Marvel's "Luke Cage" Casts Its Misty Knight
Digital Comics, TV
Three months after an original 1986 Sunday installment of Calvin and Hobbes, drawn and hand-colored by Bill Watterson, sold for $203,150, another original strip is going on the auction block.
Like the previous piece, this daily strip was part of a 1986 swap between Watterson and Adam@Home and Red and Rover cartoonist Brian Bassett. However, The Daily Cartoonist notes that while Bassett sold the other original to help with the expenses of a divorce and upcoming marriage, this one is being offered by his ex-wife Linda through Heritage Auctions (both are signed by Watterson to Brian and Linda).
The strip, part of Heritage’s Feb. 21-23 Vintage Comics & Comic Art Signature Auction in New York City, has already garnered a top online/telephone bid of $15,000. The company cautions, “We know you’ve heard us say this before, but consider this a rare opportunity that may not be repeated for a long time to come. We have no more Watterson Calvin originals ‘waiting in the wings’ to trot out next time around.”
See the full strip below.
Publishing | Radical Studios has secured $3 million in its first round of fundraising to further develop its catalog, expanding its digital publishing efforts and licensing capabilities. The publisher, which ultimately hopes to raise $9.5 million, has two comic-book adaptations in development at major studios: Oblivion, starring Tom Cruise, at Universal Pictures, and Hercules: The Thracian Wars, starring Dwayne Johnson, at Universal Pictures. [Variety]
Retailing | Dave and Adam’s Card World, billed as the largest online seller of baseball cards, has branched out, with an eye toward becoming the largest online seller of vintage comic books by 2014. “We were somewhat shocked and surprised that vintage comic books are more popular than vintage baseball cards. As a card collector, that just hurts,” c0-founder and CEO Adam Martin joked. [Lockport Union-Sun & Journal]
“This is the first week of Black History Month, a four-week celebration and remembrance of the significant events and people of the African diaspora. For many, myself included, it’s a month to reflect on where we’ve been, as a people and as a nation, and to contemplate exactly where it is we’re going. In terms of the comic book industry, an obvious interest and passion of mine, there is one glaring and sobering fact that needs our attention: There is currently not a single black writer working on a monthly series for either of the two biggest comic book publishers in the United States, and precious few working for any of the others.”
– Joe Hughes of ComicsAlliance, delivering an eye-opening assessment of the lack of black writers at DC Comics and Marvel
Comic Book Resources columnist Hannibal Tabu points out that Marvel hasn’t had a black writer since Reginald Hudlin’s tenure ended on Black Panther in 2009. What’s more, “With Dark Horse Presents, Dark Horse has paid more black people in comics in the last year or so than DC and Marvel have done in many, many years.”
As online voting opens for the 2013 Will Eisner Comic Awards Hall of Fame, the judges have selected late Golden Age artist Mort Meskin (Vigilante, Wildcat) and late underground cartoonist Spain Rodriguez (Trashman) for automatic induction.
In addition, they’ve named 13 nominees, from which voters will select four to be inducted in July during Comic-Con International. The nominees are:
To vote, you must be a professional working gin the comics or related industries as a creator, a publisher, an editor, a comics store owner or manager, a graphic novels librarian, or a comics historian/educator. Eligible voters can visit EisnerVote.com to select up to four names for the Hall of Fame. The voting deadline is March 4.
According to recent convention scuttlebutt, DC Comics is apparently canceling its latest Hawkman series, the New 52-launched Savage Hawkman, perhaps as early as May’s Issue 20.
That is not the least bit surprising, really, given the publisher’s historical difficulty in keeping readers interested in Hawkman, and given the way in which the title and the character were served by the line-wide reboot and the accompanying creative-team chaos. It’s too bad, though, given how easily DC could have simply published the sort of Hawkman title the 21st-century super-comic audience would support, rather than The Savage Hawkman.
The series launched in September 2011 along with the other 51 new series comprising DC’s New 52 initiative, featuring a rebooted continuity for the then 71-year-old hero and a redesigned costume featuring more armor and pointed edges (most notably a set of Wolverine-like claws frequently waved in the direction of the reader on the covers). The creative team consisted of artist-turned-writer/artist Tony S. Daniel, who was just handling the writing, and Philip Tan, who was providing the art.
