Digital Comics Archives - Page 2 of 11 - Robot 6 @ Comic Book Resources
In celebration of the 20th Small Press Expo, held this weekend in Bethesda, Maryland, comiXology if offering a special SPX-themed bundle from Submit, its self-publishing platform for independent creators.
Available for this weekend only, the digital comics distributor is offering more than 80 titles by creator and small-press publishers exhibiting at the show for just $10.
Arrow Season 2.5, which debuted Monday, will alternate weeks with The Flash: Season Zero. Set between the second and third seasons of the hit television series, Arrow is penned by executive producer Marc Guggenheim and staff writer Keto Shimizu, and illustrated by Joe Bennett and Jack Jadson. The Flash: Season Zero, meanwhile, takes place between the events of the pilot and the second episode, and is written by Andrew Kreisberg, Brooke Eikmeier and Katherine Walczak, with art by Phil Hester and Eric Gapstur.
Following in the footsteps of the likes of Brian K. Vaughan and Marcos Martin’s Panel Syndicate, Image Comics and, just last month, comiXology, Valiant Entertainment will allow readers to download its comics as DRM-free digital files.
Through a new agreement with DriveThruComics, Valiant’s monthly titles are now available as PDFs on the same day of their print release. The online retailer will soon host the publisher’s entire catalog of single issues and collections.
“Valiant has some of the most exciting and entertaining comics on the market today,” Matt M. McElroy, DriveThruComics’ director of publishing, said in a statement. “Several members of the DriveThruComics crew were already huge fans of the Valiant characters and creators, so we couldn’t be more thrilled to have these books available on our site.”
In celebration of the new partnership, the first issues of Valiant’s ongoing series are available for free download from Drive Thru Comics for the next 30 days. They include:
The Humble BOOM! Bundle is in its final day, meaning readers still have time to download 39 issues of DRM-free digital comics for as little as a penny.
That will get you issues of such BOOM! Studios series as Sons of Anarchy, Day Men, RoboCop and Imagine Agents. Those who pay more than the average amount offered (right now that’s $10.10) will unlock issues from 10 more series, including Planet of the Apes, The Woods and Mouse Guard: The Black Axe (the offering has expanded since the launch of the promotion, adding Fairy Quest: Outlaws, Polarity, Suicide Risk Vols. 1-2 and Protocol: Orphans).
Although Joshua Hale Fialkov and Kody Chamberlain’s Punks: The Comic doesn’t debut from Image Comics until October, they’re offering something to whet readers’ appetites, and maybe lift some spirits: 36 pages of “classic” Punks, for free.
“In order to combat the sheer shittiness of this week,” Fialkov writes on his Facebook page, “Kody Chamberlain and I, along with Image Comics are offering a FREE CLASSIC PUNKS COMIC to make you hate the world a little less.”
BOOM! Studios has added its name to the list of publishers embracing Humble Bundle with a promotion that allows readers to name their own price for digital editions of comics ranging from RoboCop to Lumberjanes to Mouse Guard.
By now you likely know how Humble Bundle operates, with customers getting DRM-free downloads for as little as a penny, with a portion of the proceeds going to a charity (in this case, the Comic Book Legal Defense Fund).
With Genius #1, by Marc Bernardin, Adam Freeman and Afua Richardson, going on sale Wednesday, Top Cow Productions is offering the “zero issue” — the 2008 Pilot Season one-shot — for free on comiXology.
Arriving weekly throughout August, the five-issue miniseries follows teenager Destiny Ajaye, the greatest military mind of her generation, who unites the gangs of South Central Los Angeles and secedes three square blocks of her neighborhood from the United States. Continue Reading »
The clock is ticking down at Humble Bundle on Skybound’s The Walking Dead Bundle, which allows customers to name their own price for DRM-free digital editions of the first volumes of Ghosted, Invincible, Witch Doctor and, of course, The Walking Dead.
The deal doesn’t stop there, however: Those who pay more than the average amount offered ($11.59) can unlock the second and third volumes of The Walking Dead, the first volumes of Thief of Thieves, Manifest Destiny and Clone, the first and second volumes of Super Dinosaur, and the second volume of Invincible. Fifteen dollars will also open the fourth and fifth volumes of The Walking Dead.
Top Shelf Productions is again celebrating Comic-Con International with a “Cyber-Con Sale,” offering deep discounts on 150 digital titles, including March Book One, Monster on the Hill, God is Disappointed in You, American Elf and From Hell.
The publisher’s “biggest digital sale ever” also includes Eddie Campbell’s Bacchus, available now for the first time in digital form. (All of the Top Shelf titles are DRM-free, too, and downloadable in PDF, CBZ or ePub formats.)
But for the Top Shelf aficionado, there’s this: comiXology’s Top Shelf Treasury, featuring 172 titles — every comic and graphic novel the publisher offers on the digital platform, more than 25,000 pages in all — for $149.99. As Chris Ross, Top Shelf’s director of digital publishing, said today during the company’s Comic-Con International panel, that collection would give readers “a bachelor’s degree in independent comics.”
The “Cyber-Con Sale” ends when Comic-Con does — Sunday. So you’ll have to act fast.
