Music Archives - Robot 6 @ Comic Book Resources
There have been a ton of Batman-related products and announcements in the wind-up to Comic-Con International — you’d think it was his 75th anniversary or something — but few are as cool as this one: Collectible art boutique Mondo is releasing Batman: The Animated Series 7-inch vinyl records featuring Danny Elfman’s theme, with sleeve art by five different artists. Side A is the main title and end credits, and Side B is the end credits, with alternate beginning and alternate ending.
Check out the sleeves below. The records will be available during Comic-Con beginning Wednesday, Preview Night, at the Mondo booth (#835).
If you ever wondered how actor Clark Gregg prepared himself for Agent Coulson’s death scene — or, rather, “death” scene — in The Avengers, you only need to listen to KCRW’s “Guest DJ Project.” Hint: It’s music, but any additional information is probably above your clearance level.
For this week’s episode of the Los Angeles radio show, the star of Marvel’s Agents of S.H.I.E.L.D. compiles a track list that includes Parliament-Funkadelic’s “Give Up the Funk (Tear the Roof Off the Sucker),” Public Enemy’s “Caught, Can We Get a Witness” and Radiohead’s “Go to Sleep.”
What’s cooler than seeing your favorite band in a small venue? How about seeing your favorite band and getting a comic featuring them at that same show?
As a part of Tumblr IRL (“In Real Life), Swedish synthpop band Little Dragon performed a free “pop-up” show for fans Friday in Los Angeles, and with them was artist Brian Butler. Butler is a friend of the band and the creator of Nabuma Comics, a limited-edition comic that features the band members getting stuck inside a strange world that exists in their keyboardist’s beard.
And what a beard it is:
The Amazing Spider-Man star Andrew Garfield has managed to surprise time and again, whether by melting hearts at Comic-Con International 2011 with a heartfelt speech about what the wall-crawler meant to him as a child, shooting hoops with kids while wearing his movie costume, or making waves by asking why the superhero couldn’t be gay.
And Thursday on The Tonight Show he surprised again with an earnest rendition of the theme song from the 1960s Spider-Man animated series, with a little help from host Jimmy Fallon and the Roots.
While “Let It Go” has received most of the attention (to say nothing of an Academy Award), Disney’s Frozen has plenty of catchy tunes, including “Do You Wanna Build a Snowman?” Now that song gets its moment in the sun (so to speak) with a parody called “Do You Wanna Kill the Batman?,” performed by SydneyAmber as Harley Quinn.
It works even if you’re unfamiliar with the original, as a lonely Harley tries to persuade The Joker to join her in a little mayhem, and perhaps mend their relationship.
Forget Straight Outta Compton, mc chris’ take on the Joker is Straight Outta Gotham!
The rapping, rhyming mind behind Fette’s Vette and the Friends EP — a whole album dedicated to the allies of the Dark Knight — has released an advance look at Foes, an album inspired by (you guessed it) the villains of the Batman universe, via Soundcloud. Although the recording is decidedly NSFW, Batman fans should definitely give it a listen as it’s a really excellent take on the Clown Prince of Crime that explores his motivations, origins and lifelong battle with Batman.
Renowned Disney cartoonist Don Rosa, who left comics in 2012, has returned to the character for which he’s best remembered — with the cover art for a concept album based on his Life and Times of Scrooge McDuck. Yes, read that last part again.
Titled Music Inspired by the Life and Times of Scrooge, likely in hopes of avoiding the all-seeing eye of Disney, it’s a solo album by Finnish keyboardist/songwriter Tuomas Holopainen, founder of the symphonic metal band Nightwish, and a major Rosa fan.
“This is my longtime dream come true, 14 years in the making,” Holopainen says on his website. “And a homage to one of the best storytellers of our time.”
Holopainen spent most of last year writing and producing the album, which contains 10 tracks, including “Glasgow 1877,” “Cold Heart of the Klondike,” and the first single “A Lifetime Adventure,” which arrives with a video. The full album will be available April 15.
He’s been a comics writer, editor and publisher, a television host, an actor, an action figure, a video-game character and a social-media sensation. What’s left for Stan Lee to conquer?
If you said death metal, you’re too late.
Ottawa-based death metal band Killitorous, which has written a song about the legendary creator titled “It’s Not Stanley, It’s Stan Lee.” While the lyrics don’t contain any references to “Excelsior!” or “True Believers” — instead, we get “amalgamate these creations from my mind arise/powers beyond the comprehension of all mankind” — the video makes it crystal clear the band loves the Man.
“It’s Not Stanley, It’s Stan Lee” will appear on Killitorous’ upcoming album Party, Grind.
My knowledge of nerdcore rap is incredibly limited, so I was regrettably unaware of the existence of Kid Apocalypse — the rapper, not Marvel’s Evan Sabahnur, aka Genesis — until Rick Remender retweeted a link to the recent YouTube for “Space Out” by Quinn Allan. As you can see from the image above, and in the video below, Allan dons white and black makeup and a dapper suit with X medallion, and then raps about Kid Apocalypse, delivering lines like, “Forge will hook you up/his shit goes to 11.”
