The sum-e art used for the The Wolverine movie posters was something striking and evocative of the Japanese locale that director James Mangold and star Hugh Jackman were going for, but a New York City street artist has done something surprisingly simple that kicks it up a notch.
As you can see in the photo above, street artist Poster Boy NYC has extended the reach of the clawed mutant by adding the character’s near trademark three slash marks to neighboring posters hung next to this one in a subway terminal. Great for Wolverine, not so great for Despicable Me 2 and those other advertisers.
Producer Adi Shankar and director Phil Joanou generated a buzz last year at Comic-Con International with the premiere of “Dirty Laundry,” a brutal short film that saw The Punisher star Thomas Jane reprise his role as a weary Frank Castle who only wanted to wash his clothes. This year, Shankar returned with a follow-up of sorts with writer/director Joe Lynch’s “Truth in Journalism,” which turns the camera on another Marvel character: a certain “Eddie B.,” played by True Blood star Ryan Kwanten. It’s now available online.
It’s clever, depicting a French documentary crew as it follows the disgraced, and demented, journalist from crime scene to crime scene. Although “Truth in Journalism” isn’t as violent as “Dirty Laundry,” it definitely takes a dark turn toward the end. And in keeping with Marvel movie tradition, you should be sure to stick around for the end credits …
Worth noting: “Punisher: Dirty Laundry” will help kick off the ninth annual HollyShorts Film Festival next month in Hollywood.
I’ve still not seen Iron Man 3 (or Iron Man and Iron Man 2, for that matter), so I can only presume Movieclips’ homage to the film and to 16-bit video games is a 100-percent accurate recreation of the blockbuster, and that — spoilers? — Mandarin appears for all of five seconds, Tony Stark has some kind of giant stuffed animal in his home, and Pepper Potts crushes a fire-breathing Killian. It all seems about right.
As if his surprise appearance at Marvel Studios’ Hall H presentation on Saturday — dressed as the god of mischief, no less — weren’t enough to forever endear him to fans, actor Tom Hiddleston also gleefully acted out the plot of the upcoming Thor: The Dark World at Comic-Con International using Loki and Thor action figures.
You can watch the video below. But fair warning: There may be spoilers. The new trailer for director Alan Taylor’s Thor: The Dark World debuts Aug. 7.
If you don’t hear about the super-secret screening at Comic-Con International of a clip from director Marc Webb’s The Amazing Spider-Man 2, you’re certainly not the only one. Fear not, though, as talk-show host Conan O’Brien has you covered.
“They showed it, and it was very private, very secret, and they showed it — fans lost their minds,” he said on last night’s episode of Conan. “They’re not going to show it again. We actually get a hold of the clip. Yes, you’re welcome! [...] We got a hold of it, and we’re risking a lot of legal trouble here, but we’re just gonna go for it.”
Horror site Shock Till You Drop has revealed the Comic-Con International teaser poster for Relativity Media’s long-brewing reboot of The Crow, illustrated by the comic’s creator James O’Barr.
Although project has had a bumpy road, losing its director, writer and star, it appears back on track with confirmation earlier this month that director F. Javier Gutierrez and actor Luke Evans are locked in, with O’Barr serving as creative consultant.
“It’s one of those books,” the artist tells the website. “The book’s been in print since ’89, so it’s getting close to 30 years. I thought all of my fans will grow old with me and that will be the end of it. But no, it gets passed down generation to generation. It’s still, to this day, fully 60 percent of my core audience is 16-year-old goth girls and I’m like, ‘You weren’t even born when it came out, how do you know about it?’ And they’re boyfriend suggested it to them or their dad introduced it to them. A second generation is affected by it.”
Like the recently did with Iron Man 3, the folks at How It Should Have Ended turn their attention to another big summer superhero movie — Man of Steel. Just like their alternate ending to IM3, this one ends with an appearance by a certain Caped Crusader … but he isn’t the only guest star this one features.
Check it out below.
Although Red Robin’s television spots for its Wolverine-themed burgers have been getting a lot of play, the winner of the award for best tie-in has to go to the ESPYs and Minnesota Vikings running back Adrian Peterson.
In the commercial for ESPN’s Excellence in Sports Performance Yearly Award, the enthusiastic nominee reads a copy of Chris Claremont and Frank Miller’s Wolverine #1 as his teammate Matt Kalil explains, “You can shoot him, stab him, set him on fire — Wolverine takes a beating and keeps coming back.” Naturally, that leaves an opening for Peterson to bring up his nomination for best comeback … and to don a football helmet, festooned with the mutant’s trademark hair and sideburns. There’s also a funny cameo by The Wolverine star Hugh Jackman.
The ESPYs ceremony airs Thursday at 9 p.m. ET/PT on ESPN. The Wolverine premieres July 26.
Gravitas Ventures has acquired the North America distribution rights to Dear Mr. Watterson, the Kickstarter-funded documentary that explores the influence of cartoonist Bill Watterson and his beloved comic strip Calvin and Hobbes. It will be premiere in theaters on Nov. 15.
“Mr. Watterson has inspired and influenced millions of people through Calvin & Hobbes,” the documentary’s website explains. “Newspaper readership and book sales can be tracked and recorded, but the human impact he has had and the value of his art are perhaps impossible to measure. This film is not a quest to find Bill Watterson, or to invade his privacy. It is an exploration to discover why his ‘simple’ comic strip made such an impact on so many readers in the 80s and 90s, and why it still means so much to us today.”
