Why The Russos Are The Best Thing to Happen to the MCU Since Joss Whedon
The Straw Hat Pirates of the smash-hit manga One Piece have been for television, film, video games and prose, and next year they’ll make the leap to the kabuki stage.
According to The Japan Times, the announcement was made over the weekend by publisher Shueisha, which will partner with movie company Shochiku to stage the production. One Piece creator Eiichiro Oda will supervise the adaptation.
Viz Media has acquired the rights to Fragments of Horror, the collection that marks horror master Junji Ito’s return to the genre after eight years.
The creator of such macabre manga as Tomie, Uzumaki and Gyo, Ito debuted Fragments of Horror last year in the inaugural issue of the relaunched Nemuki magazine. The collection was released in July in Japan.
Arriving next summer as part of the Viz Signature imprint, Fragments of Horror features tales “ranging from the terrifying to the comedic, from the erotic to the loathsome”: “An old wooden mansion that turns on its inhabitants. A dissection class with a most unusual subject. A funeral where the dead are definitely not laid to rest.”
Hajime Isayama’s cover has been revealed for the 790th issue of Brutus, the Japanese pop-culture magazine that will include a crossover comic in which Marvel’s Avengers fight Attack on Titan‘s 46-foot-tall Female Titan on the streets of New York City.
Alas, Isayayma’s cover illustration doesn’t depict that showdown, but rather the cast of his hit manga Attack on Titan reimagined as school children, hanging out in Tokyo’s Ueno Park as danger looms in the distance.
Every once in a while, a Pokémon emerges that makes you reconsider the notion of catching them all. After all, not every one of them is as cuddly as Pikachu, and some of them are just plain disturbing.
Consider the Banette, a grudge-holding doll-like Pokémon possessed by “pure hatred.” That’s troubling enough, but now consider the Banette as drawn by Junji Ito, the wonderfully twisted mind behind such horror manga Tomie, Uzumaki and Gyo.
For Halloween, the Pokémon Company is teaming with the horror master for “Kowapoke,” or “Scarypoke,” a seasonal promotion on the company’s website trumpeted with Ito’s Banette illustration, which can be downloaded as a free wallpaper or purchased as a T-shirt. More content is on the way.
Manga lovers planning a trip to Tokyo may soon be able to stay at lodgings designed specifically for them.
According to Nikkei, the Tokyo company Slow Curve plans to buy leases for condominiums and apartments in the city’s Akihabara, Ikebukuro and Nakano neighborhoods, and stock them with as many as 2,000 manga.
Yen Press announced at New York Comic Con a late of new licenses that includes Prison School, adaptations of the light novels Chaika, The Coffin Princess and Trinity Seven, and a new project from Svetlana Chmakova.
The Hachette Book Group imprint will also reissue Kaoru Mori’s Emma — previously released as part of DC Comics’ CMX line — in a series of five hardcover omnibus editions.
A full list of the announcements, and their descriptions, can be found below.
Vertical Inc. has announced the launch of Vertical Comics, an imprint dedicated to manga and anime-related books, leaving the publisher’s primary line to focus on contemporary Japanese prose works in crime fiction, fantasy and sci-fi.
According to Publishers Weekly, beginning in the fall, the new imprint will publish 20 new manga titles over the next year, with plans to expand to 30 t0 40 manga and anime-oriented works.
The New York-based company also announced at New York Comic Con that, following the release next summer of the Attack on Titan – Before the Fall: Kyklo light novel prequel, it will publish Attack on Titan: Harsh Mistress of the City, written by Ryo Kawakami, with illustrations by Range Murata. Yes, Range Murata.
Vertical also confirmed the release of the manga Prophecy, Vol. 1, by Tetsuya Tsutsui in November and My Neighbor Seki by Takuma Morishige in January, the anthology Dream Fossil: The Complete Collection of Satoshi Kon in summer 2015, and A Sky Longing for Memories: The Art of Makoto Shinkai in May.
Hajime Isayama’s manga Attack on Titan is as popular as it is gory, with enormous creatures that devour humans in the same way we might dig into a bucket of KFC — only with a lot more indiscriminate bone-crunching. Needless to say, those probably aren’t the kind of images you want to plaster throughout the Tokyo subway.
So what do you do if you’re tasked with promoting an art exhibit at a Tokyo museum devoted to Attack on Titan? Well, Rocket News24 reports the designers cleverly avoided complaints about graphic imagery by covering the unfortunate humans on each of the posters with a photo of fast food — pizza, burgers, fried chicken and the like. I suppose there’s an argument to be made those are even more horrific than the originals.
Naruto, Masashi Kishimoto’s bestselling ninja manga, will come to an end next month after a 15-year run. The final chapter will be published Nov. 10 in Shueisha’s Weekly Shonen Jump.
The impending end doesn’t come as a surprise to most readers, as Kishimoto announced in 2012 that the “series is rising towards its climax,” and just last year revealed Naruto was “in its final phase.”