Yes, I realize I just posted something about Paolo Rivera on Friday, but this is too good to pass up: The artist has put together a time-lapse video detailing his process for Daredevil #22 (above). It’s at 20 times the normal speed, compressing three hours of work into just 11 minutes.
“It’s a pretty straight forward time lapse, but there are 3 things that I’d like to point out as you watch,” Rivera writes on his blog. “First, I use reference of my own hand to facilitate the drawing process. This photo is taken on the fly using Photo Booth on my iMac. It’s as easy as using a mirror, but with more options. Second, I employ a digital perspective template of my own design for the background. It’s extremely useful, but has a steep learning curve — I plan on releasing it to the public later this year. Lastly, toward the end of the video, you can see that I had trouble with Daredevil’s legs as he’s scaling Stilt-Man’s serpentine legs. The cover as a whole went pretty smoothly, but it took me a long time to find a pose for him that didn’t look totally awkward to me. Spidey, on the other hand, was a breeze — characters who are flying/falling are always easier to draw since they don’t have to interact with any other entities.”
Although the sale price hasn’t been announced, the figure is believed to be considerably lower than the $650 million News Corp. paid for IGN in 2005. According to PandoDaily, Ziff Davis shelled out even less than the $100 million that had been floated as an asking price. IGN had been on the market for six months.
The deal includes all of IGN’s websites devoted to video games, comic books, film, television and men’s lifestyle, including IGN.com, UGO.com, 1UP.com and AskMen.com. In some respects, it brings the two companies full circle as, before its acquisition by j2, Ziff Davis sold 1Up to UGO Entertainment, which was then acquired from Hearst Corporation by IGN in 2011.
“This is a transformative deal for our digital media business,” j2 Global CEO Hemi Zucker said in a statement. “By combining two of the most storied organizations in tech, gaming and entertainment, we have created a very powerful company capable of producing and delivering content in all forms to an audience that marketers highly value.”
When DC Comics announced it was launching a series based on its popular Ame-Comi line of figures, I don’t think I heard a single person say, “Yes! I was hoping for that!” The Ame-Comi collectibles can be imaginative and attractive (some more than others), but no one was clamoring for a series that sexualized DC’s superheroines even more overtly than they already are. In fact, the most common responses were either head-scratching or eye-rolling, depending on how much the person thought DC has legitimately tried to reach out to female readers lately. But then the creators were announced.
Jimmy Palmiotti and Justin Gray write the series and Amanda Conner drew the first couple of installments, which were serialized digitally first, 10 pages at a time. Putting the creators of the well-regarded Power Girl series on Ame-Comi Girls was a smart move and convinced a lot of readers who otherwise would have dismissed the comic – including me – to give it at least an initial look.
Dutch cartoonist Willem was presented with the Grand Prix award over the weekend in France at the 40th annual Angoulême International Comics Festival, honoring his lifetime achievement. In addition, Dragon Ball and Dr. Slump creator Akira Toriyama was awarded a special Grand Prix recognizing his 40-year career.
As the recipient of the Grand Prix, Willem will serve as president of next year’s festival.
The other major prize winners, courtesy of The Comics Reporter, were:
Prix du meilleur album
Quai d’Orsay Volume Two: Chroniques diplomatiques, Christophe Blain and Abel Lanzac (Dargaud)
Prix spécial du jury
Le Nao de Brown, Glyn Dillon (Akileos)
Manga | The Japanese market research firm Oricon reports sales of manga volumes (tankobon) slipped 1.5 percent last year, to about $2.886 billion, the first decline since the company began reporting the figures in 2009. [Anime News Network]
Graphic novels | The Scottish Archaeological Research Project has put together a rather lively looking graphic novel about the history of Scotland, including such little-known events as the Storegga Tsunami. [BBC News]
Manga | Someone with a sharp eye spotted a manga license that hasn’t been officially announced: Kodansha Comics will publish Sherlock Bones, a series about a crime-solving boy and a talking dog, by Shin Kobayishi (Drops of God, Kindaichi Case Files) and Yuki Sato (Yokai Doctor). [allfiction]
So yesterday was Hourly Comic Day. A few artists attempted the challenge, and their updates showed up regularly in my Twitter feed and Facebook timeline. Maybe the most interesting and accomplished artist to do one this year is Rob Davis, the editor of the format-busting award-winning anthology Nelson, and a man you can trust to adapt one of the high points of world literature and make a damned good fist of it. The nature of the Hourly Comic project means you read one of these things not expecting much — it’s always going to be self-reflexive, a strip doomed to be about a day spent drawing a strip — but if anyone can elevate the form, it’ll be Davis. He’s posting his work throughout the day over at his blog, Dinlos and Skilldos.
