Kickstarter Archives - Page 2 of 3 - Robot 6 @ Comic Book Resources
With more power comes more problems. Just ask Starpunch Girl, who’s in the middle of a battle to free her enslaved homeworld from the Black Hole Army. And leading that army is Blackhole Boy, a rival who going all the way back to grade school. Creators S.D. Lockhart and Narm started the series as a webcomic, and now they’re turning to Kickstarter to help fund a 90-plus page print edition.
Described by Lockhart as a “full-color cosmic comic creation featuring surrealistic characters and intense action sequences,” Starpunch Girl is looking to raise $1,000 by April 27 to print a book collecting the 18 pages already released online plus more than 75 pages of additional story. As rewards for backers, they’re offering interesting extras including a soundtrack for the series, a custom plush doll, as well as an appearance in an upcoming page of the series.
Combining his love for horror with a pretty scary event from his own past, writer Jason McNamara (The Martian Confederacy, First Moon, Continuity) has teamed with artist Greg Hinkle (the upcoming Airboy) to tell the story of The Rattler. A campaign to bring their self-published graphic novel to the printed page began this morning on Kickstarter.
According to The Rattler Kickstarter page, “10 years have passed since Stephen Thorn’s fiancée vanished without a trace, and he has grown into a prominent, if bitter, victim’s rights crusader. Despite the cold trail and lack of leads, he stubbornly refuses to give up the search. And then … he begins to hear her voice in the strangest of places.”
I spoke with both McNamara and Hinkle about the project, their favorite horror comics and what “dinner” at the MacNamara house (one of the Kickstarter prizes) consists of (here’s a hint).
The crowdfunding site Kickstarter, a popular platform for creators to fund their comics or other artistic endeavors, revealed today that their site was hacked earlier this week. They said no credit card information was compromised, but other user data was accessed.
According to the blog post, accessed information included “usernames, email addresses, mailing addresses, phone numbers and encrypted passwords. Actual passwords were not revealed, however it is possible for a malicious person with enough computing power to guess and crack an encrypted password, particularly a weak or obvious one.” They urged users to change their password immediately.
Kickstarter found out about the breach on Wednesday, when they were contacted by law enforcement. They said they’ve only found evidence of unauthorized activity on two Kickstarter user accounts thus far. They later added that they don’t store full credit card numbers, but for pledges to projects outside of the United States, they store the last four digits and expiration dates for credit cards. Payments for domestic projects go through Amazon rather than through the Kickstarter site.
Sequart, the folks behind Grant Morrison: Talking with Gods and Warren Ellis: Captured Ghosts, has launched a Kickstarter campaign to fund a film celebrating female comics creators and fans.
Directed by Marisa Stotter, She Makes Comics “intends to emphasize the valuable contributions women have made since the Golden Age of comics,” combining an oral history told by many of the key figures with commentary from industry observers. Production began late last year — interviews have already been shot with the likes of Karen Berger, Joan Hilty, Chris Claremont and Joyce Farmer — but funding is still needed to cover additional travel and interviews, as well as more than 800 hours of editing.
To help reach its $41,500, the campaign is offering some unique incentives, ranging from original art from Jill Thompson and Colleen Doran (they’ll draw you into a page illustrating the history of women in comics) to a script review to a certificate for a custom corset. The campaign ends March 7.
Industry mainstay Jackie Estrada, administrator of the Eisner Awards and co-publisher of Exhibit A Press, has launched a Kickstarter campaign to fund a coffee-table book collecting photos of creators she took of comic creators and related figures in the 1970s and ’80s.
Titled simply Comic Book People: Photographs from the 1970s and 1980s, the hardcover collects about 600 photos taken at comics and sci-fi conventions and other events, and includes shots of Jerry Siegel, Joe Shuster, Bob Kane, C.C. Beck, Murphy Anderson, Jack Kirby, Alan Moore, Archie Goodwin, Moebius, Osamu Tezuka, Charles Schulz, Chuck Jones and many more.
“These are rare shots from the days before comics and conventions were big pop culture events,” Estrada explains on the Kickstarter page, “when the founding fathers of the artform were still among us and today’s top talents were just aspiring young pros trying to get noticed. If you were there, this is a great way to recall fond memories. If you weren’t, these photos are a candid and unfiltered picture of a simpler time, familiar but far away.”
Her goal is $18,000; to help get there, she’s offering incentives like postcards and a calendar featuring photos from the book, signed copies and a one-of-a-kind booklet containing photos selected by the backer.
