Television Archives - Page 2 of 5 - Robot 6 @ Comic Book Resources
Peugeot pays tribute to a Hanna-Barbera classic with a fantastic TV commercial for its 208 hatchback that brings the animated Wacky Races to life.
In case you weren’t around in the late 1960s for its initial airing, or haven’t caught reruns on Boomerang, Wacky Races featured 11 cars going up against each other in road rallies across North America to win the title of World’s Wackiest Racer — at any cost. This being the ’60s, these weren’t just any cars, or any drivers, but rather an assortment of bizarre, usually dirty-dealing, characters that included the villainous Dick Dasterdly, with his snickering dog-henchman (hench-dog?) Muttley, the cavemen Slag brothers, the Gruesome Twosome with their stylized hearse, the Southern belle Penelope Pitstop, and the pint-sized gangsters the Ant Hill Mob.
All of them can be seen in the TV spot below, which was directed by Antoine Bardou-Jacquet for Young & Rubicam Brasil.
The debut of NBC’s new summer sitcom Working the Engels will also bring another debut — Spectagirl, a superhero designed by J. Bone (The Saviors).
The show is about a family — the “Engels” mentioned in the title — who run their own law firm.
“I was asked by talented co-creator of the show, Jane Cooper Ford (with co-creator Katie Ford), to design Spectagirl as the fictional favourite superhero of Jenna Engel,” the artist said on his blog. “She’s part Supergirl, part Wonder Woman, all-knowing and all-seeing!”
Check out the new hero below, and watch Working the Engets starting July 10.
Leave it to Stephen Colbert to draw on Tony Stark for his lead-in to an interview with French economist Thomas Piketty, whose bestselling book Capital in the Twenty-First Century examines wealth and income inequality in the United States and Europe since the 18th century. An important topic, sure, but not exactly the stuff of superhero comics.
But in last night’s episode of The Colbert Report, Colbert found a way to liven up a potentially dry topic with the help of Iron Man … and his new goatee, of course. Or is it a Vandyke? Whatever.
When Teenage Mutant Ninja Turtles debuted in 1984, I was far too wrapped up in the full-color adventures of The New Teen Titans, Uncanny X-Men and New Mutants to pay much attention to their black-and-white escapades. And when the heroes in a half shell made the leap first to animated television and then to live-action film, I considered my self too old to follow along. And that’s unfortunate, because it means I missed the 1990 appearance by Leonardo, Raphael, Donatello and Michelangelo on The Oprah Winfrey Show, a proposition so ridiculous that it requires video proof to be believed.
It’s been nearly two decades since Batman: The Animated Series went off the air, but it still looms large in the minds of fans and producers alike — so much so that it’s become the gold standard by which all subsequent DC Comics-based animated projects are inevitably compared. Bruce Timm and Eric Radomski created a visual style and dark tone that continues to influence comic books, movies and television series both animated and live-action (including, it seems, Fox’s newly ordered Gotham).
Paying tribute to Batman: The Animated Series, and “the creative geniuses” behind it, fans Tomi Pietilä, Teemu Saarinen and Tommi Tuominen have recreated the show’s classic opening sequence in a blend of live-action and 3D-animated modeling. Watch the video below.
Watching the April 16 episode of Arrow, Dave Jones thought the big fight scene between Slade Wilson and Oliver Queen would look “pretty nifty” as a lightsaber duel. So he transformed the sequence into something straight out of Star Wars, complete with musical score, opening crawl, blasters and cameos by R2-D2, mouse droids and, yes, an Ewok.
The result even received an endorsement from Arrow star Stephen Amell. Watch the video below.
Fans of the supernatural Western The Sixth Gun who were upset last year when NBC passed on the television adaptation may want to pack for an impromptu trip to Santa Fe, New Mexico. That may be the only place you’ll be able to watch the unaired pilot.
A Song of Ice and Fire author George R.R. Martin, who last year bought the Jean Cocteau Cinema in downtown Santa Fe, has announced the venue will stage two screenings of the episode on May 23.
Following a round of X-Men-centric Carl’s Jr./Hardee’s commercials that attracted widespread criticism, the latest stop on the Days of Future Past promo train is AXE, the male-targeted grooming brand that for for years marketed its body spray with the overt promise that the user would become cartoonishly irresistible to the opposite sex. Like Carl’s Jr., AXE in the past has been accused of sexist marketing — including a 2012 spot centered on disembodied female breasts — but this commercial plays it pretty straight, with the film’s Havok (Lucas Till) outshining two less impressive mutants in a competition administered by an unnamed character unlikely to be found in the Official Handbook of the Marvel Universe.
It’s all to promote the “AXE Limited Edition X-Men pack,” which can be found in “Phoenix, Dark Temptation, Apollo and Anarchy” varieties, and comes bundled with an “exclusive” Days of Future Past poster.
It’s not the first time AXE and comics have collided: In 2012, the company launched a digital comic, written by Scott Lobdell, to promote the “Anarchy” fragrance line.
Much like Hydra, the subversive organization set on world domination, Stephen Colbert is a master deception, and of the long game.
