Covers Archives - Page 2 of 3 - Robot 6 @ Comic Book Resources
Archaia has provided Robot 6 with an exclusive look at David Petersen’s cover for the second volume of the anthology Mouse Guard: Legends of the Guard. The book will be solicited in the new Previews catalog (out Friday), but this is the first time anyone who wasn’t at the Mouse Guard panel at Comic-Con will get to see the cover.
The first volume of Mouse Guard: Legends of the Guard was nominated for an Eisner Award, and this volume is just as strong, with short stories set in the Mouse Guard universe by an impressive array of creators, including Stan Sakai, Bill Willingham, Rick Geary and Christian Slade, all told around the fireplace at the June Alley Inn. It’s due out in November.
Click below for a larger look at the cover.
Duncan Fegredo has been known to post all kinds of process art on Twitter while he’s been working on various Hellboy projects: thumbnails, layouts, sketches, pencils, inks, gray washes (and sometimes he compiles them at Storify). Knowing that he’s a serial documentarian of every stage of an image, I asked if there were any previous stages to his variant cover for Kick-Ass 3 #2. This cover is the first fruits of Fegredo’s partnership with Mark Millar, as they gear up to creating their new series MPH for Image Comics. Of course, Fegredo answered my question with a virtual folder full of art, showing just how much work the artist (and his editor, and his colorist) put into producing one iconic image.
Fegredo: “Amidst much ongoing talk of MPH, Mark asked if I could turn around a Kick-Ass 3 variant by the end of what was already a short week. This was whilst I was finishing the last few Hellboy: The Midnight Circus pages, so not the best timing! The brief could not have been briefer, “It should feature Kick Ass!” was pretty much it. So here’s my initial and only sketch, Kick-Ass playing with action figures of himself and a bad guy. Kick-Ass literally playing with himself if I need make it any plainer!”
There’s always a steady flow of new art to be seen at Chris Ryall’s Tumblr. The editor-in-chief of IDW Publishing recently saw a Jack Kirby tribute by Brendan McCarthy accompanying a ROBOT 6 story about soaring sales of the Dredd DVD, and contacted the legednary 2000AD artist to secure the use of that image, and to commission a series of covers in the style of other Silver Age greats. These will run as cover images — variants, I’d guess — for issues 13 to 16 of IDW’s ongoing Judge Dredd series:
Even before Vertigo was Vertigo, it had a distinct policy of signing great cover artists for the long haul for ongoing titles. I fondly remember Dave McKean on The Sandman and Hellblazer, Simon Bisley on Doom Patrol, Brian Bolland on Animal Man and Brendan McCarthy on Shade, the Changing Man. This is a policy that has continued on to the present day: Yuko Shimizu has produced amazing covers for The Unwritten since its debut; king of the good girl artists Adam Hughes has been providing Fairest with the best work of his career so far; and Fables had a long outstanding run by James Jean, before he ceded the job to Joao Ruas. As much as I love the work of J.H. Williams III, it was seeing McKean’s cover for The Sandman: Overture #1 that made the project feel real.
In terms of total commitment to a book, however, no one can match Dave Johnson on 100 Bullets. He drew covers to all 100 issues, shifting styles for each story arc. He drew the covers to all 13 trade paperbacks, and now he’s providing the ones for the eight-issue sequel-of-sorts Brother Lono. On Tuesday he posted this image to his assorted social media feeds: the covers to the five omnibus editions, which together create an extended frieze.
The New York Times premiered a small image of the cover for The Sandman: Overture #1 in its article about concentrated efforts to rebuild Vertigo, but artist J.H. Williams III wasn’t happy with how dull it appeared on the newspaper’s website. And so, lucky for us, he’s revealed super-sized versions on his own blog, both with text and without.
Debuting Oct. 30, the bimonthly six-issue miniseries details the events that led Morpheus to be exhausted and so easily captured in 1989′s The Sandman #1. Boasting covers by Williams and original series cover artist Dave McKean, the title will alternate with The Sandman: Overture Special Edition, which includes Gaiman’s original scripts, Williams’ concept art and sketches, interviews with the creative team and more.
Valiant Entertainment not only became a corporate member of the Comic Book Legal Defense Fund this week, but also debuted a variant cover edition of Quantum and Woody #1 that will be sold at Comic-Con International in San Diego next month to benefit the organization.
Drawn by Tony Millionaire of Maakies and Sock Monkey fame, the Quantum and Woody #1 CBLDF Liberty Variant will be limited to 750 copies. It’ll only be sold at the CBLDF’s booth at San Diego and via the CBLDF website.
Check out the full cover below.
To celebrate Wednesday’s landmark Supreme Court decisions that struck down the federal Defense of Marriage Act and permitted same-sex marriage to resume in California, The New Yorker has debuted Jack Hunter’s cover for the July 8 and 15 issue, described as “Bert and Ernie’s ‘Moment of Joy’.”
