When a 4-year-old from New Hampshire didn’t want to wear his hearing aid, Hawkeye came to the rescue — with a lot of help from the Marvel Bullpen.
As we reported yesterday, Christina D’Allesandro’s son Anthony Smith didn’t want to wear his “blue ear” hearing aid because he said superheroes didn’t wear them. So she sent a blind email to Marvel, hoping that maybe that wasn’t true and they could point to one who did.
“Christina sent her touching letter in to the email@example.com address, a general ‘fan mail’ account which is shared by a group of us in editorial,” Marvel Editor Bill Rosemann told Robot 6. “She didn’t know a specific person to write to here at Marvel, and even figured it might get caught in our spam filters, but she sent it in anyway, because that’s the kind of great parent Christina is. And it was her inspiring effort to help her son that touched so many of us here. As a fellow parent of a toddler, I can understand where she’s coming from, so I forwarded the email around the rest of Editorial, asking what we could do to help, and like when Cap yells, ‘Avengers Assemble,’ the gang leapt into action.”
Rosemann said the mail account gets a lot of traffic, the majority of which are messages from fans about specific issues or stories.
Ahead of the comic’s debut today, Diego Villalba has put together a solid trailer for DC Comics’ Justice League Dark #9, which sees new writer Jeff Lemire joining artist Mikel Janin for a run on the series. On his blog, Lemire (Animal Man, Sweet Tooth) assures fans that the issue is a perfect jumping-on point, and then offers a recommended reading list to learn more about such key characters John Constantine, Black Orchid, Zatanna and Deadman.
And if the trailer isn’t enough for you, Comic Book Resources has a five-page preview of Justice League Dark #9.
“This past year, 2011, I was asked this question a lot, and here we are into the first quarter of 2012, and it’s happening again (or still, if you rather). Most frequently, it comes up in regard to my work in the comics industry. Last year was not banner for the ladies, and this one isn’t off to a strong start, either, in fact. Wasn’t good for women within the industry itself, nor within the pages of the stories being told. Those who’ve had the unmitigated temerity to actually comment upon this state of affairs publicly have ended up paying a surprisingly heavy price. The gender of the speaker has been largely irrelevant, though to be sure, it’s the women who’ve stepped up have taken the harder hits. But all who’ve pointed out the absence of women both on the page and behind it have been ridiculed, insulted, and, absurdly enough, even threatened with violence. Conversely, those attempting to defend their mistreatment of women within the industry have revealed a staggering lack of understanding, empathy, and self-awareness, while seeming to rejoice in an arrogance that is near heart-stopping in its naked sexism and condescension.
To say there are those who don’t get it is an understatement; it would be like describing the Japanese tsunami as ‘minor flooding.’”
– Greg Rucka, in an essay addressing the frequently asked question,
“How Do You Write Such Strong Female Characters?”
Conventions | Organizers of the sold-out Comic-Con International will resell 5,000 one-day passes for the July 12-15 convention. No date has been announced for the online sale of the canceled or returned badges; to receive notification, and to participate, convention hopefuls must sign up for a member ID by 5:30 p.m. PT Thursday. Badges sold out the first time within an hour and 20 minutes. [U-T San Diego, Comic-Con International]
Comics | Following up on the news of the impending Northstar-Kyle wedding, Michael Cavna talks to Tom Batiuk (Funky Winkerbean), Jon Goldwater (Archie Comics) and Paige Braddock (Jane’s World) about writing about gay relationships — and dealing with their editors and syndicators. [Comic Riffs]
I spent a chunk of this weekend celebrating (memorializing?) this week’s end of Mark Waid’s Superman-Gone-So-Very-Bad series Irredeemable, re-reading the whole thing (and catching up, too; I’d gone to trades somewhere along the line, and had then managed to lose track somewhere around Vol. 7, so there were 10 or so issues that were brand new for me), and realized towards the end something that, in retrospect, I couldn’t believe I hadn’t noticed before. Namely, Irredeemable was Battlestar Galactica for superheroes.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15, this ever-lovin’ comics fan would first pick out Dark Horse Presents #12 (Dark Horse, $7.99). First off: John Layman and Sam Kieth doing an Aliens story, can you believe that? That debut, coupled with the return of Mike Baron and Steve Rude’s Nexus, makes this another DHP worth buying. After that, I’d jump into Prophet #25 (Image, $2.99) to see Brandon Graham’s rollicking story with special guest artist Farel Dalrymple. The creators lined up on this Extreme Comics revival continue to impress me, and I’m excited to see new work by Dalrymple here. Third up would be Secret Avengers #27 (Marvel, $3.99), and I’m all hyped up to see how Rick Remender handles the touchy subject of Marvel’s original Captain Marvel. As for the artist, I’m still waiting for Renato Guedes to wow me the way he did before he jumped from DC to Marvel; the previews for this show some promise, so I’m excited to see the entire package.
