberto Ramos.
I had taken a break from comics during the whole “Death of Superman”/”Reign of the Supermen” era, yet I’m a little excited by this mysterious cover unveiled today by Sean Murphy (The Wake, Punk Rock Jesus). Even those readers who weren’t around for the early-’90s storyline will undoubtedly recognize the Man of Steel/John Henry Irons/Steel, the Man of Tomorrow/Cyborg Superman, the Last Son of Krypton/Eradicator and the Metropolis Kid/Superboy, who arrived in Metropolis claiming to be Superman.
Murphy says he doesn’t know what the cover is for, but it’s a pretty safe bet that it’s part of DC Comics’ “Superman: Doomed” crossover, depicting the first major conflict in the New 52 between the Man of Steel and Doomsday, who was responsible for “The Death of Superman” 22 years ago.
Update: As a helpful commenter below points out, PreviewsWorld states Murphy’s cover is the 75th anniversary variant for Superman Unchained #6, due out on March 19.
Created by Steve Orlando and Artyom Trakhanov, the new miniseries imagines modern-day Atlantis as a world superpower known for its opulence and excess. But Redum Ashargal seeks to liberate his people from their underwater life and sets out to find a legendary creature believed to hold the secrets of life on land.
Illustrator Tomer Hanuka, best known in comics circles for projects like Bipolar, The Placebo Man and Meathaus S.O.S. (not to mention numerous covers), makes his New Yorker debut with the lovely, and surprisingly warm, cover for the Feb. 10 issue. Surprising, I say, because “Perfect Storm” deals with the winter weather, if from a different perspective.
“I moved to New York in my early twenties, after being in the Israeli Army for three years,” he says on the magazine’s website. “I have this image of myself in my first rental apartment, sitting on the edge of the bed and staring at the window. You encounter the world as an adult for the first time — I think that’s what the story was about. That’s a powerful thing. Every window you stared through before was your parent’s world, and now, suddenly, you’re in a city. You’re washed with optimism and a sense of freedom — you’ve just been liberated and that’s amazing. And then you realize you can do very little, and it’s terribly disappointing. But the heartache and all that, that comes later.”
Artist Mimi Yoon, whose withdrawn Powerpuff Girls variant cover has been the subject of much discussion over the past several days, has revealed one of her next projects for: a cover for BOOM! Studios’ Adventure Time, also licensed by Cartoon Network.
As she pointed out in the comments on her Facebook page, it was painted last year for the miniseries Adventure Time: Candy Capers, which concluded in December, but the publisher now has decided to use it for the main series. Yoon also teased that another, as-yet-unrevealed cover she created will appear before this one.
The Comic Book Legal Defense Fund has unveiled Nick Klein’s Liberty Variant for Deadly Class #1, which will premiere this weekend at Wizard World Portland in Portland, Oregon.
Debuting today, the new Image Comics series by Rick Remender, Wesley Craig and Lee Loughridge centers on students at a high school for future assassins in the late 1980s.
Art dealer Sal Abbinanti has debuted Bill Sienkiewicz’s stunning variant cover for Elektra #1, which arrives in April as part of Marvel’s All-New Marvel NOW! initiative. The issue also boasts covers by Michael Del Mundo, Milo Manara, Paolo Rivera and Skottie Young.
Sienkiewicz of course has a long history with the character, having collaborated with her creator Frank Miller on the 1986 Epic Comics miniseries Elektra: Assassin. He also provided covers for a few issues of her 2001-2004 Marvel Knights series, as well as for the 2005 miniseries Elektra: The Hand.
Yes, Amazing Spider-Man will return with a new #1 in April, as first leaked online a week ago and then confirmed by Marvel this past Sunday. One of comics’ most famous series making a semi-long-awaited comeback certainly seems like an opportune time for one of Alex Ross’s 12 75th anniversary variants scheduled for release from Marvel this year, and it looks like the publisher agrees. Ross’s Amazing Spider-Man #1 variant cover is also the cover of this month’s Previews, as revealed Monday on Twitter.
The first cover in Ross’s anniversary series is for Avengers #25, on sale next week. Ross also illustrated a variant for March’s Daredevil #1, another relaunched volume of a Marvel series birthed in the Silver Age.
While Ross’s Amazing Spider-Man cover pays tribute to the past, don’t expect the interior of the comic to be retro: “If we woke up in a world where J. Jonah Jameson was in the Bugle, and Peter Parker was taking pictures for a living, and Aunt May was in the hospital, I would shoot myself,” series writer Dan Slott told CBR in an interview on the new series. “It’s the ongoing story of Peter Parker, Spider-Man. His life moves forward.”
