Axel-In-Charge: In-Depth with Alonso on Marvel's "All-New, All-Different" Lineup
According to recent convention scuttlebutt, DC Comics is apparently canceling its latest Hawkman series, the New 52-launched Savage Hawkman, perhaps as early as May’s Issue 20.
That is not the least bit surprising, really, given the publisher’s historical difficulty in keeping readers interested in Hawkman, and given the way in which the title and the character were served by the line-wide reboot and the accompanying creative-team chaos. It’s too bad, though, given how easily DC could have simply published the sort of Hawkman title the 21st-century super-comic audience would support, rather than The Savage Hawkman.
The series launched in September 2011 along with the other 51 new series comprising DC’s New 52 initiative, featuring a rebooted continuity for the then 71-year-old hero and a redesigned costume featuring more armor and pointed edges (most notably a set of Wolverine-like claws frequently waved in the direction of the reader on the covers). The creative team consisted of artist-turned-writer/artist Tony S. Daniel, who was just handling the writing, and Philip Tan, who was providing the art.
Yes, I realize I just posted something about Paolo Rivera on Friday, but this is too good to pass up: The artist has put together a time-lapse video detailing his process for Daredevil #22 (above). It’s at 20 times the normal speed, compressing three hours of work into just 11 minutes.
“It’s a pretty straight forward time lapse, but there are 3 things that I’d like to point out as you watch,” Rivera writes on his blog. “First, I use reference of my own hand to facilitate the drawing process. This photo is taken on the fly using Photo Booth on my iMac. It’s as easy as using a mirror, but with more options. Second, I employ a digital perspective template of my own design for the background. It’s extremely useful, but has a steep learning curve — I plan on releasing it to the public later this year. Lastly, toward the end of the video, you can see that I had trouble with Daredevil’s legs as he’s scaling Stilt-Man’s serpentine legs. The cover as a whole went pretty smoothly, but it took me a long time to find a pose for him that didn’t look totally awkward to me. Spidey, on the other hand, was a breeze — characters who are flying/falling are always easier to draw since they don’t have to interact with any other entities.”
Although the sale price hasn’t been announced, the figure is believed to be considerably lower than the $650 million News Corp. paid for IGN in 2005. According to PandoDaily, Ziff Davis shelled out even less than the $100 million that had been floated as an asking price. IGN had been on the market for six months.
The deal includes all of IGN’s websites devoted to video games, comic books, film, television and men’s lifestyle, including IGN.com, UGO.com, 1UP.com and AskMen.com. In some respects, it brings the two companies full circle as, before its acquisition by j2, Ziff Davis sold 1Up to UGO Entertainment, which was then acquired from Hearst Corporation by IGN in 2011.
“This is a transformative deal for our digital media business,” j2 Global CEO Hemi Zucker said in a statement. “By combining two of the most storied organizations in tech, gaming and entertainment, we have created a very powerful company capable of producing and delivering content in all forms to an audience that marketers highly value.”
When DC Comics announced it was launching a series based on its popular Ame-Comi line of figures, I don’t think I heard a single person say, “Yes! I was hoping for that!” The Ame-Comi collectibles can be imaginative and attractive (some more than others), but no one was clamoring for a series that sexualized DC’s superheroines even more overtly than they already are. In fact, the most common responses were either head-scratching or eye-rolling, depending on how much the person thought DC has legitimately tried to reach out to female readers lately. But then the creators were announced.
Jimmy Palmiotti and Justin Gray write the series and Amanda Conner drew the first couple of installments, which were serialized digitally first, 10 pages at a time. Putting the creators of the well-regarded Power Girl series on Ame-Comi Girls was a smart move and convinced a lot of readers who otherwise would have dismissed the comic – including me – to give it at least an initial look.
Dutch cartoonist Willem was presented with the Grand Prix award over the weekend in France at the 40th annual Angoulême International Comics Festival, honoring his lifetime achievement. In addition, Dragon Ball and Dr. Slump creator Akira Toriyama was awarded a special Grand Prix recognizing his 40-year career.
As the recipient of the Grand Prix, Willem will serve as president of next year’s festival.
