Television Archives - Robot 6 @ Comic Book Resources
Fox appears to be bringing even more comic-book flair to its heavily promoted Gotham with a series of Who’s Who in the DC Universe-style character images. IGN has debuted the first, featuring Det. James Gordon (Ben McKenzie) as drawn by Gary Frank, known for his work on Action Comics, the “Curse of Shazam” story in Justice League, and the upcoming Batman Earth One.
Warner Bros. Television promises more images will be revealed in the lead-up to the Sept. 22 premiere of Gotham on Fox.
The Guardians of the Galaxy may be able to stand toe to toe with Ronan the Accuser, Nebula and Korath, but they were easily vanquished by 5-year-old Mia Grace Montross. The pint-sized Marvel expert, who made her Jimmy Kimmel Live! debut in December, returned to the show last night to face off against the stars of Guardians of the Galaxy in a trivia challenge. The result was … well, about what you might expect.
As most readers likely have seen by now, Marvel confirmed last night on The Colbert Report that Sam Wilson is the new Captain America, but you may not caught a heartbroken Stephen Colbert learning from Marvel Chief Creative Officer Joe Quesada that, alas, he won’t be the one taking up the shield. Watch the video below.
Colbert made a pretty good case for himself, saying, “Obviously, you have to be truly patriotic, you have to look decades younger than your actual age. … It should be someone who actually owns Captain America’s shield. That’s right, that’s right — the shield has been up there since 2007. I needed it for my battle against Nickelback.” (It was actually given to Colbert by Quesada during the “Death of Captain America” storyline.)
Recalling reading his sister’s Archie comics as a child, an “upset” David Letterman last night delivered the news of Archie Andrews’ death to his Late Show audience.
“Archie is going to be shot dead,” Letterman said. “I don’t know what to say — the Archie people have grown up now, and as I understand it Archie, defending a friend of his who is gay, takes a bullet for his gay friend and is shot dead. He dies a hero, but he’s dead. [...] What do we do? What’s next, Dagwood Bumstead chokes to death on one of those sandwiches?”
Peugeot pays tribute to a Hanna-Barbera classic with a fantastic TV commercial for its 208 hatchback that brings the animated Wacky Races to life.
In case you weren’t around in the late 1960s for its initial airing, or haven’t caught reruns on Boomerang, Wacky Races featured 11 cars going up against each other in road rallies across North America to win the title of World’s Wackiest Racer — at any cost. This being the ’60s, these weren’t just any cars, or any drivers, but rather an assortment of bizarre, usually dirty-dealing, characters that included the villainous Dick Dasterdly, with his snickering dog-henchman (hench-dog?) Muttley, the cavemen Slag brothers, the Gruesome Twosome with their stylized hearse, the Southern belle Penelope Pitstop, and the pint-sized gangsters the Ant Hill Mob.
All of them can be seen in the TV spot below, which was directed by Antoine Bardou-Jacquet for Young & Rubicam Brasil.
The debut of NBC’s new summer sitcom Working the Engels will also bring another debut — Spectagirl, a superhero designed by J. Bone (The Saviors).
The show is about a family — the “Engels” mentioned in the title — who run their own law firm.
“I was asked by talented co-creator of the show, Jane Cooper Ford (with co-creator Katie Ford), to design Spectagirl as the fictional favourite superhero of Jenna Engel,” the artist said on his blog. “She’s part Supergirl, part Wonder Woman, all-knowing and all-seeing!”
Check out the new hero below, and watch Working the Engets starting July 10.
Leave it to Stephen Colbert to draw on Tony Stark for his lead-in to an interview with French economist Thomas Piketty, whose bestselling book Capital in the Twenty-First Century examines wealth and income inequality in the United States and Europe since the 18th century. An important topic, sure, but not exactly the stuff of superhero comics.
But in last night’s episode of The Colbert Report, Colbert found a way to liven up a potentially dry topic with the help of Iron Man … and his new goatee, of course. Or is it a Vandyke? Whatever.
When Teenage Mutant Ninja Turtles debuted in 1984, I was far too wrapped up in the full-color adventures of The New Teen Titans, Uncanny X-Men and New Mutants to pay much attention to their black-and-white escapades. And when the heroes in a half shell made the leap first to animated television and then to live-action film, I considered my self too old to follow along. And that’s unfortunate, because it means I missed the 1990 appearance by Leonardo, Raphael, Donatello and Michelangelo on The Oprah Winfrey Show, a proposition so ridiculous that it requires video proof to be believed.
