EXCL. PREVIEW: Hitch's "Justice League: Rebirth" #1 Fears the Reaper
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
It’s a busy week at the store for me, it seems. If I had $15 this week, I’d pick up Harbinger #0 (Valiant, $3.99), the one-shot revealing the backstory of the surprisingly compelling relaunch/reboot of the 1990s series, as well as the first issues of Fearless Defenders (Marvel, $2.99) and Snapshot (Image, $2.99). The latter, I’ve already read in its Judge Dredd Megazine serialization, but I’m really curious to see if it reads differently in longer chapters; the former, I’m just hopeful for, given the high concept and involvement of Cullen Bunn.
If I had $30, I’d add the reissued 7 Miles A Second HC (Fantagraphics, $19.99) to my pile. I remember reading the original Vertigo version of this in the 1990s, and am definitely curious to see what this recolored edition, with pages restored after being cut from the Vertigo edition, is like.
Splurging, I find myself drawn to IDW’s Doctor Who Omnibus, Vol. 1 ($29.99). I blame the lack of new Doctor Who on the television right now. That month-and-a-bit is far too long to wait …!
Comics creator Jazan Wild on Monday asked the Ninth Circuit Court of Appeals to revive his $60 million copyright-infringement lawsuit against NBC Universal and the producers of Heroes, arguing that a trial judge shouldn’t have thrown out his claims nearly two years ago.
Wild (aka Jason Barnes) sued the network and Tim Kring’s Tailwind Productions in May 2010, accusing them of stealing the “carnival of lost souls and outcasts” depicted in the fourth season of the drama from his 2005-2006 comic series Jazan Wild’s Carnival of Souls. In his original complaint, he laid out numerous side-by-side comparisons that he contends prove the TV show’s traveling carnival is “virtually identical” to the one in his comic series.
But in May 2011, U.S. District Judge Gary Allen Feess determined that Heroes and Carnival of Souls “differ markedly in mood and setting, and weren’t substantially similar works, and therefore Wild had failed to prove his claim for copyright infringement. In Wild’s appeal, he insisted the judge erred by using too rigorous of a test to determine infringement, arguing that the wide availability of his comic meant he had to meet a lower standard of proof.
If the cancellation of DC Comics’ Superman Family Adventures has left you a little deflated, take heart: Longtime collaborators Franco Aureliani and Art Baltazar are turning to Kickstarter to launch their Aw Yeah Comics!, an “all-reader friendly” series with contributions from established and new talents alike, including Mark Waid, Brad Meltzer, Chris Roberson and Jason Aaron. The series was originally announced in July.
The comic, which stars Baltazar and Franco’s Action Cat and Adventure Bug, is designed to appeal to children and adults alike: “Our hope is to present a comic book that has just as much to offer a little girl as it does a little boy, and leave absolutely no one out of the fun. Because fun is important. Fun is a good thing for a comic book to have, and we want to add a little bit more of it to what’s out there now.”
Aw Yeah Comics!, which shares its name with the duo’s Skokie, Illinois, store, will debut in April with Chicago Comic & Entertainment Expo. According to the Kickstarter page, work on the first three issues is about 80 percent complete, while issues four through six are at about 60 percent. To help reach their $15,000 goal, they’re offering pledge incentives like an exclusive digital comic, an original mini-painting by Baltazar, a guest appearance by a donor’s own character, and a cover by Franco for a donor’s comic book.
The Kickstarter campaign ends March 7.
Three months after an original 1986 Sunday installment of Calvin and Hobbes, drawn and hand-colored by Bill Watterson, sold for $203,150, another original strip is going on the auction block.
Like the previous piece, this daily strip was part of a 1986 swap between Watterson and Adam@Home and Red and Rover cartoonist Brian Bassett. However, The Daily Cartoonist notes that while Bassett sold the other original to help with the expenses of a divorce and upcoming marriage, this one is being offered by his ex-wife Linda through Heritage Auctions (both are signed by Watterson to Brian and Linda).
The strip, part of Heritage’s Feb. 21-23 Vintage Comics & Comic Art Signature Auction in New York City, has already garnered a top online/telephone bid of $15,000. The company cautions, “We know you’ve heard us say this before, but consider this a rare opportunity that may not be repeated for a long time to come. We have no more Watterson Calvin originals ‘waiting in the wings’ to trot out next time around.”
See the full strip below.
