Ten Most Amazing, Insane Moments from Frank Miller's "Dark Knight" Saga
When art school students graduate, they understandably don’t always hit the ground running, creatively. However, in his debut graphic novel from Nobrow, Art Schooled, London-based illustrator (and recent graduate) Jamie Coe found great storytelling fodder with a series of vignettes about a small-town guy who moves to the city in hopes of becoming an artist.
Speaking with ROBOT 6, Coe recalls finding his narrative voice while discovering those of his characters, and why it was critical that this journey from kid to adult be told in full color. Be sure to check out the preview at the end of the interview.
POP, writer Curt Pires‘ collaboration with artist Jason Copland and colorist Pete Toms, wraps up this week with the release of Issue 4 from Dark Horse. One thing I consistently enjoy about Pires’ storytelling is how it works on two levels: You have a plot replete with action that always keeps the reader engaged, along with with a layer of subtext that invites deeper consideration.
In an interview with ROBOT 6, Pires allowed me to poke around both layers. Suicidal ideation, drug use and poetic terrorism are just a few of the concepts considered in POP, and in this interview.
UR collects a variety of Eric Haven‘s stories previously published in various anthologies, and draws upon many influences, including his love of classic comics, while swimming deep in the waters of absurdist humor.
Haven spoke with ROBOT 6 about what went into arranging this collection, how it landed at AdHouse, his hatred of dancing, and the comedic truism: “Explosive diarrhea is always funny.” AdHouse is offering a preview of the book, which will be released in December.
Bryan Hitch has been a professional artist for more than a quarter century, so it makes perfect since that after all that time he would want to try his hand at writing as well as drawing a comic. This year saw the premiere of such an effort, the Image Comics six-issue miniseries Real Heroes.
The premise is direct: A group of actors portraying a team of superheroes gets thrust into an alternate universe, where they’re forced to portray actual heroes. Two issues will be released this month (Issue 4 arrives Wednesday, followed Nov. 12 by Issue 5) in an effort to catch up to its its schedule, before the series wraps up on Dec. 10.
In our interview, Hitch discusses how much he enjoyed writing and his intention to write more, and elaborates on his decision to have his last creative word on superheroes be his next project.
I consider myself fairly well-versed in large-scale atrocities. So I was surprised to discover I was unaware of 1933’s Nazino affair until last week, when writer Steve Ekstrom launched his webcomic Cannibal Island.
To learn more about his new collaboration with artist Dionysios, I reached out to him with a few questions. The webcomic gave readers seven pages last week and will return with new installments on Oct. 15, 22 and 29 (along with a bonus surprise on Oct. 31).
One of the most memorable Spider-Man storylines of the 1980s remains J.M. DeMatteis and Mike Zeck’s “Kraven’s Last Hunt,” which featured the ultimate battle between Kraven the Hunter and Spider-Man. Now, nearly three decades later, Marvel has enlisted Neil Kleid to author a prose adaptation, Spider-Man: Kraven’s Last Hunt.
To mark the novel’s release today in comic stores, Kleid talked with me about the nuances of the adaptation. He’ll appear today at 6 p.m. for a book signing at JHU Comic Books in New York City.
With the release last week of Princess Ugg #4, writer/artist Ted Naifeh cleared some time in his schedule to discuss the ongoing Oni Press series. After years spent with Courtney Crumrin, the creator moves into new territory by combining barbarian adventure with a princess finishing school to create a social satire/adventure tale.
While I had read the first few issues in preparation for our discussion, I have to admit I was pleasantly surprised to learn Naifeh created the character out of a desire to “play with Frazetta-style barbarian fantasy.” That turns out to be just one aspect of his work I was delighted to learn about, has his candor about the creator/editor dynamics also proved informative.
Anyone who read my Best of 7 piece from Sunday on Edge of Spider-Verse #2 likely got the impression I’m eager to see more about the Spider-folks from other universes. On Wednesday readers will get a chance to read Dustin Weaver‘s Edge of Spider-Verse #3 starring Dr. Aaron Aikman, Spider-Man.