Jiro Taniguchi, creator of The Walking Man, A Distant Neighborhood and more than 40 other manga, will be a special guest in January at the 42nd Angoulême International Comics Festival, which will include a major exhibit of his work — the first of its scale in Europe.
Titled “Taniguchi, l’homme qui rêve” (“Taniguchi, the dreaming man”), the exhibition will cover four decades of Taniguchi’s work, which includes the memoir A Zoo in Winter, the conquest-of-Everest tale Summit of the Gods, the time-travel story A Distant Neighborhood, and the mystery The Quest for the Missing Girl.
Not only does Taniguchi’s work span most of the major graphic novel genres, the official press release points out, but he has crossed over to become an author with universal appeal. Indeed, Laurent Duvault, director of international media development for the publishing group Media Participations, told me at this year’s festival that “Taniguchi was the first Japanese artist to have his own area, not in the manga section but in the French section [of bookstores]. It was a graphic novel approach, not a manga approach.” He attributed this in part to the fact that Taniguchi’s work is flipped, so it reads left to right, making it more accessible to readers of European languages. Taniguchi is no stranger to Angoulême: A Distant Neighborhood was awarded the Alph’Art prize for best scenario at the 2003 festival, and he was one of the nominees for the Grand Prix this year.
Taniguchi, who has four new books coming out this year in France, will be present at Angoulême to open the exhibit and participate in the program; after the festival is over, the show will go on tour around France and the rest of Europe.
There are a lot of battle manga, and there are a lot of food manga, but Mitsutoshi Shimabukuro’s Toriko is one of the few where the hero battles the food — literally.
The series, which runs in both the American and Japanese versions of Shonen Jump, is about a gourmet hunter who tracks down the rarest foods in the world. Like the lead character in the foodie manga Oishinbo, Toriko is trying to assemble the greatest meal ever, but that’s where the similarity ends.
UDON Entertainment will introduce Manga Classics, a new line of adaptations of literary classics geared toward a young-adult audience.
The line launches in August with the release of Victor Hugo’s Les Miserables, featuring art by SunNeko Lee, with an adaptation by Crystal Silvermoon and an English script by Stacy King, and Jane Austen’s Pride & Prejudice, with art by Po Tse and an adaptation King.
Not that we necessarily required an further evidence of the popularity of One Piece, but now comes word that with the release of its 74th volume, Eiichiro Oda’s pirate manga has sold more than 310 million copies in Japan alone.
It’s worth noting that it was only November when Shueisha Inc. and Viz Media took out newspaper ads trumpeting the 300-million copy milestone (with another 45 million outside of Japan). Earlier that same month, it was revealed that One Piece has sold 130.15 million copies in Japan just since 2009, the year that market research firm Oricon began reporting book sales.
So what’s the secret behind the success of the world’s bestselling manga? Its sometimes-manic mix of action, comedy and sorrow, a seemingly magic formula the 39-year-old Oda attributes his short attention span. “The thing is, I get bored easily,” he told The Japan Times last fall. “So if my manga was just about the action, or comedy, or tear-jerking moments, I would get bored. I change the style of the series to keep up my motivation to draw. […] Humans can only come up with new ideas when they’ve reached their limits. When I finish a manuscript, I am completely exhausted.”
Oda, who’s been drawing One Piece since 1997, just announced that he’s placing the manga on hiatus for two weeks while he has his tonsils removed. “Since I’m having this surgery anyways, I plan to have a bazooka installed on my shoulder,” he said in a message to fans. “I’ll be back with my body stronger, so I can clear my workload in the latter half of this year. I’ll be right back, so please come play with me again.”
Viz Media has announced it will publish Battle Royale: Angels’ Border, a new graphic novel by Koushun Takami, author of the original Battle Royale novel. The two-chapter story is complete in a single volume and features artwork by Mioko Ohnishi and Youhei Oguma. It’s a stand-alone story about six of the girls who lock themselves in a lighthouse during the competition, and like all of Battle Royale, it deals with the precarious balance between the need to unite with others and the need to kill them in order to survive.
In the original, an authoritarian government transported a high-school class to a deserted island, gave them deadly weapons and instructed them to fight each other to the death; only one student could survive. Viz published the original novel in 2003, and this year released a new translation, Battle Royale: Remastered, under its Haikasoru science fiction imprint. The manga was published in 2003 by Tokyopop, which re-released it four years later in Ultimate Edition format.
Hiroshi Murayama, editor of the popular food manga Oishinbo and managing editor of the weekly magazine Big Comic Spirits, defended the series’ portrayal of possible radiation dangers in the area around the Fukushima nuclear power plant, which was damaged in the March 2011 earthquake.
The story has stirred controversy, resulting in complaints and angry letters from Fukushima government officials and residents, who fear it will lead to prejudice against those who live there and will make Japanese consumers even more wary of food from the region. The series has been suspended indefinitely, although it’s not clear whether that was a response to the controversy or a previously planned hiatus.