I don’t back that many projects on Kickstarter, but The Spider King is a great-looking book, so I’m seriously considering it. I can’t remember which artist acquaintance put me on to the Facebook page of Italian artist Simone D’Armini, but the guy has a very cool style, synthesizing the influence of all kinds of the right folks (I detect hints of Ben Caldwell, Andrew MacLean, WJC and Uli Oesterle; check out his DeviantArt page here). The Spider King is one of that old chestnut, Vikings versus aliens, written by Australian writer Josh Vann, which is why those prices on the Kickstarter page might seem a bit on the high side, as they’re in Australian dollars.
It’s hard to get an idea of a comic from just a few scattered panels on a Kickstarter campaign page, but Vann’s dialog seems as witty as D’Armini’s images are stylish. They’re about halfway there towards their target, with 16 days to go, so take a look and see if you agree that this project deserves to see the light of day.
A once-respected scientist became the laughing stock of the scientific community when he published a book claiming aliens are real. But as attested by the title of Scott Fogg and Marc Thomas‘ upcoming graphic novel Phileas Reid Knows We Are Not Alone, he’s about to be proved right in a big way.
Fogg and Thomas — the artist and writer — have turned to Kickstarter to fund Reid’s story, which brings the scientist together with a reporter, her 10-year-old son and a 14-year-old alien to stop a war between Earth and Io. Joining Fogg and Thomas’ own team are Dean Trippe and Vito Delsante, who will respectively color and letter the project.
Currently they’ve made more than $6,600 of the $8,500 they’re looking for to create and publish the graphic novel, with just nine more days to go. I spoke with Fogg about the project, using Kickstarter and why his Super Bunny comic never made it past the first issue.
Periscope Studio, the Portland, Oregon, collective that’s home to more than 25 comics artists and writers, is looking to release a series of limited-edition art books, and it’s turning to Kickstarter to do it.
The $25,000 campaign, which launched Tuesday, is designed to fund the printing of 32-page, full-color books from each of six studio members: Ron Randall (Trekker), Paul Guinan (Boilerplate), David Hahn (Erfworld), Natalie Nourigat (Home Is Where the Internet Is), Erika Moen (Oh Joy, Sex Toy) and Benjamin Dewey (The Tragedy Series). There are also plans for a hardcover collecting all six books.
Pledge incentives include original art, signed and sketched-in books, art commissions. The campaign ends Dec. 19.
Although it took Aaron Alexovich a decade to create the material that will appear in the Serenity Rose: 10 Awkward Years compilation, it only took a few hours for the Kickstarter to sail past his initial goal. It kept right on sailing; at press time, the original $5,500 he was looking to raise is a mere pittance compared to the almost $40,000 the project has raised. And it still has two weeks to go.
I caught up with Aaron to discuss the success of the project and his plans for the future of the Serenity Rose world.
JK Parkin: First off, congratulations on reaching — and blowing away — your original goal. Now that you’re well over the amount you needed, what are your plans for the extra money?
Aaron Alexovich: Thank you! Blown away is right. I put up the Kickstarter around midnight on Halloween and went to bed just hoping not to be embarrassed by the whole thing. The next morning my wife, Ami, told me we were fully funded already and I almost cracked my skull open in the shower. Would’ve been hard to fulfill all those orders with half my brains dangling out.
Last year, Ryan Estrada came up with a cool idea: a pay-what-you-want Kickstarter. Anyone who pledged at least a dollar received the winter 2013 edition of The Whole Story, a bundle of four digital comics, each of which was a complete story. It went over pretty well, blasting right past its initial goal of $2,500 to a total of more than $40,000 — including 750 backers at that $1 or more level. (Estrada, being no fool, did add some enticements to pledge at higher levels.)
Now he’s back with another Kickstarter with an even cooler concept: Broken Telephone, a series of 18 independent yet interconnected comics. Here, let’s let Estrada explain:
It seems we hear a lot of horror stories about Kickstarter projects gone wrong, whether it’s because printing took longer than anticipated, postage rates shot up or the creators seemingly disappeared for long stretches of time with no updates.
On the other hand, there’s Rocket Girl.