I don’t know much about sports. I’d like to think I’m slightly above a novice; I played sports very poorly in my younger years. As a former cheerperson for my local high school, I could tell you when players were on offense or defense. There are plenty of male sports fans in my life that I keep up on the basics (it’s Super Bowl season!) to be current with their interests. A lot of the basics were learned at my father’s knee because the people you love tend to make you care more about things you never thought you’d care about.
A few years ago, the (then) Anaheim Angels won the 2002 World Series, and my husband was ecstatic. It was like the rush and relief of the box-office success of the Avengers movie, but only for baseball. He has been a fan of the Angels since he was a kid, and had seen them through their highs and a whole lot of lows. Because the team had been a bonding point for him and his dad, they celebrated together by getting the DVD of the World Series to replay over a holiday dinner. I can barely sit through one or two pitches, but these guys pored over the games, the exclusive interviews, the documentaries and alternate camera shots. All it was missing were some deleted scenes and animatics and it could easily be mistaken for my Star Trek Blu-Ray.
On the way home from watching the World Series in hi-def with his dad, my husband lamented he’d soon be seeing a lot of “fair-weather fans,” people in Angels shirts and caps who bought them the moment the team won, then would retire them to the garage as soon as the next season rolled around. For someone who was a big fan of the Angels, it would be frustrating to see people dressed to the nines in their World Series Champs shirts who had no interest in the team unless they gained national notoriety. That lament was short-lived, as we had a friend with a San Francisco Giants devotee in their house, so the sweet taste of victory outweighed any fair-weather fan.
You can probably see where I’m going with this …
Christjan Bee of Monett, Missouri, has been sentenced to three years in federal prison, followed by five years of supervised release, for possession of obscenity, specifically, comics that depicted children having sexual intercourse with one another and with adults.
The news came in a press release from the U.S. District Attorney’s Office for Western Missouri, which prosecuted the case. According to the prosecutor, Bee’s wife contacted local police in August 2011 and said she had found what she believed to be child pornography on his computer. The police executed a search warrant and seized Bee’s computer:
During the forensic examination of Bee’s computer, a collection of electronic comics, entitled “incest comics,” were discovered on the computer. These comics contained multiple images of minors engaging in graphic sexual intercourse with adults and other minors. The depictions clearly lack any literary, artistic, political or scientific value.
This case is reminiscent of that of Christopher Handley, who also pleaded guilty to possession of drawn images of minors having sex. This is not child pornography, points out Charles Brownstein, executive director of the Comic Book Legal Defense Fund, because the images are drawn, not photographic.
Brownstein told Robot 6 today that he believes the Bee case wouldn’t hold up in front of a jury, but his comments on the case were limited because the CBLDF was not actually involved; he first heard about it from news reports that Bee had pleaded guilty and, therefore, waived his right to defend himself. Still, Brownstein said, “Even without knowing all the facts, it is an extremely disturbing case.”
In case his appearance in a half-dozen monthly titles and the upcoming films weren’t enough for die-hard fans, there’s always that massive Wolverine: The Adamantium Collection hardcover Marvel announced in December. Just how massive? Feast your eyes on the first images of the book, and pity poor editor Sana Amanat (above).
Weighing in at a whopping 16 pounds, the foot-tall collection is big enough to kill a fully grown man or, when stood open, to serve as shelter for a child. It apparently marks the debut of the “all-new Mighty Marvel Format,” which suggests completists may want to invest now in larger, reinforced shelves. Preferably, adamantium.
I’m not sure what I enjoy most about DustFilms Originals’ shot-for-shot recreation of the Star Trek Into Darkness trailer, the musical score created by voices — BRAAAAAAM! — the exaggerated eyebrows on the Chris Pine/James Kirk analog, or the choice of a hair salon as a stand-in for the bridge of the Enterprise (with trademark J.J. Abrams lens flares, no less). Too many choices! You can watch the recreation, and a side-by-side comparison with the original, below.
If some of the players, or the approach, look familiar, it’s because the same folks were behind the homemade Man of Steel trailer that made the rounds in December. This one’s better, though.