Living in Northern California I can relate to the “I need more space” dilemma. When comic and video game creator Harold Sipe moved from Brooklyn to North Carolina, he found himself with a lot more room to display his collection. In today’s edition of Shelf Porn, Harold shares his collection of comics, action figures and more, with a heavy dose of Star Trek, Star Wars and spinner racks.
If you’d like to share your collection here on Robot 6, you can find details on how to do that at the end of the post.
And now let’s hear from Harold:
Fans who have been waiting patiently for Walt Simonson to unleash Ragnarök have a very happy summer in front of them. Per a post on IDW’s Tumblr, the creator-owned project will debut in July.
And oh yeah, there’s also an epic image of Thor getting ready to bash the Midgard Serpent right in the face.
Announced at Comic-Con International in San Diego last year, Ragnarök returns Simonson to the realm of Asgard. “All I can say is that I’ve loved the stories of the Viking gods since I was eight,” he said last summer. “I am thrilled that with IDW’s help and support, I’m launching an ongoing series of stories built around a new vision of some old friends. And enemies.” IDW will also publish a remastered edition of Star Slammer, Simonson’s first comic work, later this month.
Check out the promo image below.
March brings not only strong winds and NCAA brackets, but also March MODOK Madness, the annual celebration of all things MODOK.
For the past several years, the March MODOK Madness blog has celebrated the big-headed villain by enlisting various artists to draw his MODOK-ness in all his glory. Marc has hardly started and already they have three posts up, including a frozen MODOK (why isn’t MODOK on an ice cream bar?), a team-up with Dr. Doofenshmirtz and Mark Monlux’s awesome Easter MODOK (seen below).
Be sure to check in with them all month for more MODOK artwork.
According to US Today, Ice Cream Kitty gains its powers when it eats ice cream mixed with mutagen, and it “turns into the Turtle’s secret weapon.”
Eastman’s appearance on the show is just one way the TMNT’s 30th anniversary is being celebrated. A March 14 episode reunites the voice cast from the original cartoon — Cam Clarke, Townsend Coleman, Barry Gordon and Rob Paulsen. Meanwhile, an anniversary special being released by IDW will reunite Eastman with Turtles co-creator Peter Laird, who worked together on the cover. The Turtles will also be featured this year in Comic-Con International’s souvenir book, which spotlights various comics and pop culture anniversaries.
I know the precise moment I stopped caring about the Ultimate universe: Ultimatum. If I’m not mistaken, a lot of readers lost interest there and then, for good reason. I remember reading through the event and somewhere, maybe after the Wasp’s cannibalized corpse, or during the big confrontation with Magneto, with the callous assassination of Cyclops, I just couldn’t find it in my heart to care any longer. My energy could be spent on better comics. I could go outside, maybe learn a language. I could do anything but care about this storyline and the characters Ultimatum left behind.
Event books aren’t supposed to do that. As much as we might grouse about their prevalence, they do serve a very important purpose within their universes and Big Two comics as a whole. “Events,” where a larger plot is spread across several titles, effectively act as a lure; for DC and Marvel, they’re a Whitman’s Sampler, offering a taste of what’s going on to new readers and longtime fans. They have to be something big, really big, so that readers don’t want to be left out of this major catastrophe. In fact, the idea of “saving the world” leans toward very easy reading for people coming into the event. The more characters they have working on this big world-shaking event, the more at least one of them will stand out for the reader.
DC Comics has announced a new lineup for its digital-first series Adventures of Superman that includes a collaboration between veterans Jerry Ordway and Steve Rude.
No stranger to the Man of Steel, Ordway was a staple of DC in the 1980s and ’90s known for his runs as artist, writer-artist and then writer of The Adventures of Superman and writer-artist of Superman. And while mostly closely associated with his own Nexus, Rude also has a past with the Last Son of Krypton: He illustrated the 1990 miniseries World’s Finest and the 1999 crossover The Incredible Hulk vs. Superman.
Ordway and Rude’s story, “Seed of Destruction,” appears April 14.