Brandon Montclare and Amy Reeder had some advantages going into their second Kickstarter — it wasn’t their first rodeo, they were able to line up a publisher (Image Comics), and they both had industry experience. They aren’t the only Kickstarter project I’ve backed that has been able to hit its fulfillment date, but it’s happened infrequent enough that it seems worth noting. It also helps that the final project is very well done, showcasing an intriguing premise, a fun story and electric artwork, but that’s beside the point (unless the point is that you should buy this comic, which you should; the second issue comes out Wednesday).
Brandon and Amy recently sent out an update that detailed the process they went through fulfilling all the rewards they offered on Kickstarter. It was an interesting read, both from an “inside baseball” aspect and from a “this might help someone else looking to use Kickstarter” perspective, so I asked them if I could reprint it here. Brandon offered to expand it a little so it made more sense to non-backers who weren’t along for the six-month ride. I appreciate the time he took to do that, as well as the opportunity to share their story. So with that said, here are Amy and Brandon …
It’s been just five hours since the Kickstarter campaign launched for his 108-page graphic novel The Squidder, and already Ben Templesmith has pushed past his initial $18,000 goal. That may owe a little something to the squid ink.
You see, people who pledge $130 or more will receive a slipcased Kraken edition, with an original sketch done in squid ink; 21 people have already snatched those up.
The limited-run hardcover, written and illustrated by Templesmith (30 Days of Night, Fell, Welcome to Hoxford), is described as Mad Max meets Chthulhu, exploring “themes of a changing world, propaganda, and the nature of control via the main character. We’ll follow this journey of unfinished business through a world now alien and destroyed by a war which humanity lost generations ago against the almighty squid.”
Everyone who pledges money to The Squidder will have their name included in the book, and get a first look at a nine-page prelude. Beyond the Kraken edition with squid-ink sketches, incentives include a T-shirt, original art pages, and an appearance in the book.
What if an alien invasion was … but wasn’t? At its core, that’s the concept of the upcoming graphic novel Phileas Reid Knows We Are Not Alone. Created by Scott Fogg and by Marc Thomas, the upcoming graphic novel follows scientist Phileas Reid as he looks to redeem himself after being pigeon-holed as a crazy person for speculating there are aliens. Reid finds his potential salvation when he meets an alien runaway from the the moons of Jupiter, but ends up in the middle of an interstellar face-off as the runaway’s people come looking for her and the Earth’s military thinks she’s the first soldier in an invasion.
“Phileas Reid Knows We’re Not Alone is an all-ages graphic novel with its sights set on action and adventure, but that doesn’t mean the book isn’t without a message: You are not alone,” Fogg wrote on the project’s Kickstarter page. ” Wherever you are, whoever you are, no matter what age you are, people have gone before you and people are with you now. Just because you feel alone, doesn’t mean you are. This knowledge is supposed to be comforting, but it’s also a challenge. You not being alone in the world also means your way of doing things and your way of thinking things isn’t the only way.”
Jamal Igle’s 2012 Kickstarter campaign for Molly Danger, “the story of the world’s most powerful girl,” was a crowd-funding success story, surpassing its $45,000 goal by a little more than $5,000. He learned a lot from the effort, and shared that knowledge with other creators. However, there was something the veteran artist didn’t count on: the drastic rise of the United States Postal Service’s international shipping rates.
“I didn’t see this coming, and it’s really perplexing me as to how to handle this,” Igle wrote in an email to his Kickstarter backers. “As some of you may be aware, postage rates for international shipping have doubled in the last year. When i launched the campaign for Molly Danger over a year ago, I calculated my costs based on the old rates. Now I find myself in a quandary on shipping to the United Kingdom and Australia being far more expensive. At the moment, since I would like to give you your books and other incentives as promised. One would slow the roll out of delivery, since i would be making up the difference out of pocket. The other is asking those backers to send additional funds, but I don’t want to have a Sullivan’s Sluggers situation where people think I’m pulling a bait and switch.”
Last year popular convention artist Grant Gould set out on his own to create a fantasy tabletop role-playing game called Blade Raiders, combining his love for tabletop gaming, comics art and new concepts. Raising more than $8,000 on Kickstarter, Gould made that dream a reality — and now he’s taking the next step and bringing the Blade Raiders stories to life as a graphic novel.
Launched earlier this month on Kickstarter, the Blade Raiders: Grimalkin campaign is a creator-owned graphic novel set in the world of his RPG that mixes swords, sorcery, high adventure, creatures and quests. Gould is known with his frequent convention appearances and for his work on an official Star Wars webcomic, but with Blade Raiders: Grimalkin the cartoonist is branching out on his own.