If I had $30, I’d double back to get the return of Batman Incorporated #1 (DC, $2.99). Grant Morrison’s schedule, along with the New 52, seemed to harpoon this title last year, but I’m hoping this is some attempt to right that ship. Next up would be Fantastic Four #606 (Marvel, $2.99), seeing Jonathan Hickman come full circle as his run nears conclusion by going back to where the FF started: with four people in space suits. Ron Garney is an interesting choice to draw this one, and his take on the Thing is right up there with Stuart Immonen’s. Last up would be Irredeemable #37 (BOOM! Studios, $3.99). I admit I switched to trades a couple issues ago, but I’m jumping back in — spoilers be damned — to find out the end to this story. I’m a little bit morose that artist Peter Krause isn’t the one drawing the finale given all he put into this, but Diego Barretto is an able artist to draw what Waid has set out for this final issue. Oh, hey, I’ve got $5.06 left so I’ll live up to the the title of this Robot 6 feature and get some food: a hot dog from Voodoo Dogs in Tallahassee. Have you seen their new commercial?
If I could splurge, I’d finish eating my hot dog and pick up Comic Book History of Comics (IDW Publishing, $21.99). I’ve failed at life when I couldn’t track down all six of these issues on my own, but IDW offering it all up in one package saves me from that level of hell. Fred Van Lente and Ryan Dunlavey have put on a master class here in doing bio comics, especially bio comics about comics, and as a journalist, comics fan and would be comics writer myself this hits all the right spots for an engrossing read.
This morning’s exclusive announcement on The View of the impending nuptials of Northstar and Kyle Jinadu in the pages of Astonishing X-Men probably didn’t go quite like Marvel envisioned, as a giggling Joy Behar could hardly wait for the applause to subside so she could ask, “Do you think Batman and Robin could come out of the closet now?” And Whoopi Goldberg’s more heartfelt observations about the diversity represented on the cover of Astonishing X-Men #51 were quickly forgotten so they could move on to the next item about an unfortunate typo on the sign for the Lyndon B. Johnson School of Public Affairs.
But as awkward (and, some would suggest, over-blown) as that promotional rollout for this wedding may have been, Robot 6 contributor Graeme McMillan reminds us that it could be worse by taking us back in time to 1987 and “the tongue-in-cheek ceremony” at Shea Stadium for Spider-Man and Mary Jane Watson — officiated by Stan Lee, and attended by 50,000 baseball fans. Below, you can watch Entertainment Tonight‘s coverage of the publicity stunt, as well as the bizarre and excruciatingly long preview on Good Morning America in which the interviewer asks “Spider-Man” and “Mary Jane” whether they would have “children that were like, you know, little spider-babies or would they be normal, human babies.” You can also check out the much shorter segment on The View.
Mark Andrew Smith certainly isn’t heeding the advice on this sign from Sullivan’s Sluggers, his upcoming baseball-horror graphic novel with James Stokoe. As we noticed last week, the writer is moving forward and scouting out new territory in comics distribution through Kickstarter.
After that post appeared, I was reminded that Sullivan’s Sluggers was originally solicited a couple of years ago by Image Comics, so I asked Smith about that as well as his extremely successful use of Kickstarter. As I’m writing this, Smith and Stokoe’s book has raised more than $40,000 in pledges. Their original goal was $6,000, and there are still 24 days to go.
Michael May: Sullivan’s Sluggers was originally solicited through Image. What can you say about why it’s not being published there now?
Mark Andrew Smith: We know how many copies of Sullivan’s Sluggers retailers ordered. We were going to end up working for four years to make the book (working for free) and end up losing a lot of money to do it. Sullivan’s Sluggers through Kickstarter made more business sense, and selling direct from the creators to the readers. So it was a matter of stay put and don’t rock the boat or take a risk for once and change everything.
