IMAGE EXPO: New Projects Revealed From Rucka, Simone, Aaron and More
When Avengers: Age of Ultron star Mark Ruffalo stopped by The Daily Show Thursday night to promote his new film Infinity Polar Bear, an argument unexpectedly broke out … over who would win in a matchup between Superman and the Incredible Hulk.
For host Jon Stewart, there’s no contest: The Man of Steel would clearly triumph, at least if we’re talking about a standing high jump (which probably isn’t what most fans think of when they hear “Superman vs. Hulk”).
Warner Bros.’ Batman v Superman: Dawn of Justice has nothing on this Hyundai commercial, which brings together the Man of Steel, the Dark Knight and the Fastest Man Alive to sell the new Grandeur. Oh, and save lives. Probably.
Debuting earlier this week in South Korea, the TV spot depicts a city under attack and a woman running through a parking garage as the structure crumbles around her. She’s met by Batman, Superman and The Flash — an “unexpected lineup,” the voiceover says — whose primary concern may be what they can do to get her into this Grandeur today (or Azera, depending on the market).
Stardust may have lost his match last night on Monday Night Raw, but that didn’t keep the WWE’s resident supervillain from continuing his recent Twitter war with television superhero and longtime WWE fan Stephen Amell.
After kicking off his pre-match ritual by leaning over the guardrail and hissing in the face of the Arrow star, Stardust (aka Cody Rhodes) was unsuccessful in his bid to defeat the high-flying Neville. Of course, if you take commentator JBL’s word for it, Stardust’s poor showing was due to being embarrassed “right out here in front of his nemesis, the Arrow.”
In what very well could be a precursor to Captain America: Civil War, Earth’s Mightiest Heroes squared off against each other last night in a no-holds-barred game of “Avengers Family Feud,” with the host Jimmy Kimmel caught in the middle.
On one side, Captain America (Chris Evans), Bruce Banner (Mark Ruffalo) and Hawkeye (Jeremy Renner); on the other, Tony Stark (Robert Downey Jr.), Thor (Chris Hemsworth) and Black Widow (Scarlett Johansson). It was a fierce battle marked by cheating, widespread confusion, malfunctioning name tags and some pretty bad answers.
On Thursday’s episode of The Nightly Show, host Larry Wilmore turned his attention to “dork diversity,” and fan resistance to such changes as the possibility of a black Spider-Man in the rebooted movie franchise, or the female-led Ghostbusters. To explore the subject, he turned to a panel that included Sana Amanat, Marvel’s director of content and character development, and artist Phil Jimenez.
“Let me see if I can explain it to you,” Wilmore said in his introduction. “Nerds don’t have a problem with women; they have a problem with change. I’ll give you an example: Nerds are upset at black stormtroopers in the new Star Wars movie. Do they have a problem with stormtroopers being black? No. They have a problem with you changing their definition of a stormtrooper. I’ll be a little clearer: If the first time you introduce oatmeal to a nerd it has maple syrup in it, it better have maple syrup every fucking time, or it’s not oatmeal.”
Beating Spider-Man and Captain America to the punch, Wolverine and Thor staged their own epic crossover last night in a brewing Civil War over … musical beers and dueling mullets.
Donning wigs, actors Hugh Jackman and Chris Hemsworth joined Tonight Show host Jimmy Fallon, bandleader Questlove and Saturday Night Live cast members Kate McKinnon, Colin Jost and Bobby Moynihan for a game that’s exactly what it sounds like: musical chairs, only using cups of beer.
If NBC’s Parks and Recreation has taught us anything, it’s that 1.) jogging is the worst; 2.) at least once a year you have to treat yo self; and 3.) seven years from now, Marvel’s Guardians of the Galaxy will still be wildly popular.
The LEGO Movie may have been shut out of the race for Best Animated Feature, but it stole at least part of the show Sunday at the 87th Academy Awards ceremony with a high-octane live performance of “Everything Is Awesome” that saw Will Arnett reprise his role as Batman.
