Branding the popular anime as borderline “pornography,” Indonesia’s television regulator has warned a broadcaster to censor “indecent” images on Crayon Shin-chan or air the series at a later time, when it’s unlikely to be seen by children.
Based on the manga by the late Yoshito Usui, Crayon Shin-chan follows a the adventures of a mischievous 5-year-old who’s prone to inappropriate behavior — he frequently moons other characters — and off-color language. Scantily clad women and risque humor are staples of the series; there’s also the matter of his infamous “Mr. Elephant” dance.
That’s too much for the Indonesian Broadcasting Commission (KPI), a government-sanctioned but independent regulatory body, which on Monday issued the warning to the Jakarta-based RCTI television network.
In the fullness of time, all things come to an end: Futures, worlds, even month-long publishing initiatives. And so Wednesday brought with it the final batch of Futures End specials from DC Comics.
Of this week’s 10 releases, I read four, and I was pleasantly surprised to find that most of those were pretty good … and at least two of them even tied in to the events of The New 52: Futures End, the weekly series that nominally gives the one-shots a reason to exist.
Heck, one of them tied in to the series, which saw the release of its 21st issue this week, strongly and directly enough that I wouldn’t be surprised if it turned up in one of the eventual trade collections of Futures End.
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Banned Books Week | Michael Cavna talks with Jeff Smith, Scott McCloud and Neil Gaiman about the importance of Banned Books Week. Says Gaiman, “I get tired of when people say that no books are banned just because [you can get it elsewhere]. Say you’re a kid in a school district [that banned a book] and there’s not a local Barnes & Noble and you don’t have 20 or 50 bucks in disposable income … That book is gone. It was there and now it’s not. The fact you can buy it on Amazon doesn’t make that any less bad.” [Comic Riffs]
Banned Books Week | Charles Brownstein, executive director of the Comic Book Legal Defense Fund, discusses comics and censorship in a video interview. [Reason Magazine]
Because readers have undoubtedly been counting down the days on their calendars, it’s probably unnecessary to say what today is — but we’ll do so anyway: It’s Sept. 25, National Comic Book Day!
No, not Free Comic Book Day; that’s in May. National Comic Book Day, the unofficial holiday whose origins are as mysterious as its observers are scarce. As we noted last year, no one takes credit for its founding — heck, no one seems to know when it began — it receives little to no industry support, and there are no traditions tied to it (however, you can always try asking your local retailer for a free comic).
Just in time for Banned Books Week, the Cleveland, Texas, city council declined to act on a local pastor’s request that the public library remove all occult-themed books, including the wildly popular Vampire Knight manga series, from its young-adult room.
As we previously reported, Rev. Phillip Missick of the King of Saints Tabernacle Church addressed the city council on Aug. 12, demanding the “occultic and demonic room be shut down, and these books be purged from the shelves, and that public funds would no longer be used to purchase such material, or at least require parents to check them out for their children.”
He also complained about the decor of the Young Adult room, which includes a Sorting Hat and a figure of Dobby the Elf, both from Harry Potter, and a bouquet of dried roses. (We’ll get back to the roses.) Missick filed a formal Statement of Concern with the library, asking for the removal of five specific books, and he wrote a letter requesting a general ban on anything with an occult theme, saying, “As ministers of Christ, it is our responsibility to ‘watch’ and ‘warn’ against Satanic assaults against the hearts and minds of our children.”
Inspired by comments made by author Alexander Chee, the residency was announced in February, offering writers with a free round-trip, long-distance train trip with a sleeping compartment equipped with a desk, free meals and access to the observation car — all designed to inspire creativity through rail travel.
Amtrak began accepting applications in March, and received more than 16,000 responses. The recipients were ultimately chosen by a panel of four judges: Chee; Joe McHugh, Amtrak’s vice president of government affairs and corporate communications; Samuel Nicholson, an editor at Random House; and Amy Stolls, director of the National Endowment for the Arts.
Writer and producer Denise Dorman, wife of artist Dave Dorman, kicked off far-ranging discussion with her recent post about the shifting convention scene, and how it’s affected their income — specifically, her view that cosplayers have become to the “new focus” of the events, to the detriment of creators, publishers and vendors.
It’s certainly true that comics conventions have become more popular and more numerous than ever, and with their success comes an evolving experience both for attendees and exhibitors. However, Dorman’s essay is front-loaded with a lot of perplexed annoyance at kids today and their cosplaying, Instagram and selfies.