The other major prize winners, courtesy of The Comics Reporter, were:
Prix du meilleur album
Quai d’Orsay Volume Two: Chroniques diplomatiques, Christophe Blain and Abel Lanzac (Dargaud)
Prix spécial du jury
Le Nao de Brown, Glyn Dillon (Akileos)
Manga | The Japanese market research firm Oricon reports sales of manga volumes (tankobon) slipped 1.5 percent last year, to about $2.886 billion, the first decline since the company began reporting the figures in 2009. [Anime News Network]
Graphic novels | The Scottish Archaeological Research Project has put together a rather lively looking graphic novel about the history of Scotland, including such little-known events as the Storegga Tsunami. [BBC News]
Manga | Someone with a sharp eye spotted a manga license that hasn’t been officially announced: Kodansha Comics will publish Sherlock Bones, a series about a crime-solving boy and a talking dog, by Shin Kobayishi (Drops of God, Kindaichi Case Files) and Yuki Sato (Yokai Doctor). [allfiction]
So yesterday was Hourly Comic Day. A few artists attempted the challenge, and their updates showed up regularly in my Twitter feed and Facebook timeline. Maybe the most interesting and accomplished artist to do one this year is Rob Davis, the editor of the format-busting award-winning anthology Nelson, and a man you can trust to adapt one of the high points of world literature and make a damned good fist of it. The nature of the Hourly Comic project means you read one of these things not expecting much — it’s always going to be self-reflexive, a strip doomed to be about a day spent drawing a strip — but if anyone can elevate the form, it’ll be Davis. He’s posting his work throughout the day over at his blog, Dinlos and Skilldos.
I don’t know much about sports. I’d like to think I’m slightly above a novice; I played sports very poorly in my younger years. As a former cheerperson for my local high school, I could tell you when players were on offense or defense. There are plenty of male sports fans in my life that I keep up on the basics (it’s Super Bowl season!) to be current with their interests. A lot of the basics were learned at my father’s knee because the people you love tend to make you care more about things you never thought you’d care about.
A few years ago, the (then) Anaheim Angels won the 2002 World Series, and my husband was ecstatic. It was like the rush and relief of the box-office success of the Avengers movie, but only for baseball. He has been a fan of the Angels since he was a kid, and had seen them through their highs and a whole lot of lows. Because the team had been a bonding point for him and his dad, they celebrated together by getting the DVD of the World Series to replay over a holiday dinner. I can barely sit through one or two pitches, but these guys pored over the games, the exclusive interviews, the documentaries and alternate camera shots. All it was missing were some deleted scenes and animatics and it could easily be mistaken for my Star Trek Blu-Ray.
On the way home from watching the World Series in hi-def with his dad, my husband lamented he’d soon be seeing a lot of “fair-weather fans,” people in Angels shirts and caps who bought them the moment the team won, then would retire them to the garage as soon as the next season rolled around. For someone who was a big fan of the Angels, it would be frustrating to see people dressed to the nines in their World Series Champs shirts who had no interest in the team unless they gained national notoriety. That lament was short-lived, as we had a friend with a San Francisco Giants devotee in their house, so the sweet taste of victory outweighed any fair-weather fan.
You can probably see where I’m going with this …
Christjan Bee of Monett, Missouri, has been sentenced to three years in federal prison, followed by five years of supervised release, for possession of obscenity, specifically, comics that depicted children having sexual intercourse with one another and with adults.
The news came in a press release from the U.S. District Attorney’s Office for Western Missouri, which prosecuted the case. According to the prosecutor, Bee’s wife contacted local police in August 2011 and said she had found what she believed to be child pornography on his computer. The police executed a search warrant and seized Bee’s computer:
During the forensic examination of Bee’s computer, a collection of electronic comics, entitled “incest comics,” were discovered on the computer. These comics contained multiple images of minors engaging in graphic sexual intercourse with adults and other minors. The depictions clearly lack any literary, artistic, political or scientific value.
This case is reminiscent of that of Christopher Handley, who also pleaded guilty to possession of drawn images of minors having sex. This is not child pornography, points out Charles Brownstein, executive director of the Comic Book Legal Defense Fund, because the images are drawn, not photographic.