It’s been nearly two decades since Batman: The Animated Series went off the air, but it still looms large in the minds of fans and producers alike — so much so that it’s become the gold standard by which all subsequent DC Comics-based animated projects are inevitably compared. Bruce Timm and Eric Radomski created a visual style and dark tone that continues to influence comic books, movies and television series both animated and live-action (including, it seems, Fox’s newly ordered Gotham).
Paying tribute to Batman: The Animated Series, and “the creative geniuses” behind it, fans Tomi Pietilä, Teemu Saarinen and Tommi Tuominen have recreated the show’s classic opening sequence in a blend of live-action and 3D-animated modeling. Watch the video below.
Watching the April 16 episode of Arrow, Dave Jones thought the big fight scene between Slade Wilson and Oliver Queen would look “pretty nifty” as a lightsaber duel. So he transformed the sequence into something straight out of Star Wars, complete with musical score, opening crawl, blasters and cameos by R2-D2, mouse droids and, yes, an Ewok.
The result even received an endorsement from Arrow star Stephen Amell. Watch the video below.
Fans of the supernatural Western The Sixth Gun who were upset last year when NBC passed on the television adaptation may want to pack for an impromptu trip to Santa Fe, New Mexico. That may be the only place you’ll be able to watch the unaired pilot.
A Song of Ice and Fire author George R.R. Martin, who last year bought the Jean Cocteau Cinema in downtown Santa Fe, has announced the venue will stage two screenings of the episode on May 23.
Following a round of X-Men-centric Carl’s Jr./Hardee’s commercials that attracted widespread criticism, the latest stop on the Days of Future Past promo train is AXE, the male-targeted grooming brand that for for years marketed its body spray with the overt promise that the user would become cartoonishly irresistible to the opposite sex. Like Carl’s Jr., AXE in the past has been accused of sexist marketing — including a 2012 spot centered on disembodied female breasts — but this commercial plays it pretty straight, with the film’s Havok (Lucas Till) outshining two less impressive mutants in a competition administered by an unnamed character unlikely to be found in the Official Handbook of the Marvel Universe.
It’s all to promote the “AXE Limited Edition X-Men pack,” which can be found in “Phoenix, Dark Temptation, Apollo and Anarchy” varieties, and comes bundled with an “exclusive” Days of Future Past poster.
It’s not the first time AXE and comics have collided: In 2012, the company launched a digital comic, written by Scott Lobdell, to promote the “Anarchy” fragrance line.
Much like Hydra, the subversive organization set on world domination, Stephen Colbert is a master deception, and of the long game.
For the past eight and a half years, we’ve been fooled by the talk-show host, who’s so adept at the art of subterfuge that, in the wake of Steve Rogers’ “death” in 2007, he was bequeathed Captain America’s shield, which to this day is displayed — like a trophy! — on the set of The Colbert Report. Heck, he was so bold, so self-assured, that he even made a run for the White House in the Marvel Universe (a bid that was unsuccessful, thankfully).
Comic books have become prime source material for movies, television series and video games, and while the adaptations may vary in terms of scale and medium, one of the keys to their success remains the same: staying true to the core elements that made the comics work in the first place. And in TV, it’s up to the writers — either the original authors or faithful adapters — to help keep it on course.
On April 25, SundanceTV’s The Writers’ Room will explore the well-tread road between comic books and television. Host Jim Rash (screenwriter of The Descendants), the show will put The Walking Dead writer Robert Kirkman and Smallville creators Al Gough and Miles Millar in the hot seat to discuss successfully adapting comics for television. They’ll be joined by industry commentators Blair Butler (formerly of G4TV) and Michael Schneider (TV Guide Magazine).
Taker or Lesner? Bryan or Hunter? Wyatt or Cena? Yes, it’s once again Wrestlemania weekend, and like last year I reached out to several folks in the comic community to get their take on the WWE’s signature event. Our panel shared their thoughts, opinions, hopes and dreams for tomorrow’s big card, which for the first time will be available via the WWE Network. So let’s just cross our fingers that we get to see the entire card.
Let’s meet our panel:
James Hornsby is the cartoonist behind Botched Spot, the webcomic that satirizes pro-wrestling culture, be it televised products, dirt sheets or fandom. He also makes “Over Like Olav,” a comic that focuses on his own characters, Olav and Rad Bad DeBone, as they make their way through the wrestling world. Check out his work at www.jameshornsby.com or www.botchedspot.com, follow him on Twitter @BotchedSpot, and see him on Facebook at facebook.com/botchedspot.