The other creators in the March and April lineup are: Joe Keatinge, Ming Doyle and Brent Schoonover with “Strange Visitor,” Part 1; Keatinge, Doyle, David Williams and Al Gordon with “Strange Visitor,” Part 2; Keatinge, Tula Lotay and Jason Shawn Alexander with “Strange Visitor,” Part 3; Kelly Sue DeConnick and Valentine De Landro with the one-part “Mystery Box”; and Steve Niles and Matthew Dow Smith with the one-part “Ghosts of Krypton.”
New chapters of Adventures of Superman are available each Monday at DC Digital First.
Chuck Dixon might be best known for his hard-charging stories of Batman, the Punisher and G.I. Joe, but he’s more than a work-for-hire writer — even though he’s good at it. Dixon got his start in creator-owned comics with 1984′s Evangline at Comico (and later First), and now after three decades as primarily a hired gun, he’s returning to his roots with a renewed vigor and years of experience under his belt.
The co-creator of DC stalwarts like Bane and Birds of Prey tells ROBOT 6 his future looks to be predominately focused on creator-owned comics, and he has no less than three creator-owned projects in the works — including one with his former collaborator Graham Nolan. That’s in addition to his recent foray into prose military fiction; after the success of the SEAL Team Six novels with Dynamite Entertainment, Dixon has gone into business for himself with a new series titled Bad Times, featuring a group of scientists and Special Forces solders who are transported 100,000 years into the past. With his time on G.I. Joe coming to an end with April’s G.I. Joe: Special Missions, Dixon’s next tour of duty may end up being his greatest yet.
Marvel has partnered with developer Glitchsoft to develop a mobile game based on the seminal 1981 X-Men storyline “Days of Future Past.”
Appearing in The Uncanny X-Men #141-142, the story by Chris Claremont and John Byrne depicts a timeline created by the X-Men’s failure to prevent the Brotherhood of Evil Mutants from assassinating a U.S. senator. In that alternate future, the giant robotic Sentinels have become the de facto rulers of the United States, where mutants are hunted down and placed in internment camps. To prevent that dystopian world from coming to pass, an adult Kate Pryde transfers her mind into her younger self in an effort to stop the event that triggers the anti-mutant hysteria.
Gallery Nucleus in Alhambra, California, most recently featured on ROBOT 6 for its “Little Golden Tales” exhibit, is playing host on Saturday to “Making a Living With Your Webcomics,” a four-hour event featuring Jason Brubaker, Travis Hanson and Ethan Nicolle.
Brubaker, who works for DreamWorks Animation, raised more than $125,000 through Kickstarter to publish his two-volume reMind; Hanson, creator of The Bean, raised more than $12,000 in the first 36 hours of his Kickstarter campaign for Tanner Jones and the Quest for the Monkey Stone; and Nicolle is the co-creator of Axe Cop, the hit webcomic turned animated series.
The seminar costs $80 for the 1 p.m. to 3:30 p.m. workshop and 3:30 p.m. to 4 p.m. Q&A seminar. Admission to the 4 p.m. signing session is free.
“When the government, in effect, attempts to dictate what college students must, or must not, read, the state is going to suffer. Not only will its censorship impede academia from innovation and honesty, it will, as Rep. Gilda Cobb-Hunter, D-Orangeburg, said, hurt the state’s efforts to attract jobs. Who wants to live in a place where legislative budget writers determine what gets taught in college?
Voters expect their representatives to fix roads, fairly fund education and make laws for the safety of citizens, not to police people’s thoughts.”
– the editorial board of the Charleston, South Carolina, Post and Courier, responding to a vote last week by the state House Ways and Means committee to reduce funding two universities that recommended gay-themed books. One of the schools, the College of Charleston, selected Alison Bechdel’s acclaimed graphic novel Fun Home, which Rep. Garry Smith, R-Greenville, said “goes beyond the pale of academic debate. It graphically shows lesbian acts.”
Big B Comics in Hamilton, Ontario, has a terrific-sounding initiative to help foster literacy, and comics reading, among students.