Over the past 25 years, Matt Groening has allowed a lot of bootleg Simpsons merchandise to slide by, but in tonight’s episode of Portlandia, he finally draws the line … at “Bart Ska-mpson” T-shirts.
The Portland, Oregon, native, who hasn’t appeared in an on-camera role since The Tracey Ullman Show in 1988, takes Spyke (Fred Armisen) to court over the knockoffs, because of the lousy pun and the horribly off-model Bart. “As the creator of The Simpsons, this makes my eyes hurt,” Groening tells the judge in the clip, below.
Chris Evans and Chris Pratt didn’t attend Super Bowl XLIX merely to root for their home teams and settle their friendly (and charitable) wager. No, the stars of Marvel’s Captain America and Guardians of the Galaxy also went to Phoenix to photobomb unsuspecting football fans.
Host Jimmy Fallon enlisted the actors for an installment of “Tonight Show Celebrity Photobomb,” in which the trio stealthily — and sometimes not so stealthily — crept up behind fans posing on the NBC Super Bowl Red Carpet. What began as simple solo pop-ups quickly escalated with the addition of stunts and props, including a seemingly innocent hoagie that Pratt turned somewhat obscene (see below).
If Dave Jones has proved anything with his Arrow Jedi mashups, it’s that with lightsaber effects, a John Williams score and the stray droid cameo, Starling City can be convincingly transformed into a galaxy far, far away.
He debuted his trilogy in May with “Under the Hood,” which included appearances by R2-D2 and an Ewok, which he followed in November with “Corto Maltese.” But all of that was only laying the groundwork for the epic finale, “The Climb,” which reimagines Arrow‘s midseason cliffhanger — the showdown between Ra’s al Ghul and Oliver Queen — as a high-stakes confrontation between Sith Lord and Jedi.
The Simpsons paid tribute during Sunday’s episode to the 12 people killed last week in the attack on the offices of French satirical magazine Charlie Hebdo.
Before the final commercial break, an image briefly appeared of Maggie Simpson holding a flag “Je Suis Charlie” (“I am Charlie”), a slogan adopted by supporters of free speech in the wake of the shootings.
Marvel, which previously uploaded episodes of the Japanese live-action Spider-Man series in 2009, has dusted off a couple of those gems in anticipation of The Amazing Spider-Man #12, which introduces Takuya Yamashiro and his giant battle robot Leopardon as part of the “Spider-Verse” crossover.
Produced by Toei Company, the Japanese Spider-Man aired for 41 episodes, from May 1978 to March 1979. Although licensed from Marvel, beyond the hero’s signature costume, the series bore little resemblance to the publisher’s comics.
If you’re so filled with holiday cheer that you’ve come to annoy your friends, family members and co-workers, we’ve discovered the perfect antidote: “Lonely Hulk,” a supercut of the “saddest and loneliest moments” from the Incredible Hulk television series, compiled by NBC Classics.
The video only scratches the surface, because if my childhood memories hold true, that was one depressing show, capped off each week by Joe Harnell’s mournful ending theme “The Lonely Man.”
Gone are the days of Highways of Agony, The Last Prom and other antiquated (yet still horrifying) short films some of us were subjected to in driver’s ed classes. In their place, the Illinois Department of Transportation now has The Driving Dead, a web series starring The Walking Dead alum Michael Rooker.
Set in a rather familiar post-apocalyptic, zombie-filled world, the series depicts the dangers of not wearing seat belts and driving under the influence … even while being pursued by the undead, or the gun-wielding living. For instance, in the second episode, which debuted last week, survivors end up having to weigh the greater risk: remaining in the range of a sniper, or getting into a car with a buzzed driver. Decisions, decisions …
Their dilemma may come off a little more humorous than it was intended, but overall The Driving Dead is pretty good, with stronger acting and production values than you’d probably expected from a state-sponsored driving-safety initiative.