EXCLUSIVE: Battleworld Gets Dangerous in Marvel's July 2015 Solicitations
Creators | In a new profile of Naif Al-Mutawa, the creator of the Islamic superhero comic The 99 addresses the death threats made against him by ISIS and the fatwa issued against the animated adaptation in Saudi Arabia, and reveals he recently met with Kuwaiti police “to answer the charges of being a heretic.” Mutawa also blames pressure from “a handful of conservative bloggers” in the United States for The Hub not following through with plans to air the animated series. He said that after President Obama praised his work in 2010, attacks on him escalated in the United States, where he was painted as a jihadist “intent on radicalizing young kids to make them suicide bombers. And here [in the Gulf] I became an apostate Zionist. My mother told me growing up, be careful who your friends are because you end up inheriting their enemies. And that’s what happened: I don’t know President Obama. I’m very honored he called me out. But the hate became magnified after that.” [Al-Monitor]
In the litany of announcements, teasers and other media bombarding comics fans, it’s easy for some pieces of news to slip beneath the radar (even for those covering comics such as myself). So when I caught on Aaron Lopresti’s DeviantArt page that he’s working on a creator-owned series, it was news to me — and apparently most everyone else.
Lopresti has spent the past 20-plus years as an in-demand journeyman artist for the likes of DC Comics and Marvel, but now he’s looking for a change. On his DeviantArt blog, he announced he’s working on a new creator-owned series for Dark Horse titled Power Cubed that will make an informal print debut in his 2014 sketchbook, which will be released next week at Comic-Con International in San Diego.
Aaron Lopresti has been drawing comics for 20 years, but the project that comes out this week is something he’s never been able to do until now.
With DC Comics’ digital-first series Legends of the Dark Knight, the veteran artist of Wonder Woman and The Amazing Spider-Man was given a chance to write a draw a Batman tale on his own terms. Titled “I… Batman,” the story finds Batman at the mercy of a Murderer’s Row of villain, with Lopresti able to depict the rogues in the signature styles of some of their most popular artists. Brian Bolland’s rendition of the Joker from Batman: The Killing Joke, Bruce Timm’s Clayface from Batman: The Animated Series, and more. And for Lopresti, he gets to dream up a twisted Frankenstein-like version of Batman as seen above.
Lopresti spoke with ROBOT 6 about this unique assignment, his burgeoning career as a writer/artist, and the homages in this three-part story.
DC Comics kicked off its Villains Month last week, as the evil opposites of the Justice League invaded the DC Universe, seemingly disposing of all the heroes and taking over the world.
Likewise, the villains have been taking over DC’s New 52 line of comic books, with the MIA heroes finding the covers of their books occupied by bad guys. Those are, of course, the collectible and somewhat-controversial (among retailers) 3D lenticular covers.
But as the case with books, we shouldn’t judge a comic by its cover, so let’s continue reviewing our way through the contents of the Villains Month issues. As with last week’s batch, I’m rating each book on a 10-point scale of how evil it is, with “Not Very Good” being the worst and “Absolute Evil” the best, and noting its connectivity to the Forever Evil crossover event that sparked the promotion in the first place.
To see what James and the Robot 6 crew are reading, click below …
Hello and welcome to What Are You Reading?, our weekly look at the books, comics and what have you that the Robot 6 crew have been perusing of late. Today we welcome our special guest Steven Sanders, artist of such comics as Wolverine and the X-Men, Wolverine, S.W.O.R.D, Our Love is Real, The Five Fists of Science and more. He’s currently using Kickstarter to raise funds for a “Creative Commons art book” called Symbiosis.
“Symbiosis is a world-building art book that tells the story of a woman’s travels through a world where the symbiotic relationship that we have with technology is made much more visceral,” the Kickstarter page reads. “All sources of power are generated by bio-etheric engines, with which the operators share a direct mental link. The story-telling is loose and mostly visual. It will be told with art that uses a variety of media and formats: fully painted, colored line art, black-and-white line art, and comic art. What you do with this story is up to you. Enjoy it on its own merits, or take it and spin it off into any of a million different directions.”