Publishing | Radical Studios has secured $3 million in its first round of fundraising to further develop its catalog, expanding its digital publishing efforts and licensing capabilities. The publisher, which ultimately hopes to raise $9.5 million, has two comic-book adaptations in development at major studios: Oblivion, starring Tom Cruise, at Universal Pictures, and Hercules: The Thracian Wars, starring Dwayne Johnson, at Universal Pictures. [Variety]
Retailing | Dave and Adam’s Card World, billed as the largest online seller of baseball cards, has branched out, with an eye toward becoming the largest online seller of vintage comic books by 2014. “We were somewhat shocked and surprised that vintage comic books are more popular than vintage baseball cards. As a card collector, that just hurts,” c0-founder and CEO Adam Martin joked. [Lockport Union-Sun & Journal]
“This is the first week of Black History Month, a four-week celebration and remembrance of the significant events and people of the African diaspora. For many, myself included, it’s a month to reflect on where we’ve been, as a people and as a nation, and to contemplate exactly where it is we’re going. In terms of the comic book industry, an obvious interest and passion of mine, there is one glaring and sobering fact that needs our attention: There is currently not a single black writer working on a monthly series for either of the two biggest comic book publishers in the United States, and precious few working for any of the others.”
– Joe Hughes of ComicsAlliance, delivering an eye-opening assessment of the lack of black writers at DC Comics and Marvel
Comic Book Resources columnist Hannibal Tabu points out that Marvel hasn’t had a black writer since Reginald Hudlin’s tenure ended on Black Panther in 2009. What’s more, “With Dark Horse Presents, Dark Horse has paid more black people in comics in the last year or so than DC and Marvel have done in many, many years.”
As online voting opens for the 2013 Will Eisner Comic Awards Hall of Fame, the judges have selected late Golden Age artist Mort Meskin (Vigilante, Wildcat) and late underground cartoonist Spain Rodriguez (Trashman) for automatic induction.
In addition, they’ve named 13 nominees, from which voters will select four to be inducted in July during Comic-Con International. The nominees are:
To vote, you must be a professional working gin the comics or related industries as a creator, a publisher, an editor, a comics store owner or manager, a graphic novels librarian, or a comics historian/educator. Eligible voters can visit EisnerVote.com to select up to four names for the Hall of Fame. The voting deadline is March 4.
According to recent convention scuttlebutt, DC Comics is apparently canceling its latest Hawkman series, the New 52-launched Savage Hawkman, perhaps as early as May’s Issue 20.
That is not the least bit surprising, really, given the publisher’s historical difficulty in keeping readers interested in Hawkman, and given the way in which the title and the character were served by the line-wide reboot and the accompanying creative-team chaos. It’s too bad, though, given how easily DC could have simply published the sort of Hawkman title the 21st-century super-comic audience would support, rather than The Savage Hawkman.
The series launched in September 2011 along with the other 51 new series comprising DC’s New 52 initiative, featuring a rebooted continuity for the then 71-year-old hero and a redesigned costume featuring more armor and pointed edges (most notably a set of Wolverine-like claws frequently waved in the direction of the reader on the covers). The creative team consisted of artist-turned-writer/artist Tony S. Daniel, who was just handling the writing, and Philip Tan, who was providing the art.
Yes, I realize I just posted something about Paolo Rivera on Friday, but this is too good to pass up: The artist has put together a time-lapse video detailing his process for Daredevil #22 (above). It’s at 20 times the normal speed, compressing three hours of work into just 11 minutes.
“It’s a pretty straight forward time lapse, but there are 3 things that I’d like to point out as you watch,” Rivera writes on his blog. “First, I use reference of my own hand to facilitate the drawing process. This photo is taken on the fly using Photo Booth on my iMac. It’s as easy as using a mirror, but with more options. Second, I employ a digital perspective template of my own design for the background. It’s extremely useful, but has a steep learning curve — I plan on releasing it to the public later this year. Lastly, toward the end of the video, you can see that I had trouble with Daredevil’s legs as he’s scaling Stilt-Man’s serpentine legs. The cover as a whole went pretty smoothly, but it took me a long time to find a pose for him that didn’t look totally awkward to me. Spidey, on the other hand, was a breeze — characters who are flying/falling are always easier to draw since they don’t have to interact with any other entities.”
Although the sale price hasn’t been announced, the figure is believed to be considerably lower than the $650 million News Corp. paid for IGN in 2005. According to PandoDaily, Ziff Davis shelled out even less than the $100 million that had been floated as an asking price. IGN had been on the market for six months.
The deal includes all of IGN’s websites devoted to video games, comic books, film, television and men’s lifestyle, including IGN.com, UGO.com, 1UP.com and AskMen.com. In some respects, it brings the two companies full circle as, before its acquisition by j2, Ziff Davis sold 1Up to UGO Entertainment, which was then acquired from Hearst Corporation by IGN in 2011.