The documentary began in 2007 as a passion project for director Joel Allen Schroeder, who turned to Kickstarter in 2010 to raise $25,000 to enable him, producers Christopher Browne and Matt McUsic, and cinematographer Andrew P. Waruszewski to film interviews with cartoonists Bill Amend, Berkley Breathed, Keith Knight, Stephan Pastis and Dan Piraro, Charles Schulz’s widow Jean Schulz, Watterson’s editor Lee Salem and others. They then returned to Kickstarter last year, where they generated another $96,772 in pledges. Dear Mr. Watterson had its festival premiere in April at the Cleveland International Fan Festival.
According to Deadline, Gravitas and Submarine Deluxe will make the documentary available On Demand the same day as its theatrical debut.
Documentary filmmaker Miguel Cima has a passion for comics and wonders why more people don’t. It’s a valid, perplexing question considering the variety of genres and formats they come in. Comics are much more ubiquitous in Japan and Europe, so what’s preventing them from taking hold the same way in the United States?
Cima explored that some in his 2008 short documentary Dig Comics (Tim O’Shea interviewed Cima about it for Robot 6 at the time). You can watch the entire, 20-minute film, which includes interviews with Jeph Loeb and Scott Shaw, below.
The filmmaker wants to do more than just ask the questions, however: He also wants to help figure out the solution. To that end, launched a Kickstarter campaign to fund a feature-length version of Dig Comics. The $250,000 budget includes filming in New York City, France and Japan to gather more insight into the history of American comics and what makes comics so popular overseas. The feature is just a step in Cima’s larger plans, though. If it’s successful, he’d also like to develop a television series to continue the campaign to make comics as popular in North America as they are in other places and once were here.
Countless words have already been written about the carnage and wanton destruction depicted in Zack Snyder’s Man of Steel — the big Metropolis battle would’ve left an estimated 129,000 dead and another 250,000 missing — and many more will likely be devoted to the subject. But leave it veteran cartoonist Kyle Baker to come up with an imaginative and (dare I say it) fun critique of the blockbuster that’s more devastating than any long-winded review or essay.
Mass Murderer of Steel is a browser game that allows players to try their hand at recreating the citywide brawl between Superman and General Zod. With the click of a mouse, you can send the two Kryptonians hurling into a building, raining down bricks onto the streets of Metropolis and death onto its screaming citizens. Not even the city’s sole tree is safe …
Here at ROBOT 6, we’re hardened hacks who generally don’t get too excited about any old rumor that’s doing the rounds, or report it as a news story, but seeing how I really want this one to be true, I’ll make an exception. Also, some great art vaguely relating to the story turned up recently, and its too good not to share.
The Facebook group Make a DREDD Sequel posted this over the weekend:
From an UNCONFIRMED SOURCE, it has come to this page’s attention that DNA Films will be reviewing the blu-ray/DVD sales of DREDD in the coming weeks and will be deciding whether or not to make a sequel. If this is true, let’s show them how much we want that sequel! If you haven’t already, please buy the DVD or blu-ray! More news soon!
Of course, this is one anonymous source claiming to have another shadowy even-more-anonymous source, and as such should be taken with a double-sized pinch of salt. Who knows what vested interests are at work here, seeking to further their own agendas. Or then again, this could be completely true. Anyway, this has been enough to spark something of a spike in sales of the Dredd DVD. This was posted the next day:
As we’re on an unintentional licensing and merchandising spree, it seems only fitting to cap off the day with perhaps one of the stranger, but certainly most delicious, tie-ins: Red Robin’s Wolverine-themed hamburgers.
Not that Red Robin, although that would be wonderfully bizarre. No, this is the Colorado-based restaurant chain whose name is usually followed by “Yummmmm!“ (seriously, you can’t think “Red Robin” without hearing that in your head). The company has partnered with 20th Century Fox’s The Wolverine to create two gourmet burgers inspired by the film.
Warner Bros.’ Man of Steel has grossed $141.3 million domestically since its June 14 premiere, breaking the record for a June opening on its way to a $214.6 million worldwide box office. That’s not bad for four days’ work. Of course, the franchise reboot had an estimated $225 million production budget, plus another $150 million for marketing and distribution, so Zack Snyder & Co. still have a way to go.
Clearly the film has legs, which means plenty of more Superman stories online and in print. Here are just a handful of them (warning: potential spoilers!):
• BuzzFeed turned to Watson Technical Consulting to calculate the real-life toll Man of Steel’s sprawling battle between Superman and General Zod would take on Metropolis — or, in this case, New York City — both in terms of money and human life. The disaster experts paint a grim picture in the days following the fight: 129,000 known dead, more than 250,000 missing (most of whom would’ve also died) and nearly 1 million injured. The strictly physical damage is pegged at $700 million, compared to 9/11′s $55 billion (with a further economic impact of $123 billion). The overall damage would be about $2 trillion.
On June 14, the New Beverly Cinemas played host to the premiere of Bitter Orange, written and directed by acclaimed cartoonist Hope Larson (Chiggers, Mercury, A Wrinkle in Time), and now, just days later, it’s available for viewing online.
Starring Brie Larson (United States of Tara, Scott Pilgrim Vs. The World), Brendan Hines (Lie to Me, Scandal) and James Urbaniak (The Venture Bros., The Office), the short is set in the 1920s and follows Myrtle, a career girl who, while in the company of the bootlegger Jack, is forced to choose between a legitimate career and success at any cost.