“It’s amazing to witness how attitudes on gay rights have evolved in my lifetime,” Hunter said. “This is great for our kids, a moment we can all celebrate.”
As the date of 2000AD/Rebellion’s limited release of The Complete Zenith draws near, the publicity campaign for the book also reaches its, uh, zenith.
No matter where you stand on the ethics of the release, or on the matter of the material’s ownership (and I’m sure there will be plenty more claims and counter-claims on that issue to come), it must be stated that the final cover is a great-looking design, strong and bold and graphic.
Ahead of the launch of its website on Tuesday, Fried Comics has provided ROBOT 6 with the exclusive first look at Ben Templesmith’s cover for Deadskins!, an upcoming digital-first serialized graphic novel characterized by the publisher as a “zombie Western comedy.”
Created and written by Clay Adams and Alexandre O. Philippe, director of the acclaimed documentary The People Vs. George Lucas and the upcoming Doc of the Dead, and illustrated by Leila Del Duca, Deadskins! follows “a Harvard-educated dandy and his blind drunk companion,” who are all that stand between the West and “a zombie Indian apocalypse”: “This is the true story of Custer’s Last Stand … whatever they taught you in school is bullshit.” It will feature a second cover by Afro Samurai writer/artist Takashi Okazaki.
Fried Comics will debut two digital-first series next week, with a third to be announced in 2014. Free content will be available each weekday, providing visitors with a look at the process from initial sketch to finished comics page. Full issues will be available for download for 99 cents per issue; print editions will be available “in the near future.” Continue Reading »
I love when Mouse Guard creator David Petersen writes process posts, particularly when they involve the construction of models to help him draw mouse-sized rooms (or entire towns), and sewer tunnels ideal for a Teenage Mutant Ninja Turtle. His latest, for the cover of Mouse Guard: Legends of the Guard Vol. 2 #3, doesn’t feature any little papercraft houses, but it’s interesting nonetheless.
From reference material and initial sketches to inks and the finished illustration, the artist walks us through the creation of the cover, which features a trio of musicians “that could play so well, they’d call back the dead.” However, the execution proved a little complicated.
“The inks were a bit tricky because of the ghost effects,” he writes, “and at several times while inking I worried this cover wouldn’t work the way I was proceeding with it, but I just pushed through figuring I’d make sense of it all in color.” And it did, as you can see from the finished cover above.
Mouse Guard: Legends of the Guard Vol. 2 #3 arrives Aug. 28.
These Jim Rugg-drawn variant covers for IDW Publishing’s G.I. Joe Special Missions comic aren’t exactly new, and in fact some of them have already been released into the wild, but I thought they were worth sharing because a) they’re awesome, b) I haven’t seen them before, at least not all together, so maybe you haven’t either, and c) seeing them as group shows Rugg has a theme going with them.
Warren Ellis has a new ebook debuting June
15 18 called Dead Pig Collector, and Sunday, via his Machine Vision email list, he revealed the book’s cover, by his Fell collaborator Ben Templesmith.
Dead Pig Collector, Ellis says, is “a love story. It is also about killing people and effectively disposing of their bodies.” Check out the complete cover after the jump.
There was a tantalizing, small, tightly cropped snippet of this image as a house ad in last week’s 2000AD, but here is the cover to Prog 1830 in all its insane glory. Available May 1, it’s a very retro effort by Elephantmen artist Boo Cook starring the cast of his new three-part miniseries “Gunheadz.” Tharg’s regular spokeshuman Michael Molcher explains:
A renowned designer and art director, Kidd is widely known for creating the jackets for such books as Michael Chricton’s Jurassic Park and The Lost World, Donna Tartt’s The Secret History, David Sedaris’ Naked and Gerard Jones’ Men of Tomorrow. However, he’s also worked extensively in the comics arena, designing the covers for Frank Miller and Lynn Varley’s Batman: The Dark Knight Strikes Again, Vertical Inc.’s Osamu Tezuka line, and Dave Gibbons’ Watching the Watchmen (for which he also designed the interiors), as well as the logos and trade dress for All-Star Superman and All-Star Batman and Robin the Boy Wonder. Most recently, Kidd created a variant cover for Before Watchmen: Rorschach #3.
Before Watchmen: Minutemen/Silk Spectre and Before Watchmen: Ozymandias/Crimson Corsair arrive in comic stores June 26 and July 2 everywhere else; Before Watchmen: Nite Owl/Dr. Manhattan and Before Watchmen: Comedian/Rorschach go on sale July 10 in comic stores and July 16 everywhere else.
As with any series launch, the recently announced Avengers AI #1 by Sam Humphries and Andrew Lima Araujo already has a variant cover in the pipeline, but it’s definitely one with a retro twist. Revealed on the Marvel Tumblr, Matthew Waite’s variant for the first issue goes back to the 8-bit era of video games, giving a look at Hank Pym, the Vision, Victor Mancha, a Doombot, new character Alexis and 616 newcomer Monica Chang fighting a team of Ultron robots as if it were an old-school, 8-bit Nintendo game.