Waid Assembles Big Stories for "All-New All-Different Avengers"
Virtually every year, there’s a high-concept Eisner nominee that utterly baffles me. In 2009, it was Speak No Evil, the undocumented-immigrant parable where a guy has a hole for a mouth, and last year, it was the weird Ant Comic. This year, it’s probably going to be Brian Fies’ The Last Mechanical Monster.
It’s based on Fleischer Studios’ 1941 animated Superman short “The Mechanical Monsters,” probably best known as the first time, in any medium, Clark Kent stepped into a phone booth to change clothes. The first few pages of Fies’ comic look like screen shots of the original cartoon. After that intro, the the story picks up 60-plus years later. We’re already in some strange territory: a fan fiction is now in Eisner Award consideration. Only … this isn’t fan fiction about Superman or Lois Lane; it’s about the villain.
We’re also informed that “The Mechanical Monsters” is in the public domain (a factoid that took me back to when I first watched the cartoon, on a VHS purchased for cheap at Woolworths that stopped functioning after two viewings). That gives the comic an added layer of trickiness, but maybe this is as legit an adaptation as, say, CBS’s Elementary.
Welcome to Food or Comics?, where every week we talk about what comics we’d buy at our local comic shop based on certain spending limits — $15 and $30 — as well as what we’d get if we had extra money or a gift card to spend on a splurge item.
If I had $15 this Wednesday, it’d be all Image for me – starting with Nowhere Men #3 (Image, $2.99). The Beatles as a scientific supergroup, through the lens of Dr. Strangelove? Let’s do this. I’ve been a big fan of Nate Bellegarde for a while, and this book finally seems to capture what’s unique about him – his comedy, his stark scientific acumen, and his humanism. After that I’d get Glory #32 (Image, $3.99). Beautiful cover by Ricken here, and reads like a great manga building up to some epic battle. After that I’d get Brian Wood and Ming Doyle’s Mara #2 (Image, $2.99). I tried to hold back my expectations before reading Issue 1, and I was blown away – so now Issue 2 has something to prove. Finally, I’d get Invincible #100 (Image, $3.99) (Cory Walker’s cover, if you want to know!). I’ve said it before, but I’ll say it again: I think Invincible is better than The Walking Dead. No need to compare the two really, though, because no matter how you cut it, this series is great … and what Kirkman and Ottley have planned for the 100th issue looks to be unique – both for the promised deaths and the promise of seeing what could have been had Mark Grayson chosen differently.
If I had $30, I’d make up for lost time and get Brian Ralph’s Cave-In (Drawn & Quarterly, $14.95) . I’m reticent to admit this, but I’ve never read this book. I loved Daybreak, but never found a copy or the motivation to seek out more … but this Wednesday that will change.
For splurging, I already have most of this in the single issues, but I can’t help but splurge on the new collection X-Men: Mutant Massacre (Marvel, $34.99). This was my first crossover in comics, buying back-issues before I discovered events like Crisis on Infinite Earths and Secret Wars. In my rose-colored glasses, it’s an ideal crossover for not being too overbearing and relating to a conflict or situation that isn’t superhero-specific. Love the Morlocks, love Uncanny X-Men and the associated books around this time, so I’m buying this and spending an evening enjoying it all over again.
Hey, it’s Thanksgiving this week! Which means it’s “Black Friday” this week! Which means, if you’re anything like me, you’re going to spend Friday staying far away from the madding crowds crushing themselves to death or a worryingly-close equivalent in search of a great bargain. So why not spend the time reading some comics, instead? For once, here’re some digital comics I think you should download and read instead of leaving the house this Friday.
This isn’t any kind of “best of” selection; it’s literally just a list of things that you may have missed that jumped out at me while perusing Graphic.ly and ComiXology’s selections this weekend, many of which are favorites of mine for reasons both strong and entirely random.