In early August, in the wake of Mike Dawson’s conversation-starting essay, Magic Whistle creator Sam Henderson assessed the mitigating factors affecting his work as a cartoonist, laid many of the challenges at his own feet. As refreshing as it was to read a candid assessment of his creative plight, I was curious to learn Henderson’s mindset after people he responded to his post. While I was at it, of course, I angled to get a glimpse of his creative process.
It surprised me to see Jimmy Palmiotti pursuing yet another Kickstarter in 2014, considering he had successfully completed one earlier in the year for Denver. This new one, launched this week, focuses on Sex and Violence Vol. 2.
My decision to interview the veteran writer wasn’t based on aiming to help him achieve his Kickstarter goal; he’s days, if not hours, away from achieving that. Instead, I hoped to tap into some of the knowledge that allows him to so effectively operate crowdfunding campaigns (many of the completed projects can be bought at the PaperFilms shop).
Not only did the creator offer some of the lessons learned from his past Kickstarters (hint: avoid the shipping costs from hardcover), but he also proved quite candid about the challenges of swimming in creator-owned waters. Palmiotti also was willing to elaborate about his perspective on last week’s controversy about Milo Manara Spider-Woman #1 variant cover.
To my mind, there can never be enough all-ages comics. By all-ages, I mean comics that resonate and entertain folks of, well, all ages, not just children. So I was intrigued to learn that writer Dave Scheidt and artist Jess Smart Smiley launched a Kickstarter campaign for an all-ages horror/comedy collection of three stories, Spooky Sleepover.
Scheidt and Smiley were more than happy to explain their love of all-ages storytelling.
It is fair to say a newlywed couple experiences a honeymoon like no other, on myriad life-changing levels, in writer/artist Jesse Jacobs‘ new Koyama Press book Safari Honeymoon — and jungle madness is only the beginning of what transpires. Jacobs’ art belies any description that accurately conveys the complexity and intoxicating absurdity of his work.
In this interview, I gain insight into his creative approach, among other areas of interest.
Having covered comics for a number of years, I always appreciate encountering a storyteller excited about pursuing what they hope is a major milestones in a long, successful career. That’s the impression I got while interviewing Ireland-based artist Will Sliney about his big break as the regular artist on the new ongoing Spider-Man 2099.
I was so focused on discussing his new series, I neglected to congratulate and him on being named Cork Person of the Month in July (Sliney hails from Ballycotton in East Cork).
Whether or not you realize it, you’ve likely enjoyed the work of comics historian John Wells for several years, given his long-term relationship with DC Comics. More recently, his wealth of comics knowledge has come to the forefront through his involvement in TwoMorrows Publishing‘s American Comic Book Chronicles. The series tackles comic book history dating back to the 1940s, typically dedicating a decade to each full-color hardback installment. When it came to the 1960s, Wells and series editor Keith Dallas opted to split the decade into two volumes, given the amount of history that occurred in that era.
The first 1960s volume, which covers from 1960-1964, was released early last year. Wells’ second 1960s installment, American Comic Book Chronicles: 1965-69, was released in late May. After discussing Wells latest foray in the latter part of the 1960s, the interview shifts to Dallas. In my conversation with Dallas, we focused on American Comic Book Chronicles: 1970s, which he edited with Jason Sacks; it’s scheduled for release in late August.
To get a taste of the books, be sure to check out ACBC’s Facebook page, where snippets of the series are previewed — and discussions of comic book history are a regular educational occurrence. Kudos to TwoMorrows and the ACBC Crew, whose 1950s volume of American Comic Book Chronicles (written by Bill Schelly) was recently nominated for a Harvey Award.
In addition to discussing the new status quo for Monkeybrain (which surprisingly stays much the same as before, as Roberson explains), we also delve into Edison Rex – Issue 16 arrives Wednesday — and dig into the writer’s first work for Dark Horse, Aliens: Fire and Stone, which debuts Sept. 24.