For the past eight and a half years, we’ve been fooled by the talk-show host, who’s so adept at the art of subterfuge that, in the wake of Steve Rogers’ “death” in 2007, he was bequeathed Captain America’s shield, which to this day is displayed — like a trophy! — on the set of The Colbert Report. Heck, he was so bold, so self-assured, that he even made a run for the White House in the Marvel Universe (a bid that was unsuccessful, thankfully).
Comic books have become prime source material for movies, television series and video games, and while the adaptations may vary in terms of scale and medium, one of the keys to their success remains the same: staying true to the core elements that made the comics work in the first place. And in TV, it’s up to the writers — either the original authors or faithful adapters — to help keep it on course.
On April 25, SundanceTV’s The Writers’ Room will explore the well-tread road between comic books and television. Host Jim Rash (screenwriter of The Descendants), the show will put The Walking Dead writer Robert Kirkman and Smallville creators Al Gough and Miles Millar in the hot seat to discuss successfully adapting comics for television. They’ll be joined by industry commentators Blair Butler (formerly of G4TV) and Michael Schneider (TV Guide Magazine).
Taker or Lesner? Bryan or Hunter? Wyatt or Cena? Yes, it’s once again Wrestlemania weekend, and like last year I reached out to several folks in the comic community to get their take on the WWE’s signature event. Our panel shared their thoughts, opinions, hopes and dreams for tomorrow’s big card, which for the first time will be available via the WWE Network. So let’s just cross our fingers that we get to see the entire card.
Let’s meet our panel:
James Hornsby is the cartoonist behind Botched Spot, the webcomic that satirizes pro-wrestling culture, be it televised products, dirt sheets or fandom. He also makes “Over Like Olav,” a comic that focuses on his own characters, Olav and Rad Bad DeBone, as they make their way through the wrestling world. Check out his work at www.jameshornsby.com or www.botchedspot.com, follow him on Twitter @BotchedSpot, and see him on Facebook at facebook.com/botchedspot.
Since its January premiere, HBO’s much-discussed crime drama True Detective has been crying out for a mashup with Batman, and Josh Newman is here to answer the call.
Offering up potential opening credits for the second season of the anthology series, Newman shifts the setting from Louisiana to Gotham City for The World’s Greatest True Detective. Sticking with the Handsome Family’s “Far From Any Road,” he combines images from comics, movies and video games to introduce a cast that includes Bruce Wayne, Dick Grayson, James Gordon, Barbara Gordon and, naturally,
Errol Childress the Joker.
Newman injects a bit of commentary as well with the “created by” credit at the end.
This tidbit seems perfectly timed, considering both the success of DC Comics’ digital-first Batman ’66, and Tom Bondurant’s recent column about DC-inspired movies and television series that should make their way to comics: Author and screenwriter Harlan Ellison wrote a (fittingly) two-part Two-Face story for the classic Batman TV show that, alas, was never produced.
Neil Gaiman discovered that detail over the weekend — “WHY IS THIS NOT NEWS?” he tweeted — in the description for the fifth volume of Harlan Ellison’s Brain Movies, a series that collects his original teleplays.
The listing reads: “SEE ELLISON’S FIRST ADVENTURE WITH THE CAPED CRUSADER: Though Harlan’s written numerous comic book scripts for the Dark Knight, his first slide down the Bat-Pole was in 1966 when he pitched an episode to ABC’s Batman, starring Adam West and Burt Ward. Tragically—for reasons explained in the editor’s notes—’The Two-Way Crimes of Two-Face’ treatment was never produced, but now you can read what the Unrepentant Harlequin had in mind for the Dynamic Duo and their Bifurcated Foe.”
After rescuing San Francisco from the grip up of the Riddler and the Penguin, Batkid traveled this morning to New York City — “the real Gotham,” as Mayor Michael Bloomberg said — to take on the Joker and save rapper/producer Pitbull in a takedown arranged by Good Morning America.
Although the GMA hosts behaved as if they’re never interacted with children before, the segment was nice for the spotlight it shined on Miles Scott — the 5-year-old who has battled leukemia for three years — and the work of the Make-A-Wish Foundation. Also, the morning show’s set was transformed into a pretty good facsimile of the Batcave from the ’60s Batman TV series, with the Batmobile parked outside.
“He’s in remission so this has kind of been like the after-party for him, a way to kick it off,” Miles’ father Nick said. “Chemo is all he’s ever known. That’s the life that he’s known but this is kind of a way to celebrate the ending.”
Watch the video below.
When Professor X gave Wolverine and Gambit their pink slips, he was only getting started: In the latest “Ex-Men” sketch for his new late-night show on TBS, comedian Pete Holmes once again dons the bald cap to hand Angel, one of the founding members of the X-Men, is walking papers.
“Do you have any idea how many of the X-Men fly and do something else incredible?” asks Holmes’ Xavier. “You just fly, and it’s not even like an internal power, like something you focus. You literally have giant f—ing wings. You’re a f—ing bird.”
Watch the video below. The Pete Holmes Show airs weeknights at midnight ET/PT on TBS.