“It started one night lying in bed,” Allan explains on his Facebook page. “I got the idea to write some raps as if I was the character Genesis from the recent Uncanny X-Force and Wolverine and the X-Men comics. I showed them to my roommate who liked the idea. Then he started writing. It was contagious. He took on the persona of ‘Dark Beast,’ the Hank McCoy of the alternate Age of Apocalypse universe. We had more material than we knew what to do with.”
I realized this morning that, despite a fairly steady stream of ongoing titles, miniseries and one-shots over the past two decades, I’ve never read a comic featuring Deadpool. Therefore, the sum total of my knowledge about Marvel’s popular Merc With a Mouth comes from Wikipedia, trailers for that recently released video game and those “Deadpool vs.” videos. Y’know, the ones where someone dressed as the character dances and fights his way through a comic convention, to “Gangnam Style,” or whatnot.
If Deadpool comics were about him dancing, only occasionally inappropriately, with the denizens of the Marvel Universe while taking periodic breaks to seek out tacos, I’d probably buy them all. And that, strangely enough, brings us to the latest video, in which Deadpool sends up
Alan Thicke and Gloria Loring’s theme song to The Facts of Life Robin Thicke’s inescapable “Blurred Lines” — with a little help from the Marvel Universe — in “Merc Lines.”
I apologize in advance for the tune getting stuck in your head again.
I’ve been a fan of the Jon Spencer Blues Explosion since I first heard the late radio DJ and tastemaker John Peel play “Cowboy” from the LP Orange. It sounded amazing, like Exile On Main St.-era Stones being deconstructed by a bunch of punks raised on Elvis and Captain Beefheart. Due to the miraculous powers of the Internet, I can even tell you that this was on Friday, Nov. 18, 1994. I remember turning the radio up, and grabbing a pen and paper to make a note of who this was, and probably had to wait while Peel played several other tunes before he put a name to it. This was a regular occurrence, I don’t think I ever made it through a Peel show without the same thing happening once or twice a night, right up until the man’s death in 2004. Every now and then I might still find a notebook with a list of band names or song titles somewhere in it.
The JSBX is currently on tour, and approached Alex Fugazi’s Texas design powerhouse Nakatomi Inc to produce a gig poster for its July 18 concert in Williamsburg, Brooklyn Fugazi engaged Deadline Magazine/Bulletproof Coffin artist Shaky Kane, who produced this glorious work of pop art.
Sometimes, a little curious clicking on a few links can pay off. I recently discovered that the fairly social media-resistant Jamie Hewlett has a public Instagram account, a fact that can’t be that widely known, considering that he has fewer than two dozen followers. There’s not that much to see there, as he’s posted just 17 images so far, but to follow up on our story about Hewlett’s additional designs for the upcoming New York City production of Monkey: Journey to the West, there are a few photos of some character make-up tests. The Lincoln Center’s YouTube account has some footage of rehearsals, and an interview with Jamie and Damon Albarn on the subject.
Between the Gorillaz’s studio albums Demon Days and Plastic Beach, Jamie Hewlett and Damon Albarn created Monkey: Journey to the West with Chinese opera director Chen Shi-zheng, which premiered in 2007. Their collaboration was somewhat written in the stars: Chen had been trying to get a version in production for a few years; the Gorillaz had been engaged to create something for the first Manchester International Festival; and Albarn and Hewlett had a certain nostalgia for Wu Cheng’en’s Ming dynasty-era epic due to their childhood exposure to the camp classic TV version we were exposed to in the U.K. by the BBC.
The opera has had a few productions around the world now, always well-reviewed, and is now returning stateside, running July 6–28 at the David H. Koch Theater of the Lincoln Center for the Performing Arts in New York City. Hewlett has returned to the world of Monkey for this production, adding several new character designs. A couple of these designs have now arrived online: Vulture debuted the River Demon, while MTV Buzzworthy was the first to see Pig Monster.
I’ve never managed to catch a production of this myself, but have been sorely wanting to since seeing the documentary Damon and Jamie’s Excellent Adventure around the time of the original premiere. It seemed pretty much like being dropped into a universe designed by Hewlett for a couple of hours, and what could be more blissful than that?
As a tribute to Beastie Boys co-founder Adam “MCA” Yauch, who passed away May 4, 2012, artist James Curran is showing “A Year and a Day,” an exhibit at Beach London that features 35 framed prints, each showcasing three iconic representations of references made in the band’s lyrics. Among them are comic-book nods to Captain Marvel, Popeye and underground artist Vaughn Bode.
A limited number of prints will be available for sale during the exhibition, which runs through Sunday, with proceeds benefiting Macmillan Cancer Support. You can check out the related video below, along with two more comics-related images.
If you thought that, between movies and television and video games, Comic-Con International has gotten awfully crowded for comic books, get ready to make a little more room: New Wave icon Adam Ant is using the event to launch his U.S. tour.
OK, the 58-year-old singer won’t actually perform in the San Diego Convention Center, but U-T San Diego reports the timing of the July 17 show (that’s Preview Night!) isn’t a coincidence: The concert’s promoters think there will be some crossover appeal. I’m not sure why they think con-goers would be interested in seeing someone wearing an ornate costume and funny hat … oh, wait.
The singer is no stranger to comic books, of course: As Michael May noted in December, Adam Ant briefly starred in his own comic strip in 1982.
From San Diego’s Balboa Theater, Ant’s North American tour travels through 22 states and Canada before wrapping up in September.