Update: A look at the cover sans text, courtesy of Marvel, below.
Following Sunday’s big announcement that Peter Parker will return in April in a relaunched Amazing Spider-Man series — well, it was spoiled earlier in the week by a leak — Marvel unveiled a Marcos Martin variant cover for the first issue that’s simply breathtaking.
Of course, the Eisner Award-winning artist is no stranger to Peter Parker, having drawn about a dozen issues of The Amazing Spider-Man between 2008 and 2011. See the full cover below.
Dan Slott, who’s collaborating with Humberto Ramos on the new series, spoke with CBR News this morning about The Amazing Spider-Man.
Between his celebrated collaboration with Mark Waid on Daredevil, which relaunches in March as part of All-New Marvel NOW!, and his distinctive variant covers for Dynamite Entertainment and Marvel, Chris Samnee is an artist in high demand. But beginning in April, he returns to Dark Horse’s Angel & Faith — he drew a standalone issue of the previous series — to provide variant covers for the first arc of Victor Gischler and Will Conrad’s Season 10 run.
Dark Horse provided ROBOT 6 with an exclusive first look at his covers for Angel & Faith #1-2, while in the brief Q&A below, Editor-in-Chief Scott Allie explained why Samnee is the perfect artist for the job, and what readers can glean about the new season from what he drew.
Normally, photo covers are pretty boring and easy to pass by, but Matt Fraction and Chip Zdarsky’s Olan Mills-style portrait for the fourth printing Sex Criminals #1 is … well, indescribably awesome. Unveiled this morning by Image Comics, the cover features Fraction with his hands on Zdarsky’s shoulders while the latter cradles first-printing copy of Sex Criminals #1. The entire image is delightfully awkward, with both gazing vacantly into the distance.
And then there’s the timely blurb at the top, which references Fraction’s recent amicable departure from Marvel’s upcoming series Inhuman.
While I won’t go so far to say it’s the first time creators’ photos have been used for cover, it’s certainly a rare occurrence, and undoubtedly one of the most creative uses of a multiple-printing variant. Also, it should absolutely become tradition that any fourth printing of a comic breaks the fourth wall.
With the debut this morning of the first animal variants to mark Marvel’s All-New Marvel NOW! initiative, Mouse Guard creator David Petersen offers a look at how he drew a cover for Avengers #20.NOW, sporting an elk Thor, an eagle Captain America and a grizzly Hulk.
“I’d already decided on Cap being a bald eagle (patriotic symbolism and all) when Steve [Wacker] emailed me back (about some deadline detail stuff) offering up ‘Thor as an elk?” Petersen writes on his blog. “Once I saw that, I couldn’t un-think of Elk-Thor. And the last was Hulk who I decided would be like a massive angry grizzly bear. I sketched each of the animals as avengers out on separate pieces of paper and modified their costumes (except Bear-Hulk) to fit the animal frames.”
As usual, the Eisner Award-winning writer/artist delves into the process, and offers a look at the different stages of the cover. Take a peek below, and read the full post on Petersen’s blog.
A lifelong wrestling fan, Bellen! and Everything Dies creator (and Retrofit publisher) Box Brown will make his graphic-novel debut in May with Andre the Giant: Life and Legend, a biography of the professional wrestler turned actor from First Second (ROBOT 6 interviewed Brown about the project last year). Grantland has a new Q&A with the cartoonist, along with a first look at the cover, which you can check out in full below.
“Every wrestler had a story about him, but wrestlers like to tell stories and like to embellish those stories and make them their own,” Brown tells Grantland’s The Triangle. “And they’re good at it! Even the stories that are generally accepted to be true about Andre have a mythic quality to them. I really wanted to convey his human side and that he was a multifaceted human being with all the same idiosyncrasies as anyone. In our lives, sometimes we are magnificent and sometimes we’re not so much and we’re everything in between.”
As noticed by CBR Senior Editor Stephen Gerding, the first cover to the freshly announced new Ms. Marvel series, illustrated by Sara Pichelli, appears to be an homage to Gary Frank’s cover to debut issue of another comic starring a teenage girl hero, 1996’s Supergirl #1 — from the angle to the blank background to the juxtaposition of casual wear with superhero iconography.
That volume of Supergirl lasted 80 issues, so it could be a good portent for the Ms. Marvel book, which features a Muslim teenager named Kamala Khan stepping into the title role, in a series written by G. Willow Wilson and illustrated by Adrian Alphona.