Brownstein told Robot 6 today that he believes the Bee case wouldn’t hold up in front of a jury, but his comments on the case were limited because the CBLDF was not actually involved; he first heard about it from news reports that Bee had pleaded guilty and, therefore, waived his right to defend himself. Still, Brownstein said, “Even without knowing all the facts, it is an extremely disturbing case.”
In case his appearance in a half-dozen monthly titles and the upcoming films weren’t enough for die-hard fans, there’s always that massive Wolverine: The Adamantium Collection hardcover Marvel announced in December. Just how massive? Feast your eyes on the first images of the book, and pity poor editor Sana Amanat (above).
Weighing in at a whopping 16 pounds, the foot-tall collection is big enough to kill a fully grown man or, when stood open, to serve as shelter for a child. It apparently marks the debut of the “all-new Mighty Marvel Format,” which suggests completists may want to invest now in larger, reinforced shelves. Preferably, adamantium.
I’m not sure what I enjoy most about DustFilms Originals’ shot-for-shot recreation of the Star Trek Into Darkness trailer, the musical score created by voices — BRAAAAAAM! — the exaggerated eyebrows on the Chris Pine/James Kirk analog, or the choice of a hair salon as a stand-in for the bridge of the Enterprise (with trademark J.J. Abrams lens flares, no less). Too many choices! You can watch the recreation, and a side-by-side comparison with the original, below.
If some of the players, or the approach, look familiar, it’s because the same folks were behind the homemade Man of Steel trailer that made the rounds in December. This one’s better, though.
Paolo Rivera has debuted his stunning contribution The Hero Initiative’s latest “100 Project,” in which 100 artists draw their own covers for the milestone 100th issue of The Walking Dead. The covers, by the likes of Charlie Adlard, Kevin Eastman, Dan Brereton, Mark dos Santos and, yes, Robert Kirkman, will be collected in a book (for sale sometime this year), with the originals auctioned off to benefit The Hero Initiative.
In his blog post, Rivera also reveals he’ll be doing his very first work for DC Comics: a variant cover for Action Comics #18.
Terry Dodson has made a name for himself as one of comics’ most impeccable artists, recently coming off a two-year run on Marvel’s Uncanny X-Men and doing a number of high-profile shorter assignments on Avengers, Avenging Spider-Man and Defenders. Unbeknown to most, however, is that Dodson has been producing creator-owned projects on the side, such as Songes (titled Muse in the United States). But in 2013 he’s moving this creator-owned focus front and center.
When we spoke earlier this month, Dodson addressed his decision not to renew his exclusive agreement with Marvel so he could devote more time to his own work, and opened up about Vouve Rouge (“Red Widow”), a rollicking espionage/celebrity story he’s creating with French writer Xavier Dorison, as well as other potential projects down the road.
Over the course of eight-plus seasons of NBC’s The Office, we’re learned a lot about Dwight Schrute: He operates a successful beet farm, and a not-so-successful bed and breakfast, he’s served as a volunteer deputy sheriff, his grandfather may or may not be a Nazi war criminal.
But last night’s episode provided viewers with perhaps the greatest revelation of all: As a child, Dwight spent time at a special school for children hated and feared by humanity for no other reason than … they are mutants!
That chapter from Dwight’s past surfaced as he interviewed candidates for a job at Dunder Mifflin — a pool that included his cousin Mose, his former babysitter/lover, and one of his classmates from “X-Men School.”
The Young Adult Library Association has unveiled the 2013 Great Graphic Novels for Teens, a list of 55 titles that cover the spectrum from biography and mythology to superheroes and science fiction.
The finalists were selected by a committee from among 98 nominees recommended for readers ages 12 to 18. From those 55 titles, 10 were singled out for exemplifying “the quality and range of graphic novels appropriate for teen audiences.” The are:
“What do superheroes, serial killers and the stage crew have in common? They all have a place on the 2013 Great Graphic Novels for Teens list,” chair Rachael Myers said in a statement. “There is a graphic novel on this list for every teen reader and we think this is a valuable resource for teens and the librarians who work with them.”
You can see the full list of Great Graphic Novels for Teens on the American Library Association website.