“This is a transformative deal for our digital media business,” j2 Global CEO Hemi Zucker said in a statement. “By combining two of the most storied organizations in tech, gaming and entertainment, we have created a very powerful company capable of producing and delivering content in all forms to an audience that marketers highly value.”
When DC Comics announced it was launching a series based on its popular Ame-Comi line of figures, I don’t think I heard a single person say, “Yes! I was hoping for that!” The Ame-Comi collectibles can be imaginative and attractive (some more than others), but no one was clamoring for a series that sexualized DC’s superheroines even more overtly than they already are. In fact, the most common responses were either head-scratching or eye-rolling, depending on how much the person thought DC has legitimately tried to reach out to female readers lately. But then the creators were announced.
Jimmy Palmiotti and Justin Gray write the series and Amanda Conner drew the first couple of installments, which were serialized digitally first, 10 pages at a time. Putting the creators of the well-regarded Power Girl series on Ame-Comi Girls was a smart move and convinced a lot of readers who otherwise would have dismissed the comic – including me – to give it at least an initial look.
Dutch cartoonist Willem was presented with the Grand Prix award over the weekend in France at the 40th annual Angoulême International Comics Festival, honoring his lifetime achievement. In addition, Dragon Ball and Dr. Slump creator Akira Toriyama was awarded a special Grand Prix recognizing his 40-year career.
As the recipient of the Grand Prix, Willem will serve as president of next year’s festival.
The other major prize winners, courtesy of The Comics Reporter, were:
Prix du meilleur album
Quai d’Orsay Volume Two: Chroniques diplomatiques, Christophe Blain and Abel Lanzac (Dargaud)
Prix spécial du jury
Le Nao de Brown, Glyn Dillon (Akileos)
Manga | The Japanese market research firm Oricon reports sales of manga volumes (tankobon) slipped 1.5 percent last year, to about $2.886 billion, the first decline since the company began reporting the figures in 2009. [Anime News Network]
Graphic novels | The Scottish Archaeological Research Project has put together a rather lively looking graphic novel about the history of Scotland, including such little-known events as the Storegga Tsunami. [BBC News]
Manga | Someone with a sharp eye spotted a manga license that hasn’t been officially announced: Kodansha Comics will publish Sherlock Bones, a series about a crime-solving boy and a talking dog, by Shin Kobayishi (Drops of God, Kindaichi Case Files) and Yuki Sato (Yokai Doctor). [allfiction]
So yesterday was Hourly Comic Day. A few artists attempted the challenge, and their updates showed up regularly in my Twitter feed and Facebook timeline. Maybe the most interesting and accomplished artist to do one this year is Rob Davis, the editor of the format-busting award-winning anthology Nelson, and a man you can trust to adapt one of the high points of world literature and make a damned good fist of it. The nature of the Hourly Comic project means you read one of these things not expecting much — it’s always going to be self-reflexive, a strip doomed to be about a day spent drawing a strip — but if anyone can elevate the form, it’ll be Davis. He’s posting his work throughout the day over at his blog, Dinlos and Skilldos.
I don’t know much about sports. I’d like to think I’m slightly above a novice; I played sports very poorly in my younger years. As a former cheerperson for my local high school, I could tell you when players were on offense or defense. There are plenty of male sports fans in my life that I keep up on the basics (it’s Super Bowl season!) to be current with their interests. A lot of the basics were learned at my father’s knee because the people you love tend to make you care more about things you never thought you’d care about.
A few years ago, the (then) Anaheim Angels won the 2002 World Series, and my husband was ecstatic. It was like the rush and relief of the box-office success of the Avengers movie, but only for baseball. He has been a fan of the Angels since he was a kid, and had seen them through their highs and a whole lot of lows. Because the team had been a bonding point for him and his dad, they celebrated together by getting the DVD of the World Series to replay over a holiday dinner. I can barely sit through one or two pitches, but these guys pored over the games, the exclusive interviews, the documentaries and alternate camera shots. All it was missing were some deleted scenes and animatics and it could easily be mistaken for my Star Trek Blu-Ray.
On the way home from watching the World Series in hi-def with his dad, my husband lamented he’d soon be seeing a lot of “fair-weather fans,” people in Angels shirts and caps who bought them the moment the team won, then would retire them to the garage as soon as the next season rolled around. For someone who was a big fan of the Angels, it would be frustrating to see people dressed to the nines in their World Series Champs shirts who had no interest in the team unless they gained national notoriety. That lament was short-lived, as we had a friend with a San Francisco Giants devotee in their house, so the sweet taste of victory outweighed any fair-weather fan.
You can probably see where I’m going with this …