Like comiXology and Marvel Unlimited, DC Entertainment and Image Comics are celebrating Comic-Con International with sales on select digital titles.
Through Tuesday, DC is marking the 75th anniversary of the Dark Knight by offering digital downloads of a whopping 750 Batman comics for 99 cents each. These aren’t typical dollar-bin titles, however; they include The Dark Knight Returns, The Long Halloween, No Man’s Land, Year One, Hush, The Court of the Owls and All Star Batman & Robbin the Boy Wonder. If you’re wanting to go way back, there are comics dating back to 1938, with Batman’s debut in Detective Comics #27.
If you’ve wanted to explore Marvel’s massive digital archive, now’s your chance: For the next week, in celebration of Comic-Con International, 99 cents will get you a month-long subscription to Marvel Unlimited and its online collection of more than 15,000 classic and newer comics, dating from the Golden Age to about six months ago.
The publisher offered a similar deal in March for South by Southwest; a monthly membership normally costs $9.99, while a basic annual subscription is $69.
I’ve never been to a comics convention, but I can imagine it can be overwhelming — Comic-Con International especially, with its enormous exhibition hall, packed programming schedule and multiple venues. There’s a webcomics presence, but it remains something of a niche. A quick scan of events, for example, turns up more presentations on how to become big on deviantART than anything directly connected with webcomics.
There’s a powerfully strong digital comics representation, however. Perhaps this indicates a swing from the independent, comic strip-influenced world of webcomics to the formalized, floppy-inspired format of digital. Shoot, Publishers Weekly even arranged a panel to discuss that very thing on Friday morning with “Behind the Digital Line.” Mark Waid has an entire panel devoted to pitching ideas to Thrillbent. Monkeybrain Comics will have a roundtable about the benefits of publishing digitally. And on Sunday, “Digital Comics: Going Beyond the Page” will feature a discussion with a panel that includes Waid (Thrillbent) and Ron Perraza (formerly of comiXology and DC’s digital division).
ComiXology is celebrating its fifth anniversary with a deal that’s pretty difficult to pass up: a bundle of 100 titles from comiXology Submit, its self-publishing platform for independent creators, for just $10.
That’s 10 cents each for comics like Wolves by Becky Cloonan, Aw Yeah Comics! #1 by Art Baltazar, Franco and others, nemu*nemu: Out of This World by Audra Ann S. Furuichi, Feather #1 by Steve Uy, and The Pride #1 by Joe Glass, Marc Ellerby, Joshua Faith and Gavin Mitchell. Plus, y’know, 95 others.
One upon a time, an entire subcontinent crashed into the largest continent. Tectonic plates collided, sending rocks jutting toward the heavens. Jagged peaks formed formed the Himalayas, and looming higher than any other was Everest. Sir Edmund Hilary famously journeyed to the top of the world, a feat that inspired generations of explorers to believe that no place on Earth is unconquerable. But they’re not always right, for on its icy, windswept cliffs, many an intrepid soul has succumbed to its perils. Everest is a mountain of madness. It’s a mountain … of death.
Christopher Sebela and Ibrahim Moustafa’s Eisner-nominated comic High Crimes (Monkeybrain) follows the thrilling, high-stakes adventure of a lost soul named Suzanne “Zan” Jansen. She was an avid snowboarder until her Olympic dreams were cruelly crushed by an injury. Haunted by failure, her days are spent in an unbreakable cycle of drinking and self-loathing. She ends up involved in a sordid occupation: finding the missing bodies of those who disappeared on climbing expeditions. The dirty work is done by her grizzled, older business partner Haskell, who chops a hand off the dead, then returns to base to have it stored in his freezer. The fingerprints are traced by a corrupt police officer, and the identity lets them know which families to bribe.
One day, Haskell is dealt a bad hand. Literally. It belongs to a decades-old corpse who used to be Sebastian Mars. He’s not just a climber; he’s a person of interest. Inside the severed hand, Zan discovers a capsule containing a rolled-up microfiche of secrets. It turns out that it’s something like the Maltese Falcon: the stuff that dreams are made of, and a thing of extreme value to the wrong kinds of people.
This year, The Oatmeal dominates the Eisner Best Digital comic category as “the one that most people have heard of.” That’s pretty much in direct contrast to last year, which was populated by five relatively obscure titles. It’s a testament, I think, to the far-reaching diversity of webcomics, where few ever become pop culture superstars but many have devoted fanbase. You had indie-style comics like Ant Comic and It Will All Hurt, the haunting short story Our Bloodstained Roof and the classic Thimble Theater-inspired art of Oyster War.
The eventual winner, though, was the one that most closely resembled a traditional comic. Paul Tobin and Colleen Coover’s Bandette (Monkeybrain Comics) was the first Eisner winner that had to be downloaded from comiXology — a true “digital comic” as opposed to a “webcomic.” I imagine that the familiar panel layout was the one least likely to send traditionalists into paroxysms. Heck, the tone of the story itself feels very much like a throwback to both Silver Age comic stories and European all-ages fare like The Adventures of Tintin. But so what? It’s old school, and in a way that made it refreshingly novel.