To see what Steven and the Robot 6 crew have been reading, click below:
To see what Greg and the Robot 6 crew have been reading, click below …
The biggest news from this round of solicits is probably the cancellations of Blue Beetle, Grifter, Legion Lost, and Frankenstein. I’ve been buying Beetle and Frankenstein, so I’m sorry to see them go.
Naturally, this means we can look forward to four new titles in February. If I had to guess, I’d say a new Shazam! ongoing series will spin out of the current Justice League backup, but according to January’s solicitation, the backup doesn’t seem to have reached a suitable stopping place. It’s possible that February’s Issue 17 could wrap everything up one week and lead into Shazam! #1 the next, but that would depend on Justice League shipping on time (in the third week of the month), and I’d think DC would want more wiggle room in case of a delay. Accordingly, the odds of a Shazam! series in the next batch of solicits seem rather long.
Still, the backup series has been running in Justice League since #7, so (counting the Shazam-centric Issue 0, but subtracting the lack of backup in Issue 13) February’s Issue 17 would mark its eleventh installment. That is subject to change, since the October solicits advertised a Shazam! backup which was not in the actual issue. Still, if my rough math is correct, that’s about 154 total pages of story — more than the New Teen Titans: Games paperback, but less than the Superman/Shazam collection — but the solicit for January’s Issue 16 (part 11, remember) just talks about continuing the origin. With that in mind, even if Issue 17 concludes the backup, the character could still appear in JL as a Leaguer until he does whatever he’s going to do in “Trinity War.” Yadda yadda yadda, now I think probably no new Shazam! series until that event is over.
Continue Reading »
As DC’s “Zero Month” continues, this past week they introduced a brand new comic into the mix with Sword of Sorcery #0. The comic features two stories; the first is the return of Amethyst, written by Christy Marx and drawn by Aaron Lopresti, and the second is Beowulf by Tony Bedard and Jesus Saiz. It’s been a really long time since either concept graced the pages of DC Comics, so how did the new takes stack up? Here are some thoughts and comments from around the web:
Matthew Santori-Griffith, Comicosity: “DC is delivering my favorite of the New 52 Wave 3 titles so far with Sword of Sorcery, proffering two very different, but equally compelling, protagonists in Amy Winston/Amethyst and Beowulf. Marx and Bedard are both crafting very introductory tales here, but I actually can’t fault them for it. The take here is more fantasy than super-hero and readers may need a little more set-up for the less familiar genre tales.”
Minhquan Nguyen, Weekly Comic Book Review: “The plot itself is nothing much: the reclamation of a throne, a family power struggle, warring houses, and ancient history. This is Fantasy 101, but Marx seems to recognize that, so we should expect some new ideas down the line. In fact, Marx begins the process by drawing upon the rest of the DCU for inspiration, including the unexpected appearance of a certain magical mainstay towards the end. You don’t expect this particular bloke to show up in this particular title.”
It’s impossible not to be moved by the story of longtime comics writer and inker Karl Kesel and his wife Myrna, who less than four months ago adopted baby Isaac, the child of a heroin user who began life battling methadone withdrawal. Facing $67,000 in medical bills, in addition to the $25,000 for the adoption itself, and uncertain of how much would be covered by Myrna’s health insurance, Karl decided to sell the Silver Age Marvel collection he’d amassed over four decades.
Reading about the Kesels’ situation, a Reddit member named Razorsheldon rallied the troops to help the family while simultaneously attempting to save Karl’s comics. “Why not start a fundraising campaign to buy as many of his comics as we could so we could give them right back to him?” he wrote earlier this week. “I have no lofty expectations for this endeavor, but I thought even purchasing one comic would send the right message that there are people out there that are grateful that people like Karl and his wife Myrna exist to make this world a better place.”
