Covers Archives - Page 2 of 3 - Robot 6 @ Comic Book Resources
Normally, photo covers are pretty boring and easy to pass by, but Matt Fraction and Chip Zdarsky’s Olan Mills-style portrait for the fourth printing Sex Criminals #1 is … well, indescribably awesome. Unveiled this morning by Image Comics, the cover features Fraction with his hands on Zdarsky’s shoulders while the latter cradles first-printing copy of Sex Criminals #1. The entire image is delightfully awkward, with both gazing vacantly into the distance.
And then there’s the timely blurb at the top, which references Fraction’s recent amicable departure from Marvel’s upcoming series Inhuman.
While I won’t go so far to say it’s the first time creators’ photos have been used for cover, it’s certainly a rare occurrence, and undoubtedly one of the most creative uses of a multiple-printing variant. Also, it should absolutely become tradition that any fourth printing of a comic breaks the fourth wall.
With the debut this morning of the first animal variants to mark Marvel’s All-New Marvel NOW! initiative, Mouse Guard creator David Petersen offers a look at how he drew a cover for Avengers #20.NOW, sporting an elk Thor, an eagle Captain America and a grizzly Hulk.
“I’d already decided on Cap being a bald eagle (patriotic symbolism and all) when Steve [Wacker] emailed me back (about some deadline detail stuff) offering up ‘Thor as an elk?” Petersen writes on his blog. “Once I saw that, I couldn’t un-think of Elk-Thor. And the last was Hulk who I decided would be like a massive angry grizzly bear. I sketched each of the animals as avengers out on separate pieces of paper and modified their costumes (except Bear-Hulk) to fit the animal frames.”
As usual, the Eisner Award-winning writer/artist delves into the process, and offers a look at the different stages of the cover. Take a peek below, and read the full post on Petersen’s blog.
A lifelong wrestling fan, Bellen! and Everything Dies creator (and Retrofit publisher) Box Brown will make his graphic-novel debut in May with Andre the Giant: Life and Legend, a biography of the professional wrestler turned actor from First Second (ROBOT 6 interviewed Brown about the project last year). Grantland has a new Q&A with the cartoonist, along with a first look at the cover, which you can check out in full below.
“Every wrestler had a story about him, but wrestlers like to tell stories and like to embellish those stories and make them their own,” Brown tells Grantland’s The Triangle. “And they’re good at it! Even the stories that are generally accepted to be true about Andre have a mythic quality to them. I really wanted to convey his human side and that he was a multifaceted human being with all the same idiosyncrasies as anyone. In our lives, sometimes we are magnificent and sometimes we’re not so much and we’re everything in between.”
As noticed by CBR Senior Editor Stephen Gerding, the first cover to the freshly announced new Ms. Marvel series, illustrated by Sara Pichelli, appears to be an homage to Gary Frank’s cover to debut issue of another comic starring a teenage girl hero, 1996′s Supergirl #1 — from the angle to the blank background to the juxtaposition of casual wear with superhero iconography.
That volume of Supergirl lasted 80 issues, so it could be a good portent for the Ms. Marvel book, which features a Muslim teenager named Kamala Khan stepping into the title role, in a series written by G. Willow Wilson and illustrated by Adrian Alphona.
The folks at 2000AD are clearly fed up of waiting to see if the accountants at DNA Films will bow to the online petitions and constant fan-badgering and release a sequel to 2012′s Dredd: They’re taking the initiative and starting their own continuation of the film, beginning next week in Judge Dredd Megazine #340. This new continuity doesn’t replace Dredd’s ongoing 36-year-old saga, instead running parallel. Y’know, like an Ultimate Judge Dredd. I can see how the whole “sequel to Dredd movie” angle may well play well with the mainstream press, perhaps generating some mass-media attention.
The strip, “Dredd: Underbelly,” is by writer Arthur Wyatt and artist Henry Flint. 2000AD sent along these images, showing Flint’s process for creating the issue’s cover, from preliminary sketch to finished item.
Image Comics has unveiled the 10th and final connecting cover for The Walking Dead #115, celebrating the 10th anniversary of the hit series. Illustrated by series artist Charlie Adlard and colored by Dave Stewart, the covers depict the most significant, and the most special, moments of the past decade.
The Walking Dead #115, by Robert Kirkman, Adlard and Cliff Rathburn, arrives Oct. 9. Check out the solicitation text below.
Archaia has provided Robot 6 with an exclusive look at David Petersen’s cover for the second volume of the anthology Mouse Guard: Legends of the Guard. The book will be solicited in the new Previews catalog (out Friday), but this is the first time anyone who wasn’t at the Mouse Guard panel at Comic-Con will get to see the cover.
The first volume of Mouse Guard: Legends of the Guard was nominated for an Eisner Award, and this volume is just as strong, with short stories set in the Mouse Guard universe by an impressive array of creators, including Stan Sakai, Bill Willingham, Rick Geary and Christian Slade, all told around the fireplace at the June Alley Inn. It’s due out in November.
Click below for a larger look at the cover.
Duncan Fegredo has been known to post all kinds of process art on Twitter while he’s been working on various Hellboy projects: thumbnails, layouts, sketches, pencils, inks, gray washes (and sometimes he compiles them at Storify). Knowing that he’s a serial documentarian of every stage of an image, I asked if there were any previous stages to his variant cover for Kick-Ass 3 #2. This cover is the first fruits of Fegredo’s partnership with Mark Millar, as they gear up to creating their new series MPH for Image Comics. Of course, Fegredo answered my question with a virtual folder full of art, showing just how much work the artist (and his editor, and his colorist) put into producing one iconic image.