As the CBC reports, between now and spring break in March, students in grades kindergarten to 12 can bring their report cards to the flagship store and get a free comic from the Big B back-issue bins for each A. It’s an annual program called, fittingly enough, “Free Comics For A’s,” which also rewards those students at the end of the school year June who have shown an improvement in their grades.
“We’ll find some reason to give them a free comic book,” Nicole Cartwright, the store’s assistant manager, told the CBC.
The Big B website also emphasizes the dedication of the Ontario retail chain — there are also locations in Barrie and Niagara Falls — to education: There’s a “Library Resources” section that highlights reasons for using comics as educational tools, provides a glossary of terms and recommends age-appropriate titles.
If Hammacher Schlemmer‘s $200,000 licensed, street-legal 1966 Batmobile is a little too cheap, or a little too dated, for your tastes, allow us to this roadworthy replica on the Tumbler from Christopher Nolan’s Dark Knight trilogy. Listed on the James Edition luxury goods website, the vehicle will only set you back … $1 million.
But, hey, it’s worth it: This concept car — it’s “inspired by the movie Batman Begins” — comes equipped with an eight-cylinder LS1 engine, four 44-inch super swamper tires with custom rims, five driver-assist cameras and a stereo with blue tooth, CD/DVD and iPod integration. Plus, it’s a limited edition; there are just five of these in the world.
Retailing | The manager of Dragon’s Lair Comics & Games in Omaha, Nebraska, estimates 50 to 60 percent of their inventory was ruined by smoke and water after a fire broke out Sunday in the building that’s housed the store’s main location since 1976. Employees have been sorting through tens of thousands of comics to determine what can be salvaged while directing customers to the Dragon’s Lair store in the city’s Millard neighborhood. The hope is to use a store room next to the damaged building to begin offering limited services to customers — pull lists and special orders — as the retailer plans for what comes next. “We have every intention of reopening, here or elsewhere,” manager Craig Patterson said. “More than likely it will be elsewhere. And hopefully bigger and better than before.” [World-Herald]
Readers of superhero comics have long debated the merits of “decompression” and “waiting for the trade.” You can either read a serialized story as it comes out, or you can wait until it’s collected. With two issues to go, it looks like Forever Evil wants it both ways. It is structured for the Wednesday crowd but written for the trade; and so far, the result is a grim, vignette-driven affair. Writer Geoff Johns and artists David Finch and Ivan Reis (and their various collaborators) have set up an apocalyptic scenario and teased a handful of elements pointing toward its resolution; but they haven’t otherwise done much, issue to issue, to move the story closer to that resolution. Indeed, the deeper I get into Forever Evil, the more I suspect that it — like its prologue, “Trinity War” — may be only the latest chapter in an ever-expanding saga.
By itself that would be unsatisfying enough. However, Forever Evil was supposed to show off DC’s shared universe (New 52 edition). To be fair, its Justice League crossover issues have presented New 52 versions of Plastic Man, the Doom Patrol and the Metal Men, and alluded to past battles with old-school villains like Ultivac and the Construct. Still, except for the Metal Men, none seems directly related to FE’s eventual outcome; and each seems intended instead as an Easter egg or the seed of a future series. Indeed, while the “Blight” crossover has shown what happened to the magic-based superheroes, FE itself hasn’t delved too far into the whereabouts of DC-Earth’s non-Leaguer super-folk. For those of us wanting each issue to go somewhere new, or at least somewhere different, month in and month out Forever Evil has felt fairly repetitive. Moreover, in sidelining the Justice League itself, it’s removed a potentially productive narrative thread.
Inasmuch as these choices relate to the changing comics marketplace, Forever Evil could be one of the last big events structured this way, or it could be the shape of things to come.
“Today I am joined by researchers who invent some of the most advanced metals on the planet; designers who are modeling prototypes in the digital cloud; folks from the Pentagon who help to support their work — basically, I’m here to announce that we’re building Iron Man.”
That’s a direct quote from President Barack Obama during a White House manufacturing innovation event. Although it was a joke — “I’m going to blast off in a second. This has been a secret project we’ve been working on for a while. Not really. Maybe. It’s classified.” — the reality is that Iron Man-like technology has been in development, in one form or another, for some time.