We chose the second option and I wouldn’t go back, not in a million years.
“Jack Kirby worked for Marvel until 1970, and then he returned for another three years in 1975. But since then. in the 30 some-odd years since he left Marvel, hundreds of creators have added to the mythos and stories of the characters that Marvel owns and Jack helped create. Hundreds. And many of them added integral aspects to these characters which are just as important to their legacy as Jack and Stan ever did. Take a look at Walter Simonson’s run on Thor and tell me that he doesn’t deserve as much credit as Jack or Stan when it comes to the lasting mythos of that character as a modern day super-hero. Or how could you have the Tony Stark we saw on screen in Iron Man without David Michelinie and Bob Layton’s ‘Demon in a Bottle’ run on Iron Man in the late 70’s?
Nick Fury was co-created by Stan lee and Jack Kirby. A fictional WW2 army hero. He was reintroduced later as a cold-war spy. A Jack Kirby creation. But then Jim Steranko got a hold of him and transformed him into something else entirely. Steranko injected 60’s pop-culture and sensibilities into the character and his book. Fast forward to 2000, when Marvel decided to reboot their entire universe in a separate line of books called the ‘Ultimate Universe.’ In 2002, Mark Millar and Bryan Hitch launched The Ultimates which reinvented the Avengers. A team assembled by a very different Nick Fury, modeled with the actor’s permission after Samuel L. Jackson. You tell me. Are any of these guys even the same character? Or are they different characters with the same name?”
– Scott Kurtz, on renewed calls for proper credit, and compensation, for
Jack Kirby’s contributions to the Marvel Universe
Perhaps the biggest news to come out of the Comics: Philosophy and Practice symposium in Chicago last weekend was the revelation that Chris Ware’s upcoming graphic novel Building Stories will not be presented like your traditional graphic novel but will instead be offered as a collection of little mini-comics of various shapes and sizes. The publisher Pantheon has some official pictures on its Tumblr.
This isn’t the first time someone’s attempted something like this (Vol. 5 of the Non anthology comes to mind, as does one of the recent Closed Caption Comics offerings), but the fact that Ware’s doing it with a major publisher like Pantheon holds the promise of great things. My expectations are high on this one.
Comics | When 4-year-old Anthony Smith didn’t want to wear his hearing aid because superheroes don’t wear them, his mother emailed Marvel to ask if they had any pictures of superheroes wearing a hearing aid. Not only did Marvel editor Bill Rosemann respond with an image of the cover of 1984′s West Coast Avengers #1, which featured Hawkeye wearing a hearing aid, he also had artist Nelson Ribeiro transform Anthony into a superhero, Blue Ear. [Concord Monitor]
Publishing | Former Marvel editor Jody LeHeup, who was let go by the publisher in October during a round of layoffs, has joined Valiant Entertainment as associate editor. [press release]
Conventions | Rich Lopez has a gallery of photos from last weekend’s Dallas Comic Con. [The Dallas Voice]
Although readers will have to wait until sometime in June — perhaps not coincidentally, Lesbian, Gay, Bisexual and Transgender Pride Month — to learn which established DC Comics character will be reintroduced as gay, we already know at least two details: It’s a major character (better luck next time, Doll Man), and it’s a guy.
“One of the major iconic DC characters will reveal that he is gay in a storyline in June,” Courtney Simmons, DC Entertainment’s senior vice president of publicity, confirmed to ABC News following the weekend revelation by Co-Publisher Dan DiDio that the formerly heterosexual figure will become “one of our most prominent gay characters.”
With those 18 words, Simmons drastically narrows the list of candidates, eliminating such popular guesses as Vibe (he’s neither a major character nor an iconic one) and Hawkgirl (she’s a … she). However, Simmons’ quote also raises the question of just what DC considers “major” and “iconic.”
Four entries this time that I’ve been saving up for a not-so-rainy day …
Most papercraft dolls, as cool as they are, are stumpy little blocky deals, but My Paper Heroes has an Avengers set that smashes the old look. The link will lead you to downloadable PDFs with everything you need, including a variant hairstyle for Black Widow’s Iron Man 2 look, a helmet for Captain America and more. Unlike Widow’s feelings about giant, flying leviathans, I can totally see how that’s a party.