Fegredo: “Amidst much ongoing talk of MPH, Mark asked if I could turn around a Kick-Ass 3 variant by the end of what was already a short week. This was whilst I was finishing the last few Hellboy: The Midnight Circus pages, so not the best timing! The brief could not have been briefer, “It should feature Kick Ass!” was pretty much it. So here’s my initial and only sketch, Kick-Ass playing with action figures of himself and a bad guy. Kick-Ass literally playing with himself if I need make it any plainer!”
There’s always a steady flow of new art to be seen at Chris Ryall’s Tumblr. The editor-in-chief of IDW Publishing recently saw a Jack Kirby tribute by Brendan McCarthy accompanying a ROBOT 6 story about soaring sales of the Dredd DVD, and contacted the legednary 2000AD artist to secure the use of that image, and to commission a series of covers in the style of other Silver Age greats. These will run as cover images — variants, I’d guess — for issues 13 to 16 of IDW’s ongoing Judge Dredd series:
Even before Vertigo was Vertigo, it had a distinct policy of signing great cover artists for the long haul for ongoing titles. I fondly remember Dave McKean on The Sandman and Hellblazer, Simon Bisley on Doom Patrol, Brian Bolland on Animal Man and Brendan McCarthy on Shade, the Changing Man. This is a policy that has continued on to the present day: Yuko Shimizu has produced amazing covers for The Unwritten since its debut; king of the good girl artists Adam Hughes has been providing Fairest with the best work of his career so far; and Fables had a long outstanding run by James Jean, before he ceded the job to Joao Ruas. As much as I love the work of J.H. Williams III, it was seeing McKean’s cover for The Sandman: Overture #1 that made the project feel real.
In terms of total commitment to a book, however, no one can match Dave Johnson on 100 Bullets. He drew covers to all 100 issues, shifting styles for each story arc. He drew the covers to all 13 trade paperbacks, and now he’s providing the ones for the eight-issue sequel-of-sorts Brother Lono. On Tuesday he posted this image to his assorted social media feeds: the covers to the five omnibus editions, which together create an extended frieze.
The New York Times premiered a small image of the cover for The Sandman: Overture #1 in its article about concentrated efforts to rebuild Vertigo, but artist J.H. Williams III wasn’t happy with how dull it appeared on the newspaper’s website. And so, lucky for us, he’s revealed super-sized versions on his own blog, both with text and without.
Debuting Oct. 30, the bimonthly six-issue miniseries details the events that led Morpheus to be exhausted and so easily captured in 1989′s The Sandman #1. Boasting covers by Williams and original series cover artist Dave McKean, the title will alternate with The Sandman: Overture Special Edition, which includes Gaiman’s original scripts, Williams’ concept art and sketches, interviews with the creative team and more.
Valiant Entertainment not only became a corporate member of the Comic Book Legal Defense Fund this week, but also debuted a variant cover edition of Quantum and Woody #1 that will be sold at Comic-Con International in San Diego next month to benefit the organization.
Drawn by Tony Millionaire of Maakies and Sock Monkey fame, the Quantum and Woody #1 CBLDF Liberty Variant will be limited to 750 copies. It’ll only be sold at the CBLDF’s booth at San Diego and via the CBLDF website.
Check out the full cover below.
To celebrate Wednesday’s landmark Supreme Court decisions that struck down the federal Defense of Marriage Act and permitted same-sex marriage to resume in California, The New Yorker has debuted Jack Hunter’s cover for the July 8 and 15 issue, described as “Bert and Ernie’s ‘Moment of Joy’.”
“It’s amazing to witness how attitudes on gay rights have evolved in my lifetime,” Hunter said. “This is great for our kids, a moment we can all celebrate.”
As the date of 2000AD/Rebellion’s limited release of The Complete Zenith draws near, the publicity campaign for the book also reaches its, uh, zenith.
No matter where you stand on the ethics of the release, or on the matter of the material’s ownership (and I’m sure there will be plenty more claims and counter-claims on that issue to come), it must be stated that the final cover is a great-looking design, strong and bold and graphic.
Ahead of the launch of its website on Tuesday, Fried Comics has provided ROBOT 6 with the exclusive first look at Ben Templesmith’s cover for Deadskins!, an upcoming digital-first serialized graphic novel characterized by the publisher as a “zombie Western comedy.”
Created and written by Clay Adams and Alexandre O. Philippe, director of the acclaimed documentary The People Vs. George Lucas and the upcoming Doc of the Dead, and illustrated by Leila Del Duca, Deadskins! follows “a Harvard-educated dandy and his blind drunk companion,” who are all that stand between the West and “a zombie Indian apocalypse”: “This is the true story of Custer’s Last Stand … whatever they taught you in school is bullshit.” It will feature a second cover by Afro Samurai writer/artist Takashi Okazaki.
Fried Comics will debut two digital-first series next week, with a third to be announced in 2014. Free content will be available each weekday, providing visitors with a look at the process from initial sketch to finished comics page. Full issues will be available for download for 99 cents per issue; print editions will be available “in the near future.” Continue Reading »