Unfortunately, much of the discussion that’s followed so far has focused on defending cosplayers. That was my initial response too — after all, I’ve seen some people wearing elaborate and imaginative costumes walking on the floor with their overflowing bag of comics, or their original art delicately being transported somewhere safe. Plenty of cosplayers love comics, and if they stop at a booth, you can bet people around them are checking out both them and the table they’re perusing. I’ve seen it happen so often at Comic-Con International.
The legendary co-creator of such superheroes as Spider-Man, the Avengers and the X-Men, Stan Lee has attracted countless fans over the course of a seven-decade career. While he clearly treasures all of them, he asks for one thing from them: a little accuracy.
“I kinda don’t like it when people come over to me and say, ‘I’m your biggest fan,'” he says in the new installment of “Stan’s Rants.” “But I think, how do they know they’re my biggest fan? Have they checked all my other fans? I might have a bigger fan somewhere. And are they referring to the fact that they’re my most enthusiastic fan, or perhaps in height? They’re my tallest fan?
Like most comic creators around the world, celebrated artists Gabriel Ba and Fabio Moon work from home. That doesn’t require much in the way of a dress code, but for the past nine years the two brothers have celebrated the completion of major projects with a unique tradition: dressing up.
If your parents ever complained that all of those Spider-Man and X-Men comics would interfere with your school work, show them this: This spring the University of Baltimore will offer a course examining modern culture through the lens of Marvel’s films, television series and comic books.
Thought to be the first class of its kind in the United States, “Media Genres: Media Marvels” will not only explore the intricate plotlines, characters and backstories that form the Marvel Cinematic Universe but also try to understand our fixation with superheroes and fictional global threats. Students will also study Joseph Campbell’s monomyth of the “hero’s journey.”
Available for preorder beginning Thursday, the Merc With a Mouth comes equipped with multiple guns, blades, grenades, hands — “jazz hands!” — heads, and speech balloons. Yes, like his comic-book counterpart, this figure breaks the fourth wall.
And if that weren’t enough, the Sideshow Exclusive version includes a flying zombie head. Check out the images below.
Sean Murphy is in the middle of drawing his first Image Comics series — a collaboration with Rick Remender called Tokyo Ghost — but he still has time for a side project, especially a fun one. Over the weekend Murphy posted a gorgeous illustration based on the classic video game Castlevania, but it’s not just a pin-up — it’s a piece done to the specifications of a classic stand-up arcade box.
“For fun, I’m going to do a series of pieces that are 23×7 like the marquee of a retro stand-up arcade machine (it’s that plexiglass light at the top),” Murphy writes.
Earlier this year a Philadelphia microbrewery paid tribute to The Walking Dead with a beer containing smoked goat brains, but as difficult as it is to believe, that now pales in comparison — and in potential grossness — to what’s been cooked up.
London’s Metro reports that Fox TV U.K. has teamed with creative director Miss Cakehead and Chef James Tomlinson from Mess London to develop a hamburger that … tastes like human flesh. To promote the upcoming fifth season of The Walking Dead, and its Terminus storyline, of course.
Although we can never be assured that a film or television adaptation of Batman will be any good, there is one safe bet: It will likely include a depiction of the murder of Thomas and Martha Wayne in Crime Alley (slow-motion shot of a broken string of pearls tumbling to the pavement optional, but preferred).
Gotham, which premiered Monday on Fox, was of course no exception, spurring Vulture to compile a supercut of the Waynes dying on screen, from Super Friends and Tim Burton’s Batman to Batman Begins and Batman: Arkham Origins. I imagine this is what Bruce Wayne’s nightmares look like.
Banned Books Week | National Public Radio’s Lynn Neary covers Banned Books Week, with interviews with frequently banned creators Jeff Smith (Bone) and Dav Pilkey (Captain Underpants). Although Smith acknowledges he was initially shocked to see his acclaimed fantasy adventure among the 10 most challenged books of 2013, he soon came to terms with the distinction. “I mean my heroes are on this list,” he says. “People like Mark Twain and Steinbeck and Melville and Vonnegut, so part of me also kind of says, ‘OK, fine I can be on this list.'” [NPR]
Banned Books Week | Michael Dooley runs a brief excerpt from Fun Home, and Keith Knight does a show-and-tell of his comics that were too controversial for some newspapers. [Print Magazine]