On Friday, DC Comics announced four titles will launch in September, at which point the New 52 DCU (or New52U) will be one year old, and every title will get a special zero issue (you remember; you were there).
At this point, it’s unclear whether DC will be canceling four existing books to make room for this third wave of new titles — remember when the publisher announced a half-dozen new books in May, it was to replace a half-dozen canceled ones — but given the amount of work that went into making “The New 52″ a thing, it seems likely that four books will be canceled shortly to keep the number consistent.
Of course, DC doesn’t always do what seems most likely, does it? For example, when rebooting and relaunching the entire line of comics in an attempt to increase readership by seeking out new audiences, it mostly just rearranged their creative teams, so the “new” DC Comics were being made by the same people who made the “old” DC Comics, which is a little like a losing baseball team deciding to have all the players trade positions and see if that helps.
But what about these new titles? Who is making them, and what chance do they have in today’s market? Better than Hawk and Dove and OMAC? What chance do they have of growing today’s market or, at the very least, growing DC’s readership?
Let’s take a closer look at the books, and judge them by the judge-able information DC has released: Continue Reading »
Although it seems like DC’s big relaunch announcement came out an eternity ago, it actually took the publisher less than two weeks to roll out the 52 titles and their creative teams for the big relaunch/reboot/overhaul coming in September. Now that the cats are out of their respective bags, I thought I’d see where various creators and characters will land after the reboot.
So I went back through DC’s August solicitations to see who was writing or drawing what, and tried to map everyone to their post-relaunch project — if they had one. However, looking at DC’s August solicitations, there seem to be several fill-in issues, so where appropriate I tried to map the most recent ongoing creative teams to their new projects (for instance, I consider Gail Simone and Jesus Saiz the regular creative team for Birds of Prey, even if they aren’t doing the last two issues before September hits). Keep in mind that I just went through the ongoing series and skipped over all the miniseries … of which there are a lot, what with Flashpoint winding up in August.
It’s also worth noting that although several creators didn’t appear in the “big 52″ announcements, that doesn’t mean their tenure with DC is necessarily over — some, like Frazer Irving, have said they have future projects that haven’t been announced. So I tried to note where creators have talked publicly about their post-relaunch plans with DC (or lack thereof, as the case may be). The same could probably be said for some of DC’s characters as well. Or, as Gail Simone said on Twitter: “Again, September is NOT THE END. There’s still plans for characters that we haven’t seen yet.”
So let’s get to it ….
Although I’ve never been to the Emerald City Comicon itself, I dig the artwork they get for the Monsters & Dames art book. Case in point: the above illustration by Guy Davis.
This year’s book once again benefits Seattle Children’s Hospital, and includes contributions from Geof Darrow, Cully Hamner, Humberto Ramos, Frank Cho, Yanick Paquette, Skottie Young, Aaron Lopresti, Cliff Chiang, Mike McKone and many more. After the jump you’ll find their official PR, along with a few more images.
DC Comics is putting the “weird” back into the DCU with the launch of Weird Worlds, a new title that will feature three characters — the first of which will be Aaron Lopresti’s Garbage Man. “Monster books, they’ve become horror books in the last fifteen years, but I want to get back to monsters as superheroes,” Lopresti said of the character. No word yet on when the book will come out or who the other two characters are.
This is a pretty big week for DC.
I know I said that four weeks ago, when Brightest Day #0 and The Flash vol. 3 #1 appeared in comics shops, and I don’t want to take too much away from that.
Still, today saw the debuts of The Return Of Bruce Wayne #1, the relaunched Birds Of Prey #1, and Keith Giffen returning to his old charges from Justice League International. Not unsurprisingly, each of these comics builds on many years’ worth of stories, and each nevertheless aims to be accessible to the uninitiated. Therefore, this week let’s see how effective these four introductory issues are.
SPOILERS FOLLOW for Return Of Bruce Wayne #1, Birds Of Prey #1, Booster Gold #32, and Justice League: Generation Lost #1.